Novel Ideas to Feed a Starving Artist

Reading Time

Today I received the latest issue of Sirenia Digest. I love this little journal because it’s a PDF put together by Caitlin R. Kiernan and Vince Locke. Typically it features two vignettes by Caitlin and artwork by Vince. But the real reason I like it is because by subscribing (via PayPal), I’m directly supporting the creators.

Sirenia Digest is simply designed (it’s a Word document with a few images in it, basically, that has been converted to PDF) and the stories in it are always a little raw and personal. There’s no editor telling Caitlin what to write; she just writes what she wants. This allows her the perfect medium to experiment and practice her writing.

Often, the stories don’t have much in the way of traditional narrative. Such is the way of vignettes. They paint dark, disturbing, usually erotic images, and then move on. Perfect reading for this sound bite generation, methinks.

The power of Sirenia Digest, too, is in what it offers the creator. I’m not sure if Cailtin has any overheads, but writing two vignettes a month should be easy enough and, if she’s getting $5 per month per subscriber, it’s a decent amount of petty cash. All she’d need is 10 subscribers to pay for satellite. 100 subscribers for a month’s shopping. 1000 subscribers for a (cheap) car. That’s a nice, easy earner for any writer, for only two stories. To earn the equivalent of a pro sale on each vignette (which are usually under 10K words), she’d only need 100 subscribers. Since most of her stories are around the 2K mark, she’d only need 40. Which doesn’t sound so bad. I’m half tempted to do something similar myself. Of course, I’m not Caitlin R. Kiernan and I don’t have Vince Locke illustrating my work, but it’d help pay the bills.

Maybe in the future writers will support themselves in this way, bypassing magazines and publishers altogether and selling direct to their readers.

It’s a quaint thought, isn’t it?

Email
Facebook
Twitter
LinkedIn
Digg
Reddit
LinkedIn

One Response

  1. It’s a lovely idea, but what people tend to forget is that such technology/options that remove the middle man (the publisher) actually make finding good literature more difficult for the reader. This will not only impact sales, but reading in general. I’m not remotely interesting in doing the work of the publisher by weeding out all the poorly written garbage just to give a writer an extra buck. If this option were to replace the current methods you can bet I’ll stop reading anything new being put out there. I don’t have the time or patience to deal with poor writing, which is something that still plagues the self-pubbed world and is a legit reason for its shunning. The publisher is there for a damn good reason. They do publish crap from time to time, but at least you know it’s crap mainly because of story, not because of exceedingly crappy writing.

    So, while this is a beautiful thought, if it were to mean that loads of people would start doing this and charging, you can bet people will stop reading. Nobody wants to shell out $5 only to find out they’ve completely wasted their money on some hack who shouldn’t have any sort of writing career in the first place. Rejection is part of the writing game…

Leave a Reply

Follow Me

Newsletter

Support Me

Recent Posts

A Reading List of Dystopian Fiction and Relevant Texts (Apropos of Nothing in Particular)

Why would someone make a list of important and interesting works of dystopian fiction? Or a suggested reading list of works that are relevant to those dystopian works? There is absolutely no reason other than raw interest. There’s nothing going on to compel this. There is nothing in particular one making such a list would hope you’d learn. The lists below are not an exhaustive list. There are bound to be texts I have forgotten or texts you think folks should read that are not listed. Feel free to make your own list and tell me about it OR leave a comment. I’ll add things I’ve missed! Anywhoodles. Here goes:

Read More »

Duke’s Best EDM Tracks of 2024

And so it came to pass that I finished up my annual Best of EDM [Insert Year Here] lists. I used to do these on Spotify before switching to Tidal, and I continued doing them on Tidal because I listen to an absurd amount of EDM and like keeping track of the tunes I love the most. Below, you will find a Tidal playlist that should be public. You can listen to the first 50 tracks right here, but the full playlist is available on Tidal proper (which has a free version just like Spotify does). For whatever reason, the embedded playlist breaks the page, and so I’ve opted to link to it here and at the bottom of this post. Embeds are weird. Or you can pull songs into your preferred listening app. It’s up to you. Some caveats before we begin:

Read More »

2025: The Year of Something

We’re nine days into 2025, and it’s already full of exhausting levels of controversy before we’ve even had a turnover in power in my home country of the United States. We’ve seen resignations of world leaders, wars continuing and getting worse and worse (you know where), the owner of Twitter continuing his tirade of lunacy and demonstrating why the billionaire class is not to be revered, California ablaze with a horrendous and large wildfire, right wing thinktanks developing plans to out and attack Wikipedia editors as any fascist-friendly organization would do, Meta rolling out and rolling back GenAI profiles on its platforms, and, just yesterday, the same Meta announcing sweeping changes to its moderation policies that, in a charitable reading, encourage hate-based harassment and abuse of vulnerable populations, promotion and support for disinformation, and other problems, all of which are so profound that people are talking about a mass exodus from the platform to…somewhere. It’s that last thing that brings me back to the blog today. Since the takeover at Twitter, social networks have been in a state of chaos. Platforms have risen and fallen — or only risen so much — and nothing I would call stability has formed. Years ago, I (and many others far more popular than me) remarked that we’ve ceded the territory of self-owned or small-scale third party spaces for massive third party platforms where we have minimal to no control or say and which can be stripped away in a tech-scale heartbeat. By putting all our ducks into a bin of unstable chaos, we’re also expending our time and energy on something that won’t last, requiring us to expend more time and energy finding alternatives, rebuilding communities, and then repeating the process again. In the present environment, that’s impossible to ignore.1 This is all rather reductive, but this post is not the place to talk about all the ways that social networks have impacted control over our own spaces and narratives. Another time, perhaps. I similarly don’t have space to talk about the fact that some of the platforms we currently have, however functional they may be, have placed many of us in a moral quagmire, as in the case of Meta’s recent moderation changes. Another time… ↩

Read More »