World in the Satin Bag

Interview w/ Matthew Wayne Selznick

No need for introductions; the interview speaks for itself. Enjoy! Thank you for doing this interview with me. First, tell us a bit about yourself. What got you into writing and podcasting, etc.? A brief bio if you will. Thanks for having me! What got me into writing and podcasting are two different things, but I suppose they have common roots. For as long as I can remember, I have needed to tell stories. The telling can take different forms, from being a child and making up complicated, multi-day adventures acted out between dozens of toy soldiers, dinosaurs and other action figures to writing and performing songs and, of course, writingfiction. I wrote because I read. The earliest things I remember reading are Ray Bradbury’s short stories and Edgar Rice Burroughs’ Tarzan novels…and comics. Which is kinda of interesting, because Bradbury’s early influences are Edgar Rice Burroughs and newspaper comic strip serials. Might be why I’ve called Bradbury my “story father.” As far as podcasting goes… I’ve been a DIY (do it yourself) kind of guy since the mid-eighties, when I was in my late teens and early twenties, playing in punk bands. The basic premise of the DIY ethic is this: if you want to make something, make it. If you want to show it to people, put it out there. Don’t wait for someone else to offer you a venue, or a deal — do it yourself. When I first heard about podcasting in October of 2004, it sounded to me like pure DIY: record a “radio” show, throw it on the Internet where you can say anything and do anything and anyone anywhere can hear it. I was sold. I released my first podcast on October 15, 2004… about a week or so after I discovered the medium. Your first published novel is Brave Men Run, a novel about a world in which people with extraordinary powers reveal themselves and demand sovereignty, thus changing the social fabric. What exactly made you want to write this kind of novel? Why a superhero novel that isn’t really about superheroes or clashes between good and evil, but about people–ordinary and otherwise–dealing with a dramatic shift in how the world operates? Largely because, as much as I love comics in general and super-hero comics specifically, I know they’re not a real representation of how the world would really be if people with superpowers existed. Sure, some authors, like Alan Moore in “Watchmen,” for example, have examined the superhero genre in a more realistic setting, but even “Watchmen” is a piece of metafiction — it’s about the genre as much as it is _in_ the genre. I just don’t believe that if a person discovered they could fly, or bend steel in their bare hands, or whatever… I don’t think their first inclination would be to dress up in a costume, put on a mask and fight (or cause) crime. It would take a very unique (read: crazy) personality type, and even in a world where superpowers are common, I just don’t see a superhero / supervillain culture developing. As far as clashes between good and evil… again, the world just isn’t like that. People are driven by their motivations, their needs and desires. That rarely results in anything so black and white as “good” or “evil.” Everyone is a little of both, and just how much of either is in the eye of the beholder. Finally, I like telling stories about people. Folks call “Brave Men Run — A Novel of the Sovereign Era” a “superhero book” because that’s the easiest way to categorize it, but to me, the Sovereign Era stories are about people, fundamentally just like you and me, trying to make the most of the world they’ve been given… just like you and me. Would you say that it might be more possible to have cape-wearing superheroes in a world like ours where superhero culture is so widespread and popular? Or do you see people who found out they had super abilities keeping such things secret? I think some folks might do it — in fact, some people without super powers actually do dress up and fight crime: http://www.worldsuperheroregistry.com/ These people are pretty clearly influenced by comics and comic-book culture, and that gives them a little “out” in terms of their own, um, sanity. If there were people with actual super-powers in our world, would they be influenced by comics or would the comics have been influenced by them? Chicken / egg, I guess. In the Sovereign Era, super-hero comics never had a chance to really be part of western culture, so that archetype doesn’t exist. Brave Men Run is set in the 1980s. What about this era made you want to set a story in it? (Are you secretly into hair bands?) “Brave Men Run — A Novel of the Sovereign Era” is set in 1985 for two reasons: Number one, that was the most volatile era of recent human history. The Cold War was at its hottest since the Cuban Missile Crisis. The United States and the Soviet Union fought wars by proxy in the Middle East, Central and South America and elsewhere. If I’m going to introduce the presence of individuals with remarkable, often dangerous abilities, dramatically there’s no better time — it’s one moreburning cigarette to drop in the dry brush of the world stage, a great set-up for global stress and conflict. Number two, “Brave Men Run — A Novel of the Sovereign Era” is a coming of age story. I was a teenager, albeit a little older than the main character, Nate Charters, in 1985. I’m pretty sure my experience as a teenager is different from the experiences of being a teenager today… so, I wrote what I knew. Setting the book — and the beginning of the Sovereign Era — in the middle of the eighties also lets me have fun with cultural references and allows me to use the

