February 2007

World in the Satin Bag

Chapter Twelve: The End of the Beginning

(Note:  This is not official version and may be removed in the near future.  This do not reflect what is read in the podcast version, nor any other version you may encounter.  I have preserved the rough form for posterity — or something like that.  This novel has since been rewritten.) James had narrowly escaped death. In his mind he could still see the menacing white eyes of the creature, beast, whatever it was, thirsty for his flesh, thirsty for the sweet comfort he would have created inside its belly. Yet, he had survived. The sword, to his surprise, refused to leave his hand. He tried prying his fingers away, laying there on the beach, but his hand, and the sword, seemed unwilling to let go. The blade itself shimmered faintly as if it were suddenly brand new. He couldn’t quite understand how it had all happened. He remembered thinking desperately about the sword, and then it ripped free and he found himself on the beach, blurry eyed, and exhausted, sword tightly in his hand. Magic, he thought. For some reason he felt as if he were becoming more used to the blurry vision and weakness. He had the energy to stand again; he simply wanted to lay there in the sand for a moment. But Darl refused to allow him more than a few minutes, and before long, he found himself on his feet and hobbling through the open tunnel mouth and up a winding cramped tube. He dragged the sword behind him. Every so often the blade bumped Pea who in return grunted angrily and kicked it away. Darl, not at all to James’ surprise, became grumpier than before, grumbling to himself as they climbed. The journey up seemed far easier than the journey down. At least James thought so. The biggest problem he found was drying off. The process made him tremendously uncomfortable and he started to feel the way a cranberry might feel after being drowned. Still, he prayed and hoped there would be a soft bed in Arnur and that he would be able to sleep. And sleep. And sleep. The tunnel no longer curved in strange winding patterns; rather, it kept relatively straight in a easterly direction. James took this as an advantage. It meant they would have a full understanding of which direction to look when they managed to get out of the tunnel. Slowly the tunnel widened allowing everyone in the group to walk fully upright. James sighed as his spine popped. He stretched as best he could with the sword hanging from his hand. Then a faint light appeared, intensified, and then the end of the tunnel presented itself. Pea quietly put out his torch and placed it in his bag. Darl broke into the outside world first, then James, and Pea shortly after. James breathed in deeply, closed his eyes, and reveled in the moment. He promised himself that should he ever get home he would never go spelunking. Not so long as I have a choice. In the distance massive bangs filled the air like the sound of two enormous boulders crashing against each other, or a tremendous rockslide ripping away from a rock face. James saw Darl look back and for a moment thought to look too. He stopped himself in mid-motion. He wasn’t sure if he could handle it. Darl’s eyes were sunken; Pea, who had turned a moment later, looked on the brink of tears. The sounds continued and James built up the courage. He turned. The sight before him, a sight he had half-expected and yet could never fully prepare for, caused his knees to quiver, nearly buckling beneath his weight. Fires ravaged anything that could burn within Arlin City. Though he couldn’t see the main gates, he could tell that the walls had been crushed. Buildings buckled from car-sized stone missiles. But the fires hadn’t reached the two towers. Instead chains with links the size of human torsos stretched up the height of the structures. The Adul’pur shimmered. Faint black clouds enveloped the bridge. They grew in intensity, becoming like elemental serpents, surrounding the Adul’pur, but held back by an invisible force. Whatever held the clouds a bay lost its strength and in a sharp flash of light the Adul’pur shattered and exploded out into a green mist and disappeared. The black clouds dissipated just as sneakily as they had come. Then, the chains became taut. A stone missile ripped low into Naz’ra. It hung in balance with gravity and the last remaining supports within its structure, and then it fell, toppling down in a maze of dust, slabs of stone and pulverized rock. The sound of it all seemed infinitely greater to him. He winced as it crashed and dropped to his knees. He watched the dust settle and tears began to well in his eyes. Then Al’Dul creaked, a long crack opening like the maw of a stone beast along its midsection. Another stone missile burst through it. Then it crashed, hitting the hilltop in two large pieces, fragmenting, and spilling dust down the hillside. “We must go,” Darl said. James buried his head into the ground and sobbed. “James,” Pea said, “we have to go. There’s no time.” “I-I…” “Fear not. Luthien will pay for this.” But Darl’s words had no affect on him. He broke down completely, feeling as though one of his parents had died. What have I done? What have all these people done to deserve this? He searched for the answers; none came. It’s all my fault. Every last bit of it. If I had never come here, none of this would have ever happened. God help these people. God help me. “We have to move now. If his men see us, then all of this is pointless,” Darl said, then searching for the words, “all those people would have died for nothing. Don’t let that hang on your shoulders. Ammond knew there were great things

