The Masterworks Meme: Fantasy
A couple days ago I posted a meme for Masterworks of SFF collection, focused specifically on the science fiction titles published (or re-published, if you will) by Gollanz. In the interest of fairness, I now give you the fantasy version of the meme, courtesy of Spiral Galaxy Reviews. Here are the rules:Bold the titles you’ve read.Italicize the titles you own, but haven’t read. Simple enough, right? Here goes (after the fold): 1 – The Book of the New Sun, Volume 1: Shadow and Claw – Gene Wolfe2 – Time and the Gods – Lord Dunsany3 – The Worm Ouroboros – E.R. Eddison4 – Tales of the Dying Earth – Jack Vance5 – Little, Big – John Crowley6 – The Chronicles of Amber – Roger Zelazny7 – Viriconium – M. John Harrison8 – The Conan Chronicles, Volume 1: The People of the Black Circle – Robert E. Howard9 – The Land of Laughs – Jonathan Carroll10 – The Compleat Enchanter: The Magical Misadventures of Harold Shea – L. Sprague de Camp and Fletcher Pratt 11 – Lud-in-the-Mist – Hope Mirrlees12 – The Book of the New Sun, Volume 2: Sword and Citadel – Gene Wolfe13 – Fevre Dream – George R. R. Martin14 – Beauty – Sheri S. Tepper15 – The King of Elfland’s Daughter – Lord Dunsany16 – The Conan Chronicles, Volume 2: The Hour of the Dragon – Robert E. Howard17 – Elric – Michael Moorcock18 – The First Book of Lankhmar – Fritz Leiber19 – Riddle-Master – Patricia A. McKillip20 – Time and Again – Jack Finney 21 – Mistress of Mistresses – E.R. Eddison22 – Gloriana or the Unfulfill’d Queen – Michael Moorcock23 – The Well of the Unicorn – Fletcher Pratt24 – The Second Book of Lankhmar – Fritz Leiber25 – Voice of Our Shadow – Jonathan Carroll26 – The Emperor of Dreams – Clark Ashton Smith27 – Lyonesse I: Suldrun’s Garden – Jack Vance28 – Peace – Gene Wolfe29 – The Dragon Waiting – John M. Ford30 – Corum: The Prince in the Scarlet Robe – Michael Moorcock 31 – Black Gods and Scarlet Dreams – C.L. Moore32 – The Broken Sword – Poul Anderson33 – The House on the Borderland and Other Novels – William Hope Hodgson34 – The Drawing of the Dark – Tim Powers35 – Lyonesse II and III: The Green Pearl and Madouc – Jack Vance36 – The History of Runestaff – Michael Moorcock37 – A Voyage to Arcturus – David Lindsay38 – Darker Than You Think – Jack Williamson39 – The Mabinogion – Evangeline Walton40 – Three Hearts & Three Lions – Poul Anderson 41 – Grendel – John Gardner42 – The Iron Dragon’s Daughter – Michael Swanwick43 – WAS – Geoff Ryman44 – Song of Kali – Dan Simmons45 – Replay – Ken Grimwood46 – Sea Kings of Mars and Other Worldly Stories – Leigh Brackett47 – The Anubis Gates – Tim Powers48 – The Forgotten Beasts of Eld – Patricia A. McKillip49 – Something Wicked This Way Comes – Ray Bradbury50 – The Mark of the Beast and Other Fantastical Tales – Rudyard Kipling I’ve read a total of 0 books on the list and own 9. That’s even worse than the science fiction list. Then again, I’m not a fantasy nut. I like fantasy, but I’m more knowledgeable about science fiction’s past than I am with fantasy’s (then again, I know a lot about fantasy’s past, which means I know a crazy amount about science fiction). What about you? How many have you read and how many do you own?
Irrelevant Debates About Science Fiction: The Academy
One of the oldest debates in the science fiction community is that surrounding the academy–i.e. the university and its literary academia. We’ve heard the arguments before: some institution somewhere views science fiction literature as a pointless literary endeavor, so much so that to discuss it or apply its features to more acceptable forms of literature is tantamount to literary blasphemy. But is pointing this out relevant anymore, or has the “academics hate science fiction” debate mostly over with? Being an academic with a focus in science fiction, I have often had the feeling that I am the outsider. There were few courses on science fiction at my undergraduate institution (University of California, Santa Cruz) and my first year was spent trying to figure out where I could go to study what I cared about most–which led me primarily to institutions in England, such as the University of Liverpool. During my time at UC Santa Cruz (and some of my time at the University of Florida, where I’m still located), I made several arguments about the literary academia’s prejudice against science fiction (or things related to it), many of them rehashes of arguments that had already occurred months and even decades before by others with considerably more clout. But when I moved to Florida to acquire my M.A. at the University of Florida, my opinion on this subject changed. In the last year I have attended three academic conferences, two specifically on popular culture (broadly defined) and one on a more rigid subject (21st century writing in English). Science fiction has played a prominent role in each of these conferences. But, even more important, these conferences and my schooling at the University of Florida have made it clearer than ever that science fiction is not only becoming acceptable publicly, but also acceptable for study. Universities are quickly opening up their curriculum to science fiction, if not explicitly via the introduction of science fiction classes, then at least silently by more frequently introducing science fiction texts into academic discourse (both in the classroom and in academic journals). In fact, I think the last year or so have proven that the divide between the “literary people” and the “science fiction people” is so fuzzy as to be almost meaningless. And the more this becomes clear (and it will as more and more academics and “literary” writers delve into the depths of science fiction), the more the discussion of the evil Academy and their anti-science fiction ways will become utterly irrelevant–if it isn’t already. We’re at a point now where the dialogue between these two worlds is becoming increasingly detailed and cordial. Look at people like Adam Roberts, Paul Kincaid, Samuel R. Delany, Fredric Jameson, and, dare I say, even Farah Mendelsohn, all of whom have been active in the critical scholarship on science fiction and who have successfully driven mainstream SF into the hands of those who, at some magical point in the past, had refused to consider popular literary forms as worthy of discussion. Or, look at the kinds of authors getting attention from “literary” folks: Iain Banks (with or without the M), Kazuo Ishiguro, China Mieville, Haruki Murikami, Salman Rushdie, all the major classic SF authors, and dozens of others who are now receiving the attention they damn well deserve. The fact of the matter is: we’ve won. Will institutions still exist that are anti-science fiction? Of course, just as there are still institutions that don’t have comparative literature programs or Marxist tracks. But they’ll become increasingly less relevant to the discussion of literature and, possibly, disappear from the literary map. but that means that there really isn’t much point in crying about feeling left out of the academic discussion, because we’re not. The past is now over. We can move on and press the literary academia to become more invested in our science fiction world, and, in the process, take some cues from them (because, hey, they do know what they’re talking about…sometimes). For now, let’s take solace in the fact that we’ve won the war that we thought would wage on and on forever.