On Forgiveness, Bad Behavior, and Block Policies

If the post-GamerGate years didn’t change the way I interact with people in SF/F and online, the past year certainly has. From the election of a serial asshole to the endless parade of turdmuffins on Twitter, the last year has made it clear that “business as usual” just won’t work for my sanity. In fact, more and more, I’m learning that a lot of folks I know have even less tolerance for all sorts of behavior we all might have put up with a few years ago. Ann Leckie, for example, has for a while used this basic policy for handling responses to her Tweets:

SF and Food: The Future Shall Be Fed

When I think about representations of food in science fiction, I’m struck by the fact that a lot of science fiction simply washes over the issue of production and distribution. Food is almost always “around” in SF literature. After all, most SF characters have to eat something from time to time (though they never poop). However, very little of the genre actually directly addresses the future economics of food, and even when it does, it’s usually a cursory glance. The one exception might be the dystopian genre, especially Soylent Green (1973). Since dystopia and starvation go hand in hand, the genre is naturally concerned with food.

Thoughts on Years of Reading (Mostly) Women

Back in 2015, roughly 92% of the works I read were by women. This was mostly intentional, as The Skiffy and Fanty Show hosted a women-centric (and non-binary friendly) theme throughout 2015. In 2016, the numbers were less skewed, with 61% of works by women. Including my teaching numbers into this list is a bit too complicated, so I won’t bother including it here. Obviously, having a more “open” year for reading meant my numbers were more fluid. But even with that fluidity in place, there’s a clear indication that my reading habits have changed. So, here’s what I’ve learned from the past few years:

Why I Will Never Give Up My Terrible Movies

Bad movies. Some of us love to hate them. Some of us just hate them. And then there are people like me. I have a fondness for a few films that practically everyone would agree are terrible. My seemingly illogical love of 1988’s absurd McDonald’s-funded E.T. rip-off, Mac & Me, has earned me a rotating sequence of callbacks on my podcast, The Skiffy and Fanty Show. It’s a sickness to some, but for me, it’s a product of experience. To be fair, I almost deserve it. I will jump at the flip of a hat to defend that movie against almost any criticism, not because I believe it’s high quality cinema but because there is a deeper connection to that movie for me, as there is for so many of the trashfire films that occupy my DVD rack.

On Generation Ships and Pandorum (2009)

One thing that has always struck me about generation ships is the way in which they are usually treated as microcosms for the Earth (as it was, is, or might be). Like the wagon train to the west, the generation ship can help us move the social and political problems of our world into an isolated space for interrogation. That detachment, I would argue, is a part of what makes so much of science fiction so influential, and why generation ships are somewhat easy mechanisms for staging the kinds of socio-political criticism so much of science fiction is known for (in theory).

On Space Opera and Domesticity

Domesticity and space opera? Do they go together? Obviously, yes. But what happens when they do? Earlier this year, Tor.com hosted a massive space opera extravaganza. Liz Bourke contributed a post on the politics of domesticity in space opera, with particular attention on what she somewhat half-heartedly called “domestic space opera.” One of the important points Bourke makes is that the personal and the political are not necessarily separate entities. Bourke defends this claim by looking at several examples of space operas which place heavy focus on domestic spaces and by suggesting that perhaps it is the emotional dynamics of those spaces that make up the bulk of the operatic (or melodramatic) focus present in so much of space opera. It’s an interesting post, and I suggest you read it.