Syfy: Will it Destroy Science Fiction?

Reading Time

Criticizing the Syfy channel in the SF community is almost like fulfilling a requirement for entry.  After all, the channel plays more wrestling and phony ghost-hunting/crypto-BS than any other channel on cable, which makes it really easy to hate if you’re not into such things.  It wasn’t always that way, though.  I remember watching old science fiction classics on Scifi (the name it used to have before they went moron and came up with Syfy).  Godzilla, cheezy 80s flicks, The Twilight Zone, and The Outer Limits.  All of those wonderful shows were there.  Now?  Not so much.

But is Syfy detrimental to science fiction as a genre?  Kyle Mizokami thinks so.  One of his recent tweets reads as follows:

Syfy’s express purpose seems to be to destroy the genre of science fiction.

Mizokami is certainly being facetious here, but it might be worth wondering whether Syfy, in a general sense, is good for science fiction.  I highly doubt the creators or its current “controllers” intend to destroy SF, since that would make their station pointless, but they certainly have made many decisions which many would consider damaging to SF, or, at the very least, damn well questionable.

In defense of Syfy, I think it’s necessary to point out that they are the only station dedicated to
producing original SF/F television.  They’ve brought us the re-imagined Battlestar Galactica and various incarnations of Stargate, saved Sliders from certain incomplete death, and created numerous other wholly original series (some of them, I’m told, are damned good), movies (most of which aren’t so great), and so on.  True, they’ve resorted to playing wrestling and other garbage, but it’s the only channel that actually plays science fiction on a routine basis, and maintains SF/F series as part of its “package.”  Most of the major networks haven’t a clue what to do with genre when they have it and that means most of the genre shows that appear there are canceled in quick order.  I’d argue that cable television is where all good genre television goes to live, while network television is where it goes to die.

That said, I do think we have a lot to be concerned about with Syfy.  Rather than play SF/F classics in poor-performing slots (to boost ratings, as I see it), they’ve gone towards “popular” things like wrestling, paranormal investigation nonsense, and so on.  I think this is a bad thing for the station in general, but it is also worrying for SF/F fans, since it means the one network devoted to what they love is putting too much attention into junk that should show up elsewhere.  Throw in the fact that their TV movies are more often than not just this side of kill-yourself-awful and it’s hard to think of Syfy as a channel that knows what it is doing.  Quality television and quality re-run selection is absolutely crucial for SF/F.

In general, I disagree with Mizokami.  I don’t think Syfy is damaging SF…yet.  But it has the potential to ruin genre television if it isn’t careful.  It’s hard to call Syfy the worst TV station on cable when it wasn’t all that long ago that the greatest science fiction show in the history of television graced their channel (BSG).  But when you watch something like Battle of Los Angeles, which is possibly the worst film ever made, what else are you supposed to think other than “they really don’t give a crap?”

What do you think?  Is Syfy bad for science fiction?

Email
Facebook
Twitter
LinkedIn
Digg
Reddit
LinkedIn

4 Responses

  1. I remember hearing right after Sci-Fi got taken over by whoever owns the WWF that the then-president (Linda someone-or-other?) referred to 'that stupid sci-fi stuff' on the channel. That's when they started with the wrestling shows. I think it was her mission to get rid of it. She's out now, but it doesn't sound like much has changed.

  2. I don't think Syfy will do much to science fiction in the eyes of the fans – I think it will continue it's trend of cheap, rip-off "original" movies based on bigger-budgeted, sincerely original sci-fi movies and this will turn the sci-fi fans away in droves. Right now fans are holding on based on past loyalty, but it won't keep them there forever. Ultimately, the true damage is in sci-fi's acceptance by the "mainstream" (the majority). Non-fans see the Syfy channel as the best, biggest, and most dedicated representation of the genre. And that's become a damn shame.

    However, Syfy's online original web content has been somewhat of a different story. It could be that as tv transitions to streaming (which it will inevitably do) this new content will win the day for everyone. The horror that's playing on Syfy's cable channel could simply be the last dying gasps of a syndication method that's moving past its prime.