Book Reviews, World in the Satin Bag

Book Review: The Forever War by Joe Haldeman

I have quite a lot of books that I have yet to read in my collection, and then I have some books that are classics or older books that I am reading for my literature class. So every so often I will be reading a book that is a classic or old, or just not necessarily from the last couple of years. The Forever War is a book I read for my literature class. So here goes my review.The Forever War is another military SF novel in much the same fashion as Old Man’s War by John Scalzi was written. The only difference is that Old Man’s War is relatively new in comparison. The Forever war is in first person, follows a single character–as should be the norm in a first person story–and deals with the concept of an interstellar war between mankind and an alien race known as the Taurans. The novel begins with the main character–William Mandella–being drafted into the first strike force for the United Nations Exploratory Force, emphasis on ‘force’. This is not an ordinary draft. Mandella is a genius, along with practically all of his fellow draftees. Every single new soldier has an IQ of 150 or more and can contribute something to the war. Mandella was a physics teacher. Why get smart people for war? You can count on smart people to be able to think while blasting away the alien menace, which you would hope would put you in an advantage.The most mind boggling part of this book was the way in which the soldiers traveled. This book was written a hell of a long time ago, so much of what we know about physics would probably make Haldeman’s plan for interstellar travel pretty much impossible, but regardless here it is. They pass through things called “collapsars”, which are essentially black holes. Since it is impossible to reach the speed of light, one can go through a collapsar and appear somewhere on the other end. The thing about traveling this way is that for those inside the collapsar, people practically going the speed of light, experience a completely different speed of time than those outside. Mandella might experience a week on ship time, while the Earth would experience years. Centuries pass him by like nothing. What I found interesting was actually trying to contemplate running a military with this sort of time dilation. How does one schedule someone for deployment when you haven’t a clue when a ship is going to be coming back in? This was the one thing that just made it so amazing for me.I think this is an amazing novel. It’s not the best written SF novel I have read though. Haldeman is rather good at writing, but his style is not as strong as Scalzi’s, in my opinion. However, this doesn’t in any way detract from the effectiveness of the novel. I found myself caring about what happened to Mandella, and alternately what happened to his friends. He is able to draw that sort of emotion with me in his writing.Haldeman makes the changes on the Earth over centuries look so real and natural. You start to wonder how you would react to a world that is so drastically different. What do you think you would expect if in two hundred years the Earth was overpopulated and there was need for some sort of universal birth control?This book is essentially a classic. Everyone should read it at some point in their reading life. It’s a relatively quick read and delves deeply into an ever changing world that you start to feel a little out of place. If you read this, think how you would react to a world so drastically different from your own? Would you be able to adapt to the changes? Or would you try to find a new home for yourself?

