June 2007

World in the Satin Bag

Chapter Twenty: Of Nor’sigal and the Edge of Reason

(Note:  This is not official version and may be removed in the near future.  This do not reflect what is read in the podcast version, nor any other version you may encounter.  I have preserved the rough form for posterity — or something like that.  This novel has since been rewritten.) The lead archer called himself Iliad. He was a tall man, brown hair, brown eyes, and a wide, white, toothy smile that stretched from cheek to cheek. His bow was strung over his shoulder—a light cerise color and carved with gently wavy lines—and he gladly welcomed James, Pea, and Darl to the far shore of the Nor’duíl River. James learned quickly that Iliad and his men were scouts, in one sense of the word. They were more or less given orders to intentionally cause trouble, at least according to Iliad. James thought it strange that such an order would be given, but he accepted it. Who am I to question a Lord, he thought. It occurred to him that perhaps Iliad was simply told to cause distraction. The location of the Summering Rocks, as he understood it, was the only place for miles that was safe for any man to cross. One could ride north of the Drain and cross there, but that ran into the problem of figuring out how to cross the Drain itself—a rushing and utterly dangerous river that acted as a run off for the overflowing reaches of the Nor’kal River. James followed Iliad away and into an open field that stretched flat and open for miles, Pea and Darl close behind. Even bushes were scarce here, and only in the far off distance could he see anything tall enough to be a tree. Browned and dwindling grasses made up the field, a sign of a warm summer to come. He had seen pictures of the valley in California, a place where spring made the landscape look like a beautiful recreation of the green, luscious hills of Scotland. Things looked beautiful there—emerald green everywhere, flowers blooming brilliantly like little beacons of beauty rising from the earth. Then summer hit, and everything seemed to die. The heat was too strong for the grasses that once made the hills green. The fields turned golden brown and unwelcoming, though many found them beautifully. James, however, did not. Only the trees stayed green, and barely at all for they looked duller than they once had. Here, across the Nor’duíl River, it looked like much the same had happened. The wide field looked like a treeless California meeting with a treeless Africa, uniting under one visual banner. Burs, stickers, and foxtails clung to the Blaersteeds’ fur. Big clumps covered their legs, and not only the steeds, but the archers as well, as if they were little parasitic passengers hoping to catch a ride to the next town. Nor’sigal sat some ways away in the center of the field. It was a tall place, not in the same sense that Arlin City was tall, but in the way it presented itself. In the center was the keep—a structure that rose up above everything else. The square walls of the city were the lowest structures visible, as buildings within slowly climbed in altitude making the keep seem like the tip of a giant wood and stone pyramid. And then there was nothing else. No city outside of the walls, nothing. Nor’sigal looked like a diamond in the rough. James couldn’t see any farmland nearby. Where do they get their food? He wondered how a city like Nor’sigal—a relatively large city that could house a few thousand people easily—could survive without any farmland nearby. He decided to consult the etiquette book. He regretted not having used it in a while and imagined if the book were alive it would dislike him for his lack of attention. In bold, shiny gold letters, gleaming like a warning, was a message that said: “I regret to inform all of you who have so dutifully supported my work on this particular book, that this will be my last update. It has come to my attention that civilization is falling. It is perhaps a possibility that the future will hold peace once again and I may resume my most respectful of duties. Until such times I will be in hiding, for I cannot risk being taken by the ruthless madman that runs through our world. So, in my final words I greet you with a plethora of new material, the last material. Much is incomplete, horribly incomplete I might add, but it will all serve a greater purpose. I know this, and believe this. Thank you all and may you all be safe in these dark times.” Then in bold was the date and a wavy lined signature from Azimus Barthalamule. James couldn’t believe it. He stared at the paragraph, the last words of the man who had created How Not to Be Barbarian, Fifteenth Edition. He couldn’t believe that the world was changing this much. Even the smallest things were going away. He wondered how many others were going into hiding now. Was Azimus the only one? Would there be many others? Yet Azimus had to go into hiding. He knew that much. Azimus knew far too much to end up dead some place. If civilization really was crumbling, then Azimus might have the knowledge to bring it back. For a while he sat on Mirdur’eth’s back with his eyes fixed on the opening page of the etiquette book. He gently shook his head, incredulity taking him. Then, slowly he reached out and turned the page to the table of contents. Every single section was lit up. The table stretched for dozens of pages, all of which seemed to have appeared out of thin air. Each entry was bold and bright gold. New sections were added in the last few pages—What to do When Your Horse is Nicer Than Your Wife, The Secret World of Illegal

