AmazonFail: Another Company Being Stupid
It’s apparently been going on for a few weeks, but it’s only just exploded in epic proportions in the blogosphere in the last day or so (as far as I know). What is it? I’ll give you the short version: Amazon essentially changed he way they list books on their best seller’s list, search feature, and the site in general, by removing sales information (specifically ranks) from books deemed to be “adult.” They apparently wanted to make it so “adult” books could not end up on the best seller’s list (and other reasons, I’m sure). Only, Amazon has seemingly gone off the deep end by removing sales ranks from a heck of a lot of books that are not only not adult at all (at least not compared to the stuff they’ve been letting through, such as American Psycho), but happen to have LGBT (lesbian/gay/bisexual/transgender) themes or characters (a good example of how stupid this is can be found here, where a non-fiction book was cut off, while a violent, bloody fiction book was not). So, Twitter and the blogosphere (and all sorts of online news agencies) are throwing a fit over this, and rightly so (one fellow has even written an open letter to Amazon about the whole ordeal). Yes, there are a lot of links in that sentence–to highlight the enormity of this, I assure you. Amazon has apparently blamed this on a glitch in the system, but most are calling B.S. on that, and rightly so. I was shocked when I first heard about it this morning. I don’t know if this whole ordeal was done with any malicious intent; it probably wasn’t. Maybe it was a glitch after all, but you’d think a company as big and influential as Amazon would have tested this thing before implementing it, or at least took the notices sent to them by angry customers seriously when this all began. I’m going to keep this post short primarily because it seems like Amazon is going to fix the problem. If things don’t improve, I think we can all begin to speculate on why Amazon is pandering to the whims of the religious right. Right now, it doesn’t seem like there is much more to say other than pointing to the rants and angry posts of others. Am I upset by this? Yes, actually. Amazon better get its act together soon or they could end up with a hell storm on their doorstep. We’ll see what happens in the next week. Anyone out there have any thoughts? Feel free to leave a comment!
Red Dwarf: Back to Earth
WARNING: Huge spoiler alerts and ranting ahead. I was nervously awaiting RD:BTE. I wanted it to be great but expected it to be shocking. Then I saw the adverts and thought it’d be even worse than that. Then I watched the first episode, and thought maybe it was okay. Then I watched the second and refused to watch the third. Luckily, my friend convinced me to give it another shot, and I watched the whole thing back-to-back and it (almost) worked. But then again, it almost completely failed too. Here’s why. 1. Audiences were initially shocked at the crew. Where were Kochanski and Holly? Why was Rimmer a hologram again? Kochanski and Holly’s absences were explained, and became explicitly clear by the end of the mini-series, so I got over that. Also, it’s understandable why Rimmer was a hologram. He was the only crew member stuck on the decaying ship in the original reality at the end of series eight. Everyone else had crossed into the mirror universe. It’s feasible to imagine Rimmer died with the crew, although it doesn’t explain how he became hardlight (the hardlight drive was developed after Red Dwarf was built and left the solar system) or has memories of the events the previous hologrammatic Arnold Rimmer had (unless, somehow, Holly has updated his memory and personality files based on the logs of Red Dwarf and Starbug from the past few years). 2. Pace. Put simply, in part one there was none. As an episode, it felt entirely like build-up for something else. There were a few good jokes, but they were too sparse, and the CGI sets were too obtrusive. But I hate CGI in general, because I believe it lacks the fullness, body and texture of models and physical structures. Indeed, the whole thing feels like a movie chopped into three parts, because the pacing is slow and the narrative wallows and wanders a bit. It never feels it’s going anywhere or is in any rush to do so, until the last 15 mins of episode three. 3. Episode 2. This was scary stuff on first viewing. ‘What, the whole of Red Dwarf was a *fucking* dream?’ (Well, actually, it was a TV series, and the characters have escaped the TV programme to enter the real world.) This was the same metafictional plot of The League of Gentlemen, and it didn’t work for that franchise either. Luckily, episode three redeems the series, but you’d be forgiven for switching off in a rage. I was so appalled I wanted to cry. 4. Coronation Street. When Lister arrives on Coronation Street (which actor Craig Charles currently appears in), I groaned. This was the worst kind of cross-merchandising, self-referential bullshit I could think of, I thought. I cringed and winced and wanted to die. But my friend had spoiled the ending (thankfully), so I could take a deep breath and watch it, knowing it would soon be over. What saved the entired trio of episodes was the last half of episode three. We discover, thankfully, that this is a reworking of Back to Reality. We should’ve guessed from the title and the squid, right? But apparently we didn’t (not all of us, or at least, not right away). It makes sense, though, since Back to Reality was voted fans’ favourite ever episode. And here’s the big spoiler: the squid was a female despair squid (a ‘joy’ squid), whose own ink is the opposite of the male’s. Instead of inspiring despair, it creates joyous hallucinations where all the dreamer’s desires come true. So in this world Kochanski is still with us and even when Lister realises he’s in a hallucination, he initially decides to die with Kochanski in the dreamworld. It’s only when he realises Kochanski is still alive, and Kryten staged her death to hide the fact she dumped him, that he eventually decides he can win the real Kochanski back and leaves the dream world. Apparently, all four of the heroes have an immunity to the ink from their previous encounter with the squid, which allows them a degree of agency and awareness in the dream, and thus the ability to wake up. Of course, for Rimmer to have this immunity, Holly was either a very clever computer, who altered Rimmer’s hardlight ‘biology’ to account for his experiences, or he’s the same Rimmer who left to become Ace in ‘Stoke Me a Clipper’. The Blade Runner references were nice but blatant, although far preferable to the Coronation Street ones and the scenes where Lister and co find their own Red Dward TV show DVDs. The dialogue was less infantile than series eight, though not as sharp as series six (perhaps more like series seven). The special effects were neither here or nor there. So overall it wasn’t too bad. Two thirds of it were annoying at first, but the final revelation is interesting, if not original. Especially when Kryten reveals that the reality of their hallucination has, because of multiverse theory, become real. Effectively there is a new universe where people believe Red Dwarf is a TV show, which is actually not quite real itself (i.e., our world is born of their hallucination and theirs is the ‘real’ world). This salvages some of the more awkward moments, and the gags soften the blow somewhat along the way. Obviously, it’s a far cry from the excellent comedy of previous series, and continues the tread into comedy drama over sit com territory, but it’s not as bad as I initially thought. Furthermore, it does show promise that Doug Naylor has some really great plot twists in his head, albeit ones that rely on hackneyed stories in the first place. I would have preferred something more daring, but whatever. A mixed bag, but worth a watch when it comes out on DVD (most likely in an unedited film-length version, which would be much better).