World in the Satin Bag

Major Score! Writer: 1 Fate: -2

K, the title really is just my odd sense of humor and it will likely make little sense. I just think it’s silly. So apparently I am one of the few winners of the Debut a Debut contest at Writing Aspirations. I’ve apparently won Ninja by Racy Li. It’s somewhat of a dark urban fantasy/erotica from what I can tell. I’ll be inserting it into my reading list now.Additionally, I’ve managed to score quite a good collection of new books over the weekend, mostly from going to local thrift stores. The closest one to me tends to have a little section of scifi and fantasy, so naturally I migrate there from time to time. So here is what I got: The Wilderness Four-1 / Across the Far Mountain by Niel HancockThe Heaven Makers by Frank HerbertThe Abductors: Conspiracy by Jonathan Frakes (a.k.a. Riker from Star Trek Next Gen.)Timeless Stories For Today and Tomorrow by Ray BradburySandkings by George R. R. Martin (huge score here)Tales of the Velvet Comet #1: Eros Ascending by Mike ResnickOrion by Ben BovaThe Best of Isaac Asimov by Isaac Asimov (duh, lol.)Flashforward by Robert J. SawyerAtlas Shrugged by Ayn RandThe Crack in the Sky by Richard A. LupoffMyth Adventures by Robert Lynn AsprinThe Deed of Paksenarrion (trilogy) by Elizabeth MoonKrondor the Betrayal by Raymond E. FeistTekWar by William Shatner (the Shat!)Great Sky River by Gregory BenfordThe Last Light of the Sun by Guy Gavriel KayA Thunder on Neptune by Gordon EklundRedshift Rendezvous by John E. StithThe Lost Swords: First Triad by Fred SaberhagenThe Lost Swords: Second Triad by Fred SaberhagenThe Complete Book of Swords by Fred Saberhagen And from Borders:The Seeker by Jack McDevittJupiter by Ben BovaSo I really made out rather well. Some new stuff, some dorky stuff, and a lot of old hard to find near-golden age stuff. I love Golden Age scifi. All that stuff set in times when we knew so little about physics that you could get away with almost anything. Ahh, so great. Also, figured I would post my ‘reading list’. This doesn’t include the books for my scifi/fantasy lit class though, but I intend to review most of the books that I haven’t read from that class. Currently Reading: Venus by Ben Bova, Forever War by Joe Haldeman, and Childhood’s End by Arthur C. Clarke 1. Shadow Fall by James Clemens2. Seeker by Jack McDevitt3. Ninja by Racy Li (e-book, won it!)4. The Elder Gods Book One by David and Leigh Eddings5. Cell by Stephen King6. Two Wizards by Darren Reid (e-book)7. Nebula Awards Showcase 2004: Edited by Vonda N. McIntyre8. Jupiter by Ben Bova9. Mad Ship by Robin Hobb10. The Time Traveler’s Wife by Audrey Niffenegger11. The Locus Awards: Edited by Charles N. Brown and Jonathan Strahan So that’s basically my ‘to read’ list for the time being. I didn’t want to make it horrendously large simply because that would be crazy. I unfortunately don’t have a Library Thing subscription so I can show random stuff from my book library and other such nifty features. I was under the impression that Shelfari had such things, but I can’t seem the find them. Maybe there is another site that I can do the widget thing for free. Anyone else have a ‘reading list’ or some such?And have you found nifty deals in your local area such as the thrift store I mentioned? (I didn’t mention the local library that has a ‘fill-a-bag-for-5-bucks’ sale during summer…my collection is upwards of six hundred books because of those things…) Or, perhaps you know a neat website or some such that you found useful for finding amazing deals.

World in the Satin Bag

A Writer’s Friend–Music

I’ve had this idea floating around in my head for a while now. What exactly is the affect of music on writers? Are some inspired by listening to certain forms of music? Or do some not listen while writing at all?In my case it can be either/or. Depending on the type of mood I am in, I can write while listening to music, but in other cases I have to have complete silence. I generally listen to music without words, though, namely classical and orchestrated soundtracks from movies. So I am curious what music does everyone listen to when they write? How does it affect you? And, alternately, has a song, or section of a musical piece, inspired you so much that you’ve actually written a scene set to it?I ask that question simply because it seems that some authors, besides myself, have had this experience. Christopher Paolini wrote the final battle scene in Eragon while listening to Carmina Burana, a fantastic epic classical work by Carl Orff. If you listen to parts of it you’ll understand why he was so influenced by that piece. I have tried looking for other authors that have had similar experiences, but have somewhat come up short. Over here at Quantum Storytelling Redchurch has written a blog about favorite writing music. He quotes using a lot of different forms of music, mostly from film composers.In my case I find that I am increasingly influenced by two specific pieces of music from two rather entertaining films. One is from The Chronicles of Narnia soundtrack, track 13. I’ve actually written in my head an entire scene for The World in the Satin Bag. It’s a very emotional scene too, one in which I am not at all excited to write. The other is the track entitled Kronos Revealed on The Incredibles soundtrack. I’ve not written anything for it, but every time I hear that piece I start to really think. It is a powerful and gripping piece from the film and ends on this dark, brass filled set of notes, intensifying to a climax. So, what sort of music affects all of you in your writing? And, if we take this in the opposite direction, perhaps something you have written inspired you to write a song or think of something musical. Spider Robinson worked with David Crosby to write a sort of ‘scifi’ folk song for one of his novels. You can see the interview here. It’s really the dorkiest you can get, but makes you think a little.

