The Joy Factory: A Project Primer
Welp. I did something potentially ridiculous: I started a project called The Joy Factory on Patreon, launched it, and now I’m here to explain what this whole thing is about. Here we go… What is The Joy Factory? The Joy Factory is a Patreon project designed to draw more attention to joyful things, whether it’s stuff I’m doing (TTRPGs and writing) or stuff other people are up to (movies, books, and more). It’s really that simple. OK, well, there’s also some silliness about getting on a space cruise ship called the Joy Factory, but mostly it’s that first thing. To get an idea of the kinds of things I’ll do there, here’s the main description from the page:
My Worldcon / ConZealand Schedule
Things have been extraordinarily busy in the Duke compound. I’m buying a house. I finished an online college argument course. And now I find myself prepping for a whole semester of virtual classes. Thus, I have no posted much here in the last few weeks. The good news? I’ve got a ConZealand schedule to share. To add things to your ConZealand schedule, you can find all my items here in Grenadine. I’ve also included the list below w/ U.S. times. There are panels, like Skiffy and Fanty Show shenanigans, and more. So please come! Here’s the schedule: “Magical Realism in Genre” — Tuesday (7/28) at 6 PM EST / 5 PM CST / 3 PM PST (10 AM on 7/29 in NZ)Magic realism has highlighted inner life when confronted with harsh reality, with a turn of a kaleidoscope,. Given the how magic realism works within interstitial spaces of ordinary life, can it slip into genres that already require a suspension of disbelief? (w/ Eli K.P. William, Silvia Brown, and *hopefully* Libia Brenda) “Recent SF and Fantasy on TV: Beyond the Usual Suspects” — Wednesday (7/29) at 5 PM EST / 4 PM CST / 2 PM PST (9 AM on 7/30 in NZ)Talk of SF and fantasy on TV and streaming services often centers on Star Trek, Doctor Who, Game of Thrones and the Expanse. But there is so much more. Westworld. Stranger Things. Counterpart. The Good Place. The DC and Marvel Universe Shows. Star Wars (The Clone Wars, The Madalorian). The Witcher. What’s really good? (w/ Juliana Rew, Stina Leicht, Christine Taylor-Butler, and possibly another) “The Golden Age of SF Movies: SF Films of the 1950s and Early 1960s” — Wednesday (7/29) at 12 AM EST / 11 PM CST / 9 PM PST (4 PM on 7/30 in NZ)Soon after World War II, as the Cold War introduced chilling new threats to the world’s peace of mind — Hollywood (and Tokyo) launched an avalanche of SF and monster-related movies. Was this a golden age? Or were these flicks mostly cheap shockers that kept recycling variations on the theme of “Monster Attacks!”? (w/ Dr. Bradford Lyau, Mallory O’Meara, and Ion “The Skiffy and Fanty Show Podcast (LIVE)” — Thursday (7/30) at 4 PM EST / 3 PM CST / 1 PM PST (8 AM on 7/31 in NZ)Join us for a discussion of the Netflix film The Old Guard & comic book adaptations. (w/ Jen Zink and Alasdair Stuart) “History and SF” — Thursday (7/30) at 9 PM EST / 8 PM CST / 6 PM PST (1 PM on 7/31 in NZ)Phil Klass (William Tenn) once said that the real science of science fiction is history. Many great SF works get much of their strength because the history — implicit or explicit — behind the story feels real. How do writers manage this? How can real history be made to work in a story? What are some examples? (w/ Arkady Martine, Dr. Farah Mendlesohn, Claire Bartlett, and Ada Palmer) “Kaffeeklatsch: Shaun Duke and Jen Zink” — Friday (7/31) at 10 PM EST / 9 PM CST / 7 PM PST (2 PM on 8/1 in NZ)In which Jen and I will sit in a Zoom meeting to talk about podcasting, nerdery, and whatever else you want to pester us with. Come hang with us! We might have beer…for us. Sorry. We can’t share over video… And there you have it. My schedule. I hope to see y’all there!
How to Be a Conservative Rabbit Tale: On Polly Horvath’s Mr. and Mrs. Bunny–Detectives Extraordinaire
A long time ago in a galaxy far, far away, I requested a review copy of Polly Horvath’s then-new children’s novel, Mr and Mrs. Bunny–Detectives Extraordinaire (2012). The quirky premise — a pair of rabbits taking on the role of detectives (duh) — gave me some strong The Rescuers vibes, and being a bit of a closet animal fantasy nerd, I figured it was up my alley. And then I promptly forgot about it until now. You’re free to call me a monster. The story splits its time between Madeline, Mr. and Mrs. Bunny, and the Grand Poobah, who is mostly there to be the menacing villain. For Madeline, island life with her extreme hippy parents, Mildred and Flo, is no picnic, especially when it comes to her education and desire to fit in with “normal society.” But when her parents are kidnapped by what appears to be a car full of foxes and she discovers a note demanding to know the whereabouts of her code-breaking uncle, she must set out to save them. Enter Mr. and Mrs. Bunny, a couple of country bunnies who move to a more bustling bunny valley and decide to try their hand at being detectives, which they do by simply wearing fedoras. When they stumble upon Madeline, who can curiously understand them, they set out in their clunky way to help her find her parents and put an end to whatever the foxes are really planning. And meanwhile still, the Grand Poobah, the leader of the foxes, just wants someone to decode a set of coded recipe cards so he can make bank in his rabbit and rabbit by-products facctory. Hi-jinks ensue.