World in the Satin Bag

RIP: David Eddings

I unfortunately have some sad news for those of you who haven’t heard.  Author David Eddings, who wrote some of the best fantasy books since Tolkien pioneered the genre, has passed away at the age of 77.  He wrote such memorable series as The Belgariad and The Malloreon, along with a dozen other novels.  He will be sorely missed.

World in the Satin Bag

SF/F Links: June Batch

Because what could be better than interesting links to other places? A lot of things, I’m sure, but that’s not the point. For now, enjoy these: Juno Books has an incredibly informative list of recent book sales figures that you all might be fascinated by. Really detailed stuff and rather telling of how the book industry is doing. The list makes some interesting points on the age of readers, which might be worth noting. Who Is Caleb G? discusses the marginalization of science fiction. Some basic, but exceptionally valid points are made. The genre really is as important as those of us who read it say. A bit of random trivia: ten fun facts about Kenya. Yup. Random, I know, but you might learn something useful. Bloggasm talks about basically one of the most useless studies on the effects of giving away electronic copies of books on book sales themselves. Basically the fellow wasted his time studying only to tell us that “oh, well, yeah, we see sales, but we don’t know if that’s because of other factors beyond giving them away as electronic copies.” So, essentially pointless. Any moron could have done this and come up with the same thing. *rant over* Mashable has 100+ of the best authors on Twitter, conveniently divided into genres. AME has a useful marketing roadmap form you can use to, well, develop a marketing roadmap. Pretty self-explanatory and particularly useful for future novelists who want to be published. As cool as it may sound that scientists are creating zombie fireants by introducing a species of fly that lays eggs in the ants, which grow and kill them, I can’t help thinking that this is going to bite us in the butt later. Anyone else think fiddling with introducing non-native zombie-fying species is a bad idea? The Book Publicity Blog has a whole series on sending and receiving review copies of books. Check the bottom of this post for the various other sections. Definitely worth reading. Follow the Reader has some great statistical information about book buyers that might be of interest. I’m particularly astonished at how the elderly are taking the whole eBook thing. Oh, and to all of you idiots who think reading is dying: you’re wrong and the stats on this page say so. Eat it. Best Fantasy Books asks if speculative fiction is at its zenith. I’m not so sure. I think the problem is that what tends to get attention is what sells, and that’s never necessarily been what is of high quality in the writing world. There’s good stuff out there, you just can’t always rely on the bestseller’s lists to find them. The Scattering makes an interesting argument about Neanderthals being like the Androids of Blade Runner (or other films, etc.). I don’t think it’s entirely accurate, but it still makes one think about what our role may have been in their extinction. The Litter Box has a hilarious list of five worthless droids. Cracked me up. Johnny Five! Flights of Fantasy lists five uses for dinosaurs in fantasy. I prefer using them as mounts–a Velociraptor specifically (names Bill). And that’s it for this time around. A lot of links that hopefully will not bore. Anywho!

World in the Satin Bag

Self-Publishing: A Clarification (for those who don’t know)