Book Reviews, World in the Satin Bag

Book Review: The Tower of Shadows by Drew Bowling

This is for the Debut a Debut contest I discovered here.Every once in a while you stumble upon a great work of art within the fantasy genre. Take Eragon by Christopher Paolini for example. A young author writes a fantastic epic and well driven story, and succeeds. Not only that, Paolini wrote a sequel which, while not quite as good as Eragon, deserves just as much praise for the development of the various characters.However, The Tower of Shadows is not one of these so called ‘great works’. Rather, it is a terribly written, poorly plotted, and mindlessly pointless piece of fantasy fiction.At first appearances, and at first glance, you get the idea that this is going to be a story that falls into many cliches, but has the potential to add some new and fascinating twists. The synopsis is gripping enough:(My version) “Long ago a demon called Apollyon broke free from his imprisonment. Two brothers are the only ones that survive in the village, taken to safety by the wizard Dale, and Apollyon was caged again. Wren, wandering into the village, also manages to escape with the help of Dale.Some years later Cade, grown and possessed with great magical power, seeks vengeance for the horrible deaths of his parents. He hopes to bring Apollyon back and destroy the demon, forever banishing Apollyon from the world. He needs his brothers’ blood–Corin–and a mythical dagger. Dale, however, hopes to protect Corin from the evil idealogy of his brother.And so it begins…” When you open the book, in the first 50 or 60 pages you start to ask yourself a few questions, realizing that the synopsis has just tricked you into reading something that might pass as a paper weight instead: Who is the main character?Honest to God question. In those first pages I mentioned you are introduced not only to the supposed main character (Wren), but to Dale, a wizard, two assassins who’s names aren’t important, but who play an important role, the bad guy (Cade), his powerful apprentice Damon, the brother Cade needs (Corin) and his friend Dusty and his Uncle or Father, or some such figure, Adriel (Dale’s apprentice) and Wren’s daughter (who’s name escapes me at the moment). And mind you, we’re inside all of these peoples’ heads throughout those 60 or so pages. I wanted to know who was going to be the focus of the book, because with the POV jumping around all over the place I couldn’t tell who was the central character. The synopsis told me it was Cade, the writing made it seem like it was Wren–though it on his daughter and other characters just as much on him. Why does it take almost 100 pages before the story really starts going?Now, I know in books of 400, 500, or more pages you wouldn’t expect a full flowering of the plot in any way until probably around that 100 or so page mark. What I mean is, the plot is well on its way, it’s heading slowly for the climax, and you have an idea of what is going on, even if you don’t know all the facts, etc. Tower of Shadows is a 286 page book, this means that the central character should be obvious by page 10 and the plot should be well on its way by page 40 or 50. Rather, the plot doesn’t kick off until you’re so thoroughly bored with the pointless talk of the characters lives. Yes, we need that information, but not if you are going to waste our time and ignore the fact that there is supposed to be some evil stuff going on and the good guys are supposed to be gearing up for a fight. Why do dragons of this world (Ellynrie) have four wings?Now, for most of us fantasy readers or writers, we can dispell disbelief. But we also all know that dragons are enormous creatures of immense power and tend to have some sort of intelligence. We also know them to have two wings. So why four? I can’t explain it. Theoretically speaking, a creature as large as a dragon with four wings would be incapable of much more than perhaps eating, sleeping, and reproducing. The brain mass needed to have some sort of sentience (even sentience to know to destroy human habitations on purpose) would be far too large and complex that such creatures would have to be more intelligent, or far more dominant than humans. Bowling never explains this. We’re supposed to take it as it is. Unfortunately, I can see the problem with a four winged massive beast. Alright, so those are some immediate questions. So now I’ll address some other issues with the book.First a positive.Not all is bad with Tower of Shadows. Despite his constant switching of POV, Bowling’s writing style is powerful. He can describe like nobody else. My biggest complaint in his writing was the excessive use of metaphors that really had no context in the story. The thing about metaphors is this: use them, but don’t make it confusing. Despite that, if he had written this in the mind of Wren, fine tuned the plot and some other elements, I imagine this would have been a halfway decent novel. Another issue with this novel that is less positive is the actual plot and action. First, the majority of the good guys get around on pure luck, despite the fact that Wren is supposed to be this amazingly accomplished fighter and for whatever reason Adriel is supposed to be quite powerful. Wren’s daughter is, well, a useless and pointless character. She serves no purpose other than to drive Wren further on his quest for fear that that he might lose her. And if she had died I think his convictions would have been doubly strong. Instead, she parades around with Wren doing mostly nothing but crying, feeling bad for the mishaps that happen to her father, and doing insanely stupid things that any supposedly

