Shaun Duke

Shaun Duke is an aspiring writer, a reviewer, and an academic. He is currently an Assistant Professor of Digital Rhetoric and Writing at Bemidji State University. He received his PhD in English from the University of Florida and studies science fiction, postcolonialism, digital fan cultures, and digital rhetoric.

World in the Satin Bag

Random News

As the summer winds down I am getting every closer to going to UC Santa Cruz. I went in today to talk about classes and to talk about studying abroad. I’m making moves to go to New Zealand right now and am really excited. How many people get to go to another country to learn? That’s cool in my book.In other news, WISB is going well. I’ve been writing all this weekend, albeit slowly, but writing nonetheless. I’m hoping to get another chapter up this Sunday. We’ll see how that works out of course. My goal is to finish the rest of WISB before Sept. That might not happen, or perhaps it will. We’ll see.Now, as for the TW Anthology, with the days winding down I should start seeing some major involvement from the TW community. There haven’t been hardly any submissions thus far, but that only means, to me, that I could be seeinga LOT of submissions towards the end of the deadline. That frightens me, but if that is the case, so be it. I’ll make it through. In other news, I went book store shopping, as opposed to book shopping, out here in Santa Cruz, where I’ll be living for a few years, and managed to make some amazing finds. I’m a Poul Anderson fanatic and have a hard time finding all his books, and loe and behold at the little used book store in Downtown SC I found a whole load of them for a buck each! I scored 20 or so of his older novels! I’m so excited. My goal is to own every novel he ever wrote!Anywho, I will be back tomorrow afternoon with a more regular post. I’m not sure what is up next. I have a few in draft form right now, so we’ll see what I decide to do.

Book Reviews, World in the Satin Bag

Book Review: Catalyst by Nina Kiriki Hoffman

Catalyst is one of those novels that when you read it you think to yourself, “that was bizarre.” That’s my general consensus of this novel. I can’t say I loved it, but I can’t say I didn’t like it either. Obviously, as I read this rather fast, it held my attention. Something about it grabbed me and kept me interested. Perhaps it was the sexual content or some deeply hidden part of myself that liked that content. I don’t know. It’s just a bizarre book.Catalyst starts out on the planet Chuudoku, a colony planet that humans have taken. Kaslin and his family have just moved there because his father is a failed criminal and that was their only option. We soon learn that Chuudoku is a bizarre planet home to strange vinelike plants that infect human hosts with their babies and other strangeness.Kaslin is bullied at school by an attractive girl named Histly (they are teenagers mind you at that ‘breaking into sexuality’ stage). Histly has strange augmentations that allow her to shoot poison and other nasty things from her fingertips. Then one day while Kaslin is running from Histly, hoping not to become a target for the fingers he doesn’t know about, he hides in a cave in the woods and discovers aliens!Now, the book was strange. The aliens sort of do things with their tongues, as a rule, and as such there are some very bizarre sexual things that take place, as you can imagine. A romance develops between him and Histly, for some reason, and it’s one of those very bizarre high school teeny bopper romances, only with sex.Hoffman has an okay writing style. I don’t know how well suited it is for the novel form, but it at least didn’t have me confused or irritated. The novel moves well and reads more like a novella rather than a novel as the plot itself is not very grandiose, though from the description you would think so. I’d say the novel is worth a read, but again, it is completely bizarre. The romance develops almost out of nowhere, though you can imagine that something like that might happen between a bully and the bullied (sometimes kids are like that). The aliens are even more bizarre, taking Kaslin and his mother and augmented them so they have strange new abilities.It’s bizarre, but I can say I was happy to have read it.

