June 2014

Book Reviews

Book Review: Reflected by Rhiannon Held

I’ve read and reviewed all of Rhiannon Held’s books, which means she’s going to have to hurry up and write more stuff so I can read it.  I’ve been a fan of Held’s work since Silver (2012), which was introduced to me for an interview on The Skiffy and Fanty Show, and have reviewed both Silver and Tarnished (2013).  Her latest novel, Reflected (2014), is a solid continuation of the series and the culmination of Held’s slow move towards the social questions with which her werewolf society must struggle. Reflected is set a few years after the events of Tarnished, in which Andrew Dare and Silver became the first mated pack leaders of every North American werewolf pack.  With Madrid’s plot to manipulate the North American packs and use Dare’s daughter against him exposed, the North American packs are experiencing a boom of confidence.  But all is not well for Dare and Silver.  Their new responsibilities mean they have to deal with complicated disputes that threaten to challenge tradition and contemporary custom.  Dare is called away to handle a custody dispute in Alaska, leaving Silver and Susan, a lone human in the de facto position as Silver’s beta, to man the fort.  And across the sea, Madrid, humiliated and weakened in the world of European werewolf politics, plots to destroy Dare’s reputation and tear apart the North American packs; to do that, he must use Felicia, Dare’s daughter, once more — this time by threatening to destroy her reputation, too.  Before long, they’ll all find themselves in just a little bit over their heads… If there’s one thing to be said about Reflected, it’s that it really ups the ante when it comes to its examination of the position of women within Held’s secret world of werewolves.  For a book which is deceptively just another urban fantasy novel, this one actually raises some brutally serious questions.  Does a pregnant werewolf have the right to keep control of her pack if shifting to were form might threaten her child’s life?  How do werewolves handle custody concerns when the mother isn’t a were and doesn’t know her child isn’t like her?  How well can a woman with a severe disability hold her own in a male-dominated field of power?  Held handles all of these issues without simplifying or taking a pure, hard-lined ideological stance.  That she does so is notable not because it avoids that annoying “eww, message fiction” canard, but because it adds a certain nuance to an issue which, for many, is almost always presented like a “yes” or “no” question.  Here, the answers have ramifications.  Whatever choice Silver makes, there will always be threats to her own power (and every other woman’s) down the line, as each action has an opposite effect. This has all been a long time coming, to be honest.  Each of Held’s previous novels have slowly leaned the POV to the women in Dare’s life, and here, the women are completely central.  They are the POVs.  They are the ones making decisions.  They are the ones dealing with the conflicts.  Dare isn’t entirely sidelined, of course.  He is forced to return in the end to deal with the consequences of Madrid’s — and Felicia’s — meddling, which has put Silver in an emotionally compromised position.  Given Silver’s past, it makes sense that Held would not opt for a new-and-improved Silver that can simple will her limitations away.  If her physical limits are not enough — she cannot shift to were form — then her fragmented personality certainly provides the necessary limits to keep her character realistic in the context of what happened in the preceding novels.  I have always loved Held’s willingness to make her characters flawed and even weak in certain contexts; much of that still exists here, particularly for Silver, who must face a psychological trial that could destroy her fragile sense of identity. Though the focus on women in this novel is solid, I must admit that I don’t think Reflected is the strongest of Held’s three novels; Tarnished may not be as tightly plotted as Reflected, but its character development is, with one small exception, better realized.  In Reflected, we’re given a personal look into Felicia’s mind, a place we haven’t been before because Felicia didn’t actually appear in the flesh until the last third of Tarnished.  Here, Felicia’s past inevitably sticks its head in her business, putting her into a compromised position in relation to her pack.  But this also means the reader is left without enough anchoring material to really sympathize with her plight or to understand or respect her decisions.  Felicia makes so many obvious mistakes that it’s difficult to think of them as simply a consequence of her age, particularly given her years of life with a North American pack and her father, which, you’d think, would have instilled some sense of loyalty or at least, in light of the fact that she knows Madrid manipulated her for most of her life, that European were are not trustworthy by default.  The novel is strongest when it is focused on Silver and Susan — women who are determined, capable, but also flawed.  Felicia, however, is flawed only because she has no sense of judgment; this is not explored with as much depth as the other elements I have already discussed, even though it should have been. That said, Reflected is tightly plotted — more so, as I mentioned, than Tarnished — and well paced.  Even as things become increasingly complicated by the convergence of multiple subplots, Held keeps things together and makes a beeline for a conclusion that, while expected, was mostly satisfying.  Some questions are left unanswered, but I get the impression that they are left as such to convey the immensity of this world-within-a-world (and, perhaps, to leave the story for further novels).  It’s a world I’ll keep coming back to.  There’s one simple reason that I keep reading and enjoying Held’s novels:  they are the kind of urban

