We’re nine days into 2025, and it’s already full of exhausting levels of controversy before we’ve even had a turnover in power in my home country of the United States. We’ve seen resignations of world leaders, wars continuing and getting worse and worse (you know where), the owner of Twitter continuing his tirade of lunacy and demonstrating why the billionaire class is not to be revered, California ablaze with a horrendous and large wildfire, right wing thinktanks developing plans to out and attack Wikipedia editors as any fascist-friendly organization would do, Meta rolling out and rolling back GenAI profiles on its platforms, and, just yesterday, the same Meta announcing sweeping changes to its moderation policies that, in a charitable reading, encourage hate-based harassment and abuse of vulnerable populations, promotion and support for disinformation, and other problems, all of which are so profound that people are talking about a mass exodus from the platform to…somewhere. It’s that last thing that brings me back to the blog today. Since the takeover at Twitter, social networks have been in a state of chaos. Platforms have risen and fallen — or only risen so much — and nothing I would call stability has formed. Years ago, I (and many others far more popular than me) remarked that we’ve ceded the territory of self-owned or small-scale third party spaces for massive third party platforms where we have minimal to no control or say and which can be stripped away in a tech-scale heartbeat. By putting all our ducks into a bin of unstable chaos, we’re also expending our time and energy on something that won’t last, requiring us to expend more time and energy finding alternatives, rebuilding communities, and then repeating the process again. In the present environment, that’s impossible to ignore.1 This is all rather reductive, but this post is not the place to talk about all the ways that social networks have impacted control over our own spaces and narratives. Another time, perhaps. I similarly don’t have space to talk about the fact that some of the platforms we currently have, however functional they may be, have placed many of us in a moral quagmire, as in the case of Meta’s recent moderation changes. Another time… ↩
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Guest Post: Smackdown: Pangrelor vs. Middle Earth by Robert Louis Smith
Reading Time
(I first must apologize to Mr. Smith for the lateness of this post. The email containing the guest post below got buried, which has happened far more times than I think is fair. This will be resolved ASAP.)
In 1954, J.R.R. Tolkien published the first of a breathtaking series of books that would go on to become some of the most influential novels of the 20th century. As anyone who has ever read The Lord of the Rings knows, Tolkien’s books are so imaginative and unexpectedly powerful that his fantastic tale still captures our imaginations more than a half century after its original publication. These stories gave birth to the modern fantasy genre, and it is perhaps inevitable that so many contemporary fantasy books replicate aspects of Tolkien’s writings. So pervasive is Tolkien’s influence that the English Dictionary offers a word for it: Tolkienesque. Perhaps this is why we see so many fantasy tales that feature elves, dwarves, wizards, magic rings, and magic swords. The presence of these features is, in many ways, what we have come to expect from a modern fantasy novel.
But over the course of 57 years, these constructs of classical Northern European (or Tolkienesque) fantasy fiction have been imitated to the point of monotony. In tome after tome, we see elves and dwarves wielding magical swords or speaking in Northern European conlangs (fictional languages) as they follow some particular heroic quest. And let’s be honest. Although there are many wonderful and imaginative novels that feature these elements, no one has done it as well as Mr. Tolkien.
When I sat down to write Antiquitas Lost, I promised myself there would be no magic rings, magic swords, elves or dwarves. A major goal was to create a fantasy novel where the creatures and setting were fresh. Pangrelor, the fantasy world described in Antiquitas Lost, is envisioned as a pre-industrial, medieval society with beautiful artistic accomplishments set in a savage and magical natural environment — the Renaissance meets the Pleistocene, with magical beings and crypto-zoological creatures. Devoid of elves and dwarves, Pangrelor is inhabited largely by creatures that we are familiar with, but different from the usual fantasy fare — gargoyles, Bigfoot creatures, Neanderthal types, Atlanteans and dinosaurs, to name a few. These differences give Pangrelor a much different feel from Middle Earth and the countless, adherent worlds that have followed. Hopefully the reader will find this refreshing. Over time, I have come to think of Antiquitas Lost as more of a “North American” tale, with many references to new world mythologies, as well as a hint of Native American influence.
Although Antiquitas Lost is not immune to Mr. Tolkien’s sweeping influence, it is unique in many ways. When you take your first journey to Pangrelor, it is my sincere hope that you will experience a hint of the joy that accompanied your maiden voyage to Middle Earth, and that you will connect in a meaningful way with this unprecedented new cast of characters as you explore an altogether unique fantasy destination.
For more information please visit http://www.antiquitaslost.com/ and follow the author on Facebook and Twitter
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A Reading List of Dystopian Fiction and Relevant Texts (Apropos of Nothing in Particular)
Why would someone make a list of important and interesting works of dystopian fiction? Or a suggested reading list of works that are relevant to those dystopian works? There is absolutely no reason other than raw interest. There’s nothing going on to compel this. There is nothing in particular one making such a list would hope you’d learn. The lists below are not an exhaustive list. There are bound to be texts I have forgotten or texts you think folks should read that are not listed. Feel free to make your own list and tell me about it OR leave a comment. I’ll add things I’ve missed! Anywhoodles. Here goes:
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Duke’s Best EDM Tracks of 2024
And so it came to pass that I finished up my annual Best of EDM [Insert Year Here] lists. I used to do these on Spotify before switching to Tidal, and I continued doing them on Tidal because I listen to an absurd amount of EDM and like keeping track of the tunes I love the most. Below, you will find a Tidal playlist that should be public. You can listen to the first 50 tracks right here, but the full playlist is available on Tidal proper (which has a free version just like Spotify does). For whatever reason, the embedded playlist breaks the page, and so I’ve opted to link to it here and at the bottom of this post. Embeds are weird. Or you can pull songs into your preferred listening app. It’s up to you. Some caveats before we begin:
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2025: The Year of Something
We’re nine days into 2025, and it’s already full of exhausting levels of controversy before we’ve even had a turnover in power in my home country of the United States. We’ve seen resignations of world leaders, wars continuing and getting worse and worse (you know where), the owner of Twitter continuing his tirade of lunacy and demonstrating why the billionaire class is not to be revered, California ablaze with a horrendous and large wildfire, right wing thinktanks developing plans to out and attack Wikipedia editors as any fascist-friendly organization would do, Meta rolling out and rolling back GenAI profiles on its platforms, and, just yesterday, the same Meta announcing sweeping changes to its moderation policies that, in a charitable reading, encourage hate-based harassment and abuse of vulnerable populations, promotion and support for disinformation, and other problems, all of which are so profound that people are talking about a mass exodus from the platform to…somewhere. It’s that last thing that brings me back to the blog today. Since the takeover at Twitter, social networks have been in a state of chaos. Platforms have risen and fallen — or only risen so much — and nothing I would call stability has formed. Years ago, I (and many others far more popular than me) remarked that we’ve ceded the territory of self-owned or small-scale third party spaces for massive third party platforms where we have minimal to no control or say and which can be stripped away in a tech-scale heartbeat. By putting all our ducks into a bin of unstable chaos, we’re also expending our time and energy on something that won’t last, requiring us to expend more time and energy finding alternatives, rebuilding communities, and then repeating the process again. In the present environment, that’s impossible to ignore.1 This is all rather reductive, but this post is not the place to talk about all the ways that social networks have impacted control over our own spaces and narratives. Another time, perhaps. I similarly don’t have space to talk about the fact that some of the platforms we currently have, however functional they may be, have placed many of us in a moral quagmire, as in the case of Meta’s recent moderation changes. Another time… ↩
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