- It gave me an excuse to teach Ann Leckie, Tobias S. Buckell, and Star Wars.
- The course was marked as "American literature," so I had to stick with U.S.-American writers. I snuck some other stuff in, though.
- It was a subject that I particularly loved (but, as I discovered, which scholars had largely ignored up to that point).
Twitter. Thanks, Joyce![/note] Earlier this year, Tor.com hosted a massive space opera extravaganza. Liz Bourke contributed a post on the politics of domesticity in space opera, with particular attention on what she somewhat half-heartedly called "domestic space opera." One of the important points Bourke makes is that the personal and the political are not necessarily separate entities. Bourke defends this claim by looking at several examples of space operas which place heavy focus on domestic spaces and by suggesting that perhaps it is the emotional dynamics of those spaces that make up the bulk of the operatic (or melodramatic) focus present in so much of space opera. It's an interesting post, and I suggest you read it. Read More
- Books will be taken to mean "narrative fiction at novel length" rather than the broader definition we use today. Comics and graphic novels deserve their own list anyway. That means no movies either.
- I'm using my personal definition of space opera. I'm happy to talk about that definition at another time, but for now, I just want to share some things I love!
I asked for input from folks interested in the online space opera course I planned to teach/run at some point during the summer. Many of you gave me some excellent feedback about the form the course should take, the readings, cost, and so on, and so I set out to try to put something together in time for summer 2017. Well, it's officially summer, and as should be obvious right now, things aren't exactly put together. And there's good reason for that. Read More
Nina Niskanen. She suggested that I might teach a course on space opera for a more general audience using an online service . Her own interest came from the perspective of a writer who wanted to write space opera but didn't know enough about it. I thought that sounded like a great idea. Alas, I didn't have the time back then to really begin putting anything in motion. Teaching full time, working on a dissertation, attending conferences, applying for jobs, etc. But I'm about to graduate with a PhD in English (focused on science fiction). That means not only will I have a hell of a good credential for this sort of thing (aside from my existing work as a podcaster, etc.), but I'll also have quite a lot of time over this summer! And so here I am asking for your input. Since a lot of people who expressed interest in this are not academics or traditional students, it's important to me to figure out how best to approach the structure, focus, and presentation of this course. Below, I've broken things down into some general categories with occasional ideas about what I'd like to do. Mostly, this post is a series of questions for your consideration. If you're interested in any of this, please leave a comment or send an email with the subject "Space Opera Course" to arconna[at]yahoo[dot]com. Getting this feedback will ultimately help me create a better product for people! If you know someone who might be interested, point them in my direction. General: Read More