Shaun Duke

Shaun Duke is an aspiring writer, a reviewer, and an academic. He is currently an Assistant Professor of Digital Rhetoric and Writing at Bemidji State University. He received his PhD in English from the University of Florida and studies science fiction, postcolonialism, digital fan cultures, and digital rhetoric.

SF/F Commentary

If You’re Not Going to Engage with the Problems, Shut Up About GenAI

Yesterday, SF/F fan/YouTuber Erin Underwood posted a “GenAI open letter” on File770. By this point in the “discourse,” you’d have to be living on the Moon without an Internet connection to not understand just how much the SF/F/H community despises GenAI as an avenue for creative function. However, you’d have to be a moral coward to understand this fact and not meaningfully engage with any of the major reasons for that response. Unfortunately, Erin Underwood is a moral coward. I think it’s important to note that before the “letter” proper, Underwood states her reluctance to publish it, stating that she is “so tired of being afraid of our community” because people are quite forward and aggressive in their opposition. This is true and demonstrated in the reactions to Underwood both in the comments and on social media.

Defending Trash

Defending Trash: In Defense of Mac & Me (1988)

I love Mac & Me. No, really. I love it. Yeah, I know. It has been pilloried and ripped to shreds countless times. We covered it on Torture Cinema. Paul Rudd has made a joke about it for years (the Rudd Roll, if you will). And I will even admit that it is a ridiculous film that by most standards would be considered legitimate “trash.” But I love it nonetheless, so much so that I appeared on Fine Beats and Cheeses in April 2025 to talk about it with the fine hosts of the illustrious show. For years, I’ve made fun of so-called “bad movies” on The Skiffy and Fanty Show, from Plan 9 from Outer Space to Birdemic, from Batman & Robin to The Black Hole. The whole point of the Torture Cinema podcast is to give films most people think are terrible a humorous-but-critical look with the understanding that film criticism is often subjective. Sometimes a film doesn’t deserve the hate it receives (and vice versa). Ultimately, I think we ought to give trash movies a bit more love. After all, some of the most enjoyable movies of all time aren’t exactly good. Even the editorial team at Rotten Tomatoes has a list of bad movies they actually love. The Mummy (1999) is one such movie; it has a 62% critic rating on Rotten Tomatoes (it was lower when I started writing this), and I’m told that David Annandale despises it with a passion not seen since the Pharaohs actually lived. Yet, audiences rather like that film, and its reputation has spawned amusement park rides, miles of merch, numerous sequels (and a spinoff of sorts), and 1999’s most important eye candy in the form of Brendan Frasier’s Rick O’Connell (seriously, he’s so pretty). Of course, the popularity of a thing doesn’t tell us whether the thing is any good, but I also don’t think the popularity of a thing can be dismissed.

Book Reviews

Book Review: Start Finishing by Charlie Gilkey (2022)

Sometime near the end of the Spring semester, I decided it was time to take another crack and reorganizing my life. I’ve gone through years of on again / off again burnout, some of it my own fault (I’m disorganized and try to do too much) and some of it a consequence of things about which I have no control (my former university essentially bankrupted itself, forcing me to find a new job in my field, and I’ve since moved twice — the short version). All that burnout and overfilled plate-ism has made it harder to keep up with grading and find the energy to complete tasks on time. So it seemed only logical to use my university library privileges to borrow a variety of recommend productivity and project management books to see what advice, systems, etc. are out there.

Book Lists

A Reading List of Dystopian Fiction and Relevant Texts (Apropos of Nothing in Particular)

Why would someone make a list of important and interesting works of dystopian fiction? Or a suggested reading list of works that are relevant to those dystopian works? There is absolutely no reason other than raw interest. There’s nothing going on to compel this. There is nothing in particular one making such a list would hope you’d learn. The lists below are not an exhaustive list. There are bound to be texts I have forgotten or texts you think folks should read that are not listed. Feel free to make your own list and tell me about it OR leave a comment. I’ll add things I’ve missed! Anywhoodles. Here goes:

Random Stuff

Duke’s Best EDM Tracks of 2024

And so it came to pass that I finished up my annual Best of EDM [Insert Year Here] lists. I used to do these on Spotify before switching to Tidal, and I continued doing them on Tidal because I listen to an absurd amount of EDM and like keeping track of the tunes I love the most. Below, you will find a Tidal playlist that should be public. You can listen to the first 50 tracks right here, but the full playlist is available on Tidal proper (which has a free version just like Spotify does). For whatever reason, the embedded playlist breaks the page, and so I’ve opted to link to it here and at the bottom of this post. Embeds are weird. Or you can pull songs into your preferred listening app. It’s up to you. Some caveats before we begin:

Announcements

2025: The Year of Something

We’re nine days into 2025, and it’s already full of exhausting levels of controversy before we’ve even had a turnover in power in my home country of the United States. We’ve seen resignations of world leaders, wars continuing and getting worse and worse (you know where), the owner of Twitter continuing his tirade of lunacy and demonstrating why the billionaire class is not to be revered, California ablaze with a horrendous and large wildfire, right wing thinktanks developing plans to out and attack Wikipedia editors as any fascist-friendly organization would do, Meta rolling out and rolling back GenAI profiles on its platforms, and, just yesterday, the same Meta announcing sweeping changes to its moderation policies that, in a charitable reading, encourage hate-based harassment and abuse of vulnerable populations, promotion and support for disinformation, and other problems, all of which are so profound that people are talking about a mass exodus from the platform to…somewhere. It’s that last thing that brings me back to the blog today. Since the takeover at Twitter, social networks have been in a state of chaos. Platforms have risen and fallen — or only risen so much — and nothing I would call stability has formed. Years ago, I (and many others far more popular than me) remarked that we’ve ceded the territory of self-owned or small-scale third party spaces for massive third party platforms where we have minimal to no control or say and which can be stripped away in a tech-scale heartbeat. By putting all our ducks into a bin of unstable chaos, we’re also expending our time and energy on something that won’t last, requiring us to expend more time and energy finding alternatives, rebuilding communities, and then repeating the process again. In the present environment, that’s impossible to ignore.1 This is all rather reductive, but this post is not the place to talk about all the ways that social networks have impacted control over our own spaces and narratives. Another time, perhaps. I similarly don’t have space to talk about the fact that some of the platforms we currently have, however functional they may be, have placed many of us in a moral quagmire, as in the case of Meta’s recent moderation changes. Another time… ↩

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