August 2009

World in the Satin Bag

Reader Question: Future Definitions

Bowie of Young Writers Online was on a role when he was asking questions. Here goes: Realistically speaking, would we consider a “holo-vid” a television or would we somehow adapt to calling it a “holo-vid”? Most likely we would call it a hol0-vid, or whatever term was created to describe that new technology. New advances in technology produce new devices that may provide the same services as something before it, but in new and unique ways. Historically speaking, we tend to refer to these new technologies by their new names. We don’t call PDAs by anything other than PDA or handheld device, despite it being a miniature computer w/o a keyboard. An iPod is not a Walkman and even a laptop/notebook computer is often referred to as a laptop/notebook computer rather than as a portable computer or just a computer. While we may acknowledge that new technologies are “genetically” linked to older ones, we still take liberties with naming and stick with what is new, going back to old terminology only when we need to explain something in greater detail or for some other purpose. Right now, I’m writing on a laptop or notebook computer, whichever name best suits you. When the future rolls on through, it will bring with it a lot of new gadgets that will have different names and terminology. Unless those items are quite clearly derivations of something before (i.e. a 2nd generation iPod is still just an iPod, even though it’s technically more advanced and more functional than the previous generation), we tend to rename them. Human beings are remarkable at adopting new language. As an example, we can look at slang. When I was in high school, all those years ago, I remember the word “sick” coming into play (for those that don’t know, “sick” is sort of like saying “cool,” but in a more “cool” way). Within a couple weeks it was across the entire campus, and by the time I had finished my school year, that word had traveled to my previous home in Washington (across two states) and had been readily adopted. That’s the fascinating thing about language. It always changes with us human beings. Always. The same is true for technology, and as we progress we will see the language change. Ten years ago we didn’t have an iPod. Everything was by CD and mp3s were still becoming the dominant form over .wav and other formats. Now? If you don’t know what an mp3 is, you’re perceived as an idiot who has been living in the jungle, or really old, and if you don’t know what an iPod is, well, you’ll end up getting some looks until you can explain why. That’s the nature of language. Always changing, always adjusting, and always progressing. What about you, the readers? Do you think we will call holo-vids by what they are, or will we simply refer to them as TVs? ————————————————- If you have a question about science fiction, fantasy, writing, or anything related you’d like answered here, whether silly or serious, feel free to send it via email to arconna[at]yahoo[dot]com, tweet it via Twitter to @shaunduke, or leave it in the comments here. Questions are always welcome! If you liked this post, consider stumbling, digging, or linking to it!

