February 2010

World in the Satin Bag

Anticipating Disaster: Our Obsession With Impending Doom

What draws us to the doom yet to arrive? CNN, pre-tsunami (in Hawaii), donates its screen time not to the already devastated areas of Chile (and elsewhere), but to the image of Hawaii’s beaches, from a distance, untouched, near-pristine. That’s the image that stays on the screen, the reporters anticipating–and building anticipation for us–the disaster waiting to happen. There’s a reason they show us this; if there wasn’t, they’d move on to something else, like Chile, where the proverbial shit has already hit the fan, or even New Zealand, where tsunami conditions have already arrived (and gone by the time this post hits the Inter-waves–pun intended). I suspect that our obsession with impending doom in the news is intricately linked with our love of dystopia in film and literature. The connection, I think, lies in our unwillingness to deal with reality–not in an absolute sense, but in a more immediate sense. Dystopias offer a way for us to see doom without facing it here on Earth, and without dealing with the immediacy of the doom that has already arrived. It is, perhaps, “safer” for our identities as human beings to imagine the end than to witness it firsthand. That’s not to say that we aren’t interested in the end, per se; we are, and, in fact, I imagine right now CNN is flooded with images of what may very well be the disaster of the week. But, our interest in disaster is not in the disaster itself, but in the leading up to it. The aftermath is an afterthought. There’s a hole in the argument, though. After all, we did focus so much attention on Haiti, where disaster had already struck before any focus was paid upon it. But this doesn’t apply for two reasons: 1. The disaster had already struck; there was no possibility for anticipation. 2. The disaster has slowly become less about the disaster itself and more about how the disaster can/could be turned into salvation. The controversial statement made by the unrepentant racist Pat Robertson (that this is a blessing in disguise) is, perhaps, not terribly far from the truth. Prior to the disaster, the international community had, largely speaking, paid little attention to Haiti, at least not in the capacity that it deserved. Yes, Haiti’s poverty was never a secret. Yes, there were organizations who put money and labor into helping Haiti prior to the disaster. But only after the disaster has Haiti received any considerable amount of attention and finances (and the promise thereof) to be used towards rebuilding the country. Yes, that very thought is a sick and disturbing one: that only after disaster do we provide legitimacy to the impoverished conditions of a nation that has been suffering the aftershocks of colonialism for centuries. The obsession continues, though. Whether or not Hawaii will (has) witnessed disaster, we are (were) fixated on our screens, witnessing the anticipatory moment, and in our free time, when we are/were not fixated, we pour(ed) our souls into the dystopic (not necessarily science fiction, but certainly dystopia in its non-speculative forms–what we might call “depressing” fiction). No wonder our ability to address the human issue at hand is deficient.

World in the Satin Bag

How (Really) Thinking About Star Wars Can Make You Feel Uncomfortable (i.e. Terrorists!)

How do you feel about terrorism? You don’t like it very much, do you? Most of us don’t, and for good reason. It’s bad, right? No matter what! Damn those evil terrorists! On the opposite end of things, there’s Star Wars. Most of us like that, right? Well, at least the originals. The prequels have really divided us Star Wars geeks… Now, what if I was to tell you that your hatred of terrorists is directly contradicted by your love of Star Wars? Stay with me. You see, Star Wars (the movies only) is basically a giant high five to domestic terrorism. You’d never know it if you didn’t dig in and think deep (the show, after all, does such a fine job painting the Rebels as the good guys). Think of Star Wars in terms of its internal biases: The Rebels are the focus characters. With the exception of Darth Vader, there are few, if any, Imperial focal points throughout the series. Figures like Luke Skywalker, Han Solo, Princess Leia, etc. are our heroes, and unabashedly so — watch the first movie again and tell me they’re not unreserved heroes. The Light Side of the Force is pitted against the Dark Side, and, thus, the good side is pitted against the evil side. We’re told that the Empire is evil. Sometimes we see it commit evil, but the assumption left to be made by us is that they are only capable of evil. What isn’t shown is actually quite shocking: infrastructure, culture, etc. The Imperial culture is militaristic, with an Emperor at the head giving all the major orders. But what about the normal folks living in the Empire? Again, we’re left with a biased view, because those planets we are shown tend to be outer world, low-resource, or near-inhospitable places where outlaws have lived pre- and post-Empire, and where we see the failures of colonialism most pronounced. What of the inner planets like Coruscant, etc.? In the prequels we have a good idea that these places are technologically advanced, culturally driven, and prosperous. If you really think about what is shown to us, you have to wonder how much of that is truly the mark of an evil “nation” or “empire,” and how much of it is simply an “empire” gone somewhat awry, but still a few shades short of the extreme evil that we are told it represents. Inevitably, as I briefly touched on above, there is a lot left out of Star Wars in terms of what it doesn’t tell us or intentional leads us to avoid thinking about. Such as: The Rebels are terrorists. They periodically infiltrate the Empire with spies, attack convoys, invade Imperial prisons to liberate criminals against the Empire (yes, Princess Leia is a criminal), etc. The fact that the Rebels almost immediately resort to violence (albeit in a seemingly toxic political environment) is rather telling here. Am I suggesting that violence against the Empire is inherently bad? No, but the problem is that the visual given to us doesn’t provide context to understand the motivations, at least not on a comprehensive level (superficially we are conditioned to hate the Empire). As I mentioned above, and what is relevant to the point preceded this one, the complete lack of Imperial culture within the films essentially leaves an entire side of the coin unseen. This leads us to the following point. Because we only see the militaristic sides of both the Rebels and the Empire (the prequels only show us a pre-Empire galaxy), we have no idea how these two groups are seen in the context of society. Are the Rebels viewed as a good thing, even secretly, among the citizens of the Empire? What about the Empire? While it is certainly relevant to recognize the impetus behind the Rebels’ actions, it doesn’t hide the fact that whatever good intentions there may be, they are still engaging in what we would call terrorism today. Think of it this way: to the people who support Al Qaeda, they are doing a good thing; likewise, to the people who support the Rebels, they are also doing a good thing. It comes down to perspective, and when you are on the outside, as we are, you can think objectively about the reality that Star Wars proposes. That reality is one where terrorism is something to root for, where good and evil are clearly defined, and where, inevitably, the folks we think are the good guys always win. While the Al Qaeda analogy might not hold up for most, it functions well enough to demonstrate how good and evil are defined by both context and perspective, both of which we cannot ignore here, even if the movies want us to for the sake of its internal logic. But ask yourself this the next time you watch the original Star Wars movies: are the militaristic and “evil” elements of the Empire the only things severely damaged by the end of A New Hope and Return of the Jedi? Or is it possible that the collateral damage from everything the Rebels have done is in fact far more devastating than leaving the Empire in control in the first place?

