What Are Editors Good For?

Reading Time

I’ll tell you.

Editors are gatekeepers. The whole purpose of an editor in the publishing business is to weed out the bad and leave only the good. This is especially true in magazine publishing (online or in print). If you think that every story written is good, then you are sadly mistaken. Just because you have written something doesn’t mean that it needs to be seen. Bad stories exist. That said, it should be acknowledged that editors don’t always get it right; but that’s the nature of the human condition.

Editors spruce up prose. They don’t do it quite as much as the other kind of editor that you hire, but they do make good writing better. In book publishing, an editor does a hell of a lot of work, and most of the time the work they do is good work. I’ve seen manuscripts from before publication and after and can honestly say that the final product is almost always better than the original thing.

Editors make you into a better writer. Emphasis on better. They don’t make you into the greatest writer ever, but they certainly teach you a few things. Ask anyone published by a major publisher or even a small press. Ask them if their editor taught them anything. They did, didn’t they? I thought so.

Editors are dedicated to good books. They are not evil, but benevolent creatures with only one goal in mind: find and publish good books that consumers will like. They don’t always get it right (but, hell, let’s face it, writers don’t either), but they put a hell of a lot of work and TLC into every book they edit. They want to put out good books. In fact, they have to. A string of horrible books that don’t sell very well could spell certain doom for an editor; it’s in their best interest to provide consumers with good products. And if you don’t believe that, then ask an author published by a traditional press. Ask someone at Tor or Penguin whether or not their editors did a lot of work to produce a quality product. Did you ask? And? I thought so.

The thing is, some people are jaded against traditional publishing. Sometimes it’s for good reason, and a lot of the time it’s not. Editors are not useless entities. They serve a vital purpose in publishing, and writers need them (even good writers). Self-published writers need them too. Every sentence you write isn’t gold. Sometimes a sentence is utter drivel. The problem is that writers don’t always know that, and it can take a good editor to make them see it.

If I missed anything here, let me know. I’m learning a lot of the editing trade, so if there are things editors do that I’ve forgotten, leave a comment!

(This post is a preface to another post I have coming up. I’m trying to wrap my head around a string of paragraphs written elsewhere that I can’t help staring at–not because they are interesting, but because what is being said is so ignorant and stupid that I can’t help gawking at the words. Expect that soon.)

Email
Facebook
Twitter
LinkedIn
Digg
Reddit
LinkedIn

3 Responses

  1. Agreed on all counts! Editors do indeed make one a better writer, too, especially in my case. They can provide that outside, critical eye that no mere friend can give. Of course, this doesn't mean one can't be friends with an editor. One of my good pals is a fantastic ed., and he helps me really have my scripts and prose come to life.

    He also cracks the whip when I need it cracked– another thing editors are great for. Look, creative types can be weird, flighty and easily distracted– editors help with this sort of thing.

    I also do some editing myself, and I have to say it's just as rewarding as creating sometimes.

    Simply put: While "YMMV" applies to just about everything in writing, I think it's safe to say that anyone who insists editors are useless is pretty much a fool. Or maybe they live on a different planet with unicorns and stuff.

    I do like unicorns.

    Maybe next time I'll laugh hysterically at those who say publishers and good promoters are not needed, too. 🙂

  2. You did a wonderful job as Editor-in-Chief of SBS mag. I just received my first edition in the mail and am looking forward to taking a read this week. Through WISB, I've seen how you've grown to enhance your own writing and editing skills. Keep up all the great work! It is so true that editors have a talent of helping writers better their words and creativity.

  3. Steve: Publishers are just as important as editors :P. But I'm biased that way.

    TruGenius: Well, you'd have to read all the goodies on the inside to know if I was a good editor. The outside is a whole different game…and a tough one at that. All formatting is.

Leave a Reply

Follow Me

Newsletter

Support Me

Recent Posts

A Reading List of Dystopian Fiction and Relevant Texts (Apropos of Nothing in Particular)

Why would someone make a list of important and interesting works of dystopian fiction? Or a suggested reading list of works that are relevant to those dystopian works? There is absolutely no reason other than raw interest. There’s nothing going on to compel this. There is nothing in particular one making such a list would hope you’d learn. The lists below are not an exhaustive list. There are bound to be texts I have forgotten or texts you think folks should read that are not listed. Feel free to make your own list and tell me about it OR leave a comment. I’ll add things I’ve missed! Anywhoodles. Here goes:

Read More »

Duke’s Best EDM Tracks of 2024

And so it came to pass that I finished up my annual Best of EDM [Insert Year Here] lists. I used to do these on Spotify before switching to Tidal, and I continued doing them on Tidal because I listen to an absurd amount of EDM and like keeping track of the tunes I love the most. Below, you will find a Tidal playlist that should be public. You can listen to the first 50 tracks right here, but the full playlist is available on Tidal proper (which has a free version just like Spotify does). For whatever reason, the embedded playlist breaks the page, and so I’ve opted to link to it here and at the bottom of this post. Embeds are weird. Or you can pull songs into your preferred listening app. It’s up to you. Some caveats before we begin:

Read More »

2025: The Year of Something

We’re nine days into 2025, and it’s already full of exhausting levels of controversy before we’ve even had a turnover in power in my home country of the United States. We’ve seen resignations of world leaders, wars continuing and getting worse and worse (you know where), the owner of Twitter continuing his tirade of lunacy and demonstrating why the billionaire class is not to be revered, California ablaze with a horrendous and large wildfire, right wing thinktanks developing plans to out and attack Wikipedia editors as any fascist-friendly organization would do, Meta rolling out and rolling back GenAI profiles on its platforms, and, just yesterday, the same Meta announcing sweeping changes to its moderation policies that, in a charitable reading, encourage hate-based harassment and abuse of vulnerable populations, promotion and support for disinformation, and other problems, all of which are so profound that people are talking about a mass exodus from the platform to…somewhere. It’s that last thing that brings me back to the blog today. Since the takeover at Twitter, social networks have been in a state of chaos. Platforms have risen and fallen — or only risen so much — and nothing I would call stability has formed. Years ago, I (and many others far more popular than me) remarked that we’ve ceded the territory of self-owned or small-scale third party spaces for massive third party platforms where we have minimal to no control or say and which can be stripped away in a tech-scale heartbeat. By putting all our ducks into a bin of unstable chaos, we’re also expending our time and energy on something that won’t last, requiring us to expend more time and energy finding alternatives, rebuilding communities, and then repeating the process again. In the present environment, that’s impossible to ignore.1 This is all rather reductive, but this post is not the place to talk about all the ways that social networks have impacted control over our own spaces and narratives. Another time, perhaps. I similarly don’t have space to talk about the fact that some of the platforms we currently have, however functional they may be, have placed many of us in a moral quagmire, as in the case of Meta’s recent moderation changes. Another time… ↩

Read More »