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Movie Review Rant: Amazing Spider-Man 2 (2014)

I’ve only recently decided to watch the new iterations of the (in)famous web-crawler.  Originally, I had no intention of ever doing so, in part because of a misplaced loyalty to the Raimi renditions (2002, 2004, and 2007).  The real kicker, for me, was the fact that these films came hot off the heels of a preceding adaptation, and they were not a continuation of the original story, but a reboot.  Something about that rubbed me the wrong way.  But then I broke down and watched Amazing Spider-Man (2012; I’ll talk about this movie another time) and liked it well enough that I wanted to see how the character would progress.  And so here I am — reviewing Amazing Spider-Man 2 (2014)(ASM2 from now on). (There will be some spoilers in this review.  I have, however, refrained from spoiling major plot elements that you wouldn’t have learned about from the trailers.  I will discuss some of these elements in the footnotes, though, as they need to be discussed in the context of my rant.) ASM2 is about a lot of things.  Peter Parker’s relationship with Gwen Stacy and his conflict with her now-dead father’s last request (stay away from her).  The truth behind Peter’s parents’ deaths — what they were doing when they disappeared, etc.  Harry Osborn’s desperation to live.  Spider-Man.  Angst.  Honestly, the more I think about this movie, the less coherent its plot seems.  There are so many things going on here that it is actually hard to determine what actually matters for the overarching narrative.  Is this about Peter Parker and his parents?  The film wants us to think so…for a while.  Is it about Peter and Gwen?  Ditto.  Is it about Harry and his daddy issues?  Apparently.  Max Dillon (a.k.a. Electro)?  Yup.  There are at least two new origin stories in this film, most of which draw attention away from the more interesting personal elements — Peter’s parents and Gwen.  In fact, if this had been a film about one villain, one parental issue, and one romance, with each tied together into a cohesive whole, this might have been on par with Captain American:  the Winter Soldier (2014).  Alas, it was not to be. If it’s not clear, I’m going to tear this film a new one.  But to make you feel better, I’ll start with some things that I liked about the film. First, though I know there are some problematic gender-related issues with regards to Peter and Gwen’s relationship, I can’t help but admire the dedication to the complexity of their relationship.  There’s a sense here that their relationship is real, based on a mutual interest in what one another is feeling or desires (in life or a relationship).  This contrast with the Spider-Man elements is needed to humanize the character and remind us that, yes, Peter Parker really is just a young dude.  One of the things I loved about ASM2 was its brief focus on Gwen’s career and the decisions she makes (a reminder that Gwen is actually a young professional on her way to bigger things than just “graduating high school” — this film, in a way, is as much about her as it is Spider-Man, or at least feels that way).  This is not a movie where the woman is asked to give everything up for the guy; instead, Gwen and Peter both understand that Gwen’s opportunities abroad are one-of-a-kind, and that it would be unfair for him to ask her to stay simply for a high school romance.  In the end, it’s Peter who offers a solution that involves neither of them giving anything up at all:  he’ll move with her.  I don’t know how often we see compromise of this sort in film; regardless, it was an element that gave the film a bit of life. There’s a lot more I could say about Gwen, too.  For a film that essentially sidelines the female characters for the male hero (it’s Spider-Man, after all), it does at least give Gwen something to do other than play the damsel in distress.  True, she’s rather limited in that she’s got the brains to out-think Spider-Man’s superpowered opponents but not the physical prowess.  But she does help Spider-Man by giving him information for his tech and by participating as an active agent in the climactic fight scene.  In fact, probably the strongest bit of characterization in the entire movie takes place in that fight scene.  This scene condenses the overarching narrative that defines Peter and Gwen’s relationship into two important thematic components.  First, Peter’s attempts to stop Gwen from participating — to control her — when he webs her to a car so she won’t follow him on his way to face Electro.  Second, Gwen’s assertion of her own agency, and Peter’s relinquishment to the reality that his powers do not give him the right to control her decisions.  This is shown when Gwen frees herself and reappears on the scene (I won’t ruin this whole scene; just know that her involvement is important), accusing Peter of being “a caveman,” to which Peter responds:  “You can’t be here right now.  I’m not messing around.”  Gwen’s response puts Peter’s perhaps unintentional patriarchal paternalism in its place:  “OK, guess what.  Nobody makes my decisions for me. OK?  Nobody.  This is my choice.  K?  My choice.  This is mine.”  The contrast is almost beautiful.  If there’s something to be said about the character development here, it’s that Peter is actually pushed into becoming more feminist by the conclusion — a man who listens to his significant other, who takes her choices seriously and respects them.  This is, unfortunately, undercut by the concluding moments of the film.[1] Visually, the film is quite beautiful.  I particularly liked the look of Electro and the incorporation of sounds (like a giant, walking tesla coil) into his lightning-style powers.[2]  His final fight with Spider-Man perfectly captures the flexibility and dexterity of Spider-Man and the raw, emotional fury of Electro.  This is obviously