Apparently I’ve raised a tiny bit of a stink over self-publishing based on what I said here, particularly with folks who apparently are not familiar with my full position on self-publishing, which had no purpose being reiterated in that post. So, to make things more clear on my position, I give you this list of points: Self-publishing is not the same as traditional publishing. Self-publishing does not deserve unearned respect. Why? Because anybody can self-publish, and for free these days. You wouldn’t give unnecessary respect to someone who ate a carrot, would you? That’s essentially what is being asked of folks like me, that we should respect the process unconditionally, when there is no difficulty in said process. Self-published authors must earn the respect, and that often means through persistence and hard work; even then, there’s no guarantee. Most self-published novels are crap. That’s reality, not just a talking point. You can cite a dozen novels that are exceptions, but that still does not change the fact that the vast majority of self-published novels are not worth the paper they are printed on. When I say that they are crap, I am specifically talking about the quality of the writing: typos, grammar, style, etc. One could argue endlessly about the merits of plot or character, but when it comes to the quality of the writing itself, there are few, if any, arguments. Crappy writing is crappy writing. Self-publishing is not legitimate. If it were, then you would be able to cite authors who have been successful doing it. But there are basically none. No, Paolini, Scalzi, and the handful of others you could cite do not count primarily because they didn’t become successful, bestselling authors due to self-publishing, but due to being picked up by legitimate presses, which put them in bookstores. There are no bestselling self-published authors, only bestselling former self-published authors. If the form were legitimate, said folks would still be doing it, because why would you bother working with a traditional publisher if you could be just as successful by yourself? Self-publishing will not be legitimate until such time as a filtering system can be put in to weed out the overwhelming majority of garbage. To expect the consumer to figure this out on their own is not only rude, but unacceptable. The consumer expects a certain level of quality in a published work and self-publishing, unfortunately, has not met that demand and won’t until someone can figure out how to make it clear which self-published books are worth spending money on. Telling the consumer to read excerpts to figure out if a self-published book is worth buying is essentially asking the consumer to go out of their way for you. The consumer is not your bitch. Their time is equivalent to money, except that they cannot earn it back. This is another reason why self-publishing is not a successful endeavor for the vast majority of would-be authors: because the consumer has no desire to take gambles or waste their time reading excerpts to figure out if a book is worth their hard-earned dollars when they can just hop on over to Borders and find a book printed by a legitimate press that they know will at least be of a certain written quality. The following are the only reasonable demands to make on a consumer: To look at the price. To look at the cover. To read the dust jacket or the back of the book. To glance inside to see if the writing is in a tense that the consumer likes to read. Self-publishing is not an escape from an evil corporate publishing scheme, because traditional publishing is not an evil corporate publishing scheme. These sorts of untruths are the kinds of things spoken by bitter writers who couldn’t hack it, for various reasons. Vanity presses are evil corporate schemes, and any press that asks you, the author, to pay for the honor of being printed is an evil corporate scheme, even if you’re paying for something as simple as distribution or an ISBN. The reality is, if traditional publishing were such an evil thing, some of the most successful authors in history would not be published through them. After all, writers like Stephen King should just as easily be able to make a living publishing their own work rather than dealing with a traditional press, right? The problem is that people who are against traditional publishing are either delusional or sucked into a self-publishing trap and perpetuate the lies shoved onto the traditional platform. These people do a disservice to self-publishing as a whole by misrepresenting what it actually entails and by ignoring and even lying about what traditional publishing offers. There are some excellent self-published novels. But one great self-published novel does not make up for an overwhelming supply of filth and wasted paper. With tens of thousands of self-published books being thrust on the public, most of them horrendous, you cannot possibly expect the consumer or anyone to wade through to find the good stuff. When I say good, I don’t mean excellent or superb, just good, as in entertaining (gets the job done). This is really the only reasonable expectation by the consumer. I do not begrudge anyone who self-publishes. I wish them all the success in the world, but that does not mean that I am not going to point out a harsh reality. You should know what you are getting yourself into when you self-publish. I will begrudge those who lie and are deceptive about self-publishing. In particular I am thinking about people who create “presses” in order to publish their own work. This gives the consumer the impression that a work is legitimate, but what it actually does is confirm everything I’ve said here: that self-publishing is not legitimate, that it has a stigma attached to it that is not unreasonable, and that said author is much more willing to manipulate and deceive the consumer rather than

World in the Satin Bag

SF/F LInks: Book Giveaways Galore!

Yup, there are more of them out there, constantly. Too many books to list, to be honest. So here are a few to wet your appetite: Sweeps4Bloggers is giving away a copy of The Alchemyst and The Magician. Literary Escapism has a copy of Worst Nightmares up for grabs. J. Kaye is tossing out an ARC copy of Wings by Aprilynne Pike. BSC Review has a copy of Objects of Worship up for grabs. The Koolaid Mom offers up Goblins! by Royce Buckingham. And that’s it for today. Enjoy!

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