World in the Satin Bag

The Beginning of the End of Something or Other

Some quick blog notes. I’ve added a Shelfari Widget to my sidebar. It will show all the books I am currently reading. Right now it is quite a few, a bunch from the reading list. Also I have a friend who may be creating me a really cool new banner for the header of the site, which I am really excited about.That same person did a really cool fanart drawing of the attack on the assassins in Chapter Nineteen. Take a look!I like it because it is fanart for my novel. I’m sort of incapable of disliking it because it is quite cool looking. Fanart is of course welcome here :). In other news, we are drawing so near the end of this novel it is actually scaring me. I am curious how everyone else feels about finishing novels. This will actually be my first completed novel–albeit not necessarily the first novel that is perfect in any sense of the word. I’ve written a lot of novels and stopped. I think what is keeping me going on this is the fact that I have fans. There is something really fantastic when a fan tells you they love your work.Regardless, this is a scary thing. I realize that the story is not finished, since there are other books in the works, but my goodness, it’s like sending a child off to college or something of that nature. It’s strange that I feel this way. I suppose you could say I have become attached. The characters resonate with me. And they are all so very different and unique from each other–at least in my opinion. So, for the sake of random interest: Do any of you get a sort of fearful feeling when you are about to finish a work–regardless of length? How do you handle it? Tell me about it. I’d like to hear your stories of emotional attachment to, well, stories!

Book Reviews, World in the Satin Bag

Book Review: Devilish by Maureen Johnson

I have to admit something to all of you. When I first picked this book up from my pile of award nominees I had very low expectations for it. I thought it was going to be terrible. I really did. I’m not sure why I thought this. Perhaps it had to do with the cover, which, while perfectly fitting for the story itself, would never have grabbed my interest in the book store–not in a million years. This has a lot to do with the fact that the story is more aimed, in my opinion, towards teenage girls. It is, after all, from the viewpoint of a high school girl, dealing with high school romances, friend problems, and other typical teenage dramas. Therefore, the cover had to reflect the target audience.I am so happy that I was horribly and idiotically wrong about this novel. It was fantastic. So good, even, that at times I wished I had a valid excuse not to go to work. I read it over the course of the last three days (finished it last night), reading at work during break and an hour each night. I didn’t want to put it down, but I had to. I wanted to continue on. I wanted to get to the end so bad because I wanted to know everything that happened.What makes this novel so good? Johnson’s writing style, or at least how she writes the first person narrative of the main character Jane. It’s that perfect style that tells you exactly what you need to know about the character–she’s a teenager, smart, and downright sarcastic and hilarious. Her style is strong throughout. I found myself giggling internally–I don’t generally laugh out loud when reading or express much of any emotion…that’s just the norm for me.The story is this:Jane attends a religious prep school with her best friend Allison. Jane is, well, to put it simply, an academic genius. But she’s not without her faults–she tends to get in trouble a lot. Allison is clumsy, throws up when put under pressure, and altogether quirky and odd. Then one day, after a terrible disaster where Allison throws up all over a freshman in the gym, Allison returns to school a completely different person. She’s so different that she’s answering questions during class, and correctly, she’s wearing new clothes and has new confidence. To make things worse, she’s just stolen Jane’s ex-boyfriend–well stolen is the wrong word, but you get the picture.Soon Jane finds out that there’s more to this sudden change than meets the eye. Allison has done something terrible and stupid–she’s just sold her soul to the devil.The story is, well, excellent. It’s strong, flows well, and sticks right to the point without running off in directions that are unnecessary. Jane is an awesome character. She’s full of life, spunk, and awesomeness–yes, I used that word to describe her. I found her to be a fantastic character.There were only a couple times I got annoyed during the novel and this had nothing to do whatseover with the story itself. I think the publisher perhaps misprinted some sentences in the novel so that they are in some ways using the right words, but are grammatically incorrect. I doubt this has anything to do with the author though.All in all the novel is damn good. It moves fast, has its fair share of twists and turns, and proves to me that I can’t judge a book by its cover all the time. Doing so means I will miss out on gems like this. Check this novel it. I think you’ll really enjoy it!

