Show Review: Dollhouse (Ep. 1)

I was skeptical of Dollhouse, not because of Whedon (I’m a huge Firefly fan), but because it’s science fiction television on a network station (FOX). FOX has done a fine job destroying good science fiction shows for a while, and even killing a few that weren’t great, but still deserved to have a good run. Then, of course, there’s the fact that I find the vast majority of television in general to be mediocre at best, including some shows folks have praised as great. (Minor spoilers ahead, although, to be honest, if you’re at all interested in this show and haven’t seen the first ep., then you probably already know what I’m going to talk about)

Dollhouse, I think, is a show with an enormous amount of potential. The first episode does a fine job establishing all the major elements Whedon wants us to know about. The Dollhouse is a facility where people are implanted with personalities to perform tasks (called “engagements”) and where, once finished, these same people are essentially wiped of those implants and returned to the facility where they are monitored and kept in relative bliss–free massages, free healthcare, and presumably free happy time. Echo (Dushku) is our protagonist, whose reasons for coming to the facility are, as of yet, not clear (I get the impression that she did something bad, but this could be twisted in so many ways based on the introductory moments). On one particular mission, Echo begins having flashbacks of something she witnessed back at the Dollhouse and flashbacks from the personality she has been implanted with. This, of course, raises a lot of questions about the memory-wiping/implanting process and the facility in general.

Underneath all this there are several subplots:

• A detective (Penikett) investigating the existence of the Dollhouse (who seems somewhat, well, obsessed?).
• The conflict between Echo’s handler (Lennix) and the director (Williams) of the Dollhouse.

It’s hard to say for certain whether I truly like this show based on one episode. As of now, I am excited to see what Dollhouse has in store for me. It could turn out to be my replacement for Battlestar Galactica, a show that is inches away from ending and subsequently turning my life back to the TV-less boredom it once was. Perhaps Dollhouse will become the next great science fiction show, or perhaps FOX will kill it like they did Firefly.

What I can say about the first episode is that it is expertly crafted. Transitions are smooth, the acting is on par, the characters are interesting, the concept is fascinating and well drawn (leaving out a few things to make sure there’s plenty of twists and turns later), and overall it’s beautifully written.  Some part of me also wanted there to be more of the creep-factor in the Dollhouse. Don’t get me wrong, it’s somewhat of a creepy-everyone-is-the-same place, but I think Whedon could have stepped a little farther into the darkness of this entire concept. After all, the inhabitants of the Dollhouse, with the exception of the staff, are essentially slaves. Short of them going schizo on us, they’re stuck there and could technically be kept there indefinitely without knowing about any of it. That’s somewhat terrifying and it will be interesting to learn whether the Dollhouse is really all that secret, or if there’s something darker underneath that we haven’t learned about.