July 2011

SF/F Commentary

“The book market be flooded with bad books,” said the Bookstore Man!

The following comment was left on John Ottinger’s Grasping For the Wind.  Specifically, I left it on a guest post by R. L. Copple entitled “Wading Through the Crap,” which is an interesting take on the “there will be so much crap” anti-self-publishing argument.  I take some issue with the logic, even if I now also take issue with the anti-SP argument being refuted, but the post is interesting enough to check out on your own (which I expect you all to do; go on, leave some comments!) Here’s what I had to say: This post is just as riddled with fallacies, which is ironic when you argue that the post linked at the start is equally plagued by them.  Two examples:  1. You say: “Now let’s say with the explosion of indie books, it adds 20,000 new titles to the pile each year, giving the reader a total of 30,000 new books to browse through. And let’s say the average reader will only like 2% of those books, meaning among those 20,000 indie books, they would have 400 books they would enjoy reading if they came across them. That means among the 30,000 books they could wade through, there would be 900 they would pick up if they came across them, which amounts to a 3% chance of finding a book they like instead of 5%. If that scenario was true, it would mean it grew a tad harder to find a book the reader likes, but only by 2%.”  While a 2% decrease seems minor, in the grand scheme of book “finding,” it’s not. When you take into account the time, energy, and other variables that go into book “finding,” that 2% decrease is substantial, particularly since it represents a 40% reduction in possibility. That’s nothing to scoff at. You’re using numerical trickery here to suggest something that isn’t such a big deal, but you leave out the primary thing that makes readers very unlikely to buy anything whatsoever: wasting their time. Even a 1% (or 20%) decrease would put off a substantial number of readers who simply can’t be bothered to put in the extra effort to find something they may or may not like (which, let’s face it, even when you take into account the various ways readers come to books, and, thus, choose them, that doesn’t include the time and effort it takes for that reader to actually discover if they got the right book; this implies that your model must take into account the percentage of occurrences in which a reader found a book, but discovered upon reading that it wasn’t to their liking — contrary to popular belief in self-publishing circles, most readers aren’t willing to read huge previews and the like; if you’re lucky, they’ll read a page or two, which explains why publishers are so adamant about those first few pages, even today).  2. You spend a lot of time talking about slush piles and how readers see the demise of the slush pile as something good for them, since it means there will be more good books to find. The problem with this is that you earlier argue that the publication form is one of the least relevant methods by which readers come to books, and, thus, a direct contradiction of your earlier sentiments.  Now, setting aside the lack of statistical support for most of what we’re talking about (nobody really knows how many readers care about the publisher and how many don’t, etc. only anecdotal evidence that suggests they avoid SPed books in bookstores), you still have the problem here of turning readers into slush readers. I hate everything to do with this concept, because the moment you make it my job as a reader to do a job other people should be doing and getting paid for (publishers, reviewers, editors, and related people, some of which may be related to non-traditional publishing models) is the moment you take all the joy out of reading, after which I’ll simply stop buying books. I’m not kidding. I will stop buying books completely, with the exception of things printed from the previous era of publishing. I have no incentive as a reader to participate in a system that wants me to do extra effort to find what I want. Most other markets don’t do this to me; in reality, most other markets have made it *easier* for me to find what I want to consume (think super stores, malls, online music stores with really good recommendation features, online music sites for streaming music, etc. etc etc etc etc etc). Yet it’s only in the book publishing world that we talk about making the consumer the worker.  I wouldn’t be going out on a limb if I said a lot of readers who have recently come to routine reading would be equally inclined to leave the whole thing behind. Easy access isn’t necessarily a good thing (at least, it comes with consequences). It’s all about coupling easy access with tools that help the consumer find what they want without creating additional effort. The fact that SPers (and indies, trads, and other publishing models) are talking about a future which makes the consumer an unpaid intern is the most bizarre kind of archaic logic to me… Don’t tell me what you think on this post, though.  Go respond to me and Mr. Copple on John’s blog.  It’s an interesting discussion to have, methinks, even if I have made similar arguments elsewhere on this blog.