Book Reviews, World in the Satin Bag

Book Review: Farthing by Jo Walton

This is a powerfully intriguing book that hurts itself in the end. Everything moves so smoothly, and then comes the end and disappointment.Farthing is an alternate history. It’s set in a world that asks the question: What if England made peace with Hitler in WW2 and ceased control of Europe to the Nazis?Walton does a fantastic job showing a world where Jews are hated not only on the European mainland, but even in America and England. It’s a world where the new ‘racism’ is being Jewish, period. Jews are banned in America, treated unfairly in England, and imprisoned, forced into labor, or killed in Europe (the Continent, the Nazi controlled place).The story is set in England in the country. Lucy is the daughter of a nobility class known as the Farthing Set–a group of politically like minded nobles of sorts. Her mother hates her, and why is that? Because Lucy has married David Kahn, a Jew. She’s practically been outcast by her mother and while her father supports her decision to marry David–for love rather that political gain–it puts considerable strain on family ties. The story starts off in Farthing–where the Farthing Set basically live or socialize. Lucy and her husband have been invited out somewhat suddenly to a party at her parents place–Farthing. Lucy doesn’t want to go, but David insists, and they go. One morning it is discovered that one of the Farthing Set has been murdered. In comes Carmichael, a detective from Scotland Yard who soon discovers that this murder is more strange than it seems. Some of the guests are lying right to his face, the nature of the death of the individual is even more peculiar, and the Jewish Star attached to the body suggests to him that someone is trying to frame Kahn.This rolls out much like an old English mystery and that gives the novel much of its charm. You soon learn that homosexuality is practically illegal in England, yet some of the nobility hide secrets of such actions. The story is very engaging and I found myself truly enjoying the character of Carmichael–he seems to be that sort of charming English chap you want to have around at Christmas.But the story is killed, I think, in the end. Don’t read further, because I will spoil it for you…..Carmichael figures it all out: the entire Farthing Set, or most of them anyway, conspired to kill the man to raise sympathy for an upcoming vote, and they intended to use the Kahn’s as scapegoats. So it’s all an elaborate ruse so that the Farthing Set can take over–which they do–and begin a reign of fascism–which they do.The problem is right in the end. Carmichael finds out one of his witnesses has been murdered–more than a coincidence–and he shows up at the Yard to present his case against Angela–the woman who killed her husband to set off the events mentioned. He presents the case and then he is told that Kahn did it and it would be in his best interest to simply go along with it. Why? Because they know about his secret gay relationship with his servant Jack and because it would be a pity for his career to end with such a scandel. Obviously, the police head is in the pocket of the Farthing Set.So, what does Carmichael do? Does his show his true integrity and refuse to let in? Nope, exactly the opposite. Walton takes all the integrity of Carmichael and successfully throws it in the trash bin. Carmichael just accepts it, though somewhat unhappily, and just goes on with his life. Excuse me? What kind of BS ending is that? The inspector goes through all the trouble to figure it out only to just forget it… Now, aside from the ending I would say the book is quite good. Just that darn ending hurts the book…

