A New SF Manifesto of Bologna: Jetse de Vries and the Literature of Change (Part One)
(You can read parts two and three at the following links: part two; part three.) I struggled for hours on how to respond to Jetse de Vries’ post on whether science fiction should die. Part of the problem with the post is that it’s just another re-hash of several tired, inaccurate, and as-yet-properly-researched arguments we’ve all heard before. How do you respond to something that is saying the same thing over and over while simultaneously ignoring dozens of counter arguments that are not illegitimate or capable of being reduced to “part of the problem?” But, having thought about this, I think I know what it is that bothers me so much about his arguments about SF: they lack the ingenuity and strength that have made science fiction as a literary genre (and now a visual medium) so important and groundbreaking in the history of literature. It’s precisely because he is re-hashing tired arguments and pontificating about things that would be downright devastating to a genre he claims is having so many problems that I have an issue with de Vries’ arguments (SF is not actually having that many problems, but hey, if we say it is over and over, maybe it will become true, right? He also thinks that SF is becoming increasingly irrelevant. Forget all those bestselling Star Wars novels and Alastair Reynolds and what not; totally meaningless, the whole lot). That’s how I’m going to respond: by de-constructing de Vries’ arguments to point out what exactly is wrong with what he is saying and how it will do nothing but irreparable damage to the genre. (This will be broken up into three parts, because there’s a lot to be said, and I wouldn’t want to put you through reading 4,000 words of rant in one go.) Point One – SF should be the literature of change One of the things de Vries proposes is that SF should stop calling itself the literature of ideas (I disagree) and should instead become the literature of change, an concept that has no business being applied to SF as a genre. Changing SF from being about ideas to being about change is ridiculous on two levels: 1. His reference to addressing the supposed racism and general non-inclusive nature of SF is true of almost every single genre of written literature being produced today, regardless of the number of awards won by people of color and women within other genres. Hell, it’s true of every single entertainment medium. I’ll mention this later, but the simplistic route everyone takes to proclaim SF racist works for romance, mystery, general fiction (literary or what have you), movies, television, etc. Trying to say that SF should change its mission statement because of this is not saying anything new, and it’s not saying anything revolutionary either. 2. The idea that SF should be about change internally (i.e. in what it’s talking about) is like saying that SF should become the liberal scientist version of a preacher. Readers are not interested in being told “this is how we fix the world, yippee” anymore than they are interested in having their pastor come unannounced into their homes to tell them how to repent for their sins. If that’s not what this whole optimistic SF manifesto bologna is calling for, then they need to rework how they present their little movement; right now, it sounds like they want SF to become exactly what nobody wants (and I’ll talk about that some more later, too). Point Two – SF is racist (sorta) Well, we’ve heard this argument before, and it wasn’t (necessarily) any more true back then than it is now. Is there a problem of under-representation of people of color (and women) both as characters and authors in SF? Of course. Is this somehow indicative of institutionalized racism in SF? Nope. In fact, what de Vries and everyone else who has claimed that SF is racist miss are the real questions we should be asking: How many SF books are written by people of color and how many have people of color (or women) as significant characters? How many women and people of color submit SF manuscripts to publishers? (Nobody has an answer for this, and any time you ask you either get silence or someone blames you for contributing to the problem; honestly, if you’re going to talk about institutionalized racism in SF publishing, you have to have all of the data to support it.) What is the ratio of submissions and publications by people of color and women in the various publishing industries? There’s a lot of talk over at de Vries’ post about the Nobel Prize and the Man Booker Prize, both of which are irrelevant without appropriate correlating data. Has anyone actually bothered to understand the social and statistical conditions of the SF genre? No. This is why I’m tired of seeing this argument. If you think SF is racist, fine, but I’m less inclined to believe you if you’re unwilling to actually do the work necessary to actually prove that. Perhaps the problem with SF is precisely that everyone says it’s racist, and so people of color and women typically avoid it. After all, if people kept saying “that genre is racist,” would you continue writing fiction in that genre and submitting? Taken another way, if everyone told me that SF wasn’t for men, and that no men ever get published in SF, etc., I think I’d have a harder time justifying writing in that genre (I’d then write fantasy). I get the frustration, but it’s far more frustrating to want to actually affect change when nobody is a) providing the answers to do so (de Vries does not; he just says the same things that everyone else has said, without actual solutions, ironically enough); and b) actually understanding the larger picture (again, de Vries is not doing that either, but is instead saying the same things we’ve heard all year, all of which have