SF/F Commentary

The Haul of Books 2.0: Books Received Vol. 3

It’s time for yet another edition of the Haul of Books, in which I tell you about the stuff that recently showed up at my door in one form or another. Let’s get started: The Man Whose Teeth Were All Exactly Alike by Philip K. Dick (Tor) The Man Whose Teeth Were All Exactly Alike was written by Philip K. Dick in the winter and spring of 1960, in Point Reyes Station, California. In the sequence of Dick’s work, it was written immediately after Confessions of a Crap Artist and just before The Man in the High Castle, the Hugo Award–winning science fiction novel that ushered in the next stage of Dick’s career. This novel, Dick said, is about Leo Runcible, “a brilliant, civic minded liberal Jew living in a rural WASP town in Marin County, California.” Runcible, a real estate agent involved in a local battle with a neighbor, finds what look like Neanderthal bones in Marin and dreams of rising real estate prices because of the publicity. But it turns out that the remains are more recent, the result of an environmental problem polluting the local water supply. We Can Report Them by Michael Brodsky (Four Walls Eight Windows) In We Can Report Them, Bert, the director of an unorthodox TV commercial, aims to canonize a serial killer as a viable cultural hero. Pudd, the serial killer, has undergone a pseudoreligious conversion. These two, plus Joyce, a patient combating her fatal disease on any terms but the real ones, all seek answers through creation, expressing their unique slant on what passes for reality in defiance of authority. The Devil’s Diaries by Nicholas D. Satan (Lyons Press) Narrating the Devil’s random musings on key dates through history, “The Devil’s Diaries” reveals Satan’s part in such things as the Fall; musical moments at the crossroads; the invention of the tetrapak, making work for idle hands; small print; Faust; decorating hell circle by circle; the joy of getting all the best tunes; and, lawyers. The Dark One reveals his disquiet at the way some of this finest ideas have been hijacked and credited elsewhere; and confesses his frustration that much of his best work goes unappreciated. We also gain extraordinary insights into his private thoughts, and discover that even Satan gets depressed. Geist by Philippa Ballantine (Ace) Between the living and the dead is the Order of the Deacons, protectors of the Empire, guardians against possession, sentinels enlisted to ward off the malevolent haunting of the geists… Among the most powerful of the Order is Sorcha, now thrust into partnership with the novice Deacon, Merrick Chambers. They have been dispatched to the isolated village of Ulrich to aide the Priory with a surge of violent geist activity. With them is Raed Rossin, Pretender to the throne that Sorcha is sworn to protect, and bearer of a terrible curse. But what greets them in the strange settlement is something far more predatory and more horrifying than any mere haunting. And as she uncovers a tradition of twisted rituals passed down through the dark reaches of history, Sorcha will be forced to reconsider everything she thinks she knows. And if she makes it out of Ulrich alive, what in Hell is she returning to? Spectyr by Philippa Ballantine (Ace) Though one of the most powerful Deacons, Sorcha Faris has a tarnished reputation to overcome, which is why she jumps at the chance to investigate a string of murders in the exotic city of Orithal. But it is there that her lover, the shapeshifting rival to the throne, is targeted by a cruel and vengeful goddess, unwittingly unleashed by the Emperor’s sister. Sword of Fire and Sea by Erin Hoffman (Pyr) Three generations ago Captain Vidarian Rulorat’s great-grandfather gave up an imperial commission to commit social catastrophe by marrying a fire priestess. For love, he unwittingly doomed his family to generations of a rare genetic disease that follows families who cross elemental boundaries. Now Vidarian, the last surviving member of the Rulorat family, struggles to uphold his family legacy, and finds himself chained to a task as a result of the bride price his great-grandfather paid: the Breakwater Agreement, a seventy-year-old alliance between his family and the High Temple of Kara’zul, domain of the fire priestesses. The priestess Endera has called upon Vidarian to fulfill his family’s obligation by transporting a young fire priestess named Ariadel to a water temple far to the south, through dangerous pirate-controlled territory. A journey perilous in the best of conditions is made more so by their pursuers: rogue telepathic magic-users called the Vkortha who will stop at nothing to recover Ariadel, who has witnessed their forbidden rites. Together, Vidarian and Ariadel will navigate more than treacherous waters: Imperial intrigue, a world that has been slowly losing its magic for generations, secrets that the priestesshoods have kept for longer, the indifference of their elemental goddesses, gryphons—once thought mythical—now returning to the world, and their own labyrinthine family legacies. Vidarian finds himself at the intersection not only of the world’s most volatile elements, but of colliding universes, and the ancient and alien powers that lurk between them. The Mall by S.L. Grey (Corvus) Dan is an angsty emo-kid who works in a deadly dull shopping mall. He hates his job. Rhoda is a junkie whose babysitting charge ran off while she was scoring cocaine. She hates her life. Rhoda bullies Dan into helping her search, but as they explore the neon-lit corridors behind the mall, disturbing text messages lure them into the bowels of the building, where old mannequins are stored in grave-like piles and raw sewage drips off the ceiling. The only escape is down. Plummeting into the earth in a disused service lift playing head-splitting Musak, Dan and Rhoda enter a sinister underworld that mirrors their worst fears. They finally escape, but something feels different. Why are the shoppers all pumped full of silicone? Why are the shop assistants chained to their counters? And why is a

