(I first must apologize to Mr. Smith for the lateness of this post. The email containing the guest post below got buried, which has happened far more times than I think is fair. This will be resolved ASAP.)
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In 1954, J.R.R. Tolkien published the first of a breathtaking series of books that would go on to become some of the most influential novels of the 20th century. As anyone who has ever read The Lord of the Rings knows, Tolkien’s books are so imaginative and unexpectedly powerful that his fantastic tale still captures our imaginations more than a half century after its original publication. These stories gave birth to the modern fantasy genre, and it is perhaps inevitable that so many contemporary fantasy books replicate aspects of Tolkien’s writings. So pervasive is Tolkien’s influence that the English Dictionary offers a word for it: Tolkienesque. Perhaps this is why we see so many fantasy tales that feature elves, dwarves, wizards, magic rings, and magic swords. The presence of these features is, in many ways, what we have come to expect from a modern fantasy novel.
But over the course of 57 years, these constructs of classical Northern European (or Tolkienesque) fantasy fiction have been imitated to the point of monotony. In tome after tome, we see elves and dwarves wielding magical swords or speaking in Northern European conlangs (fictional languages) as they follow some particular heroic quest. And let’s be honest. Although there are many wonderful and imaginative novels that feature these elements, no one has done it as well as Mr. Tolkien.
When I sat down to write Antiquitas Lost, I promised myself there would be no magic rings, magic swords, elves or dwarves. A major goal was to create a fantasy novel where the creatures and setting were fresh. Pangrelor, the fantasy world described in Antiquitas Lost, is envisioned as a pre-industrial, medieval society with beautiful artistic accomplishments set in a savage and magical natural environment — the Renaissance meets the Pleistocene, with magical beings and crypto-zoological creatures. Devoid of elves and dwarves, Pangrelor is inhabited largely by creatures that we are familiar with, but different from the usual fantasy fare — gargoyles, Bigfoot creatures, Neanderthal types, Atlanteans and dinosaurs, to name a few. These differences give Pangrelor a much different feel from Middle Earth and the countless, adherent worlds that have followed. Hopefully the reader will find this refreshing. Over time, I have come to think of Antiquitas Lost as more of a “North American” tale, with many references to new world mythologies, as well as a hint of Native American influence.
Although Antiquitas Lost is not immune to Mr. Tolkien’s sweeping influence, it is unique in many ways. When you take your first journey to Pangrelor, it is my sincere hope that you will experience a hint of the joy that accompanied your maiden voyage to Middle Earth, and that you will connect in a meaningful way with this unprecedented new cast of characters as you explore an altogether unique fantasy destination.
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Robert Louis Smith, author of
Antiquitas Lost: The Last of the Shamalans, has numerous degrees, including psychology (B.A.), applied microbiology (B.S.), anaerobic microbiology (M.Sc.), and a Medical Doctorate (M.D.). He serves as an interventional cardiologist at the Oklahoma Heart Institute. He is married and the father of two young children. He began writing
Antiquitas Lost in 2003 while studying atTulane University in New Orleans.
For more information please visit http://www.antiquitaslost.com/ and follow the author on Facebook and Twitter
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Guest Post: Smackdown: Pangrelor vs. Middle Earth by Robert Louis Smith
(I first must apologize to Mr. Smith for the lateness of this post. The email containing the guest post below got buried, which has happened far more times than I think is fair. This will be resolved ASAP.)
In 1954, J.R.R. Tolkien published the first of a breathtaking series of books that would go on to become some of the most influential novels of the 20th century. As anyone who has ever read The Lord of the Rings knows, Tolkien’s books are so imaginative and unexpectedly powerful that his fantastic tale still captures our imaginations more than a half century after its original publication. These stories gave birth to the modern fantasy genre, and it is perhaps inevitable that so many contemporary fantasy books replicate aspects of Tolkien’s writings. So pervasive is Tolkien’s influence that the English Dictionary offers a word for it: Tolkienesque. Perhaps this is why we see so many fantasy tales that feature elves, dwarves, wizards, magic rings, and magic swords. The presence of these features is, in many ways, what we have come to expect from a modern fantasy novel.
But over the course of 57 years, these constructs of classical Northern European (or Tolkienesque) fantasy fiction have been imitated to the point of monotony. In tome after tome, we see elves and dwarves wielding magical swords or speaking in Northern European conlangs (fictional languages) as they follow some particular heroic quest. And let’s be honest. Although there are many wonderful and imaginative novels that feature these elements, no one has done it as well as Mr. Tolkien.
When I sat down to write Antiquitas Lost, I promised myself there would be no magic rings, magic swords, elves or dwarves. A major goal was to create a fantasy novel where the creatures and setting were fresh. Pangrelor, the fantasy world described in Antiquitas Lost, is envisioned as a pre-industrial, medieval society with beautiful artistic accomplishments set in a savage and magical natural environment — the Renaissance meets the Pleistocene, with magical beings and crypto-zoological creatures. Devoid of elves and dwarves, Pangrelor is inhabited largely by creatures that we are familiar with, but different from the usual fantasy fare — gargoyles, Bigfoot creatures, Neanderthal types, Atlanteans and dinosaurs, to name a few. These differences give Pangrelor a much different feel from Middle Earth and the countless, adherent worlds that have followed. Hopefully the reader will find this refreshing. Over time, I have come to think of Antiquitas Lost as more of a “North American” tale, with many references to new world mythologies, as well as a hint of Native American influence.
Although Antiquitas Lost is not immune to Mr. Tolkien’s sweeping influence, it is unique in many ways. When you take your first journey to Pangrelor, it is my sincere hope that you will experience a hint of the joy that accompanied your maiden voyage to Middle Earth, and that you will connect in a meaningful way with this unprecedented new cast of characters as you explore an altogether unique fantasy destination.
For more information please visit http://www.antiquitaslost.com/ and follow the author on Facebook and Twitter
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