The Sequel We Deserve: Galaxy Quest…2 or the Show?

Reading Time

In a recent Flavorwire interview, Mark Johnson, the producer of Breaking Bad (a show I’m told is really good), offered this little gem:

I wish… It’s complicated. I can’t get into it because it only gets me angry, because I’m so proud of that movie… For a while there, and someday we may actually get there, we actually talked about doing a television show which would be sort of fun because it would be a TV show looking at a movie that’s looking at a TV show, something like that. So I wish I could answer you and I wish we did have a sequel or certainly a half hour comedy based on it. So we’ll see. It’s not over.

Needless to say, some of us are excited.  I’ve previously said that Galaxy Quest would make a terrific TV show.  I still believe that, though I certainly wouldn’t complain about a sequel film if the
studios put up the dough to make one.

The primary benefit to a film is its length.  With two hours, you can effectively create a parody and adventure story all in one, without disrupting the viewing process with the disconnected sitcom form — every moment leads to somewhere else. But films also limit the comedic frame, as overloading those two hours with references, jokes, and so on can pull apart the plot.  This is what has happened with the various incarnations of Scary Movie — each became less and less about the characters existing within a parody and more about the parody itself.  The result?  Crappy films.  Granted, a lot of folks would disagree with me, but I’ll stick by the claim.  Under the proper writing and direction, Galaxy Quest 2 could easily surpass its predecessor — the folks who were behind the original should return if a sequel film ever happens.

Having said that, though, I have to admit that a TV series might offer a different set of useful conditions for a parody.  First, Galaxy Quest is an obvious parody of the most popular science fiction TV show of all time:  Star Trek.  While the film never tries to follow the exact format, that doesn’t mean it wouldn’t benefit from taking things to the episodic level.  Personally, I would prefer to see 45-minute episodes rather than the traditional 23-26-minute sitcom form.  Doing so would let the writers play with the interconnected storylines, parody the narrative form of Star Trek and other TV franchises, and develop characters and comedy in a more efficient, laugh-track-free zone.  Galaxy Quest doesn’t deserve a laugh track, but it does deserve sufficient space to explore the parodic form.  A film might let the franchise expand and develop certain aspects of its universe, but a direct narrative parody would do so much more.

Of course, this is what I think, and I’m nobody.  I’ve never written for television.  All I’ve got to work on are my personal desires and the shows I’ve already seen.  Besides, Doctor Who has done well for itself, has it not?  Galaxy Quest could be the American response, if you will…

What do you all think?

Email
Facebook
Twitter
LinkedIn
Digg
Reddit
LinkedIn

Leave a Reply

Follow Me

Newsletter

Support Me

Recent Posts

A Reading List of Dystopian Fiction and Relevant Texts (Apropos of Nothing in Particular)

Why would someone make a list of important and interesting works of dystopian fiction? Or a suggested reading list of works that are relevant to those dystopian works? There is absolutely no reason other than raw interest. There’s nothing going on to compel this. There is nothing in particular one making such a list would hope you’d learn. The lists below are not an exhaustive list. There are bound to be texts I have forgotten or texts you think folks should read that are not listed. Feel free to make your own list and tell me about it OR leave a comment. I’ll add things I’ve missed! Anywhoodles. Here goes:

Read More »

Duke’s Best EDM Tracks of 2024

And so it came to pass that I finished up my annual Best of EDM [Insert Year Here] lists. I used to do these on Spotify before switching to Tidal, and I continued doing them on Tidal because I listen to an absurd amount of EDM and like keeping track of the tunes I love the most. Below, you will find a Tidal playlist that should be public. You can listen to the first 50 tracks right here, but the full playlist is available on Tidal proper (which has a free version just like Spotify does). For whatever reason, the embedded playlist breaks the page, and so I’ve opted to link to it here and at the bottom of this post. Embeds are weird. Or you can pull songs into your preferred listening app. It’s up to you. Some caveats before we begin:

Read More »

2025: The Year of Something

We’re nine days into 2025, and it’s already full of exhausting levels of controversy before we’ve even had a turnover in power in my home country of the United States. We’ve seen resignations of world leaders, wars continuing and getting worse and worse (you know where), the owner of Twitter continuing his tirade of lunacy and demonstrating why the billionaire class is not to be revered, California ablaze with a horrendous and large wildfire, right wing thinktanks developing plans to out and attack Wikipedia editors as any fascist-friendly organization would do, Meta rolling out and rolling back GenAI profiles on its platforms, and, just yesterday, the same Meta announcing sweeping changes to its moderation policies that, in a charitable reading, encourage hate-based harassment and abuse of vulnerable populations, promotion and support for disinformation, and other problems, all of which are so profound that people are talking about a mass exodus from the platform to…somewhere. It’s that last thing that brings me back to the blog today. Since the takeover at Twitter, social networks have been in a state of chaos. Platforms have risen and fallen — or only risen so much — and nothing I would call stability has formed. Years ago, I (and many others far more popular than me) remarked that we’ve ceded the territory of self-owned or small-scale third party spaces for massive third party platforms where we have minimal to no control or say and which can be stripped away in a tech-scale heartbeat. By putting all our ducks into a bin of unstable chaos, we’re also expending our time and energy on something that won’t last, requiring us to expend more time and energy finding alternatives, rebuilding communities, and then repeating the process again. In the present environment, that’s impossible to ignore.1 This is all rather reductive, but this post is not the place to talk about all the ways that social networks have impacted control over our own spaces and narratives. Another time, perhaps. I similarly don’t have space to talk about the fact that some of the platforms we currently have, however functional they may be, have placed many of us in a moral quagmire, as in the case of Meta’s recent moderation changes. Another time… ↩

Read More »