Shaun Duke

Shaun Duke is an aspiring writer, a reviewer, and an academic. He is currently an Assistant Professor of Digital Rhetoric and Writing at Bemidji State University. He received his PhD in English from the University of Florida and studies science fiction, postcolonialism, digital fan cultures, and digital rhetoric.

World in the Satin Bag

Violent Video Games = Violent Kids = B.S.

All you annoying anti-fun harpies who are clambering with joy about the supposed “victory” against violent video games need to sit down and shut your traps long enough to actually consider the reality of the situation.MSN recently reported on a study by U.S. and Japanese researchers who say they have figured out whether or not violent video games actually create violent children. The study resulted in the following: In general, Anderson’s team found that kids who habitually played violent video games were more likely than their peers to become increasingly involved in physical fights — even when their behavior in the months leading up to the study was taken into account. Now, hold on. I know what you’re thinking. It’s proven once and for all, right? Actually, not really. Here’s the problem with what is being reported:First, the article mentions nothing whatsoever about percentages. Were all the kids who habitually played more aggressive? How many of their nearly 2,000-subject study turned out to be more violent? Were there six, or sixty, or half of one?Second, it “proves” that only habitual players of violent video games between the ages of nine and eighteen become more violent. What exactly constitutes habitual game playing for a nine-year-old, or a twelve-year-old, or an eighteen-year-old? Six hours a day? Four hours? Nine? Thirteen? What? These kids are in school, so they’re not playing all day, obviously. What about all the kids who didn’t fit into that group? Were they completely the opposite? A kid who played an hour a night was perfectly fine, but a kid who played seven hours a night had a higher tendency for violence?Third, nothing is mentioned about their home environments. How many of these kids were in abusive environments? How many were in good homes? How many had parents who do this little thing called parenting and didn’t let them play games all night? How many had parents who were active in their lives and made it a habit to be involved and explanatory? There’s nothing mentioned about this. Is there a connection between violent video games and bad/abusive parenting? That’s something that I think is really important to studies like this, because those are factors that must be accounted for.Fourth, and lastly, the article says: The Japanese teens reported on their own violent behavior using questionnaires,while teachers’ and peers’ reports were used to estimate the U.S. group’saggressive behavior. Okay, so there were no standardized methods in how the data was collected in this test. That’s important to pay attention to. Instead of having one method that was universal for the whole study, they used two, which will produce different results and have different variations within the data that must be accounted for. Teachers and peers may skew data differently than a questionnaire given to a teen will, and that means you have to account for different variables and statistical anomalies.If you think about this real hard you’ll realize that nothing has been proven at all. This is the same as people telling you that literacy is dying. It’s not dying; in fact, far from it (and this has a lot to do with asking the wrong questions, because asking whether someone read a book doesn’t prove that someone who says “no” doesn’t read). The problem, however, is that people won’t think about it. They’ll see what is being said, ignore the language, and automatically think the worst. That’s what people do and unfortunately it will mean ruining the whole thing for everyone. Think about this in terms of dog-banning laws. One or two dogs act up that happen to be of a particular breed and all of a sudden an entire city puts a ban on that breed. Well, a couple moron teenagers with screwed up parents went off and shot some other teenagers or teachers or their parents or whatever and happened to play violent video games and all of a sudden the country is making laws that ban such games.So calm down, video games don’t make your kids psychotic killers.

World in the Satin Bag

And Another Thing . . .

Thus is the title of the sixth book in the Hitchhiker’s Guide to the Galaxy ‘trilogy’. It will be written by Eoin Colfer, who wrote the Artemis Fowl series, and has the backing of Adams’ widow. I must say, I’m very worried. The H2G2 movie was dreadful and I’m not sure Colfer can pull off the Hitchiker humour. Even Terry Pratchett would have been a better choice. I’m also a little jealous, because I’d always dreamed of writing the sixth book. Obviously I knew it would never happen, but that doesn’t mean I have to accept it. I’m curious to see how he’s going to save the heroes from the Vogon Constructor Fleet at the end of Mostly Harmless. Of course, they could just hope the Vogons still have Dentrassi onboard and hitch a ride. Or Colfer could go the route of the fifth radio series, where the babel fish shift their hosts into an alternate dimension. However, I never bought that excuse either. Only time will tell, I guess. But here’s advance warning that I’ll hate it. And complain. A lot.

World in the Satin Bag

Rejection: Artemis

Well, I didn’t get anywhere this round in the Writers of the Future. So be it. It’s off to somewhere else. Yay! Anywho! (Don’t click the read more, there isn’t any more after this!)

