December 2010

SF/F Commentary

A Quick Note: The Silence and Caribbean Science Fiction

Readers of the blog will have noticed my silence for the last week and a half (with the exception of a handful of posts).  This is entirely intentional, and I think you all deserve an explanation. The reason:  I am working on my MA Thesis at this very moment (draft #1), which is due at 11:59 (and 59s) PM on the 31st (less than two days now).  Needless to say, it has been excruciatingly difficult.  I do expect to return on the 1st.  No joke.  I have posts.  I will be posting.  That’s two more days.  You can handle that, right? For those curious about the about-ness of this paper, you’ll be pleased to know that I’m going to bore you with my rough abstract for the Eaton Conference, which I will be presenting at in February of next year: Caribbean speculative fiction has historically been primarily occupied with the fantastic—magical realism, folklore, and fantasy—with traditional elements of science fiction—advanced technology, space travel, etc.—mostly left to developed and developing nations, such as the United States, India, China, and some nations of the Latin American mainland. Careful study will show that this has little to do with disinterest on the part of Caribbean nations in matters of technology or space; in fact, a great number of Caribbean governments have played a part in the ratification of a number of United Nations amendments related to the space industry. There are exceptions, mostly notably in Cuba, which has a strong science fiction community that has gone largely unnoticed by Western mainstream audiences. Yet the Caribbean has found a strong voice in the science fiction works of Tobias S. Buckell and Nalo Hopkinson, both Caribbean-born writers who have secured their places in a now rising multicultural shift in Western science fiction—a movement split between the increased mainstream interest in “World SF” and the inclusion of non-Western settings and characters within mainstream SF itself. What is most striking about the inclusion of Caribbean views within Western SF is that many of the authors are expatriates, and this is particularly relevant when discussing the works of Buckell and Hopkinson. Both authors have imagined futures in which the Caribbean not only has a presence in space, but is also an active participant in the colonization of other planets. These futures reflect a modern Caribbean consciousness in which identity is complicated by the postcolonial situation, the problematic nature of expatriation, and the fracturing (or merging/creolization) of cultures; this reflection, however, is relayed through a space-oriented setting where Caribbean characters and cultures have coalesced and established themselves outside of the traditional postcolonial situation, and outer space itself becomes an object through which postcolonialism and its predecessor are combated or rendered mute, thus allowing for the formation of an identity that is not predicated upon an un-chosen past. In this paper I will analyze and discuss how Tobias S. Buckell’s trilogy of science fiction novels and Nalo Hopkinson’s Midnight Robbers, along with some of her short stories, present outer space as an answer to the issue of “space” and cultural ownership within the Caribbean context. These writers, I will argue, imagine futures in which outer space is both an answer to the postcolonial situation in the Caribbean and a “space,” in the general sense, that is part liberatory and part identity-forming. And that’s that…

SF/F Commentary

The Skiffy and Fanty Show #29 is Live (Christmas Torture Cinema: Santa Claus Conquers the Martians)!

Our final episode of the year is very special.  It’s a Christmas edition of our Torture Cinema feature!  This week we’re reviewing Santa Claus Conquers the Martians, a movie that I think is simply one of the worst films ever made.  Jen, obviously, disagrees with me.  Tune in to hear what we have to say about the film. Our question of the week is as follows: What is your favorite holiday movie? Oh, and our intro music is different this time around.  Special, even.  If you know the lyrics, sing along! Thanks for listening.  The show will be back next year.  Version 2.0!

SF/F Commentary

Politics: A Critique Deconstructed (Part Three)