SF/F Commentary

Promo Bits: If You Lived Here — What’s your favorite scifi/fantasy world?

The fine folks at Underland Press are up to no good, it seems.  They want to start a big mean argument about our favorite science fiction and fantasy worlds for their new book, If You Lived Here.  Of course, I’m joking.  The idea is really awesome, if you haven’t heard of it before. Here’s the promo stuff I got in my email: The project, authored and edited by Jeff VanderMeer, is called If You Lived Here: The Top 30 All Time Best Science Fiction and Fantasy Worlds. It’s a compendium, of sorts, but also a travel guide to places like Dune, Ring World, Middle Earth, Lankhmar . . . and beyond . . . We’ve all lived in these places–in imagination if not in fact–and we’re all united by our common experiences of them. We wanted to collect the worlds together in one place as both a walk down memory lane and a place to start new dreams. We’re reaching out to readers, writers, and booksellers to ask for nominations of worlds to include. We’ve set up a web form at www.ifyoulivedherebook.com, which takes the nominations and asks respondents to describe what they love about the world. (If things go according to plan, we’ll include some of the responses in the book itself.)  So, I’m going to ask you for two things: Leave a comment telling me about your favorite scifi/fantasy world. Send in your nominations for the book. Have at it!

SF/F Commentary

Promo Bits: Tor at Comic-Con — the Schedule

If you haven’t received an email from them yet, then you’ll be surprised to learn about all the fun things Tor Books will be up to at the upcoming San Diego Comic-Con. They include (taken from the email): This year at the Tor Booth (#2707), we’ll not only have our popular *in-booth signings and giveaways, but you’ll also have a chance to download exclusive content via QR codes and win a tablet from our friends at Tor.com! And finally, our esteemed Tor Staff will participate in our popular #Torchat series on Twitter, live from the con on Thursday the 21st from 10am – 11am PST. Read on for all the details! And (the schedule of Tor-related events): Thursday, July 21st · 10am – 11am #Torchat, live from Comic-Con! With @tdelucci (Theresa Delucci, Ad/promo Manager & Tor.com blogger), @Laura_FitzG (Laura Fitzgerald, Digital Mktg Coordinator) @opattyg (Patty Garcia, Director of Publicity) and @jgolenbo (Justin Golenbock, Senior Publicist Extraordinaire) · 12pm Tor Booth signing with Carrie Vaughn, author of New York Times bestselling Kitty Norville series, signing copies of Kitty Goes to War. Booth #2707 · 12pm – 1pm Putting the “Epic” in “Epic Fantasy: Writing to excite! Room 6A With Brandon Sanderson (The Way of Kings), Peter Orullian (The Unremembered), George R.R. Martin, Patrick Rothfuss, Kevin J. Anderson and others. Moderated by Michael Spradlin. 1:30pm – 2:30pm Signing in the autographing area, AA8 · 2:45pm Tor Booth signing with Brandon Sanderson, signing Mistborn. Five lucky fans will win an Advanced Readers Copy of his new book Alloy of Law, coming in November. Booth #2707 · 4pm – 5pm No Damsels in Distress Here: Female voices in sci-fi/fantasy create kick-ass heroines. Room 25ABC. With Carrie Vaughn (Kitty’s Big Trouble), Seanan McGuir, Sherrilyn Kenyon and others. Moderated by Maryelizabeth Hart of Mysterious Galaxy. 