World in the Satin Bag

Movie Review: Eagle Eye

After Disturbia became a surprise hit last year, Hollywood wasted no time in reuniting director D.J. Caruso and Shia Labeouf for another sure to be hit. They had the director, and they had the main lead, all that was left was the female, the action, and the story. To solve the first problem Michelle Monaghan was cast, an action which I applauded. The second problem was solved by deciding to turn the whole film into a chase movie with a side of government phone tapping just for kicks. Once they had their money making template set up Eagle Eye needed a story and for that they began to pick their favorite scenes from similar plotted films and just changed the characters and location. Eagle Eye starts off with a confusing attack on a middle eastern could be terrorist that doesn’t make much sense. A flying jet, or camera on a jet, sees a man and deduces that it has a 51% of being the man that they are looking for. The soldiers watching debate as to whether or not fire upon this person and in the end the president deems the chance to big to pass up and they fire. I don’t recall this ever being important in the movie ever again. Then we cut to Shia Labeouf’s character Jerry who works at a copy story. One day he gets a call telling him that his twin brother has just died and when he returns from the funeral he finds mountains of weapons, bombs, and equipment manuals stashed in his house. A woman calls him on his phone and tells him to run because he’s been “activated” and when he refuses the FBI reach his room and arrest him. At the same time Monaghan’s character Rachel drops her son off to go play at some form of symphony orchestra in Washington D.C. (I feel it is important to note here that this child can’t be more than eight, and this is obviously a small class of modern Beethovens) While she is drinking at a bar with some friends the same woman that called Jerry calls her and tells her that she has been “activated” and must follow her directions if she ever wants to see her son again. This woman sets in motion a huge escape in which Jerry leaps from FBI holdings onto a train track and eventually meets up with Rachel. The two are closely followed by FBI officer Thomas Morgan (Billy Bob Thornton) and Air Force officer Zoe Perez (Rosario Dawson). Soon the voice is giving Jerry and Rachel directions and altering traffic signals, listening in on cell phones, and even controlling cranes to attack following police cars. The whole movie takes place with Jerry and Rachel running away from the FBI while the voice (who is played by Julianne Moore by the way) makes everything easy for them and most of the time kills all followers or obstacles which pretty much takes the suspense away. The acting is acceptable. Labeouf has one cringe worthy scene but for the most part passes through the film, as does Monaghan even though they have little material to work with. Thornton actually gave the best performance but that’s not saying much. While he had some good one liners, most of other lines were attempts at humor that came off as annoying after a while. The voice also does a great job at reminding video game players of Portal, so at least that feeling could make people happier during this film. Overall the acting isn’t great, and it isn’t bad. It isn’t in acting where the movie fails. No, it’s everywhere else. You can complain about the horrible story or the countless rip off from movies like I, Robot, 2001: A Space Odyssey, and even Live Free or Die Hard to a certain extent. As a whole though the movie just doesn’t work in any way. The suspense is gone completely seeing how everything is perfectly set up for the characters so it doesn’t work in that department. The story is completely predictable so there’s no “Aaaaaaah” moment when characters suddenly realize something that you’ve just assumed has been true for the last half hour, and the movie is just too boring to really thrill you. You laugh at some scenes when you shouldn’t, at other times you roll your eyes at the events unfolding on screen, and at other times you grunt in anger at the fact that you feel like you really are watching something you’ve already seen before. Eagle Eye worked on nearly no level for me which is a shame since I enjoyed Disturbia and had high expectations for this one. Unfortunately the movie doesn’t deliver at all and I would have given it at least a generous 2.5 if they hadn’t copped out at the end. The movie could have at least ended great but they went cheesy and stupid and so I find nothing redeeming in this film and give it 1.5/5.

World in the Satin Bag

Guest Bloggers Coming Up

Just a notice that there will be a few guest bloggers over the next few weeks (my friend Oscar and Peter; on and off and nothing too fancy). The primary reason is I want to free up a little time for myself to focus on studying for the GRE and getting my graduate school applications in order while making sure WISB remains active. My apologies for being a bit out of it and somewhat political over the last month or so, but this quarter is a difficult one. On a side note, I’m broke, so if you happen to love me and want to give me $10, go for it. Or don’t. Or, if you really love me, you can buy me a membership with the Science Fiction Research Association…or not. Up to you. Anywho! (Don’t click the read more, there isn’t any more after this!)

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