World in the Satin Bag

Chapter Twenty One: Of Relief and Impending Hardship

(Note:  This is not official version and may be removed in the near future.  This do not reflect what is read in the podcast version, nor any other version you may encounter.  I have preserved the rough form for posterity — or something like that.  This novel has since been rewritten.) James didn’t hesitate. He bolted forward and leapt into the surprised arms of Triska. He embraced her, squeezing her with all his might as if afraid that she would disappear if he let go. She laughed softly, warmly. She kissed him on his cheek and tears drizzled down his face. “There there now,” she said. “Thank God you’re alive,” he said, but the words came out muffled. Then he slipped from her grasp and back to the ground. She wiped away the tears from his face and smiled. “How?” Darl said. “Well that’s quite simple. I escaped.” “That’s…” “Cowardice? Oh, no, not at all actually. You see, by escaping I was able to come here to help in the preparations for when Luthien comes. My purpose in this world is not yet fulfilled.” Pea came forward, put a hand on James’ arm. The little man looked up into Triska’s eyes and James saw there were tears there, welling up and on the brink of falling. “My dear, dear, dear woman,” Pea said, repeating the words with increased emphasis. Triska leaned down and opened her arms. Pea glanced up to James and then back at Darl, and then leapt into Triska’s arms, hugging and kissing her. “I dreaded the worst!” “We all did,” James said. When Pea released her, Triska stood to face Darl. “Never before,” Darl began, “have I been happier to see your face.” Then he too hugged her. It was a small hug, but James could see the meaning behind it clearly. There was a genuine sense of joy. “What about Gammon and his family?” James’ voice was concerned. Triska shook her head. “Dead, most likely,” Darl blurted out. “No, not likely at all. Luthien took a lot of prisoners after the wall fell. It’s possible he was captured. His family too.” “But not likely.” “It never hurts to hope,” Pea said. “Only when hope fails.” James was surprised at his words. He couldn’t believe they came from him. “That was very Darl-esque of you…” “Yes, yes it was.” He shook his head apologetically. Darl grunted. “Now, no more bad thoughts. Come, have some tea with me!” James gladly followed Triska deep into the room. Drapes hung everywhere in much the same fashion as they had in Triska’s original home. Back in Arlin City, before the city was destroyed. Yet here the colors were brighter, somewhat less earthy and more crimson and glowing. Designs were woven into everything—just as elaborate as in Arlin City and just as mysterious. He examined them. Crosses, shield knots, triquetras, all manner of designs seamlessly crafted together as pieces to a massive whole took up the space in the drapes. Beyond were large cushions, or pillows. He wasn’t sure which. They surrounded a round marble table set atop a glistening wooden base. A steaming silver pot alongside a silver tray filled the center of the table. Triska took a seat on one of the pillows, a deep red blob that bordered on imperial purple. She beckoned the rest to do the same. James took a seat on a vermilion colored pillow with dark brown embroidery. The others found seats nearby. Triska delicately poured five cups of tea. The scent of strong flowers filled the room as she did so. James let the smell permeate his body. It seemed to sooth even before Triska handed him his cup and he could actually see the amber liquid and feel the glowing warmth. He blew on it for a moment to cool it down, then sipped and instant relief poured through him. He took notice that Triska was not wearing a dress this time around. Instead she wore a pair of loose pants of a tan color and a faded red tunic. Her hair was tied up in a ponytail. “Tell me, my dear sweet woman, how did you manage to escape?” Pea gently tipped his cup, which was human size and looked completely out of place in the little mans hands. “In some ways I think I was let go.” “How do you mean?” “When the walls fell, Luthien’s armies came forward. I cast a few charms on the men, raised their spirits and such. It did them little good. The front lines fell in a wave of arrows. The first wave of Luthien’s men fell pretty quick after that, but more came and the second wave batted us down in less than an hour. We retreated farther into the city. It was a blood bath. Men were falling all around me. Arrows crashed into windows and walls, faces, shoulders, and backs. We were supposed to regroup, form a last ditch effort at the keep, but we never made it. Luthien was too fast. His men and flying beasts came down on us so fast that I can’t accurately remember all that happened.” She took a sip of her tea, closing her eyes as she did so. Then, softly she said, “The city was on fire. I don’t know how long it had been that way, but smoke and ashes came down from everywhere. I couldn’t see more than a few feet in front of me. I lost all sense of direction. Then I saw Gammon, or rather, he saw me. He came through the shadows. I thought he had died! Then something struck the building behind me and for a moment the sound and the debris threw me off balance. I fell. He came to me, but I couldn’t hear what he said. Then before I knew it he was pushing me into a nearby home. Someone had already destroyed the place, but I was in shock, stunned. Then I woke up.”

