SF/F Commentary

SF/F Commentary

What Science Fiction or Fantasy Are You Enjoying/Looking Forward To?

We’re running a new question on The Skiffy and Fanty Show blog about a few of the new SF/F shows coming to the small screen (along with a handful that just started a month or so ago).  Pop on over and let us know which SF/F shows you’re looking forward to or currently enjoying.  We’d love your input!  Heck, you can even tell us why you won’t be watching some of the new shows.  There are a few we’re not going to watch either… Anywho!

SF/F Commentary

Top Five Female Authors of Science Fiction and Fantasy

A while back, Larry over at OF Blog of the Fallen posted this list of fives. I’ve decided to turn each into its own post on my blog, with one modification:  all of them will be specific to science fiction and fantasy.  Hopefully nobody will have a problem with this change. First up, as the title suggests: Top Five Female Authors of Science Fiction and Fantasy Kage Baker I was saddened when Baker passed away last year.  She was not only a gracious author who indulged this silly fan by answering questions for an interview, but she was also a writer of amazing works of fiction across multiple genres.  The House of the Stag is still one of my favorite novels of all time and is sure to stay in my top ten for the foreseeable future.  I loved the book so much that I am hesitant to read The Anvil of the World because I know it will be the last time I get to read something fresh and new from the world that sucked me in and never let go.  One day I’ll read it, but when I’m done, I won’t be happy with myself.  Then again, maybe I will be… (Reviews:  The House of the Stag and The Empress of Mars) Elizabeth Bear One of the things that I love about Elizabeth Bear is her willingness to challenge the conventions of the genre.  Her stories deal with issues of sexuality and gender in unique and intriguing ways, particularly Dust and Carnival, two of my favorite works by her (I like Dust best).  I love traditional stories as much as the next guy, but I also love to see different kinds of characters put on the center stage, whether they’re gay, transgender, or somehow “non-normative” (for lack of a better term).  I also appreciate that Bear does not write stereotypical takes on such characters.  Not every novel with gay people in it is erotica, folks!  Seriously! (Reviews:  Dust and Carnival) Octavia Butler I read Butler’s “Speech Sounds” and Parable of the Sowers in an African American science fiction class at UC Santa Cruz (where I got my B.A.).  We might have also read another of her short stories, but I can’t remember.  In any case, that class changed everything for me.  It showed me that I could pursue my interest in Science Fiction Studies without fearing that I might get shunned by the academic community and it exposed me to Octavia Butler, who still influences me as a writer and academic today.  If you haven’t read Butler’s work, you must do so immediately.  She is one of the greatest science fiction writers to walk the face of the Earth! Nalo Hopkinson Hopkinson is, like Butler, one of the most important writers of the 21st century, and certainly one of the most important female writers of SF/F.  Her Caribbean-infused novels (such as Brown Girl in the Ring and Midnight Robber) are prime examples of the breadth of the speculative fiction genre.  Not only can SF/F be about grand adventures in space or fantasy lands, but it can also about intense forays into culture, colonialism and its lingering effects, and the postmodern human condition.  It’s little surprise that she is one of the two authors I focused on for my M.A. thesis (the other was Tobias S. Buckell, but he’s a boy, so he’s not a part of this list)(P.S.:  the degree should arrive on my doorstep sooner or later).  All I hope is that she keeps writing and influencing the genre, showing the world that SF/F does not have to deal with traditional western curiosities, but can stretch outward to talk about the world at large. Susan Beth Pfeffer Pfeffer may be somewhat new to the genre world, but her YA post-apocalypse novels are some of the best YA fiction out there.  They’re emotional character journeys told in epistolary format where children have to cope with situations that force them to grow up fast, because the childlike world they once took for granted no longer exists.  I’ve loved every single one, and word is that there might be a fourth in the series, which should tie up some loose ends and explain what happens to the two families (maybe). As an indicator of how much I love Pfeffer’s work, I’ve reviewed all three of her science fiction novels (Life As We Knew It, The Dead and the Gone, and This World We Live In) and interviewed her three times (here, here, and here — notice how I get better at that whole interviewing thing each time). There you have it.  They’re mostly new names, I’m afraid.  This has to do with the fact that I am not well read in female authors pre-1990 and most of the authors from the New Wave and the Golden Age period are simply not my favorites (Le Guin is good, but I’ve only really enjoyed one of her books — The Dispossessed).  Feel free to check out my marked up SF/F Mistressworks list to see how poorly read I am; I am embarrassed… Runners up:  Lauren Beukes (review:  Zoo City; interview here), Karen Miller (reviews:  The Innocent Mage and The Awakened Mage; interview here) and Jo Walton (reviews:  Farthing and Ha’Penny).  I love the work of all three of these authors, but I have to pick five.  It’s hard to make these three Runners Up, but it has to be done. Who are your favorite female authors of science fiction and fantasy?  Let me know in the comments!  I’m always hungry for more writers to read!

