SF/F Commentary

SF/F Commentary

Harry Potter: Would it still be big if Harry was Harriett?

I can’t remember where I got the link to this thread at SFFWorld, but the second I saw it, I knew I had to talk about it here.  The thread was started by a user named Rilzik, who asked a very peculiar, but interesting question about the Harry Potter series.  Specifically, he or she asked: Would the books and movies be as popular and/or have made as much money if harry was a female and the supporting roles switched to reflect that. Would it have been more, the same or less popular? Could the story with a female lead have reached that sort of super stardom? Would/are females more willing to watch/read a male lead then males are of female leads? Is the audience the same as with twilight which does have a female lead? are these comparable? A lot of folks have said “it would be the same” to the first batch of questions and “no” to the very last question, largely because the series is not oriented toward sex appeal, for the most part.  Aside from the fact that nobody can actually know what would or would not have happened if Harry Potter were a girl, I think it’s great to see people seriously considering the place of female characters in the SF/F market, especially without some kind of controversy as the foreground.  There’s a kind of openness to a discussion that isn’t sparked by drama, and I think much more gets done and said that isn’t oriented towards making anyone feel bad about themselves and their mistakes.  If you read the thread, you’ll notice a great deal of people considering everything from the gender ambiguity of J. K. Rowling’s name (who we all know is a woman), how gender forms opinions about characters, and so forth.  The discussion, I think, needs to happen in this way so more people are exposed to the problems and progressions without forcing anyone to pick a side (and, thus, subject individuals to the penalties of side-choosing, which all serious political/social debates in the SF/F community have been oriented towards). In the case of Harry Potter–again, setting aside the unknowability of alternate history–I think there is something crucial that some individuals (with the exception of KatG) who have commented are missing:  namely that Harry Potter was centered at the dawn of YA fiction, which preceded the vast majority of the major YA fantasy series with female protagonists (such as Twilight and the dozens of other urban fantasy types that followed in its wake).  I would bet that if Harry Potter were Harriet Potter, the series would not have sold as well.  It’s possible that we could chock this up to sexism, but I imagine it would be much more complicated than that.  Today, the climate is different.  Female readers are more common than ever (visually speaking), and female protagonists are in greater numbers in the YA market.  But in 1997, when the first Harry Potter book was released, the reading world was a very different place, not just in terms of who was reading (which was largely the same as it is today, though more people are reading now than thirteen years ago), but also in terms of how books were marketed, what was being picked up by publishers, and so forth. That’s not to say that things are all peachy on the gender front–because they aren’t–but I think it’s absolutely crucial to note how different the climate is today from 1997 overall.  Switching Harry’s gender likely wouldn’t have gone on so well with publishers, and maybe the same is true for readers.  It’s not a simple task to switch the gender of a character, because to do so also means changing who the character is, how the character acts, and so forth.  Remember that Harry Potter is raised in a very specific kind of culture–ours–and that culture is one that frequently normalizes certain kinds of gender roles and gender constructions, even when individuals attempt to reorient their children toward more open forms of gender formations.  Harriett Potter undoubtedly would be an entirely different person; the result would be that readers would identify with the character differently and the books likely would not have become as popular as they are today, since it would not have appealed to the young male audience of 1997. But, again, this is all guesswork.  Without a time machine, I don’t think any of us can truly know what would and would not have happened if things were different.  We can guess, but guesses aren’t necessarily truth (they can become truth, though).  In the end, it’s a fun exercise, but not one that is productive on its own–the productive discussions are all those things people have pointed out in regards to gender and writing, which point directly to the middle questions in the quote above.  Maybe I’ll talk some more about those questions another time. So, what do you think?  Do you think Harry Potter would have been just as successful if the main character was a girl?

SF/F Commentary

Video Found: Neill Blomkamp’s Mysterious Teaser

I don’t know what the brilliant creator of District 9 is up to, but a recent teaser sent to Wired Magazine seems to point to something more human-oriented than his alien-refugee blockbuster (genetic manipulation a la Splice, perhaps?).  Whatever it is, I’m looking forward to seeing it–in theaters this time. Here’s the teaser (after the fold): Look interesting to any of you?

