Game of Thrones vs. People Who Only Threw a Fit After-the-fact

Reading Time

George Bush is in the HBO production of Game of Thrones (season one).  Not really.  A replica of his head was dressed up in a manky wig and put on a spike to represent one of the heads King Joffrey lobbed off towards the end of the first season.  Said replica was on the screen for such a short amount of time that nobody figured it out until someone made a passing comment in the commentary on the DVD suggesting as much.  Oh.  My.  God.  The world has just ended.  It’s over.  Hollywood wants to kill George Bush.  It’s finally true!  The liberals have come to kill our babies and eat our brains using parasitic tube monkeys.  And then they’re going to cut off George Bush’s head and put it up on a spike with a nasty black wig!

None of that is true.  Well, except everything before “Oh.  My.  God.”  In truth, this is one of the stupidest things people have gotten upset about in Hollywood this year, let alone this decade (and the one before it).  There are a lot of more important things to get pissed about.  Such as how women are portrayed in films and TV.  Or representations of people of color.  Or the fact that most of the crap they put on TV looks like it was written by a 5-year-old missing half a brain.  But this?  Please.  Grow up.

And, yes, contrary to what some of a different political persuasion than myself might say, I would not have cared either if the bust was Barack Obama, except for the fact that there are almost no black people in Game of Thrones (season one) to begin with.  Putting him up on a spike wouldn’t make any sense, and I might get a little annoyed at that if I actually noticed it.  But would I have?  No.  I didn’t notice George Bush either, and I don’t even like him as a President.

That said, I don’t really know where I stand with the producers’ rational for why they used a replica of his head.  Is it possible they couldn’t afford to rent or make a whole bunch more body parts and heads?  Maybe.  Could it also be a veiled political statement?  I guess.  But that would assume David Benioff and D. B. Weiss are stupid enough to a) put it in their movie knowing some place like Big Hollywood will scrutinize everything they do, and b) mention doing so in the commentary.  If you wanted to make a political point, I’d think you’d take the moment to say something in the commentary.  Maybe they’re that dumb, but I find that hard to believe, and I don’t feel like making that judgment right now.

So I will officially file this in my “stupid crap that the world got upset about” bin.  Do with it what you will.

Email
Facebook
Twitter
LinkedIn
Digg
Reddit
LinkedIn

2 Responses

  1. It's just knee-jerk culture nonsense, to be honest. If you switched it out for Clinton or something, Democrats would throw a fit. I just don't have much patience for it.

Leave a Reply

Follow Me

Newsletter

Support Me

Recent Posts

A Reading List of Dystopian Fiction and Relevant Texts (Apropos of Nothing in Particular)

Why would someone make a list of important and interesting works of dystopian fiction? Or a suggested reading list of works that are relevant to those dystopian works? There is absolutely no reason other than raw interest. There’s nothing going on to compel this. There is nothing in particular one making such a list would hope you’d learn. The lists below are not an exhaustive list. There are bound to be texts I have forgotten or texts you think folks should read that are not listed. Feel free to make your own list and tell me about it OR leave a comment. I’ll add things I’ve missed! Anywhoodles. Here goes:

Read More »

Duke’s Best EDM Tracks of 2024

And so it came to pass that I finished up my annual Best of EDM [Insert Year Here] lists. I used to do these on Spotify before switching to Tidal, and I continued doing them on Tidal because I listen to an absurd amount of EDM and like keeping track of the tunes I love the most. Below, you will find a Tidal playlist that should be public. You can listen to the first 50 tracks right here, but the full playlist is available on Tidal proper (which has a free version just like Spotify does). For whatever reason, the embedded playlist breaks the page, and so I’ve opted to link to it here and at the bottom of this post. Embeds are weird. Or you can pull songs into your preferred listening app. It’s up to you. Some caveats before we begin:

Read More »

2025: The Year of Something

We’re nine days into 2025, and it’s already full of exhausting levels of controversy before we’ve even had a turnover in power in my home country of the United States. We’ve seen resignations of world leaders, wars continuing and getting worse and worse (you know where), the owner of Twitter continuing his tirade of lunacy and demonstrating why the billionaire class is not to be revered, California ablaze with a horrendous and large wildfire, right wing thinktanks developing plans to out and attack Wikipedia editors as any fascist-friendly organization would do, Meta rolling out and rolling back GenAI profiles on its platforms, and, just yesterday, the same Meta announcing sweeping changes to its moderation policies that, in a charitable reading, encourage hate-based harassment and abuse of vulnerable populations, promotion and support for disinformation, and other problems, all of which are so profound that people are talking about a mass exodus from the platform to…somewhere. It’s that last thing that brings me back to the blog today. Since the takeover at Twitter, social networks have been in a state of chaos. Platforms have risen and fallen — or only risen so much — and nothing I would call stability has formed. Years ago, I (and many others far more popular than me) remarked that we’ve ceded the territory of self-owned or small-scale third party spaces for massive third party platforms where we have minimal to no control or say and which can be stripped away in a tech-scale heartbeat. By putting all our ducks into a bin of unstable chaos, we’re also expending our time and energy on something that won’t last, requiring us to expend more time and energy finding alternatives, rebuilding communities, and then repeating the process again. In the present environment, that’s impossible to ignore.1 This is all rather reductive, but this post is not the place to talk about all the ways that social networks have impacted control over our own spaces and narratives. Another time, perhaps. I similarly don’t have space to talk about the fact that some of the platforms we currently have, however functional they may be, have placed many of us in a moral quagmire, as in the case of Meta’s recent moderation changes. Another time… ↩

Read More »