SF/F Commentary

Giveaway: 2011 Nebula Awards Showcase

I’ve got a copy of the 2011 Nebula Awards Showcase to give away to one lucky reader.  Details on how to enter are at the bottom of this post. First things first, here is the back cover copy for your perusal: With this inaugural volume at Tor, the annual Nebula Award collection is reborn as a fiction-only anthology. This collection of nominees for 2010’s Nebula Awards includes all of the prior year’s most celebrated stories, and will be published in time for the 2011 Nebula Awards in May, 2011. 2009’s award winners, announced in May 2010, include Kage Baker’s novella “The Women of Nell Gwynne’s,” Eugie Foster’s novelette “Sinner, Baker, Fabulist, Priest; Red Mask, Black Mask, Gentleman, Beast,” Kij Johnson’s short story “Spar,” plus Paolo Bacigalupi’s novelette, “The Gambler.” There are some awesome stories in this book.  Kage Baker and Eugie Foster are brilliant and Paolo Bacigalupi has been making waves since the publication of the short fiction that led to his first novel (The Windup Girl). And if that weren’t enough, the book has a beautiful cover (after the fold): Here’s how to enter: Leave a comment or send an email to arconna[at]yahoo[dot]com w/ the subject line “Showcase Giveaway.”  All I ask is that you say something other than “give me the book” or anything resembling that phrase.  Insult me, say something dumb, offer a serious comment, tell a joke or a story, etc.  I’m open to forms.   Winners will be chosen at random on June 11th, 2011.  The giveaway is open to U.S. residents (sorry, folks; I don’t make the rules). You can also improve your chances by doing the following (+1 for each): Tweet about my giveaway.  Make sure @shaunduke is in the tweet and that you let me know your twitter handle in your comment. Follow my blog via the Google follow feature.  Let me know in your comment (current followers count). Subscribe to my RSS or email feed and let me know. Stumble, Digg, etc. this giveaway and let me know where (and who)(+1 each). It’s that simple.  Good luck!

SF/F Commentary

Video Found: Doctor Who Theme (SNES Style)

I don’t know if I would have played a Super Nintendo version of Doctor Who.  What would the game entail?  Solving puzzles?  The Doctor rarely kills in the series through direct action and almost never carries guns.  I suppose if you played his companions (River, perhaps?) you could make it a little more action-oriented. That said, puzzles can be fun and the Doctor always manages to get himself into situations where a little brains are needed.  Who knows?  It could have been a fun game, and this might have been the opening credits (after the fold): Cool, huh? (Thanks to SF Signal for the discovery.)

