World in the Satin Bag

The Cat Gets Owned

Yes, I think it has finally happened. A challenge to the “I can haz cheezburger” cat thing. You know, the funniest thing about the whole cat/quote thing is how utterly ridiculous it is. It’s not funny because it’s incredibly clever, but because it’s so pathetically stupid you can’t help but giggle. At least, that’s how I feel about it. Who wouldn’t find cats begging for cheeseburgers slightly humorous? After all, I have a talking ninja/pirate teddy bear in one of my stories… (Don’t click the read more, there isn’t any more after this!)

World in the Satin Bag

Should bloggers get paid?

Having read enough about this now to feel the necessity to write about it myself, I figure I would take a wholly different approach to addressing the question. I don’t agree that we should be paid, but I also don’t disagree that we shouldn’t be paid. The problem for me is that some of us–bloggers, that is–might go on to do other things with books: we might become publicists, editors, publishers, professional reviewers, etc. Some of us might even become “professional bloggers”, if that even makes sense, and start making a living from blogging alone, with the occasional freelance project on the side.The one thing that I think people aren’t addressing is that quite a few of us already are getting paid, it’s just not in a monetary form. Some bloggers are fortunate enough to receive review copies from publishers, preventing them from having to go to the store to buy them at retail price. I’m one of these bloggers, and I know many others. Take into account that many of the books bloggers receive are hardcovers or trade paperbacks and you’re talking about a lot of money saved. So, in a way I am actually paid by publishers, although not in any traditional form of money and under no contractual obligation to perform. Think of it as “good faith bargaining”, if you will. They give me the books, I give them the reviews unless I die or my time suddenly becomes too restricted or other obligations take precedence.I’ve thought about this whole issue enough times now to wonder if perhaps those of us demanding/asking for payment might find ourselves in a position where we are no longer receiving free books. I’m particularly fond of the way publicity is working in terms of getting books to bloggers, and I’d like to see it continue to be a big thing for publishers–sending us books, that is. But some of what we’re demanding/asking is somewhat ridiculous. I say “we” only because the blogosphere is a community, and because I fall into a certain group of bloggers whom I feel somewhat connected with and some of us are talking about being paid for something we once did for free, which is sort of like the airlines telling you they’re going to charge you $15 to check a bag now, even though for decades before it was free. Do we not see a problem with this?So, in the spirit of things, whatever spirit that might be, I thought I’d talk about how much money publishers have saved me from spending, broken down into categories (hardcover, trade paperback, mass market–all of which are rather arbitrary categories when you consider that there are various hardcover sizes, etc.). It should be noted that to provide accuracy I am using the cover prices and not the Amazon prices. Hardcover$368.38 Trade Paperback$944.54 Mass Market Paperback$47.94 Total$1360.86 (w/ tax = $1456 roughly) To put that into perspective, that is about two months of rent and one month of groceries (and I only rent a room, not my own place).So, in all fairness, I’m being compensated very well, thank you. I get free reading in exchange for an hour of my time to write a review. Since I already like to read, this is a double benefit on my end because I couldn’t afford to pay that much for books. I wish I could, but I can’t. The only downside is that I don’t have a lot of choice in what I read for publishers, which can be a bad thing, but isn’t always. I’ve read some great works from Tor and from several small presses (like Aio, Arkham, and several others). So, I think it works out, don’t you?

World in the Satin Bag

Ask the Bloggers Series: Question #5 (I’m in it!)

And I’m in yet another of Grasping For the Wind’s Ask the Bloggers gizmos. Feel free to check it out. The question this time was: Should SF&F books have maps included for the readers? Are there any special conditions when they should or should not? Was there ever a book you wished had map that didn’t? Or vice versa? What do you think? (Don’t click the read more, there isn’t any more after this!)

World in the Satin Bag

Introducing Adam Lowe

I feel like a moron. I haven’t properly introduced Adam, who has now become a regular commentator/blogger/whatcha-ma-person on WISB. The short version of who Adam Lowe is goes as follows:He’s the editor of the magazine Polluto over in the UK and, as his first post indicates, a soon to be published novella-ist (or novelist if you will). I feel rather fortunate to have him on board due to his experience in the field. To be honest I never expected something like this, but I think it’s fantastic. So Adam will be hanging around talking, hopefully, about his writing, about Polluto and other projects he’s working on, and I imagine all sorts of things that has to do with the editing world, publishing, etc. I’m glad to have you on board, Adam! Welcome and I hope you enjoy your stay. Now go write something terribly controversial! Oh, and everyone else give a warm welcome to him, because he deserves it and all. Thanks! (Don’t click the read more, there isn’t any more after this!)

World in the Satin Bag

Romance Novels and the Elderly

I have a question: What is it with little old ladies and reading romance novels? My grandma reads them, this little old lady I met on the bus today reads them, and I know of many little old ladies that read them frequently. Is it because they are generally alone and still want a little romance? Or is there some other reason I don’t understand because I’m young?

World in the Satin Bag

Trick or Treat?

Samhain Publishing, who have an extensive catalogue of SF/F novels, have recently switched to just doing romance and erotica.This is a real blow to the small press genre writer, although I do not blame Samhain. I’m wondering if it’s a sign of things to come. My friend, author Mike Amos, has a couple of novels with them, but now he’s going to have to look for a new publisher for his spec fic work. Does this mean SF/F just isn’t lucrative anymore? I look at a lot of listings for literary agents here in the UK and over the pond in the US, and most state ‘no SF/F’. But why? Surely SF/F is still popular, otherwise Harry Potter would never have exploded as it did. Maybe it’s just oversaturation. Looking online, there are a whole host of SF/F/H small presses. Then again, they’re not all the same and they work with different niches. Subterranean Press (one of my favourites) are very different to PS Publishing (another of my favourites), and both are different again to Prime Books and Razorblade Press. I myself publish, edit and write SF/F/H as well as literary works, and actually the SF/F/H stuff pays better at the short story level. Most literary magazines do not offer pro rates of pay, whilst F&SF, Analog, Brutarian, Jim Baen’s Universe and co, all do. Maybe it’s not oversaturation of the spec fic market, but oversaturation of all markets. Lulu.com and LSI, whilst excellent for levelling the field, enable anyone with a PC to publish. I have to stress that I love the opportunities POD offers, but how many books can people read/afford/write? If there are 300 titles on the same subject, with the same plots and similar characters, isn’t that overkill? And does the modern reader even have time for novels anymore? Many people I know will only read a couple of books a year, and those are both bestsellers. That’s a sad state of affairs, and one that probably doesn’t apply to readers here, but is it representative? If you’re reading this blog, you probably read lots, and possibly write too. We’re probably unrepresentative. Then again, so many people think they can write these days, maybe we’re not. I’m a member of a few online workshops and I see lots of substandard or mediocre prose. Maybe that’s the real reason the small presses are tightening their catalogues. Maybe I’ve just become pickier about writing because of the amount I’ve read, and so now I think average prose is terrible and good prose is mediocre. Maybe the publishers have picked up on that too and have had to select only the best and most striking of writers. Maybe they also have to redefine, refine and narrow their niches to make sure they can cement their marketshare. Maybe only time will tell . . .

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