5:30pm – 6:30pm Signing in the autographing area, AA2 · 5pm Tor Booth signing with Tony Gonzales, IP Development Manager at CCP Games and author of Eve: Empyrean Age and the upcoming Eve: Templar One (December). Booth #2707 Friday, July 22nd: Videogame Day Tor has positioned themselves as the industry leader within this burgeoning subgenre of science fiction via an expanded program of stand-alone novels that flesh out virtual worlds with original stories through partnerships with industry-leading videogame developers, established writers, and prominent gaming studios. This year we take over and get our own panel! We’ll also be giving away Halo and Dragon Age messenger bags all day! · 10am – 11am Writing in Videogames: In-game, novels, comics, & other franchise-building offshoots. Room 32AB. With Greg Bear (Halo: Cryptum), Karen Traviss (Halo: Glasslands), David Gaider (Dragon Age: The Stolen Throne, Dragon Age: The Calling), John Shirley (Bioshock: Rapture), Tony Gonzales (EVE: The Empyrean Age, EVE: Templar One), Frank O’Connor (Chief of 343 Industries, Halo: Evolutions) and Kevin Grace (Managing Editor of 343 Industries, Halo: Evolutions). Moderated by Matt Staggs of Suvudu.com. 11:30am – 12:30am Signing in the autographing area, AA2 · 12pm Tor Booth signing with Bram Stoker Award winner John Shirley, signing copies of Bioshock: Rapture, the prequel story to the award-winning and bestselling video game franchise. Booth #2707 · 2pm Tor Booth signing with multiple Hugo and Nebula Award winner Greg Bear, #1 New York Times bestselling author Karen Travis, Frank O’Connor, Chief of 343 Industries, and Kevin Grace, Managing Editor of 343 Industries, signing copies of Halo: Evolutions. Booth #2707 · 5pm Tor Booth signing with David Gaider, lead writer on the award-winning role-playing game Dragon Age: Origins among others, signing copies of Dragon Age: The Stolen Throne. Booth #2707 Saturday, July 23rd · 12pm Tor Booth signing with the iconic Vernor Vinge! This fall will finally see the release of The Children of the Sky, the long awaited follow up to Hugo Award winning A Fire Upon the Deep. Never read it? Stop by the booth and get a copy signed by the wonderful author himself! Booth #2707 · 3pm The Long Man give-away by comic legend, Steve Englehart. Booth #2707 · 5pm Tor Booth signing with legendary George R.R. Martin! Originally created in 1987 and long before Martin became a household name, George R. R. Martin and Melinda Snodgrass’ Wild Cards series earned a reputation for its smart reimagining of the superhero idea. Martin & Snodgrass will be joined by other contributors including Carrie Vaughn, Carolyn Spector and Daniel Abraham. Note: Martin will only sign copies of Inside Straight; limit one copy per person. Booth #2707 Sunday, July 24th · 10:30am Wildcards Sunday Morning, Moderated by George R.R. Martin & Melinda Snodgrass. With Paul Cornell, David Anthony Durham, Carrie Vaughn, Daniel Abraham & Caroline Spector. A Tor exclusive! 12pm – 1pm Signing in the Autographing area AA8 · 12pm Dreadnought giveaway by steampunk high priestess, Cherie Priest. Booth #2707 · 12pm – 1pm Speculative Fiction: Space odyssey, alien encounters and future worlds Room 25ABC. With Vernor Vinge (The Children of the Sky), Greg Bear (Halo: Cryptum), Timothy Zahn and others. Moderated by Maryelizabeth Hart of Mysterious Galaxy. 1:30pm – 2:30pm Signing in the autographing area AA8 · 2pm – 3pm Tor Booth signing with comic legends Bill Willingham and Mark Buckingham! We’re proud to announce the publication of Down the Mysterly River, Willingham’s first book for young readers to be published by Starscape (Tor’s younger sibling) this fall. Willingham &; Buckingham (hey that rhymes!) will sign one of four specially designed postcards featuring art from the upcoming book. A Comic-Con exclusive! *All Tor Booth signings are on a first come first serve basis and while supplies lasts. Limit one book per person. So there you have it.  If you’re going to be at Comic-Con (wish I could be), you should check out some of the Tor events.  I’m sure they’ll be amazing!

