The Interview Questions Meme

Reading Time

I discovered this meme through Tanaudel some time ago and she sent me a series of questions to answer. Before getting to those, however, I need to tell you the rules for this meme.

The Rules:

  1. Leave me a comment saying, “Interview me!”
  2. I will (probably, in my sole discretion, and reserving the right not to – can you tell I’m a lawyer?) respond by asking you five questions. I get to pick the questions.
  3. You will post the answers to the questions (and the questions themselves) on your blog or journal.
  4. You will include this explanation and an offer to interview someone else in the same post.
  5. When others comment asking to be interviewed, you will ask them five questions. And thus the endless cycle of the meme goes on and on and on and on…

If you’re interested, let me know in the comments and, if your email isn’t in your profile, provide me a way to contact you directly. And with that out of the way, on to my responses to Tanaudel’s questions:

  1. With what philosophy do you meet rejections (and why and whence derived)?
    I learned long ago (like four years ago) that if you let things like rejections and failures get you down in a significant way, it will stop you from doing the things you actually love. With writing, I used to get depressed and upset at not doing well at it. There was a point where I didn’t write for well over a year (compounded by the fact that I was fighting off cancer, which I beat the sh*t out of, by the way…that bastard cancer). This all probably had a lot to do with the fact that at the time I was a lonely teenager that hadn’t come into his own, felt lost in the world, didn’t have a purpose, etc. I didn’t have a fun time as a teenager, generally speaking (as much as I hated Placerville, it was probably the best time of my High School life because I started to get a bit more of that “accepted” feel there than anywhere else, but I still left school and teenage-hood with the belief that women were, by definition, put on this Earth to torment me).
    So, there came a point where I started taking my writing really seriously (probably around the same time I started this blog, actually, with WISB and all that–chapters viewable on the left sidebar) and decided that if I was going to get butthurt over rejections and harsh critiques, I might as well stop being a writer altogether. I later learned that Jay Lake had hundreds upon hundreds of rejections before his writing really took off, and still gets rejections, further proving that getting butthurt over it is a bad way to go.
    So, my philosophy is much more about simply accepting that you can’t win every time, that life throws you curveballs, and that learning from failure/rejection is better than mulling over it. It’s okay to get upset, but don’t let it control you. Right now I’m thinking of a silly quote from Mystery Men:
    Sphinx: Your temper is very quick, my friend. But until you can master your rage…
    Mr. Furious: …your rage will be your master? That’s what you were going to say. Right? Right?
    Sphinx: Not necessarily…
  2. You’ve talked about losing interest in a series between books. Do you find that you tend to enjoy reading books more when you know the whole series has been published?
    Not necessarily. Ha! I wrote that twice. Anywho.
    I can enjoy a series that hasn’t been finished yet, I just find that knowing I don’t have to wait 15 years for the final installment to be printed makes it easier on me. I hate waiting. Every week waiting for the next episode of BSG is murder. So, really, if a series is good, it’s good regardless of how much of it is already published; a series that isn’t all that good is going to be mediocre even if all twelve volumes are in the stores.
  3. Name five books you mercilessly inflict on everyone you meet (or would mercilessly inflict on people if you were that sort of person) – not necessarily your favourite books (although they might be) but the books you think people should read.
    Mercilessly inflict? To be honest, I don’t think I’ve intentionally done this. I guess the books that I push people to read tend to be staples in the genre: 1984 by George Orwell, Ender’s Game by Orson Scott Card, Do Androids Dream of Electric Sheep? by Philip K. Dick, and others. Newer books I suggest folks read are: Sly Mongoose by Tobias S. Buckell, The Innocent Mage/The Awakened Mage by Karen Miller, The Golden Cord by Paul Genesse, Spaceman Blues by Brian Francis Slattery, and dozens of others. It’s hard to pick just one book I push on folks, since I push a lot of books. Then again, I try not to push books on people, because I know that irritates me.
  4. What do you try most to avoid in your own writing?
    Maybe preaching, or making mistakes, or I don’t know. I’m still developing my craft. A lot of things I refused to do before I am now doing as experiments. Back then I didn’t do those things because I hated them, but something about me is changing. I enjoy writing in first and third person present. I like trying to infuse literary elements into my fantasy and science fiction. There are a lot of things I’m trying now that I didn’t try years ago. I still try to avoid writing stories that have nothing to say. That doesn’t always mean I succeed, but I tend to hate my stories when they are just cliches. I still write cliches, obviously, but the ones that are literally cookie-cutter crap tend to end up in a “forget” folder somewhere.
  5. Which artist would you want to design a book cover for your work?
    Stephen Martiniere would be a knee-jerk reaction, however I’ve recently discovered Pavel Elagin, a wonderful water-color-ish artist who does work that I find intriguing in their minimalistic approach (or at least what I perceive to be minimalistic). I’d be happy if he were to do the covers for my books, because I think he is a great artist with a lot of potential. Then again, I am a sucker for the watercolor-to-scifi look.