World in the Satin Bag

GFTW’s SF/F/H Book Reviewer Meme, 2nd Edition

John Ottinger of Grasping For the Wind has posted an updated version of his famous SF/F/H book reviewer meme. And now I’m posting it here so you all can check some of these great reviewers out. You’ll have to click the read more in order to see the list, because the darn thing is too long for me to post on my homepage. Anywho, here goes:A B C D E F G H I J K L M N O P Q R S T U V W X Y ZRomanian French Chinese Danish Portuguese German A 7 Foot Shelves The Accidental Bard A Boy Goes on a Journey A Dribble Of Ink Adventures in Reading A Fantasy Reader The Agony Column A Hoyden’s Look at Literature A Journey of Books All Booked Up Alexia’s Books and Such… Andromeda Spaceways The Antick Musings of G.B.H. Hornswoggler, Gent. Ask Daphne ask nicola Audiobook DJ aurealisXpress Australia Specfic In Focus Author 2 Author AzureScape B Barbara Martin Babbling about Books Bees (and Books) on the Knob Best SF Bewildering Stories Bibliophile Stalker Bibliosnark Big Dumb Object BillWardWriter.com The Billion Light-Year Bookshelf Bitten by Books The Black Library Blog Blog, Jvstin Style Blood of the Muse The Book Bind Bookgeeks Bookrastination Booksies Blog Bookslut The Book Smugglers Bookspotcentral The Book Swede Book View Cafe [Authors Group Blog] Breeni Books C Cheaper Ironies [pro columnist] Charlotte’s Library Circlet 2.0 Cheryl’s Musings Club Jade Cranking Plot Critical Mass The Crotchety Old Fan D Daily Dose – Fantasy and Romance Damien G. Walter Danger Gal It’s Dark in the Dark Dark Parables Dark Wolf Fantasy Reviews Darque Reviews Dave Brendon’s Fantasy and Sci-Fi Weblog Dead Book Darling Dear Author The Deckled Edge The Doctor is In… Dragons, Heroes and Wizards Drey’s Library The Discriminating Fangirl Dusk Before the Dawn E Enter the Octopus Erotic Horizon Errant Dreams Reviews Eve’s Alexandria F Falcata Times Fan News Denmark [in English] Fantastic Reviews Fantastic Reviews Blog Fantasy Book Banner Fantasy Book Critic Fantasy Book Reviews and News Fantasy By the Tale Fantasy Cafe Fantasy Debut Fantasy Dreamer’s Ramblings Fantasy Literature.com Fantasy Magazine Fantasy and Sci-fi Lovin’ News and Reviews Feminist SF – The Blog! Feybound Fiction is so Overrated The Fix The Foghorn Review Follow that Raven Forbidden Planet Frances Writes Free SF Reader From a Sci-Fi Standpoint From the Heart of Europe Fruitless Recursion Fundamentally Alien The Future Fire G The Galaxy Express Galleycat Game Couch The Gamer Rat Garbled Signals Genre Reviews Genreville Got Schephs Graeme’s Fantasy Book Review Grasping for the Wind a GREAT read The Green Man Review Gripping Books H Hasenpfeffer Hero Complex Highlander’s Book Reviews Horrorscope The Hub Magazine Hyperpat’s Hyper Day I I Hope I Didn’t Just Give Away The Ending Ink and Keys Ink and Paper The Internet Review of Science Fiction io9 J Janicu’s Book Blog Jenn’s Bookshelf Jumpdrives and Cantrips K Kat Bryan’s Corner Keeping the Door King of the Nerds L Lair of the Undead Rat Largehearted Boy Layers of Thought League of Reluctant Adults The Lensman’s Children Library Dad Libri Touches Literary Escapism Literaturely Speaking ludis inventio Lundblog: Beautiful Letters M Mad Hatter’s Bookshelf and Book Review Mari’s Midnight Garden Mark Freeman’s Journal Mark Lord’s Writing Blog Marooned: Science Fiction Books on Mars Martin’s Booklog MentatJack Michele Lee’s Book Love Missions Unknown [Author and Artist Blog Devoted to SF/F/H in San Antonio] The Mistress of Ancient Revelry MIT Science Fiction Society Monster Librarian More Words, Deeper Hole Mostly Harmless Books Multi-Genre Fan Musings from the Weirdside My Favourite Books My Overstuffed Bookshelf N Neth Space The New Book Review NextRead Not Free SF Reader Nuketown O OF Blog of the Fallen The Old Bat’s Belfry ommadawn.dk Only The Best SciFi/Fantasy The Ostentatious Ogre Outside of a Dog P Paranormality Pat’s Fantasy Hotlist Patricia’s Vampire Notes The Persistence of Vision Piaw’s Blog Pizza’s Book Discussion Poisoned Rationality Popin’s Lair pornokitsch Post-Weird Thoughts Publisher’s Weekly Pussreboots: A Book Review a Day Q R Ramblings of a Raconteur Random Acts of Mediocrity Ray Gun Revival Realms of Speculative Fiction Reading the Leaves Review From Here Reviewer X Revolution SF Rhiannon Hart The Road Not Taken Rob’s Blog o’ Stuff Robots and Vamps S Sandstorm Reviews Satisfying the Need to Read Science Fiction and Fantasy Ethics Science Fiction Times ScifiChick Sci-Fi Blog SciFiGuy Sci-Fi Fan Letter The Sci-Fi Gene Sci-Fi Songs [Musical Reviews] SciFi Squad Scifi UK Reviews Sci Fi Wire Self-Publishing Review The Sequential Rat Severian’s Fantastic Worlds SF Diplomat SFFaudio SFFMedia SF Gospel SFReader.com SF Reviews.net SF Revu SF Safari SFScope SF Signal SF Site SFF World’s Book Reviews Silver Reviews Simply Vamptastic Slice of SciFi Smart Bitches, Trashy Books Solar Flare Speculative Fiction Speculative Fiction Junkie Speculative Horizons The Specusphere Spinebreakers Spiral Galaxy Reviews Spontaneous Derivation Sporadic Book Reviews Stainless Steel Droppings Starting Fresh Stella Matutina Stuff as Dreams are Made on… The Sudden Curve The Sword Review T Tangent Online Tehani Wessely Temple Library Reviews Tez Says things mean a lot Tor.com [also a publisher] True Science Fiction U Ubiquitous Absence Un:Bound undeadbydawn Urban Fantasy Land V Vast and Cool and Unsympathetic Variety SF Veritas Omnia Vincula W Walker of Worlds Wands and Worlds Wanderings Wendy Palmer: Reading and Writing Genre Books and ebooks The Weirdside The Wertzone With Intent to Commit Horror The Wizard of Duke Street WJ Fantasy Reviews The Word Nest Wordsville The World in a Satin Bag WriteBlack The Written World X Y Young Adult Science Fiction Z Romanian Cititor SF [with English Translation] French Elbakin.net Mythologica Chinese Foundation of Krantas The SF Commonwealth Office in Taiwan [with some English essays] Yenchin’s Lair Danish Interstellar Ommadawn.dk Scifisiden Portuguese Aguarras Fernando Trevisan Human 2.0 Life and Times of a Talkative Bookworm Ponto De Convergencia pós-estranho Skavis German Fantasy Seiten Fantasy Buch Fantasy/SciFi Blog Literaturschock Welt der fantasy Bibliotheka Phantastika SF Basar Phantastick News X-zine Buchwum Phantastick Couch Wetterspitze Fantasy News Fantasy Faszination Fantasy Guide Zwergen Reich Fiction Fantasy A B C D E