Donald Trump is a Fascist, and It’s Time We Stop Pretending Otherwise
The U.S. military has begun appearing on U.S. streets in response to protests against police brutality and murder. The president has threatened more aggressive action, and fears abound about whether Trump can use the Insurrection Act to override the Posse Comitatus Act (an 1878 law that limits the president’s ability to deploy the military on U.S. soil). Meanwhile, in his latest tantrum, Trump has issued an executive order to attack the lawsuit protections granted to social media companies under his false belief that a notification of a fact check on a publicly available tweet constituted censorship. Lawsuits challenging the order have already been filed, and we wait now to see what will be the next step in the increasingly unhinged rants and flails of a president who too often seems to live in an alternate reality. In all of this, I’ve pondered a question I asked my students in a college writing class in 2017: is Donald J. Trump a fascist? Throughout the semester, they read non-fiction and literature ranging from Umberto Eco’s “Ur-fascism” to Sinclair Lewis’ It Can’t Happen Here to better understand what fascism is and the influence it had on U.S. culture. Back in 2017, the answer was a definitive “no, but.” No, he’s not a fascist, but he is an authoritarian. No, he’s not a fascist, but his behavior is unsettling. No, he’s not a fascist, but we should still be concerned. The question is one that the nation has struggled with since Trump’s election. There’s a good reason for that: fascism is, for most U.S.-Americans, an ill-defined concept. Much like the phrase “science fiction,” most of us are only equipped to identify it when we see it, and even then, not very effectively. I sought to combat that in my fascism course, and I’ll turn to some of that knowledge here to once more consider that infamous question.
“Protest. But Not Like That. Or Like That.”: U.S.-America’s Self-Imposed Riots
To suggest that protest in the United States is in its blood would be an understatement. Even a flippant view of the creation of this nation would require a recognition that the very founding of the United States was predicated on a string of protests. The casual references to the Boston Tea Party of 1773 and other events in the decades leading up to the American Revolution would have to recognize the train of events as inevitable stepping stones to violence. The founding American story is an easily discernible hill that one must climb, fall down, and climb again: peaceful protest, destruction of property, looting and rioting, rebellion, and revolution. Yet, in the grand scheme of U.S.-American culture, we have often segregated our favorite variations of the pattern from the less comfortable ones. U.S.-Americans can joke about the Boston Tea Party or raise their fists over the Revolutionary War, but the same fervor and pride is noticeably absent when it comes to the same patterns concerning racial injustice, as in the case of the Slave Insurrection of 1741 or Nat Turner’s Rebellion in 1831. U.S.-Americans during the era of slavery responded to possibility of slave revolts not by recognizing the immorality of the slavery system but by stifling dissent, increasing their control on slaves, and preserving white society. Later, U.S.-Americans would split their views on the institution of slavery while preserving a segregated society — by law in the South and by design in the north. Later still, U.S.-Americans were split again on the Civil Rights movement, with far too many supporting the use of police violence to stop dissent (with the help of the FBI). And today, that familiar response is here again.
The Lie of Resisting Arrest
In the last four days, Minneapolis has been on fire, literally and metaphorically. On Monday (5/25), George Floyd was strangled to death by a police officer who placed his knee on Floyd’s neck for a total of seven straight minutes. The officer was white. George Floyd was black. In the wake of the murder, the officer (and three others who were with him) was fired and Police Chief Medaria Arradondo has called for an FBI investigation; to date, no charges have been filed. Protests followed. Those protests soon became two straight evenings of riots; protesters turned from peaceful demonstration to destructive rage, lighting buildings on fire, looting stores, and creating mayhem. Minneapolis is just one fire burning in the United States, a country that has struggled and sometimes fought tooth-and-nail to preserve its racist history. A history that lives today in the apparent racist SWATing-style attempt against an NYC Central Park bird watcher, the apparent lynching of a black man who was simply jogging, the systemic inequality contributing to a disproportionate number of deaths in black communities from COVID-19, and the rise of anti-Asian racism partly fueled by Trump. Minneapolis has its own unique racist history, from the destruction of the predominately black Rondo neighborhood in St. Paul during the construction of I-94 to the history of racism within the Twin Cities police forces — the same area in which Philando Castile was murdered. And just like the the country it resides in, Minneapolis is burning.