World in the Satin Bag

How to Fail At Podcasting: From a Listener’s Perspective

The great thing about podcasting is that just about anyone can do it. The bad thing about it is that a hell of a lot of people try it, but end up producing a product that is of low quality, even if top-quality equipment and top-notch audio editing skills are employed. Some of the below has been mentioned before, but I’ve extended the list and updated it to be more relevant and more clearly defined. Regardless, below are a few new and expanded ways to fail at podcasting. PodcrowdingBringing all your friends into the podcasting world isn’t a bad idea, in principle. But, there is such a thing as too many damned people on a podcast at one time. For the listener, having any more than three people in the same podcast is basically like trying to listen to twelve people in real life without getting confused or disoriented when person #10 interrupts #3, who is then interrupted by #5, who comments on something #7 said, who originally had responded to #8’s question after #10 and #9 said something to #4 and #2 about something #1 had said to #Z…I mean #6. See what I mean? Pull back. Three people is enough. It’s less confusing for you, less confusing for listeners, and certainly less confusing for any guests you might have. Podcrowding is a disaster waiting to happen. Listen to the podcasts that do this. Count how many minutes are wasted on things that have nothing to do with the actual podcast (i.e. the hosts being confused about who’s next to speak). PoddroningNot everyone has a voice for radio…err, podcasting. It’s not the kind of truth anyone wants to hear, but it’s the truth nonetheless. For me, one of the most annoying things any podcast can have is a host who is boring enough to put me to sleep. These hosts include people with monotone voices, people who take forever to say a simple sentence, people who are impossible to understand (possibly because they mumble), or people who simply have nothing interesting to say. Some of this can be fixed with practice; some of it can’t. Accept your limits, though. There’s nothing wrong with having a regular old blog. Sometimes your voice is best served by the written word. Don’t put your audience to sleep. PodrepeatingOne of my biggest beefs with the podcasting community is that it constantly repeats itself, particularly in the fiction aspect. I’ve stopped listening to a number of podcasts because they stopped being about fresh content and instead became devoted to being a platform for plugging other “big names” in the podcasting world. The thing is, most of what was a novelty about podcasting went out of fashion almost two years ago. It’s not “new” anymore, and anyone doing a podcast isn’t doing something that hasn’t been done before (unless you’re actually doing something new with the form, which is something to note). Podcasting has become, in some circles, a giant circlejerk. For some listeners, like myself, it’s a podkiller. Even if the repeat offenders have something new to plug, they often repeat some of the same things they said the last time. It makes for some rather dull content. PodpluggingIf a podcast is about you, then it should be clearly defined as such. Mur Lafferty, for example, makes it damn clear that her podcast is about her (though she has branched out to include interviews with authors and the like). Unless your podcast is actually about you, however, don’t use it as a secret way to plug yourself. Why? It’s frakking annoying. If you do interviews with authors, then make sure the interviews are about them. When you start trying to relate everything to yourself, it not only irritates, but makes you look like a self-centered jackass. If you want to talk about yourself, then make a podcast about yourself; otherwise, don’t waste the listener’s time. PodologizingWhen every single podcast you release begins or ends with you apologizing for something you failed to do in relation to the podcast, then there is a problem. Occasionally apologizing is perfectly acceptable; all of us have time constraints, personal problems, and the like that can get in the way with an extracurricular activity like podcasting. Still, if you’re going to promise something, and then never deliver, then you need to reassess your podcast model. Apologizing for some failure on your part every single time is both annoying and also drawing attention to the fact that you kind of suck. Either get with the program, or change the way you do things. Leave the apologizing to truly unexpected issues. Now I want to know what you think is a quick way to fail miserably at podcasting. What has annoyed you in the past?