World in the Satin Bag

Reader Question: Lingual Formalities, Schmalities

If memory serves me, this question comes from Bowie of Young Writers Online: In most science fiction and fantasy stories, people speak in a more formal way. Why is that? Is it to reinforce the idea that it’s a different world than we know? Firstly, it’s not true that most SF/F resorts to formal modes of communication. A great deal of classic SF/F does, but modern derivations of the two genres have seen a remarkable, and much appreciated, shift from the trappings established by Tolkien all those years ago. And this is where we get into the unfortunate side effect of Tolkien’s brilliance. Despite writing what most consider to be the greatest fantasy trilogy of all times, Tolkien hammered into new and past writers several unfortunate habits. You see, Tolkien was trying to recreate something in The Lord of the Rings, a certain feel, if you will. He was successful on all counts, not only in fabricating a detailed, elaborate fantasy world, but also in trying to fashion an imagined, realistic history of an England that might have been (though the fact that, as far as I can tell, Middle Earth looks nothing like England could make for a good counter argument). In doing so, Tolkien fixed into the minds of fantasy lovers everywhere what were the defining characteristics of the genre, despite his setting out to create an effective, mythologized, and complex historical novel. The language, thus, is exceptionally dated, even for his time, and the clichés were snatched up by fans without hesitation. It has taken the fantasy genre a long time to work out of the habit of writing in absurd formal dialogue. But it has happened, and it has, in almost every instance, been to emulate Tolkien rather than to produce something truly original. There is nothing wrong with emulation, insofar as such emulation is still trying to impress upon readers an experience, despite its biased leanings. What is problematic, as is true of all tropes, clichés, etc. in fantasy, is that these sorts of staples effectively damage the genre when done poorly. Of course, to call a lot of published works “poor recreations” is somewhat unfair, particularly because readers have varying expectations, and what I want or expect in fantasy literature will almost always be at least slightly different from what other readers want. Readers do like Tolkien-esque fantasies, a lot–and that’s really an understatement. Sometimes there are reasons (they have read a lot and prefer that style) and other times it is due to ignorance (some might say that most Twilight and Eragon fans like those works because they have no read “good” fantasy yet). Invariably, it is hard to argue with how things actually are in this instance: derivations exist and will continue to do so, provided that readers are still interested in such things in the future. There is also the healthy obsession with medieval literature that most fantasy writers have, whether they are willing to admit it or not. That contributors to the persistence of this form of dialogue. Now the question is, are these sorts of formal dialogue stylings good or bad, in your opinion? I view them as either/or, because, in some cases, it works. But that’s me, and I want to see your opinion. Leave me a comment with your thoughts! ————————————————- If you have a question about science fiction, fantasy, writing, or anything related you’d like answered here, whether silly or serious, feel free to send it via email to arconna[at]yahoo[dot]com, tweet it via Twitter to @shaunduke, or leave it in the comments here. Questions are always welcome! If you liked this post, consider stumbling, digging, or linking to it!

