To Shut Up or Not to Shut Up: Should Authors Respond to Reviews?

Reading Time

I think this whole discussion needs to be prefaced by an entirely different discussion on cause and effect. Nobody has the right to tell you that you are not allowed to do something. You can do anything you want in this world, but you must always face the consequences of your actions. If you murder someone you cannot expect that there will be no repercussions, particularly in a place like the United States where you will be prosecuted and either imprisoned or put to death if you are caught and found guilty of such a crime. The same can be said of how an author behaves. Yes, you can act any way you please, but you also have to acknowledge that your actions will create certain responses from your would-be readers. This is a reality that all authors must face, and it isn’t helped by the fact that already the process of getting and being published is like going through a meat grinder that never turns off–there will always be people who dislike your work and possibly even dislike you.

With that in mind we can return to the original point of this discussion: should authors respond to reviews? If they want to, yes. The problem with author responses in the blogosphere isn’t so much that bloggers don’t want authors to respond, it is that some of us have had bad experiences with it and would rather you keep out of it if you’re unable to act in a manner that is becoming of an author (a great example of a horrible situation can be found here). Not all of us can be Harlan Ellison who, let’s be frank here, gets away with behavior that most people couldn’t get away with if their lives depended on it–a fact, I suspect, has something to do with a strange fascination people have with a man who is not at all afraid to say whatever the hell he wants.

Authors should consider how they are going to respond to a review or a discussion of their work. Bloggers are not at all against the idea of an author coming in to get a better understanding of a particular point, and if your intention is to understand the criticism in order to improve your writing, there is no contention with that either. But if your intention is to argue with a blogger, that’s where the problems arise. Nobody wants to have to deal with an author who can’t accept that an individual’s opinion is their own. We don’t want to hear why we’re wrong in our review and why clearly we didn’t get what you were trying to do. All of that is irrelevant, because we all have unique reading experiences.

As an author, you need to ask yourself a question: Is sacrificing your career worth it in order to argue with a reviewer over some point they made? And if your intention is not to argue, but to understand, a good way to go about this would to be preface your questions with that information. Bloggers are not going to universally pan you for trying to get a better understanding of the criticism lobbed at your work. In fact, they may even praise you for trying to be active in the reviewing community, particularly because that tells them that their opinions actually matter to you, that you give a crap what they think, and that you may, in fact, take much of what they have said to heart for your next work of fiction. But be conscious of the consequences of argumentation in the blogosphere, because what you do online can and does have an affect on you as a professional. You will be looked down upon if you act childishly, and for good reason.

What do you all think about this? If you’ve written blog posts about it, let me know in the comments.

P.S.: Some other instances can be found here and here.

Email
Facebook
Twitter
LinkedIn
Digg
Reddit
LinkedIn

Leave a Reply

Follow Me

Newsletter

Support Me

Recent Posts

A Reading List of Dystopian Fiction and Relevant Texts (Apropos of Nothing in Particular)

Why would someone make a list of important and interesting works of dystopian fiction? Or a suggested reading list of works that are relevant to those dystopian works? There is absolutely no reason other than raw interest. There’s nothing going on to compel this. There is nothing in particular one making such a list would hope you’d learn. The lists below are not an exhaustive list. There are bound to be texts I have forgotten or texts you think folks should read that are not listed. Feel free to make your own list and tell me about it OR leave a comment. I’ll add things I’ve missed! Anywhoodles. Here goes:

Read More »

Duke’s Best EDM Tracks of 2024

And so it came to pass that I finished up my annual Best of EDM [Insert Year Here] lists. I used to do these on Spotify before switching to Tidal, and I continued doing them on Tidal because I listen to an absurd amount of EDM and like keeping track of the tunes I love the most. Below, you will find a Tidal playlist that should be public. You can listen to the first 50 tracks right here, but the full playlist is available on Tidal proper (which has a free version just like Spotify does). For whatever reason, the embedded playlist breaks the page, and so I’ve opted to link to it here and at the bottom of this post. Embeds are weird. Or you can pull songs into your preferred listening app. It’s up to you. Some caveats before we begin:

Read More »

2025: The Year of Something

We’re nine days into 2025, and it’s already full of exhausting levels of controversy before we’ve even had a turnover in power in my home country of the United States. We’ve seen resignations of world leaders, wars continuing and getting worse and worse (you know where), the owner of Twitter continuing his tirade of lunacy and demonstrating why the billionaire class is not to be revered, California ablaze with a horrendous and large wildfire, right wing thinktanks developing plans to out and attack Wikipedia editors as any fascist-friendly organization would do, Meta rolling out and rolling back GenAI profiles on its platforms, and, just yesterday, the same Meta announcing sweeping changes to its moderation policies that, in a charitable reading, encourage hate-based harassment and abuse of vulnerable populations, promotion and support for disinformation, and other problems, all of which are so profound that people are talking about a mass exodus from the platform to…somewhere. It’s that last thing that brings me back to the blog today. Since the takeover at Twitter, social networks have been in a state of chaos. Platforms have risen and fallen — or only risen so much — and nothing I would call stability has formed. Years ago, I (and many others far more popular than me) remarked that we’ve ceded the territory of self-owned or small-scale third party spaces for massive third party platforms where we have minimal to no control or say and which can be stripped away in a tech-scale heartbeat. By putting all our ducks into a bin of unstable chaos, we’re also expending our time and energy on something that won’t last, requiring us to expend more time and energy finding alternatives, rebuilding communities, and then repeating the process again. In the present environment, that’s impossible to ignore.1 This is all rather reductive, but this post is not the place to talk about all the ways that social networks have impacted control over our own spaces and narratives. Another time, perhaps. I similarly don’t have space to talk about the fact that some of the platforms we currently have, however functional they may be, have placed many of us in a moral quagmire, as in the case of Meta’s recent moderation changes. Another time… ↩

Read More »