  3. Dave: I agree. Right now, the station plays too much crap for me to justify paying a cable bill. I loved BSG, and the station churns out some interesting TV shows otherwise, but their crap rip-off films annoy the hell out of me. I wish they'd go back to playing re-runs of old TV shows and classic scifi flicks (even the campy ones from way back when).

    I just don't understand why it's so hard for them to produce good TV movies. They can do TV shows decent enough. Why not 1.5 hour long flicks? It can't be that hard to find good writers and decent actors, right?

    On that note, I think the problem is that Syfy wants to be bigger than its budget will allow, which means it frequently sacrifices good writing for cheap special effects. You don't get this very often with BBC productions, since they know their budgets are small and tend to pay more attention to good writing than things which cost loads of money. It used to be that way in the U.S. You had a budget and you had to write within that. Some of the best shows and TV movies, etc. have arisen from such limitations (and the writers' acknowledgement of them).

    But you may be right about the syndication method moving past its prime…

Leave a Reply

Follow Me

Newsletter

Support Me

Recent Posts

A Reading List of Dystopian Fiction and Relevant Texts (Apropos of Nothing in Particular)

Why would someone make a list of important and interesting works of dystopian fiction? Or a suggested reading list of works that are relevant to those dystopian works? There is absolutely no reason other than raw interest. There’s nothing going on to compel this. There is nothing in particular one making such a list would hope you’d learn. The lists below are not an exhaustive list. There are bound to be texts I have forgotten or texts you think folks should read that are not listed. Feel free to make your own list and tell me about it OR leave a comment. I’ll add things I’ve missed! Anywhoodles. Here goes:

Read More »

Duke’s Best EDM Tracks of 2024

And so it came to pass that I finished up my annual Best of EDM [Insert Year Here] lists. I used to do these on Spotify before switching to Tidal, and I continued doing them on Tidal because I listen to an absurd amount of EDM and like keeping track of the tunes I love the most. Below, you will find a Tidal playlist that should be public. You can listen to the first 50 tracks right here, but the full playlist is available on Tidal proper (which has a free version just like Spotify does). For whatever reason, the embedded playlist breaks the page, and so I’ve opted to link to it here and at the bottom of this post. Embeds are weird. Or you can pull songs into your preferred listening app. It’s up to you. Some caveats before we begin:

Read More »

2025: The Year of Something

We’re nine days into 2025, and it’s already full of exhausting levels of controversy before we’ve even had a turnover in power in my home country of the United States. We’ve seen resignations of world leaders, wars continuing and getting worse and worse (you know where), the owner of Twitter continuing his tirade of lunacy and demonstrating why the billionaire class is not to be revered, California ablaze with a horrendous and large wildfire, right wing thinktanks developing plans to out and attack Wikipedia editors as any fascist-friendly organization would do, Meta rolling out and rolling back GenAI profiles on its platforms, and, just yesterday, the same Meta announcing sweeping changes to its moderation policies that, in a charitable reading, encourage hate-based harassment and abuse of vulnerable populations, promotion and support for disinformation, and other problems, all of which are so profound that people are talking about a mass exodus from the platform to…somewhere. It’s that last thing that brings me back to the blog today. Since the takeover at Twitter, social networks have been in a state of chaos. Platforms have risen and fallen — or only risen so much — and nothing I would call stability has formed. Years ago, I (and many others far more popular than me) remarked that we’ve ceded the territory of self-owned or small-scale third party spaces for massive third party platforms where we have minimal to no control or say and which can be stripped away in a tech-scale heartbeat. By putting all our ducks into a bin of unstable chaos, we’re also expending our time and energy on something that won’t last, requiring us to expend more time and energy finding alternatives, rebuilding communities, and then repeating the process again. In the present environment, that’s impossible to ignore.1 This is all rather reductive, but this post is not the place to talk about all the ways that social networks have impacted control over our own spaces and narratives. Another time, perhaps. I similarly don’t have space to talk about the fact that some of the platforms we currently have, however functional they may be, have placed many of us in a moral quagmire, as in the case of Meta’s recent moderation changes. Another time… ↩

Read More »