SF/F Commentary

Kurt Vonnegut and Slaughterhouse Five in Chalkboard Form

Those of you who follow me on Google+ may have already seen the images linked below.  Since I’m certain at least 350 of you have never seen these, though, I decided I would share them with you. American Lit (4081) Chalkboard Wonders If you click the image above, it will take you to the Picasa album containing a series of four interconnected images from my lecture on Kurt Vonnegut’s Slaughterhouse Five.  The writing is from the third day of class lectures/discussion. Feel free to leave a comment!

SF/F Commentary

The New Writing/Editing/Podcasting/Reviewing Agenda/Plan/Thing (Yeah)

The last few weeks have been nothing short of crazy.  My sister spent two weeks (ish) in town, which was great because I’ve only seen her all of four hours in the last two years.  Likewise, the school season started up again, putting me head first into a poetry/film course that (let’s face it) is way outside of my area of expertise (though I’ve been inspired to write some pretty nutty poetry as of late, which Adam Callaway has read and subsequently went nutty over — you can read more about that on my Google+ page).  I’m also teaching a Survey in American Literature course, which is an amazing experience, but also a good deal of work. The result of all these events has been a pitiful output of writing-ness, which includes, in partial-list form, the following: Editing on WISB chapters are behind my proposed schedule WISB Podcast chapters, subsequently, are behind my proposed schedule WISB Podcast funding updates have yet to be announced (ANNOUNCEMENT:  I made it!) All writing in general is at a complete standstill, with the exception of poetry (something I rarely do and never thought I would do in any significant form) Behind on my reading Behind on reviewing (I swear, Strange Horizons, a review is coming to you for Harbor by Lindqvist!) The articles I’m supposed to be working on for my academic career are way behind too Plenty of other things are behind too… This is unacceptable.  Completely and utterly unacceptable.  So, I’m going to do the following to resolve this: Limit my Internet usage timeIt should be easy to manage with my girlfriend going on vacation, which opens up my evenings; I can devote more time to catching up, while missing her terribly. Set blogging “time limits”I shouldn’t spend more than an hour doing blogging things, including things for The Skiffy and Fanty Show.  This means I’ll have to get quick at writing my TV/movie reviews, rather than spending hours doing them. Set reviewing timeI need to write a review a week, or more.  And I need to get better at writing reviews…time limits might help. Set reading timeBecause I need to read more. Set academic-stuff timeBecause I need to finish those articles! Make sure when I am studying, prepping lectures, and so on, that I am only doing thatWhy?  Because when I do these things, I find myself doing lots of other things too, like wasting time wandering the Internet. I don’t know what these limits and what not are going to look like, but I think it’s safe to say that I will put a lot of extra time into editing to get caught up on WISB.  I’m behind.  I don’t like it.  At all. So there you have it.  That’s my mini manifesto thing.

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