SF/F Commentary

Speculative Horizons to Close For Questionable Reasons

I’ve nothing against James Long, author of Speculative Horizons–one of the good SF/F blogs out there.  His blog has been in my Google Reader for almost a year now and I’ve enjoyed many of his thoughtful posts.  But it appears he’s decided to close things down.  Why?  Partly because he’s going to be an editorial assistant at Orbit Books (congrats!), and partly because of this: Of course, this means I can’t continue with my blogging here. I’ve always tried to blog with honesty and integrity, and there’s just no way I could continue blogging while working for a major genre publisher – it would bring my personal and professional credibility into question. Wait, what?  Stopping because of new responsibilities makes perfect sense.  Working in publishing is a rough business, particularly if you’re in a lower position at a relatively major press (Orbit is pretty big in the SF/F world, after all).  But instead of a perfectly reasonable reason, he offers one that makes absolutely no sense whatsoever.  How exactly is working in publishing and blogging at the same time a threat to one’s personal and professional credibility?  Did someone bother telling Lou Anders about this, who is the editorial director of Pyr and blogs at the same time?  What about the dozens of agents, assistants, marketing people, and so forth (and that link doesn’t include the dozens of others that are out there) who routinely blog about the things they love, whether it be about what they do or their personal lives (which might very well be about what they do too)?  Is their credibility (personal or professional) shot to shit because they do both?  Of course not. So what’s the real reason, James?  Are you contractually obligated to no longer blog at SH?  Does the new time commitment make it difficult for you to do both at the same time?  Do you just not want to continue because you’ve moved on to bigger and better things (to which I would say “well, we love you too” in a very sarcastic voice, followed by “we appreciate your honesty”)?  Because from where I’m standing, the rational sounds suspiciously like a slaughterhouse worker saying he doesn’t want to eat meat anymore because it might make people question his character, instead of saying he can’t stand the sight of meat because he sees it all day. The big question, of course is this:  since when does being a blogger with “honesty and integrity” damage one’s credibility?  Seems to me that the only time blogging kills your credibility as a critic (or anything) is when you intentionally lie or manipulate the truth–sort like what this douchebag did. Then again, maybe I’m just being a downer about this whole thing.  Maybe I’m missing something.  If so, someone can correct me…

SF/F Commentary

Video Found: Daniel Radcliffe, Played by Harry Potter

I stole this from Tobias Buckell, but I thought all of you should see it, because it’s bloody hilarious. It’s Daniel Radcliffe…er…I mean Harry Potter explaining who he really is. By that I mean… Oh screw it. Just watch (after the fold): I Am Harry Potter from Daniel Radcliffe And you thought the Harry Potter franchise couldn’t get any better…

SF/F Commentary

Meme: Every Frakking Animated Movie Ever Made (Almost)