SF/F Commentary

A Game of Thrones: Episode Six (“A Golden Crown”)

HBO’s A Game of Thrones is back on high form again with the sixth episode.  Dropping a number of the extra narratives lobbed at us in “The Wolf,” “A Golden Crown” is much more measured, suspenseful, and emotional.  Here we finally see Daenerys extricate herself from her horrible past, rising to her rightful place among the Dothraki (her opening scene is a brilliant foreshadow of what is to come).  Likewise, Bran’s dreams (the same ones from the previous episode which I thought were so creepy) are beginning to expand, somewhat more slowly than in the book, suggesting there might be more for Bran that we’ve already been given (these scenes have to be foreshadowing something, in my opinion).  And then there’s Tyrion, Catelyn, and the now-injured Eddard Stark.  Rumors of war.  Duels (or “a physical trial” as Tyrion might say), and plenty of bloodshed.  Needless to say, I loved all the excitement! One of the strengths of “A Golden Crown” are its payoffs.  This is an episode that finally begins to weigh in on the promises of the previous five.  Characters we’ve been waiting to have their comeuppance get just that.  It feels good.  Really good.  Part of what made me love A Game of Thrones is its ability to create characters worth hating.  Seeing such characters get what they deserve is wonderful.  There are still plenty of awful people floating around, though, and I suspect they’ll be around when A Clash of Kings hits the small screen. “A Golden Crown” also increases the tension that’s been simmering all season.  Now things are boiling over.  It won’t be long before something truly terrible happens to a character we’ve grown to love or war comes banging on the Stark’s door (or, hell, the King’s door).   And we can expect that war to be bloody and costly.  Tension is one of the things this series does well.  There is never a dull moment and we’re always kept on our toes as we try to figure out what will happen next (who will get screwed over, killed, or destroyed in some other way).  That tension is probably what keeps many people watching, since we are never quite sure when the next major event will occur, or what that event will be (unless you’ve read the book, in which case you know everything that will happen; even so, readers of the book seem to love the TV series for many of the same reasons, with the added benefit that they get to see their favorite characters alive on the screen). A Golden Crown if you please… Another thing I quite like is the attention paid to worldbuilding.  This is more a compliment for the entire series than for episode six in particular.  The Dothraki are brilliantly realized — savage, but also elegant in their own way.  All the little details in King’s Landing and Winterfell are equally fascinating (one scene in a previous episode involves Brandon reciting the symbols and mottoes of the various Houses, which I found quite amusing).  The sets are all beautiful and feel like they are part of a real world.  It’s clear HBO is making good use of its budget.  Martin’s novel is dense and rich in detail.  It’s good to know that HBO is taking the source material seriously enough to treat the world within it like a real place. My main problems with “A Golden Crown” are the same problems I had with “The Wolf.”  Lino Facioli once again flubs his lines and overacts, with a handful of exceptions, and there are added scenes, too.  Most of them actually work, however, adding depth to character arcs and keeping the story fresh and interesting.  The exception for me was the added scene of the King in the woods (on the hunt), but these kinds of criticisms have been made before and I won’t bore you with them any longer.  They are also fairly minor. Getting back to what matters, I think it’s fair to say that HBO redeemed itself with “A Golden Crown.”  It’s a strong episode with an astonishing amount of realism.  The violence in this series is one of the things I’ve always enjoyed because you can rely on it to be brutal, honest, and without much of the ridiculous flare of epic sword fights in other films.  The fights in “A Golden Crown” end with blood and gore, because that’s how they really would end if such things still happened in this world (the duel in the last half is pretty awesome).  I can appreciate that, even if I didn’t much care for the ending of the previous episode.  And I imagine when the shit hits the fan in the coming episodes, HBO will keep up its dedication to violence.  I can’t wait. Directing: 4/5 Cast: 3/5 Writing: 4/5 Visuals:  5/5 Adaptation: 4/5 Overall: 4/5 (More reviews:  Episode One; Episode Two; Episode Three; Episode Four; Episode Five; Episode Seven; and Episodes Eight through Ten.) P.S.:  Maisie Williams (as Arya), by the way, is really shining.  Every time I see her on screen, I get excited.  Arya is a fantastic character, and the more I see Williams playing her, the more I feel like she’s the perfect actress for the role.  This young one will have a brilliant future, I think. P.S.S.:  I’m well aware that Episode Seven was released online.  I would like to think that folks who have seen that episode would have the courtesy of not trying to ruin it for everyone else who was unable to watch it online.  Thanks.

Scroll to Top