Promo Bits: Kafkaesque edited by John Kessel and James Patrick Kelly

Reading Time

The wonderful folks at Tachyon Publications are up to mischief again with a new anthology called Kafkaesque, edited by John Kessel and James Patrick Kelly.  I’m letting you all know about this book because I want it, and one of you is going to buy it for me for my Birthday, which is on the 6th of October.  Seriously.  You are.  Or we’re not friends anymore, you hear?  And I don’t care that the book doesn’t come out until November 2011.  You can pre-order it.  Or steal an ARC from a reviewer.  It’s only wrong if you get caught…

Anywho.  Enough of that.  Here’s the back cover blurb (ToC to follow):

Franz Kafka died in obscurity in 1924, having published a handful of odd stories in little-known central European literary magazines. Yet modern culture has embraced the stark ideas and vivid imagery of his work. Even those who have never read a word of his fiction know enough to describe their tribulations with bureaucracy as “Kafkaesque.” 

Kafkaesque explores dystopian, comedic, and ironic fictions inspired by Franz Kafka’s work. In Philip Roth’s alternate history, Kafka survives World War II and immigrates to America, Jorge Luis Borges envisions a labyrinthine public lottery that evolves into bureaucratically-mandated mysticism. Carol Emshwiller invents an exclusively male society faced with its first (mostly) female member. Paul Di Filippo’s journalist by day, costumed crime-fighter by night, copes with the bizarre amidst the mundane.  

Also includes Kafka’s classic story “The Hunger Artist,” in a brand-new translation, as well as an illustrated version by legendary cartoonist R. Crumb (Fritz the Cat). Additionally, each author discusses Kafka’s writing, its relevance, its personal influence, and Kafka’s enduring legacy.

The table of contents are as follows:

  1. “A Hunger Artist” (translated by Kessel) by Franz Kafka 
  2. “The Drowned Giant” by J.G. Ballard 
  3. “The Cockroach Hat” by Terry Bisson 
  4. “Hymenoptera” by Michael Blumlein 
  5. “The Lottery in Babylon” (tr: Hurley) by Jorge Luis Borges 
  6. “The Big Garage” by T. Coraghessan Boyle 
  7. “The Jackdaw’s Last Case” by Paul Di Filippo 
  8. “Report to the Men’s Club” by Carol Emshwiller 
  9. “Bright Morning” by Jeffrey Ford 
  10. “The Rapid Advance of Sorrow” by Theodora Goss 
  11. “Stable Strategies for Middle Management” by Eileen Gunn 
  12. “The Handler” by Damon Knight 
  13. “Receding Horizon” by Jonathan Lethem & Carter Scholz 
  14. “A Hunger Artist” by David Mairowitz & Robert Crumb 
  15. “I Always Wanted You to Admire my Fasting”, or “Looking at Kafka” by Philip Roth 
  16. “The 57th Franz Kafka” by Rudy Rucker 
  17. “The Amount to Carry” by Carter Scholz 
  18. “Kafka in Brontëland” by Tamar Yellin
Let me just say that the ToC looks bloody amazing.  Ballard, Bisson, Borges, Filippo, Emschwiller, Ford, Roth, Rucker, Gunn…  What an impressive list, don’t you think?  My friend Kendra will hear about this anthology promptly.  Because she’s kind of obsessed with Kafka…
Admit it.  You want this book too…
Email
Facebook
Twitter
LinkedIn
Digg
Reddit
LinkedIn

Leave a Reply

Follow Me

Newsletter

Support Me

Recent Posts

A Reading List of Dystopian Fiction and Relevant Texts (Apropos of Nothing in Particular)

Why would someone make a list of important and interesting works of dystopian fiction? Or a suggested reading list of works that are relevant to those dystopian works? There is absolutely no reason other than raw interest. There’s nothing going on to compel this. There is nothing in particular one making such a list would hope you’d learn. The lists below are not an exhaustive list. There are bound to be texts I have forgotten or texts you think folks should read that are not listed. Feel free to make your own list and tell me about it OR leave a comment. I’ll add things I’ve missed! Anywhoodles. Here goes:

Read More »

Duke’s Best EDM Tracks of 2024

And so it came to pass that I finished up my annual Best of EDM [Insert Year Here] lists. I used to do these on Spotify before switching to Tidal, and I continued doing them on Tidal because I listen to an absurd amount of EDM and like keeping track of the tunes I love the most. Below, you will find a Tidal playlist that should be public. You can listen to the first 50 tracks right here, but the full playlist is available on Tidal proper (which has a free version just like Spotify does). For whatever reason, the embedded playlist breaks the page, and so I’ve opted to link to it here and at the bottom of this post. Embeds are weird. Or you can pull songs into your preferred listening app. It’s up to you. Some caveats before we begin:

Read More »

2025: The Year of Something

We’re nine days into 2025, and it’s already full of exhausting levels of controversy before we’ve even had a turnover in power in my home country of the United States. We’ve seen resignations of world leaders, wars continuing and getting worse and worse (you know where), the owner of Twitter continuing his tirade of lunacy and demonstrating why the billionaire class is not to be revered, California ablaze with a horrendous and large wildfire, right wing thinktanks developing plans to out and attack Wikipedia editors as any fascist-friendly organization would do, Meta rolling out and rolling back GenAI profiles on its platforms, and, just yesterday, the same Meta announcing sweeping changes to its moderation policies that, in a charitable reading, encourage hate-based harassment and abuse of vulnerable populations, promotion and support for disinformation, and other problems, all of which are so profound that people are talking about a mass exodus from the platform to…somewhere. It’s that last thing that brings me back to the blog today. Since the takeover at Twitter, social networks have been in a state of chaos. Platforms have risen and fallen — or only risen so much — and nothing I would call stability has formed. Years ago, I (and many others far more popular than me) remarked that we’ve ceded the territory of self-owned or small-scale third party spaces for massive third party platforms where we have minimal to no control or say and which can be stripped away in a tech-scale heartbeat. By putting all our ducks into a bin of unstable chaos, we’re also expending our time and energy on something that won’t last, requiring us to expend more time and energy finding alternatives, rebuilding communities, and then repeating the process again. In the present environment, that’s impossible to ignore.1 This is all rather reductive, but this post is not the place to talk about all the ways that social networks have impacted control over our own spaces and narratives. Another time, perhaps. I similarly don’t have space to talk about the fact that some of the platforms we currently have, however functional they may be, have placed many of us in a moral quagmire, as in the case of Meta’s recent moderation changes. Another time… ↩

Read More »