wabbit89 on Twitter. Thanks![/note] To be fair, I almost deserve it. I will jump at the flip of a hat to defend that movie against almost any criticism, not because I believe it's high quality cinema but because there is a deeper connection to that movie for me, as there is for so many of the trashfire films that occupy my DVD rack. Read More
Twitter. Thanks, Jeff![/note] Read More
Twitter. Thanks, Joyce![/note] Earlier this year, Tor.com hosted a massive space opera extravaganza. Liz Bourke contributed a post on the politics of domesticity in space opera, with particular attention on what she somewhat half-heartedly called "domestic space opera." One of the important points Bourke makes is that the personal and the political are not necessarily separate entities. Bourke defends this claim by looking at several examples of space operas which place heavy focus on domestic spaces and by suggesting that perhaps it is the emotional dynamics of those spaces that make up the bulk of the operatic (or melodramatic) focus present in so much of space opera. It's an interesting post, and I suggest you read it. Read More
know me, I’m a sociologist and communications researcher who studies climate change, misinformation, and environmental attitudes. One of my research areas is climate fiction (“cli-fi”). More specifically, I study disaster films and how these films impact how we think about climate change. As a result, I’ve seen a lot of disaster films. I’ve given more hours of my life to this genre than is probably healthy, but even after all that I still love these movies, and not just as the subject of research. They have their own silly, adventurous appeal, and when approached with the right mind-set, they can give quite a few laughs and provide a fun distraction from the darkness in the world today. Disaster films overwhelmingly fall into two categories: big-budget blockbusters like The Day After Tomorrow and San Andreas and low-budget productions like Sharknado. Both types have their charms, but most people have heard of the major productions. This post is going to focus on some delightful examples that you might have overlooked. Read More
- Books will be taken to mean "narrative fiction at novel length" rather than the broader definition we use today. Comics and graphic novels deserve their own list anyway. That means no movies either.
- I'm using my personal definition of space opera. I'm happy to talk about that definition at another time, but for now, I just want to share some things I love!
I asked for input from folks interested in the online space opera course I planned to teach/run at some point during the summer. Many of you gave me some excellent feedback about the form the course should take, the readings, cost, and so on, and so I set out to try to put something together in time for summer 2017. Well, it's officially summer, and as should be obvious right now, things aren't exactly put together. And there's good reason for that. Read More
OASIS again! And let me tell you, I am super excited. Last year, I had the great pleasure of meeting A. Lee Martinez, who is both one of the nicest dudes that ever walked the Earth and also almost nearly as funny as me (not quite, but he gets like 9 points for being pretty cool :P; I don't know what these points are on about). OASIS is one of my local conventions, located in sunny Orlando. I'll be there for the full run of the convention -- May 19th to May 21st. This year, the Guest of Honor at OASIS is urban fantasy master Faith Hunter, author of the Rogue Mage series and the Jane Yellowrock series, among others. She has something like 9 million books published under one of her 9 identities (OK, so she's published around 32 books under three names, but 9 million is pretty close...). It should be a lot of fun to chat with her on panels in a couple weeks! And what am I up to? Boy howdy am I in for a busy weekend. This is my schedule: Read More
- Best Fancast
- The Skiffy and Fanty Show (Shaun Duke, Julia Rios, Paul Weimer, Mike Underwood, Rachael Acks, David Annandale, Jen Zink, and Trish Matson)
- Totally Pretentious (Shaun Duke and David Annandale)
Nina Niskanen. She suggested that I might teach a course on space opera for a more general audience using an online service . Her own interest came from the perspective of a writer who wanted to write space opera but didn't know enough about it. I thought that sounded like a great idea. Alas, I didn't have the time back then to really begin putting anything in motion. Teaching full time, working on a dissertation, attending conferences, applying for jobs, etc. But I'm about to graduate with a PhD in English (focused on science fiction). That means not only will I have a hell of a good credential for this sort of thing (aside from my existing work as a podcaster, etc.), but I'll also have quite a lot of time over this summer! And so here I am asking for your input. Since a lot of people who expressed interest in this are not academics or traditional students, it's important to me to figure out how best to approach the structure, focus, and presentation of this course. Below, I've broken things down into some general categories with occasional ideas about what I'd like to do. Mostly, this post is a series of questions for your consideration. If you're interested in any of this, please leave a comment or send an email with the subject "Space Opera Course" to arconna[at]yahoo[dot]com. Getting this feedback will ultimately help me create a better product for people! If you know someone who might be interested, point them in my direction. General: Read More