Fan Fiction vs. Tie-In Fiction: A Framework
Every once in a while, fandom is beset upon by a series of somewhat aggressive arguments about the function of accuracy in film/tv adaptations. The best of these follow my own path, which involves assessing the work on its own terms before going back to look at how it functions as an adaptation. The worst […]
Towards an SF Canon: Curiosities
Due to circumstances beyond my control which involve several people raising interesting ideas in reply to my tweets about my essay “Why the SF Canon Doesn’t Exist,” I’m now neck deep in a massive research project on the formation of literary canons and their placement in SF scholarship (and wider discourse). In reality, I’ve been […]
Why the SF Canon Doesn’t Exist
As is periodically the case in the SFF community, we’re once more in the midst of a conversation about “the classics.” If you’re reading this now, it doesn’t actually matter that I wrote this in 2022; this conversation happens so often that the context above could apply in any given year going back decades, albeit […]
The Unbearable Weight of Fantasy, Tolkien, and Race (or, Eh, Black Elves Are Fine)
The Internet is abuzz about the one fantasy author to rule them all, J.R.R. Tolkien. Over Superbowl weekend, Amazon released the first trailer for their new Tolkien adaptation, The Lord of the Rings: The Rings of Power. As with any highly-anticipated media property, the trailer (and the still shots released earlier this year) have sparked […]
Not-So-Cancelled (or, Hey, We’re Still Talking About the Wrong Things)
In a semi-recent piece for The Nation, David Klion discussed what is by now no longer the “latest” bit of Internet “free speech” theater in response to the cancellation of a collection of Norman Mailer’s essays. I shouldn’t say “cancelled,” really. The publisher passed on publishing the book, which means it could very well be […]
The AI Says It’s an Enemy: Relinquishing Control to the Machine in Yukikaze
There is no shortage of television shows and films which place at center the question of human importance in the era of artificial intelligence. In film alone, the roots of this central question go back at least to Franz Lang’s expressionist film Metropolis (1927), with Maria’s robotic double wreaking havoc upon the titular city, a […]