We’re nine days into 2025, and it’s already full of exhausting levels of controversy before we’ve even had a turnover in power in my home country of the United States. We’ve seen resignations of world leaders, wars continuing and getting worse and worse (you know where), the owner of Twitter continuing his tirade of lunacy and demonstrating why the billionaire class is not to be revered, California ablaze with a horrendous and large wildfire, right wing thinktanks developing plans to out and attack Wikipedia editors as any fascist-friendly organization would do, Meta rolling out and rolling back GenAI profiles on its platforms, and, just yesterday, the same Meta announcing sweeping changes to its moderation policies that, in a charitable reading, encourage hate-based harassment and abuse of vulnerable populations, promotion and support for disinformation, and other problems, all of which are so profound that people are talking about a mass exodus from the platform to…somewhere. It’s that last thing that brings me back to the blog today. Since the takeover at Twitter, social networks have been in a state of chaos. Platforms have risen and fallen — or only risen so much — and nothing I would call stability has formed. Years ago, I (and many others far more popular than me) remarked that we’ve ceded the territory of self-owned or small-scale third party spaces for massive third party platforms where we have minimal to no control or say and which can be stripped away in a tech-scale heartbeat. By putting all our ducks into a bin of unstable chaos, we’re also expending our time and energy on something that won’t last, requiring us to expend more time and energy finding alternatives, rebuilding communities, and then repeating the process again. In the present environment, that’s impossible to ignore.1 This is all rather reductive, but this post is not the place to talk about all the ways that social networks have impacted control over our own spaces and narratives. Another time, perhaps. I similarly don’t have space to talk about the fact that some of the platforms we currently have, however functional they may be, have placed many of us in a moral quagmire, as in the case of Meta’s recent moderation changes. Another time… ↩
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A SFF Film Odyssey (2010): The Official List
Reading Time
The following is a list of every film I’m going to watch and discuss/review this year. These titles will eventually link to posts here or on The Skiffy and Fanty Show. Keep an eye out as I fill this whole thing up!
Note: if something is missing from the list, please let me know in the comments; I’ve tried to include every sf/f “feature” film released in 2010, but I could have missed something. I’m also going to go back to some of these films if I have already reviewed them in the past.
The full announcement about this project can be found here.
Here goes:
(“F” denotes a film that did not originate in the U.S.)
Alice in Wonderland
Alien vs. Ninja (F)
Altitude (F)
Arctic Blast (F)
Arietty (F)
Arthur 3: The War of the Two Worlds (F)
Arthur and the Minimoys (F)(Filler)
Arthur and the Revenge of Maltazard (F)(Filler)
Avalon High
Beyond the Black Rainbow (F)
Clash of the Titans
Daybreakers
Denizen
Despicable Me
Die kommenden Tage (F)
Downstream
Enthiran (F)
Future X-Cops (F)
Growth
Gulliver’s Travels
Harry Potter and the Deathly Hallows – Part 1 FIN
Hot Tub Time Machine FIN
How to Train Your Dragon FIN
Hunter Prey
Inception (review; post on emotion; post on emotion) FIN
Iron Man (filler)
Iron Man 2 FIN
Kaboom (F)
Legend of the Guardians: The Owls of Ga’Hoole
Mardock Scramble: The First Compression (F)
Megamind
Monsters (F) FIN
Mutant Girls Squad (F) FIN
Nanny McPhee (Filler)
Nanny McPhee and the Big Bang
Never Let Me Go (F)
Percy Jackson and the Olympians: The Lightning Thief
Predators
Prince of Persia: The Sands of Time
Rare Exports: A Christmas Tale (F)
Repo Men
Resident Evil: Afterlife
Shank (F) FIN
Shrek (Filler)
Shrek 2 (Filler)
Shrek Forever After
Shrek the Third (Filler)
Skyline
Sleeping Beauty (F)
Space Battleship Yamato (F)
Tangled
The Book of Eli
The Chronicles of Narnia: Prince Caspian (Filler)
The Chronicles of Narnia: The Voyage of the Dawn Treader
The Chronicles of Narnia: The Witch, the Lion, and the Wardrobe (Filler) FIN
The Crazies
The Disappearance of Haruhi Suzumiya (F)
The Extraordinary Adventures of Adele Blanc-Sec (F)
