Retro Nostalgia: The Dark Crystal (1982) and the Necessity of a Remake

Reading Time
When I first saw The Dark Crystal over a decade ago, I recall feeling amazed by the story.  As kids, I think we have a tendency to open ourselves to imaginative possibilities that adults have closed themselves off to (possibly because adults have “seen it all”).  Watching The Dark Crystal as a kid was like jumping headfirst into my own imagination.*  Re-watching the film brought back some of those mostly-nostalgic memories, in particular because the world of The Dark Crystal is a fully realized one.  There are enormous sets, moving plants and critters, unique characters, and astonishing puppetry.  It’s hard not to marvel at how much effort went into making this film.
The problem?  Time has not been kind to Jim Henson’s 1982 classic.  Unlike The Labyrinth, which survives its ancient green screen and sometimes stiff puppetry largely because it is a quirky fantasy flick for kids, The Dark Crystal simply doesn’t hold up as well.  The stiff puppetry, a product of the time more than anything else, reminds us that we’re looking at, well, puppets; to suspend disbelief, we have to trick our minds in ways we generally wouldn’t have to.  This is true of
almost all of the characters, with exception to Fizzgig, whose rambunctious behavior offers a few purely comical moments.**  The rest?  Stiff.  Their mouths barely move and their facial expressions are limited.  That said, you’ll find nuance in the bodily movements of the characters; the puppet masters — ha! — did their best to make up for the lackluster facial performances by turning those bodies into canvases all on their own.  I’ll never have that kind of skill, which is why I admire it so.
I say this not because I think The Dark Crystal is a bad movie.  To say that, I would have to dislike much about The Labyrinth, even if I acknowledge that the latter receives some leeway due to tone.  For its time, The Dark Crystal was ambitious, to say the least.  It took all the glamour of the Jim Henson puppeteer studios and merged it with the mythical narratives of epic fantasy.  Critics were right to liken it to a Muppet version of a Tolkien story (The Hobbit, perhaps).  It has the right kind of characters, world, and elements to facilitate an epic fantasy narrative, right down even to the somewhat cliche “chosen one” plot line.  Most of these things work in its favor.  The film made $30mil in profit, though its sequel, Power of the Dark Crystal, has been in development limbo since the 80s, and it remains one of the highest grossing Henson films ever made.
I bring all this up because I think that it’s time someone remade The Dark Crystal.  Hear me out, if you will.
I’m not a fan of remakes.  In fact, I think most remakes shouldn’t exist, though the almighty dollar will keep them coming for decades to come.  But The Dark Crystal is the type of film that would benefit from modern technology, set design, budgets, and so on, in part because its original format, though beautiful for its time, has not aged particularly well (and don’t get me started on the annoying voice over that explains everything that has happened in the world up to the start of the narrative proper).  Contemporary puppetry, when properly funded, can produce more advanced characters and designs with developed facial features and facial mobility.  Those characters who seem somewhat stiff will come to life in a way they never have before.  The result?  Characters we all can easily connect to.  We’ll still know they’re puppets, but we’ll suspend our disbelief more readily if the characters look, move, and act like real people.  Just look at what they did for The Hitchhiker’s Guide to the Galaxy (skip to 7:05):

And that’s not even the best they could have done.  With advances in animatronic technologies and so on and so forth, you could create characters that practically cry on their own.  Throw in a little CG to help blend the sets and character together — and no more than “a little” — and you’ve got a mixture for what might be the most ambitious remake ever conceived.

Of course, if Hollywood tried to remake The Dark Crystal, they’d probably CG everything and leave out the puppetry — assuming the Henson company would let them.  I think this would be a grave mistake, but it’s not like Hollywood is afraid to send out stinkers and pretty everything up with lens flares and explosions these days.  My only hope is that remaking The Dark Crystal will do honor to the original and add new life to a world that deserves the best adaptation possible.  There’s so much to love about The Dark Crystal, from its classic heroic quest to its complete absence of human characters*** to its settings, scenery, and depth.  Who wouldn’t want to see it re-imagined once more?

This is where everyone chimes in with their thoughts.  Do you think a remake of The Dark Crystal would be a good idea?

This is the most adorable character in the entire movie.  Fizzgig!

—————————————————–
*No wonder I couldn’t get enough of Fraggle Rock as a kid…

**He’s sort of like a dog thing.  It’s hard to explain.

***If not for the fact that I desperately want to see this film remade, I might have talked about the curious absence of human characters in The Dark Crystal.  Perhaps for another time…

Email
Facebook
Twitter
LinkedIn
Digg
Reddit
LinkedIn

Leave a Reply

Newsletter

Follow Me

Support Me

Recent Posts

A Reading List of Dystopian Fiction and Relevant Texts (Apropos of Nothing in Particular)

Why would someone make a list of important and interesting works of dystopian fiction? Or a suggested reading list of works that are relevant to those dystopian works? There is absolutely no reason other than raw interest. There’s nothing going on to compel this. There is nothing in particular one making such a list would hope you’d learn. The lists below are not an exhaustive list. There are bound to be texts I have forgotten or texts you think folks should read that are not listed. Feel free to make your own list and tell me about it OR leave a comment. I’ll add things I’ve missed! Anywhoodles. Here goes:

Read More »

Duke’s Best EDM Tracks of 2024

And so it came to pass that I finished up my annual Best of EDM [Insert Year Here] lists. I used to do these on Spotify before switching to Tidal, and I continued doing them on Tidal because I listen to an absurd amount of EDM and like keeping track of the tunes I love the most. Below, you will find a Tidal playlist that should be public. You can listen to the first 50 tracks right here, but the full playlist is available on Tidal proper (which has a free version just like Spotify does). Or you can pull songs into your preferred listening app. It’s up to you. Some caveats before we begin: OK, let’s get to it. Enjoy!

Read More »

2025: The Year of Something

We’re nine days into 2025, and it’s already full of exhausting levels of controversy before we’ve even had a turnover in power in my home country of the United States. We’ve seen resignations of world leaders, wars continuing and getting worse and worse (you know where), the owner of Twitter continuing his tirade of lunacy and demonstrating why the billionaire class is not to be revered, California ablaze with a horrendous and large wildfire, right wing thinktanks developing plans to out and attack Wikipedia editors as any fascist-friendly organization would do, Meta rolling out and rolling back GenAI profiles on its platforms, and, just yesterday, the same Meta announcing sweeping changes to its moderation policies that, in a charitable reading, encourage hate-based harassment and abuse of vulnerable populations, promotion and support for disinformation, and other problems, all of which are so profound that people are talking about a mass exodus from the platform to…somewhere. It’s that last thing that brings me back to the blog today. Since the takeover at Twitter, social networks have been in a state of chaos. Platforms have risen and fallen — or only risen so much — and nothing I would call stability has formed. Years ago, I (and many others far more popular than me) remarked that we’ve ceded the territory of self-owned or small-scale third party spaces for massive third party platforms where we have minimal to no control or say and which can be stripped away in a tech-scale heartbeat. By putting all our ducks into a bin of unstable chaos, we’re also expending our time and energy on something that won’t last, requiring us to expend more time and energy finding alternatives, rebuilding communities, and then repeating the process again. In the present environment, that’s impossible to ignore.1 This is all rather reductive, but this post is not the place to talk about all the ways that social networks have impacted control over our own spaces and narratives. Another time, perhaps. I similarly don’t have space to talk about the fact that some of the platforms we currently have, however functional they may be, have placed many of us in a moral quagmire, as in the case of Meta’s recent moderation changes. Another time… ↩

Read More »