(Part One and Part Two) The third and final part of my long-winded political nonsense is here.  You can read the post that I am responding to here. Now for part three: VIII.  Creationism No matter what you call it, it’s not a scientific theory.  It’s religion.  Creationism/intelligent design has never become a scientific theory, since nothing, short of theoretical/experimental physics, becomes a theory in science without following the scientific method (and I have a huge problem with theoretical physics using the term “theory” for every crackpot hypothesis that proposes an answer to life, the universe, and everything).  This means that evolution has gone from a hypothesis (a guess or a series of guesses based on evidence) to a theory (an established scientific fact) by means of providing evidence (mountains of it) and proving its case time and time again to the scientific community through peer review, research/experiments, and so forth. Creationism, however, has never met the burden of proof that evolution has.  Evolution is proven.  Not only that, it has even been observed in the lab (more than once).  Creationism, on the other hand, has zero observable evidence for a designer.  In fact, most of what Creationism and ID call for is directly refuted by well-established scientific practices.  The fact that creationists and IDers claim that such practices are wrong is more paranoia than anything else. So it’s not a matter of squashing a “scientific theory,” as Wrighton seems to suggest.  It’s about preventing fake science from being taught in a classroom, on top of preventing religion from being used as a basis for scientific education.  Evolution is irrefutable unless you live in a bubble.  Creationism and ID are simply attempts on the part of the radical religious community to assume more power for themselves.  Why?  Because we can see what happens in other western nations that have accepted science for what it is (a logical, observable explanation for the world around us); such nations have become rapidly secular.  They have a problem with that because a secular nation (even if its members believe in God, as a great deal of secularists in secular nations do) is a nation that can’t be controlled by religious dogma, and some people have a hard time letting go of that control (humanity has a history of it). But this is a well-worn argument, and we’re not going to convince each other of anything by debating it.  The facts speak for themselves. IV.  The First Amendment Ain’t Truz This particular point makes me laugh.  He accuses me of not knowing my history, but then cites Wikipedia as if it is the most accurate database in the world. In any case, it doesn’t matter if government has changed how it interprets an amendment.  What matters is that the federal government supersedes state and local government, and so its application of the First Amendment to protection for and from religion applies universally, particularly to those places that receive federal funding (which is almost everywhere).  Since schools are partly supported by the federal government, they are also subject to federal law.  As such, public schools cannot teach religion, though there isn’t any reason why a public school cannot have a course about religion as a concept (i.e. a historical examination of religions–yes, plural).  But Wrighton seems to think that it’s a-ok for public schools to have a Christian class.  The problem is that it would violate the Constitution by extension of public schools being protected and funded partly by the federal government. It’s also really awesome… But then there’s the fun part:  namely, that since states are under the jurisdiction of the federal government, and, thus, funded in part by it, they are, as a whole, subject to the laws of the fed.  Like I said:  the fed supersedes state and local governments. Yeah, that’s what I feel about it… Wrighton, of course, simply disagrees with the interpretation of the Amendment as applying to anyone beyond Congress.  There’s not much I can do to change his mind on that, except to point out that a number of Amendments have been interpreted this way, and that by his logic, he would have to suggest that the Constitution must not apply universally in such cases.  But then there’s that tricky part about the 8th, 15th, 16th, 19th, 24th, and 25th Amendments, all of which pretty much suggest that Congress has a lot of authority when it comes to applicability. X.  Lies and Misdirection and Other Things Politicians Do Wrighton finally asks some important questions about my request that Republicans stop lying or misinforming the public and to stop taking campaign contributions from corporations and protecting them from persecution (or from making it legal for them to hide where they get their money from).  The problem?  While his questions are good, they don’t address the key point in my original argument:  I wasn’t talking about all corporations; instead, I was referring only to situations in which protecting or taking money from corporations is not in the best interests of the majority of the people.  The problem is that Republicans are notorious for doing this.  When they protect businesses, they do so when such protection isn’t actually good for the rest of us.  Take BP as a prime example of this.  A number of Republicans went to great lengths to defend and protect BP, even though the company not only failed miserably to deal with a crisis situation, but was also responsible for it.  Instead of paying attention to the devastation and the complete ruin of the Gulf economy, Republicans continued to take money from oil companies and continued to support policies that would protect oil companies from government regulation and so forth.  How exactly is that in the best interests of most Americans?  We’re talking about an industry that is notorious for violating federal regulations and has a history of destroying ecosystems and economies.  The fact of the matter is that we need clean oceans to eke out an