I stole this from Andrew Wheeler, who stole it from someone else.  Should be fun! All the animated movies in the world, sort of: – X what you saw – O what you haven’t finished/seen or saw sizable portions – Bold what you loved – Italicize what you disliked/hated – Leave unchanged if neutral (I’ve added a final thing to these:  a grade–good, average, and sucked.  I might as well, right?) CLASSIC DISNEY ——————————- [X] 101 Dalmatians (1961) — Good [X] Alice in Wonderland (1951) — Good [X] Bambi (1942) — Good [X] Cinderella (1950) — Average [X] Dumbo (1941) — Good [X] Fantasia (1940) — Good (and trippy.  Every time I see this movie, I feel like someone has inserted an extra ten minutes.  No joke.  My experience watching this as a kid involved frequently feeling as though I missed something the last time I watched it.) [X] Lady and the Tramp (1955) — Average [X] Mary Poppins (1964) — Good [X] Peter Pan (1953) — Good [X] Pinocchio (1940) — Good [X] Sleeping Beauty (1959) — Good (I liked it, but I’ve only seen it once.) [X] Snow White and the Seven Dwarfs (1937) — Good [X] Song of the South (1946) — I barely remember it, so I can’t grade it. (Note:  My grandma pretty much made me grow up with most of the Disney movies.  I’m not complaining, but I’ve pretty much seen every classic and semi-classic Disney movie ever made, even if I can’t remember seeing it.  That is, except for new Disney, which I’ve mostly been avoiding.) DISNEY’S DARK AGE ——————————- [X] The Aristocats (1970) — Average [ ] The Black Cauldron (1985) [X] The Fox and the Hound (1981) — Good [X] The Great Mouse Detective (1986) — Average [X] The Jungle Book (1967) — Good [X] The Many Adventures of Winnie the Pooh (1977) — Good (They were on constant re-run when I was a kid.) [X] Oliver and Company (1986) — Average [X] Pete’s Dragon (1977) — Good [X] The Rescuers (1977) — Good [X] Robin Hood (1973) — Good [X] The Sword In The Stone (1963) — Good THE DISNEY RENAISSANCE ——————————- [X] Aladdin (1992) — Average [X] Beauty and the Beast (1991) — Average [X] A Goofy Movie (1995) — Average [X] Hercules (1997) — Good [X] The Hunchback of Notre Dame (1996) — Average [X] The Lion King (1994) — Good [X] The Little Mermaid (1989) — Average [X] Mulan (1998) — Good [X] Pocahontas (1995) — Average (the manipulation of history is rather annoying) [X] The Rescuers Down Under (1990) — Good (I loved this one as a kid for some reason) [X] Tarzan (1999) — Average DISNEY’S MODERN AGE ——————————- [ ] Atlantis: The Lost Empire (2001) [ ] Bolt (2008) [X] Brother Bear (2003) — Average [ ] Chicken Little (2005) [X] Dinosaur (2000) — Sucked [X] The Emperor’s New Groove (2000) — Sucked [ ] Fantasia 2000 (2000) [ ] Home on the Range (2004) [X] Lilo & Stitch (2002) — Average [X] Meet the Robinsons (2007) — Average [ ] Treasure Planet (2002) (You’re probably noticing a trend, what with Disney films progressively becoming worse as the years went by.  I don’t know if that’s because I grew up and lost interest in the Disney style, or if they simply got bad.) PIXAR ——————————- [X] A Bug’s Life (1998) — Average [O] Cars (2006) (I refuse to see it.  I’ve seen five minutes or so and just couldn’t stand it.) [X] Finding Nemo (2003) — Good [X] The Incredibles (2004) — Good [X] Monsters Inc. (2001) — Good (one of my favorites, actually) [X] Ratatouille (2007) — Average [X] Toy Story (1995) — Good [X] Toy Story 2 (1999) — Good [ ] Toy Story 3 (2010) [X] Wall-E (2008) — Good (top three for sure) [X] Up (2009) — Average DON BLUTH ——————————- [X] All Dogs Go to Heaven (1989) — Good [X] An American Tail (1986) — Good (loved the Fieval films) [X] An American Tail: Fieval Goes West (1991) — Good [X] Anastasia (1997) — Average [X] The Land Before Time (1988) — Good [ ] The Pebble and the Penguin (1995) [X] Rock-a-Doodle (1991) — Sucked [X] The Secret of NIMH (1982) — Good [X] Thumbelina (1994) — Average [X] Titan AE (2000) — Matt Damon! [ ] A Troll in Central Park (1994) CLAYMATION ——————————- [ ] The Adventures of Mark Twain (1986) [X] Chicken Run (2000) — Average [ ] Corpse Bride (2005) [X] James and the Giant Peach (1996) — Good [X] The Nightmare Before Christmas (1993) — Average [X] Wallace & Gromit: The Curse of the Were-Rabbit (2005) — Average [ ] Coraline (2009) CGI GLUT ——————————- [X ] Antz (1998) — Average [ ] Bee Movie (2007) [X] Happy Feet (2006) — Good [X] Ice Age (2002) — Sucked [X] Ice Age: The Meltdown (2006) — Sucked [ ] Ice Age: Dawn of the Dinosaurs (2009) [ ] Kung Fu Panda (2008) [X] Madagascar (2005) — Sucked [X] Madagascar: Escape 2 Africa (2008) — Sucked [X] Monster House (2006) — Average [X] Over the Hedge (2006) — Sucked [X] The Polar Express (2004) — Average [X] Robots (2005) — Average [X] A Shark’s Tale (2004) — Average [X] Shrek (2001) — Good [X] Shrek 2 (2004) — Good [X] Shrek The Third (2007) — Average [ ] Shrek Forever After (2010) [ ] Monsters vs. Aliens (2009) IMPORTS ——————————- [ ] Arabian Knight (aka The Thief and the Cobbler) (1995) [ ] The Last Unicorn (1982) [ ] Light Years (1988) [ ] The Triplets of Belleville (2003) [ ] Persepolis (2007) [ ] Waltz With Bashir (2008) (I actually read the graphic novel) [X] Watership Down (1978) — Average [ ] When the Wind Blows (1988) [ ] Wonderful Days (2003) [ ] Yellow Submarine (1968) (I have no intention of seeing most of these, to be honest.) STUDIO GHIBLI/MIYAZAKI ——————————- [X] The

SF/F Commentary

Things You Should Learn After 27 Episodes and Free Insult Time

Click the record button… Yeah, that’s right.  I’m that guy.  The guy who arranged an interview with an awesome author of an awesome book, who participated in an awesome interview with said author, and then said goodnight.  The problem?  The recorder wasn’t on.  Yup.  It would be fair to see that I’m feeling like a bloody moron right now, because that’s an awful reason for screwing things up.  It’s one thing for software to malfunction, but entirely another when the only malfunctioning thing is the conductor. So, consider this thread an open invitation to insult me as you see fit.  Pretty much anything goes. Have at it… P.S.:  FML.

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