World in the Satin Bag

Writing Weaknesses: Do You Know Yours?

Nobody is perfect. That’s one of those golden rules when it comes to personalities and professions. Everyone makes mistakes, sometimes trivial and sometimes terrible. As a writer, it can be difficult to see where your weaknesses are. Anyone who writes is intimately connected to his or her work, and maintaining separation can sometimes be nearly impossible. Few, if any, writers get it right on the first draft, and those that do are flukes rather than logical exceptions. The rest of us–call us “normies,” if you will–have to learn from our mistakes and try to see where we are weak in order to improve our craft. But do you know your weaknesses? If so, how do you approach resolving them? Do you take care of it after the first draft, or do you try to fix the issue as it is happening? Personally, I have issues with characterization. Often I place too much focus on the ideas and not enough on establishing a connection to the character (for the reader). I know I do this every single time, and my problem seems to be that when I try to fix it as it occurs, my characterization feels forced or I simply lose interest. I’m working on resolving this, because I want my stories to have more impact for readers beyond the “gosh wow” effect. I have other weaknesses, but right now that seems to be the primary and most pressing one. I’m not sure how to fix it at this point. A lot of the exercises I’ve found for creating better characters seem to require you to think up useless facts about your characters. I prefer not to think of my characters as bundles of uselessness. They have purposes, desires, interests, etc., and I prefer fiction that highlights those things that are important to the story as a whole. Maybe that’s my problem. Knowing your weaknesses is important, though, because acknowledging where you need to work the most can help drive you forward as a writer, even if that movement is one plodding, sluggish step at a time. What are your weaknesses and how do you deal with them? Let me know in the comments!

World in the Satin Bag

Random, But Useful Advice For Writing Essays

Cite your sources correctly from the start. Having recently gone through the experience of digging up the correct sources and fixing all my slightly-off citations, I can tell you that doing it right the first time is a time saver, especially if you don’t return to the essay in question until some many months later, long after you’ve forgotten where the original source was located. It would seem like obvious advice, but if you’re a college student, this issue may come up later when you try to publish one of your essays. You see, college students often end up with these things called “readers,” which are essentially enormous printed tomes of information usually created by the college for a specific course. They are not books you buy on Amazon, or even books you can return. You’re stuck with them. And sometimes the readers don’t contain the proper citation information for the articles they contain. That means you have to go hunt that information down yourself. Doing so can take a bit of time, but at least during school you can ask your professor where he or she got a particularly article, in person, and get a response ASAP. Doing it later means having to spend hours surfing Google to find obscure information about equally obscure articles. It’s not fun, especially when you wanted to get that essay out the door the day before. Then you have the issue of proper citation practices. How do you format footnote citations? Well, you have to read, because if you follow the citation formats you see in articles, they are often incorrect or outdated. Maybe that’s not a problem for some publications, but the more academic ones, or even the exceptionally professional ones, want proper citations, not just for them, but for the peer review panels that govern what gets published. I spent close to ten hours fixing all my citations and reformatting two essays to submit to an online magazine. Only a few hours of that should have been spent formatting (since they had specific guidelines), and none to the citations. But, I didn’t foresee publishing things, or I didn’t think about the citations at the time, and subsequently had to go through every inch of my essays to get them in working order. Fun? No. Not at all. So, cite your sources correctly from the start. It’ll make your life easier.

World in the Satin Bag

A Collective Chillpill For RaceFail, GenderFail, et al.