World in the Satin Bag

Writing Factoid #2

Time for yet another Writing Factoid! Question by Alex (referring to the last factoid about Leans)–You say the lean cannot be killed by anything normally possessed by the people of Traea. This brings up two things. One, what COULD kill a lean? Aren’t they just sort of spiritual shadows? So where would they go, and how could you kill them? And two, surely there are more leans, I mean the guard at the entrance to Ti’nagal seemed more worried of the ghostly thing then surprised by it being there. Now, I realize that is a lot more than one question, but since they are all connected I’ll address them all!Yes, a Lean cannot be killed by anything normally possessed by the people of Traea. A Lean can only be killed by some form of magic that is capable of crossing over worlds. Meaning that in my world there are different levels of being. Leans lie on a spiritual level, and therefore can only be hurt by something at that level. In theory, the only thing that can hurt a Lean that would be remotely normal is another spiritual being of sorts.Yes, they are basically spirits made entirely of shadow with tiny pinpoints of light for eyes. In theory, when one dies it is subject to the same laws and rules of the living. So it goes to the Halls of the Great Fathers for judgment.Yes, there are more Leans. I can’t say how many, but there are more. The guard was actually more concerned because Leans are not tremendously common. Generally all people are a little weary of the spiritual realm. Ghosts frighten us, and so for the same reason the guard was uneasy.

Book Reviews, World in the Satin Bag

Book Review: Idolon by Mark Budz

I’m going to be entirely honest about this particular book. It was a battle to get through for me. The story is muddled, almost lost in the endless number of POV characters. It’s like reading a text book only to find out that half of the information is scrambled in other textbooks and you have to go looking for it. That’s the only way I can describe the reading experience for this.The basic story is not really all that basic. In fact, I can’t even tell you exactly what the story is about because the book left me so lost and confused in the end that I still haven’t a clue what to think. It’s a futuristic world where people can wear specialized ‘skins’ so that they can look like whoever they want. People can basically look like the celebrities of the past. Something is happening, though, that makes a new type of illegal skin some sort of big deal among people. I still don’t get what the big hubub was about it.So, the book opens with Dijk, a detective. He’s at a crime scene where a woman has been found dead. She’s wearing some sort of abnormal skin that isn’t registered and then we don’t hear from Dijk for a while. Now, my thoughts are, if you open up with this character, he really should play a bigger role. Then we learn about Nadice, who suddenly becomes pregnant, but because the laws state that her employer for some reason can tell her whether or not to have an abortion, she tries to smuggle herself out of the country. This is where Mateus comes in who gives her the opportunity provided that she carries something inside her. Now, in this world illegal skins or ripped skins (like ripped music) are the new cocaine. It turns out that this whole immaculate birth thing is happening all over. Pelayo is yet another character, who is looking for information about his lost sister or cousin, I’m not sure which, and his cousin Marta, another POV, both take the spotlight. Marta is the woman that helps Nadice, but we won’t get into that. Now, something about this strange skin that is going around has certain folks a little antsy. It’s supposed to be so revolutionary that it’s, scary. But it’s not scary. In fact, there’s nothing really bone gripping about this. Those aren’t even all the characters–there’s Al-Fayoumi, Atherton, Uri, and a bunch of others. I mean there are so many damn characters in this it’s hard to even keep track of what the hell is going on. The concepts he’s dealing with are so complex that with all those characters the poor reader is sitting by going “what?”. Even in the end I was thinking “what the hell happened?”. Somehow this strange skin that Nadice is carrying attaches itself to her baby and connects her to Marta, and together they are like a symbiot of some sort and the baby must survive so that it can bring the new skin into the world or something of that nature. I mean, just that alone is so mind boggling to think of that you would have hoped Budz would have stuck with just 2 character viewpoints.My vote on this is that it is a very poorly written book. The concepts are too deep for a book of so many characters. This is an example of why too many POV’s is a horribly bad thing. You can’t do it. Too much happens in the story to afford the change of POV all over the place. Even in the end the story jumps back and forth, back and forth. And by the time you reach the end you’re so thoroughly lost that you feel like your brain is actually dying.I really tried on this book, but it was so difficult to read and so mind boggling to just accept that I couldn’t even bring myself to believe in what was going on. There was too much. It’s like a soap opera crammed into 450 pages. Budz tries so hard to bring human-like life to all the characters, but that just isn’t enough room to make the characters important enough. I can’t concentrate emotionally on so many characters. Nobody human can.I think this is the first book on my Awards List that I actually truly disliked.

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