Book Reviews, World in the Satin Bag

Book Review: The King of Attolia by Megan Whalen Turner

I’m heading quick into my list. I’ve already finished off two books on it, and am well on my way into Devilish. So, here is my review of this particular book.I can’t say that I really liked The King of Attolia, but neither can I say I hated it. It was so-so for me. One of the interesting things I thought this novel had over other fantasy novels was that it did not revolve around a major military conflict. The conflicts generally seemed to be internal, rather than external to the kingdom of Attolia. In addition to that I found that the world that Turner had created was so believable it was actually real. There is a good reason for this: it is so much like a Greece that never was. There are guns and pocket watches. Think of Greece if it had survived long enough to become an empire much like England became. Can you imagine?The story is this:This book takes place some time after her first book The Thief, but stands alone I think. The King of Attolia is an outsider. He’s not an Attolian, but an Eddisian from a neighboring kingdom, and not only that, he practically stole the throne. Few respect him, and the Queen herself at one point cut off his hand. But Eugenides must come to grips with the reality of his situation: he is king, whether he likes it or not, and he cannot run away–he must prove that fact to those that are bound to serve him.Costis is a soldier who has made a terrible mistake. He just struck the King. But to his surprise he is pardoned, and his Captain too. Rather than being exiled he is put under the King’s charge as part of the King’s attendants. Costis hates the King, and always has. He loves his Queen, but the King is a different story entirely. That is where the story should have stayed. The problem with the book, a part that makes the story itself a little weak, is that under all of that is threat of invasion from a neighboring kingdom, an uprising among the nobility (Barons), and mounting attempts on the King’s life. Now, the last thing worked well in the story. With Costis being a sort of personal guard for the man he loathes, it is an amazing transformation to see how the characters grow through the story. But my biggest beef was that the story focused on something that would seem literally trivial in comparison to the first two subplots. I think trivial hatreds among soldiers is minute in comparison to threat of invasion by a force that the Queen herself knows she cannot repel if the Barons cannot be controlled. So why are we focusing at all on the fact that the King is disliked and has to prove himself? At this point it’s almost pointless. Who cares if the King shows that he is worthy of his position, even if he doesn’t want it, if by the end of the oncoming war there might not be a King and Queen of Attolia at all? The subplot of war could very well have been left out in my opinion. It only damaged the story.Turner’s writing is solid, except in times when she is intentionally trying to be vague about details. There is a scene in the novel where the King is being attacked by assassins and later in that chapter we learn that the King kills all three, even though he’s technically a cripple. Yet, the scene isn’t even written. It’s almost as if the page was missing that had that action in it. Turner goes on to say that it all happened so fast, but the scene itself shows that the King is being killed. I re-read it a dozen times and still couldn’t figure out how we went from King being killed to King killing.Another issue was the constant jumping around of POV. The only characters I cared about were Costis and Eugenides. Costis is the central character and should have remained the focus. There were a bunch of jumps to characters that weren’t really all that important. We didn’t need their insights on things because Costis provided enough.The novel itself ends rather shaky for me. It seems like the novel should have gone on a bit longer in my opinion. It just stopped on a happy note, and that was that. There’s no climax, no build up to an ultimate finally. It digs into the story, stays there, and never rises to the occasion.Other than that I found the novel to be decent enough, if not lacking. Might not be the best novel written, but certainly not the worst. At least the characters and the worlds were believable.