World in the Satin Bag

Chapter Eleven: Of the World Below

(Note:  This is not official version and may be removed in the near future.  This do not reflect what is read in the podcast version, nor any other version you may encounter.  I have preserved the rough form for posterity — or something like that.  This novel has since been rewritten.) The cold black enveloped him in every direction and he soon realized that his inability to breath was the result of being thrust many feet underwater. But with nothing but darkness filling his vision he couldn’t tell which direction led to the surface. He hung there for a moment, feeling the water he had accidentally ingested swimming in the bottom of his lungs and his reflexes telling him to cough. Then, he picked a direction and swam frantically. A few seconds turned to many seconds and he started to wonder if he had chosen wrong and that he would die in the bottom in a watery grave. Quickly he dispelled those thoughts and swam harder and faster. Then, miraculously, he broke the surface. The chill sensation of air tickled his face. He breathed hard and coughed wildly as his lungs begged to be free of their burden. He dispelled the water and phlegm that found its way back into his throat and then breathed a sigh of relief. Looking around he could see nothing. Without the light from Pea’s magical torch every direction left him blind; his eyes could not adjust. To add, his arms were still burning and the only thing that kept him going was the burst of adrenaline injected ever so smoothly into his muscles. James tried to float on his back in order to cool his aching body. He managed it, albeit crudely, and grinned at having remembered something he hadn’t done since he was five. The only thing holding him down was his pack, which he took great effort to keep centered so he didn’t have to flop around too much to keep afloat. What am I going to do, he thought. The echo of voices answered his question. At first he couldn’t make out what was being said as the voices merged into a collage of sounds. Then, as if his hearing suddenly became more accurate, he could hear the faint arguing of Pea and Darl. Despite his fear he chortled. Then the joyful moment was over. “I’m okay,” he said, practically screaming it. A first there was no reply except the continuing debate above. Then, suddenly the echoes stopped. “James?” Pea’s voice came, broken, through the tunnel. “I’m okay. There’s water down here. A lot of water. I can’t see.” He slipped briefly, coughed up the water that ran into his mouth, and righted himself. “We’re on our way!” James waited patiently in the water, floating calmly. He could stand the dark—for a time. He had never been afraid of the dark, not really. His parents had told him he had feared it when he was younger, but he could never remember those days, and in some ways he was grateful not to. He instead fixated on the nights when his parents had told him to go to bed and he had simply remained awake fiddling with his computer. He started to wonder when he would get to use his computer again. He floated there in the dark for what seemed like ages. The sounds of Darl’s work in the tunnel filtered through the air. Shortly after the languid glow of Pea’s torch send a shimmer of light through the end of the tunnel and James could finally make out the dark shapes of his surroundings. The tunnel ended some twenty feet above him, simply cut off by the ceiling of a monumental cavern that stretched farther than the light could reach. We must be under the river, he thought. He wondered how far Arnur was from the river. He guessed a couple miles at least, assuming they didn’t get lost, something he hoped wouldn’t happen. There’s no time for that. A cry of surprise from above forced James to look up just in time to see Darl falling haphazardly through the opening in the tunnel. He tried to move out of the way, but it was too late and Darl came crashing down a few feet from him, landing stomach first, and sending a wave of water over his face. Darl surfaced a moment later. Pea snickered. “Not funny!” Darl said. Then Pea cried out too and fell with a small plop, sending yet another wave of water over both James and Darl. Then Pea surfaced too. “Right, not funny,” Pea said, the torch still held in his tiny hand. The flame hadn’t gone out, in fact, it had sunk an inch below the water and still glowed bright. James admired it for a brief moment. Then Pea said, “Well, what direction should we go.” “I haven’t a clue where we are, let alone which direction is east.” “I think we’re under the river,” James said. “But where under the river I don’t know. The tunnel didn’t exactly stay straight.” “Pick a direction then.” Pea didn’t seem too pleased with the option, but opted for it nonetheless. James hung his head back for a moment and let his ears sink, using his legs to keep him afloat. He floated there, silent and quiet, contemplating the next course of action he would have to take. East could be any direction, he thought. And if we go the wrong way we’ll all be dead. Something gently tugged on his back. At first he ignored it, thinking it little more than the movement of water around him, a current, or perhaps Darl or Pea swishing around. It was only enough to grab his attention, nothing more. But, he soon came to realize that it wasn’t the swishing and movement of his companions that was causing the force on his back. Rather, something inside his pack seemed to be pushing against the side. He

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