The Last Airbender
The Nutcracker in 3D (F)
The Sorcerer’s Apprentice FIN
The Strange Case of Angelica (F)
The Tempest
The Twilight Saga: Eclipse
The Twilight Saga: New Moon (Filler)
Tooth Fairy
Toy Story (Filler)
Toy Story 2 (Filler)
Toy Story 3
Trollhunter (F) FIN
Tron: Legacy (Strange Horizons review; mini review) (F) FIN
Twilight (Filler)
Uncle Boonmee Who Can Recall His Past Lives (F)
Universal Soldier: Regeneration
When in Rome
Womb (F)
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A Reading List of Dystopian Fiction and Relevant Texts (Apropos of Nothing in Particular)
Why would someone make a list of important and interesting works of dystopian fiction? Or a suggested reading list of works that are relevant to those dystopian works? There is absolutely no reason other than raw interest. There’s nothing going on to compel this. There is nothing in particular one making such a list would hope you’d learn. The lists below are not an exhaustive list. There are bound to be texts I have forgotten or texts you think folks should read that are not listed. Feel free to make your own list and tell me about it OR leave a comment. I’ll add things I’ve missed! Anywhoodles. Here goes:
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Duke’s Best EDM Tracks of 2024
And so it came to pass that I finished up my annual Best of EDM [Insert Year Here] lists. I used to do these on Spotify before switching to Tidal, and I continued doing them on Tidal because I listen to an absurd amount of EDM and like keeping track of the tunes I love the most. Below, you will find a Tidal playlist that should be public. You can listen to the first 50 tracks right here, but the full playlist is available on Tidal proper (which has a free version just like Spotify does). For whatever reason, the embedded playlist breaks the page, and so I’ve opted to link to it here and at the bottom of this post. Embeds are weird. Or you can pull songs into your preferred listening app. It’s up to you. Some caveats before we begin:
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2025: The Year of Something
We’re nine days into 2025, and it’s already full of exhausting levels of controversy before we’ve even had a turnover in power in my home country of the United States. We’ve seen resignations of world leaders, wars continuing and getting worse and worse (you know where), the owner of Twitter continuing his tirade of lunacy and demonstrating why the billionaire class is not to be revered, California ablaze with a horrendous and large wildfire, right wing thinktanks developing plans to out and attack Wikipedia editors as any fascist-friendly organization would do, Meta rolling out and rolling back GenAI profiles on its platforms, and, just yesterday, the same Meta announcing sweeping changes to its moderation policies that, in a charitable reading, encourage hate-based harassment and abuse of vulnerable populations, promotion and support for disinformation, and other problems, all of which are so profound that people are talking about a mass exodus from the platform to…somewhere. It’s that last thing that brings me back to the blog today. Since the takeover at Twitter, social networks have been in a state of chaos. Platforms have risen and fallen — or only risen so much — and nothing I would call stability has formed. Years ago, I (and many others far more popular than me) remarked that we’ve ceded the territory of self-owned or small-scale third party spaces for massive third party platforms where we have minimal to no control or say and which can be stripped away in a tech-scale heartbeat. By putting all our ducks into a bin of unstable chaos, we’re also expending our time and energy on something that won’t last, requiring us to expend more time and energy finding alternatives, rebuilding communities, and then repeating the process again. In the present environment, that’s impossible to ignore.1 This is all rather reductive, but this post is not the place to talk about all the ways that social networks have impacted control over our own spaces and narratives. Another time, perhaps. I similarly don’t have space to talk about the fact that some of the platforms we currently have, however functional they may be, have placed many of us in a moral quagmire, as in the case of Meta’s recent moderation changes. Another time… ↩
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