World in the Satin Bag

New Continents in the Works

Yes, the title is correct. I am working on adding new continents to my world. As of right now I have one in mind and it is giving a hell of a lot more trouble than Traea ever did. Traea seemed to flow from my mind without much of a thought, but geographically speaking this new continent is too complex to seem real. I have to bring it down several notches now just to get it to where I like it. So what does this mean for WISB? A lot. First, the second book already is looking to be off of the mainland of Traea to begin with–though that can change as I progress through the story. A second continent is needed simply because I have way too much in my head for there not to be. I can’t put it all on Traea. That would make for a severely compressed batch of ideas and concepts. This second continent I think will incorporate some aspects that perhaps are not so prevalent in WISB as we know it, as well as drawing on some things that I think are quite intriguing but don’t get much play in the first book simply because there isn’t room for it. And since we know what the title of the second book is–the tentative title anyway being The Spellweaver of Dern–that should give quite a few clues as to what to expect for the second book. But first, I have to get through book one, I have to put together a portfolio so I can get into the creative writing program at UCSC, read a hell of a lot, keep writing short stories as I am horribly behind now, and try not to get overly annoyed with my grandma as she bugs me left and right to clean and clean and clean so we can sell the house while trying desperately to do all the things that are of the most value to me–basically anything that has to do with writing. Oi. 😛

Book Reviews, World in the Satin Bag

Book Review: Recursion by Tony Ballantyne

As part of my reading list for the awards, here is my review of Recursion.It’s not very often that I get to read something as utterly complex as this story. I don’t mean complex in that “I don’t understand or fully comprehend” in the same fashion as was the case with The Elysium Commission (which was a good book nonetheless). Rather I mean the sheer massiveness of the concepts involved within the novel itself.The basic story is this:Herb is a young entrepeneur in a futuristic ‘world’ (figuratively speaking since in this case there are many worlds within Earth’s scope) governed by an entity called the Environmental Agency. He is returning to a planet where he had illegally set into action little machines called VNM’s–self replicating robots that can be programmed to create entire cities–only to find that his VNM’s have gone haywire and overrun the planet, destroying everything of value. Just when he thinks he might get away with it, being so far from the center of control for the Environmental Agency, an EA agent pops up in his ship. Soon he finds himself in a different sort of trouble as he learns that his accident is nothing compared to what the something called the “Enemy Domain” is up to.There are two other story lines that run through this. One involves Constantine–set in the past before Herb–who is called a “ghost” because he has imbedded into his mind four other personalities (not the psychological condition, but actual other personalities that live in him as he goes along with his life…they interact and the like). The other is Eva who we find out in the beginning has been planning to kill herself for some time but because the Environmental Agency is truly the nosiest of governments it won’t allow her to do it without careful planning. This is set in the past as well. Later on we find her in a mental health facility with a group of people paranoid about something called “the Watcher”.Now the two other story lines run in with the main story with Herb. Both merge in the end with Herb. I don’t think it was a perfect merging, it was somewhat flawed and not quite as strong as I would have liked, but it worked well enough to keep me interested in the story from start to finish. One of the things I loved most about this book were the concepts in it. You have VNM’s that can build AND destroy, people who have extra personalities that are practically their own people inside of their minds, copied mental entities within sustained ‘Matrix’ style worlds that are just as alive as the minds they came from, and AI’s that have grown and evolved so much that they are actually smarter than humans–for obvious reasons.All this makes for a very intriguing story. The action was fantastic and I found that I truly enjoyed all the characters, even the crazy ones. I generally don’t like stories with so many story lines, partially because I like to delve deep into individuals rather than groups. Luckily I think Ballantyne managed to create very 3-d characters for me. They had fears that were real in the world they lived in. They cried when they were supposed to; freaked out when things went bad. They were, essentially, very human! He does an excellent job taking characters that aren’t human and twisting them just so slightly so you might start to wonder, “something just isn’t right about you.” The twists and turns keep the plot fresh and new. I liked this book very much. It will be in my collection for some time and I expect to read some more Ballantyne.

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