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Top 10 Posts for May 2014

Here they are: Movie Review: Riddick (2013) (or, I’m Going to Mega Rant Now) Link of the Week: “Bigotry, Cognitive Dissonance, and Submission Guidelines” by Charles A Tan Top 10 Overused Fantasy Cliches The Hugos in “Turmoil” and the Glee Crowd Criticism Does Not Equal Bullying (or, What Bullying Means to Me) Top 10 Science Fiction and Fantasy Movies Since 2010 (Thus Far) 5 Annoying Author Habits on Twitter Top 10 Science Fiction and Fantasy Anime Movies Movie Review Rant : Catching Fire (2013) Top 10 Cats in Science Fiction and Fantasy I’ve switched to using what little data I can get for unique views to give a more accurate picture of things.

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I’m Reading: June 2014 (Week One)

The title tells you want you need to know.  Here’s are the physical books I’m reading: And here are the ebooks I’m poking at: And here’s what I’m reading for my new Mass Market Paperback Bingo feature: Why did I pick this book from the suggestions?  I realized that my “I’m Reading” pile is heavily populated by men.  That, and I have liked stuff by Bear before, so I figure it would work out in the end.  I’ll read it, review it, and throw out another snapshot of my bookshelf for readers to choose from. Now back to reading… ———————————– What are you all reading right now?  Let me know in the comments!

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RIP: Jay Lake

If you haven’t heard yet, Jay Lake passed away this morning.  Most of us who were paying attention to his struggle with cancer knew this day was coming, especially after his latest (experimental?) treatment resulted in his entrance into hospice care.  Regardless, learning of his passing still came as a shock to me, as I’m sure it did to those who knew him much better than myself. I won’t pretend that I was good friends with Jay or that I knew him really well.  What I will say is that I was enormously privileged to have met Jay a few times in person and to have interviewed him on The Skiffy and Fanty Show.  That interview is very personal for me in part because I am also a cancer survivor, and it was because of Jay’s frank discussion of his struggles that I started to blog a little about my own cancer journey.  It was also one of the best interviews I’ve ever conducted, for which I give Jay all the credit.  He was always a joy to talk to. In person, Jay was friendly, kind, and hilarious.  I had a handful of interactions with him (he even remembered me, which was cool) and even got to see a rough cut of his documentary about his cancer journey, Lakeside, at Worldcon last year.  It was a beautiful thing, even in rough form.  I don’t think there was a dry eye in the room, which says a lot about the power of Lakeside. Most people, however, will not have met Jay.  Most people won’t have had any personal experiences with him or, as a small few will probably discuss this week, have been good friends.  Most people will remember Jay for his enormous body of writing.  In a way, he left behind a little piece of himself for all of us to remember.  We should enjoy that piece as much as we can because it is beautiful. I’ll miss you, Jay.

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