Disclaimer: Nothing in this post should be misunderstood to imply that I am inherently racist, anti-equality, or anything of that nature. I am not and never will be against any notion of quality, only against unrealistic expectations and demands. Neither am I against open and civil discussion of issues of discrimination, whether it be in literature or elsewhere. These issues should be openly discussed, and regularly, but with an understandable acknowledgement of the complexities of certain situations. Now that you’ve read this part, here’s the post: I’m about fed up with the science fiction and fantasy community. It seems like every week someone is throwing a fit about such-and-such anthology lacking content from such-and-such minorities (women, people of color, whatever). I wouldn’t have an issue with it if not for its constant, never-ending resurgence. Nothing is safe. Nothing can sit on its own merit. If an anthology is 50/50 male/female, then someone complains that there aren’t enough Asians, or African Americans, or whatever. If there are too many white people, never mind that it’s not exactly the editor’s job to screen who submits to them for what color someone is, someone throws a fit over that. If there are too many men, complaining resumes. Too many women? The same, somewhere. It’s like the SF/F community is in a constant state of bitching, because no matter how hard you try to explain away reality, nobody listens. Not enough women? Oh, well that’s all your fault, Mr. Editor, even if I don’t know the whole story, or have all the information I need to make that judgment; you’re a sexist bastard because there just ain’t enough women in that anthology. Not enough African Americans? Well, I don’t need to know how many African Americans submitted to you, or whether or not you knew that all the people you published were white, or yadda yadda; you’re just a racist asshole who hates African Americans and has a KKK sign above your desk. Do you see why these arguments are not only tiresome, but somewhat absurd? I’m not going to pretend for a moment that discrimination doesn’t exist. It does, even in the SF/F community. We’ve seen it with RaceFail and GenderFail, etc. It’s out there, and sometimes not in places you would expect. But it’s not everywhere, and assuming that racism or sexism is solely responsible for the lack of minority representation is skirting the issue. There are bound to be more reasons than we can fully comprehend. Maybe part of the problem is that African Americans or women are not big contributors to science fiction, and so the applicant pool is far smaller than that of white males. I don’t know, but before we throw fits over every anthology, maybe we should figure that out–maybe we should try to understand the broader picture and not resort to automatically assuming that editors are racist or sexist assholes who don’t give a shit. As an editor (for Survival By Storytelling Magazine), I can tell you firsthand that I have no idea how many people of color I have selected for the first issue. I didn’t ask. Why? Because it’s probably illegal, for one, and because I kind of don’t care. No, I don’t mean that I don’t care in a negative sense; I mean that I don’t care in the sense that skin color is meaningless in the face of quality writing. Whether you are white, black, blue, or red, if a story is good, it’s good. That’s it. No other criteria. If there is a disproportionate amount of whites in our first issue, then I certainly hope I won’t be called out for it. I didn’t ask, and won’t ask now. We chose good stories from whatever was sent to us, and if there happened to be a whole bunch of women or people of color who submitted, great. If not, I don’t know how exactly I am to fix that. I can’t force people of certain genders or skin colors to submit. Similar things are probably true of some of the bigger editors who collect original stories for anthologies. What are their reasons for selecting certain authors? I don’t know. Some of them are published authors that the editor approached, and others were snatched from the slush. Can we honestly say that these editors sat down and thought “this is a woman, and this story will suck”? Maybe some of them do, but how exactly are you to know? And when people in the SF/F community throw a fit over these anthologies, they potentially damage the reputation of editors who are not racist or sexist bastards. Turn it around; how would you feel if someone unjustly did the same to you? You wouldn’t like it very much, would you? The SF/F community needs to calm down. I get it; we’re in a sensationalist world, and what “sells” to the public are angry rants and controversial topics. But we need to start digging deeper than where RaceFail and GenderFail have taken us. We’ve avoided the deep end for reasons that seem to escape me, and instead of approaching the various “perpetrators” of racism or sexism with their concerns, the SF/F community has blasted them with insults and public ridicule. Sometimes such action is appropriate, but most of the time it’s not. If that’s the way you want to do things, then I don’t want to be a part of it. If RaceFail, and even GenderFail, have taught the SF/F community anything, it is that we need a greater deal of open discussion. Right now the bitching and fit throwing and angry attacks are only creating more tension. Tension we do not need. And no, I am not a racist or sexist bastard. I’m a human being.

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