And I think that’s it from me. If you’re interested in being “interviewed,” leave a comment telling me so! Anywho :).

If you liked this post, please stumble it, digg it, or buzz it.

Email
Facebook
Twitter
LinkedIn
Digg
Reddit
LinkedIn

One Response

  1. Lovely soft paintings!

    I’m interested in the different ways people cope with rejection, and why they react that way (Peter M Ball said he likes rejection letters because they let him feel productive (by sending stories out again) without actually having to write anything 🙂

    Interesting, too, that you try not to write stories that have nothing to say, and yet avoid preaching. Do you ever find that a narrow line to walk?

Leave a Reply

Follow Me

Newsletter

Support Me

Recent Posts

A Reading List of Dystopian Fiction and Relevant Texts (Apropos of Nothing in Particular)

Why would someone make a list of important and interesting works of dystopian fiction? Or a suggested reading list of works that are relevant to those dystopian works? There is absolutely no reason other than raw interest. There’s nothing going on to compel this. There is nothing in particular one making such a list would hope you’d learn. The lists below are not an exhaustive list. There are bound to be texts I have forgotten or texts you think folks should read that are not listed. Feel free to make your own list and tell me about it OR leave a comment. I’ll add things I’ve missed! Anywhoodles. Here goes:

Read More »

Duke’s Best EDM Tracks of 2024

And so it came to pass that I finished up my annual Best of EDM [Insert Year Here] lists. I used to do these on Spotify before switching to Tidal, and I continued doing them on Tidal because I listen to an absurd amount of EDM and like keeping track of the tunes I love the most. Below, you will find a Tidal playlist that should be public. You can listen to the first 50 tracks right here, but the full playlist is available on Tidal proper (which has a free version just like Spotify does). For whatever reason, the embedded playlist breaks the page, and so I’ve opted to link to it here and at the bottom of this post. Embeds are weird. Or you can pull songs into your preferred listening app. It’s up to you. Some caveats before we begin:

Read More »

2025: The Year of Something

We’re nine days into 2025, and it’s already full of exhausting levels of controversy before we’ve even had a turnover in power in my home country of the United States. We’ve seen resignations of world leaders, wars continuing and getting worse and worse (you know where), the owner of Twitter continuing his tirade of lunacy and demonstrating why the billionaire class is not to be revered, California ablaze with a horrendous and large wildfire, right wing thinktanks developing plans to out and attack Wikipedia editors as any fascist-friendly organization would do, Meta rolling out and rolling back GenAI profiles on its platforms, and, just yesterday, the same Meta announcing sweeping changes to its moderation policies that, in a charitable reading, encourage hate-based harassment and abuse of vulnerable populations, promotion and support for disinformation, and other problems, all of which are so profound that people are talking about a mass exodus from the platform to…somewhere. It’s that last thing that brings me back to the blog today. Since the takeover at Twitter, social networks have been in a state of chaos. Platforms have risen and fallen — or only risen so much — and nothing I would call stability has formed. Years ago, I (and many others far more popular than me) remarked that we’ve ceded the territory of self-owned or small-scale third party spaces for massive third party platforms where we have minimal to no control or say and which can be stripped away in a tech-scale heartbeat. By putting all our ducks into a bin of unstable chaos, we’re also expending our time and energy on something that won’t last, requiring us to expend more time and energy finding alternatives, rebuilding communities, and then repeating the process again. In the present environment, that’s impossible to ignore.1 This is all rather reductive, but this post is not the place to talk about all the ways that social networks have impacted control over our own spaces and narratives. Another time, perhaps. I similarly don’t have space to talk about the fact that some of the platforms we currently have, however functional they may be, have placed many of us in a moral quagmire, as in the case of Meta’s recent moderation changes. Another time… ↩

Read More »