wabbit89 on Twitter. Thanks![/note] To be fair, I almost deserve it. I will jump at the flip of a hat to defend that movie against almost any criticism, not because I believe it's high quality cinema but because there is a deeper connection to that movie for me, as there is for so many of the trashfire films that occupy my DVD rack. Read MoreBad movies. Some of us love to hate them. Some of us just hate them. And then there are people like me. I have a fondness for a few films that practically everyone would agree are terrible. My seemingly illogical love of 1988's absurd McDonald's-funded E.T. rip-off, Mac & Me, has earned me a rotating sequence of callbacks on my podcast, The Skiffy and Fanty Show.[note]I'm only half teasing...[/note] It's a sickness to some, but for me, it's a product of experience.[note]This topic was suggested by
Twitter. Thanks, Joyce![/note] Earlier this year, Tor.com hosted a massive space opera extravaganza. Liz Bourke contributed a post on the politics of domesticity in space opera, with particular attention on what she somewhat half-heartedly called "domestic space opera." One of the important points Bourke makes is that the personal and the political are not necessarily separate entities. Bourke defends this claim by looking at several examples of space operas which place heavy focus on domestic spaces and by suggesting that perhaps it is the emotional dynamics of those spaces that make up the bulk of the operatic (or melodramatic) focus present in so much of space opera. It's an interesting post, and I suggest you read it. Read MoreDomesticity and space opera? Do they go together? Obviously, yes. But what happens when they do?[note]This topic was provided by Joyce Chng on
know me, I’m a sociologist and communications researcher who studies climate change, misinformation, and environmental attitudes. One of my research areas is climate fiction (“cli-fi”). More specifically, I study disaster films and how these films impact how we think about climate change. As a result, I’ve seen a lot of disaster films. I’ve given more hours of my life to this genre than is probably healthy, but even after all that I still love these movies, and not just as the subject of research. They have their own silly, adventurous appeal, and when approached with the right mind-set, they can give quite a few laughs and provide a fun distraction from the darkness in the world today. Disaster films overwhelmingly fall into two categories: big-budget blockbusters like The Day After Tomorrow and San Andreas and low-budget productions like Sharknado. Both types have their charms, but most people have heard of the major productions. This post is going to focus on some delightful examples that you might have overlooked. Read MoreFor those of you who don’t
- Books will be taken to mean "narrative fiction at novel length" rather than the broader definition we use today. Comics and graphic novels deserve their own list anyway. That means no movies either.
- I'm using my personal definition of space opera. I'm happy to talk about that definition at another time, but for now, I just want to share some things I love!
I asked for input from folks interested in the online space opera course I planned to teach/run at some point during the summer. Many of you gave me some excellent feedback about the form the course should take, the readings, cost, and so on, and so I set out to try to put something together in time for summer 2017. Well, it's officially summer, and as should be obvious right now, things aren't exactly put together. And there's good reason for that. Read MoreA few months ago,