SF/F Commentary

5 Traits of Highly Successful Sci Fi Authors (Guest Post by Edward Stern)

Readers enjoy science fiction because of the varied worlds of which the genre consists. Sci-fi can mean almost anything. Imagination is endless, and the more imaginative an author is, oftentimes the more readers cherish their work. However, there are definitely some common strands in the genre as a whole, and certainly some commonalities amongst its most successful authors. Highly successful science fiction authors like Ray Bradbury or Philip K. Dick all share traits in their works that make them so well received. When writing your own pieces, incorporate these 5 traits of highly successful sci-fi authors to make a particularly marketable piece, no matter where your ideas take you: Go Somewhere New The most successful sci-fi novels take readers somewhere they have not been before and will not see in the real world. Successful authors write about the future, alternate presents, galaxies far, far away, or sub-cultures existing in the present but well away from the public eye. Be imaginative, and be unique. Literature is the greatest form of escapism. Create In-depth, Intricate Worlds One of the reasons Dune appeals so much is that Frank Herbert crafted such a fascinating and complex society in the series. Readers not only want to be taken somewhere else, but they want to understand where they now are and to learn about these worlds and continue to imagine them further; whatever world or reality is created, it is 3-dimensional. Such depth allows for fans to become obsessive as well, and engage with these stories as more than just novels. Touch on Current Themes Though successful sci-fi writers do take readers to fantastic new landscapes, these worlds are based in real reality and the issues of the time. There is something recognizable about the new situations encountered, no matter how imaginative the creatures or the technology. The very best sci-fi explores current themes (and especially fears) through literary drama. Have Appeal Outside of the Hardcore Sci-fi Community The most successful sci-fi authors reach readers who do not generally read science fiction. How do they reach these readers? By crafting really good stories that cannot go ignored, and that play on the greater public’s enjoyment of whimsy and imagination. Science fiction isn’t always for everybody, but by creating tight plots, vast worlds, and compelling story arcs, the most successful authors have been able to reach readers — and lots of them — outside of the hardcore sci-fi community. Create a Series The most successful sci-fi authors did not just write one book about one subject and then move on. Instead, they created series so that readers could continue to follow and grow with the characters and events they fell in love with in the author’s first novel. Creating a series allows for authors to further explore the dense, lively, complex worlds of their imaginations, and allows readers to keep coming back for more.

SF/F Commentary

Christmas Gifts For 2010: Favorite SF/F Films/Shows for 2010 (and Some Extras)

2010 has actually been a fairly decent year for science fiction and fantasy film.  True, there have been some stinkers (like The Last Airbender, Caprica, Clash of the Titans, Dollhouse, and Prince of Persia), but the whole year hasn’t been a bust.  A number of great movies have hit the theaters (and DVD) and there’s still hope for the field in the years to come. With that in mind, I give you my Christmas SF/F film selections for 2010 (with a non-SF title and some just-out-on-DVD titles tossed in for good measure; in no particular order)(after the fold): Inception By far one of the greatest and most important science fiction films in the last decade, let alone the last fifty years.  You can read my review here (and my various other columns here, here, and here). The Imaginarium of Doctor Parnassus My second favorite movie to come out this year, The Imaginarium of Doctor Parnassus is as imaginative as Inception, with a unique narrative structure.  Considering the limitations created by Ledger’s death, Gilliam’s new masterpiece certainly turned out well.  You can check out my review here. Moon I only recently got a chance to see Moon.  While it’s not a perfect film, it is a fine example of serious science fiction.  Deeply psychological and expertly crafted, Moon is one to see. Pandorum I’m sensing a theme here…can you guess what it is? One of the creepiest science fiction films in the last ten years, Pandorum is just the right combination of terror and scifi goodness!  It’s worth having in your collection if you don’t have it already. How To Train Your Dragon Even this film fits into the theme (in a way)… Need a great family movie?  Why not try How To Train Your Dragon?  It’s fun, cute, and strangely beautiful.  See my review here. The Shows Stargate Universe I’m a tad behind, but the last time I was able to watch the show, I recall liking it quite a bit.  It’s an attempt at filling the gap left behind by Battlestar Galactica (which Caprica failed to do), and it does so moderately well.  Too bad they cancelled the show… The Big Bang Theory Geeks are sexy. If you’re not watching this show, then you must immediately turn in your Geek and Scifi Cards.  If you refuse to do so, you will be hunted down by the GIA. V The lesson:  don’t trust beautiful women who live in spaceships! I’m a little behind on this one too, but I’ve enjoyed it so far.  Tea Party folks should like this show a lot, since it’s all about ridiculous conspiracies (only, they come true). The Pacific Beautiful and gruesome… I’m only six episodes into this miniseries, but it has already proven to be a must have for any fan of war films.  If you haven’t seen Band of Brothers (the series that preceded The Pacific), you should.  Both are worth having in your collection, not simply because they are beautifully crafted/acted/written, but also because they are amazingly detailed (each episode is preceded by brief talks about certain events by people who were actually there).  Watch it and pray that HBO will keep producing these kinds of series.  I don’t want it to end… And there you have it.  What are some of your favorites for 2010?

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