World in the Satin Bag

Survival By Storytelling: Win a Copy at LitDrift

This will be brief, because there’s not much to say. If you’d like to win a free copy of the first issue of Survival By Storytelling, head on over to LitDrift. All you have to do is leave a comment! The giveaway closes fairly soon, I believe. Anywho! P.S.: I was going to add the cover image for SBS to this post, but apparently Blogger is having a fit today. So, if you don’t remember what the image looks like, you can click here to see it. And yes, the image is freaking gorgeous. Thanks, Kaolin Fire!

World in the Satin Bag

The SWTXPCA Conference: Day Three (Conference Day Four)

The final day of the SWTXPCA conference. Sad? Yes, indeed so. But all good things must come to an end, right? Right?! The final day of the conference proved to be slower than previous days. For one, the panels started later and ended sooner. Second, the conference folks apparently had planned some sort of trip to Sante Fe (another city in New Mexico I guess), which meant that some of the last panels were pretty much empty. I found that a bit irritating, especially since I was the only one to go see one of the panels mentioned below (and some jackass kept coming in and leaving in the middle, which is incredibly rude if you ask me). Still, the final day proved to be equally as stimulating as the two days preceding it. Below is a breakdown of the highlights. Panels–The day began with a fascinating panel on the atomic bomb. One of the presenters discussed the curious way in which history is defined by museums in America and Japan (the former tends to humanize the bomb, while ignoring the victims; the latter tends to focus entirely on the victims while ignoring the events that led up to the attacks).–The second panel discussed representations of Native Americans in science fiction games and literature. The paper on the game Prey proved to be particularly interesting.–The second to last panel of the last day of the conference placed a heavy focus on apocalyptic literature and film, particularly from Spanish and German locales. I found it interesting how the latter half of the panel discussed the problem of history and marginalized figures, something I have written about before.–The last panel discussed myth and fairy tales. Probably the most interesting thing about the panel was the last paper presented, in which the presenter essentially ripped Disney’s new film, The Princess and the Frog, to tiny little pieces. Fun indeed! Things I Nabbed For Free–Journal of Cultural Geography, Volume 36, Number 3, October 2009 (special thematic issue: “Twenty years after the Wall: geographical imaginaries of ‘Europe’ during European Union enlargement”)–Media History, Volume 15, Number 4, November 2009 (special issue: “Explorations in Modern Indian History and the Media”)–International Journal of Heritage Studies, Volume 15, Number 6, November 2009–Wasafiri: International Contemporary Writing, Issue 60, Winter 2009–Latino American Popular Culture (given to my friend, Afif) Additions to the New Reading List–White Noise by Don Delillo–Libra by Don Delillo–Underworld by Don Delillo–Endzone by Don Delillo–Barthes on consciousness–Prey (play)–Michael A. Sheyahshe (on Native Americans and gaming)–Celluloid Indians by Kilpatrick–“The Influence of Literature and Myth on Video Games”–On the Beach by Chute–Der Schwarm–Kant on the power of judgment–Horus on literature (it should please and educate)–Hayden White on history and writers–Dagon (watch)–Coronos (watch)–Walter Laird on the hijacking of culture–Novela y Cine de ciencia ficcion espanola contemporanea: Una replexion sobre la humanidad by Cristina Sanchez-Conejero The Plane Ride BackI’ll preface this entire discussion with the following: airlines suck bigger than the Titanic. First things first, I called Expedia the night before my flight to confirm that no flights had been canceled; I was told everything was a go, and so I prepped myself for the long, nine hour flight that was to come, only to find out when I arrived in Denver, Colorado that my flight from Atlanta, Georgia to Gainesville, Florida had been canceled. That’s right. I arrived in Denver at 8 PM only to be told that, hey, that two hour layover in Altanta was now seven, and there was nothing I could do about it (and this, of course, was compounded by the fact that I had a five hour layover in Denver, which left me flopping around like a fish out of water in an airport where everything was closed). Perhaps worse than the above is the fact that my flight from Albuquerque to Denver was in a plane with propellers. Yes, you read that right. Pro-freaking-pellers. I didn’t know they still had commercial flights in anything that didn’t have two massive turbines. I was scared as hell. It’s not like propellers are made of metal or anything…or are they? Well, whatever, at 400 miles per hour a flying Canadian goose can take out a steel girder. I ended up missing my class on Monday because of this, and now I have caught the plague. Thanks, Delta Airlines! And that’s all I’ve got. I look forward to the next SWTXPCA. I definitely plan to attend when they are in San Antonio next year. For now, I’ll have to live with some fond memories and the awesome contacts I made.

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