SF/F Commentary

Apparently A.J. Dalton doesn’t care for J.R.R. Tolkien or George R.R. Martin.  Here’s the moment when I stopped reading: They have both come to dominate the genre in which I write, that’s what. All fantasy gets compared to them. They are the standard. They are the definition of fantasy. Anything too different to them doesn’t get recognised as fantasy, as it doesn’t contain enough of the required motifs and conventions. Anyone who can make that argument with any seriousness has no idea what they are talking about.  Really?  Anything that doesn’t look like Martin or Tolkien isn’t considered fantasy anymore?  Really?  So apparently N.K. Jemisin doesn’t write fantasy.  Good to know.  Diana Rowland doesn’t write fantasy.  Good to know.  In fact, all those authors who are shelved in the fantasy section who aren’t writing anything that directly mimics Martin or Tolkien are just magically shelved in the wrong place in some grand conspiracy to get people to mistakenly believe they are fantasy writers…Huh? All fantasy doesn’t get compared to Martin or Tolkien, fella.  That’s absurd.  A lot of fantasy does, but not all.  They are also not the definition of fantasy.  Only a moron thinks that Martin or Tolkien are all that fantasy has to offer (or that the fantasy market only demands derivative work). Meh. —————————————————- Alright, so it’s not true that I stopped reading there.  I decided to read a little more of his argument just so I could say I did so.  And that’s when I discovered this: A quick example. I published Empire of the Saviours, an epic fantasy, with Gollancz last year. The book starts modestly enough with a boy growing up in a village in a remote corner of the empire in question. Several influential online reviewers refused to read it, saying they’d heard it all before, no matter the book’s purported humour and contemporary social and religious considerations. Hadn’t I heard how Mr Feist’s Magician and Mr Paolini’s Eragon opened with the selfsame premise, and besides weren’t they just versions of Bilbo in his burrow at the start of The Hobbit? An Australian newspaper then reviewed the book with the statement that Tolkien had ‘a lot to answer for’. Sheesh. Now it’s all starting to make sense.  Dalton isn’t upset that Tolkien and Martin are the standards.  He’s upset because someone thought he sort of wrote like them, and then refused to read his work.  Author is sad or something.  Makes sense, right? Wait, no it doesn’t.  Dalton just said that you can’t write fantasy without writing like Martin and Tolkien.  That’s the only way to get recognition.  Now he’s saying that if you write like Martin and Tolkien, nobody will love you.  Signals crossed, I guess. I get it.  Tolkien and Martin do define much of the genre.  That’s bad for diversity, since much of what readers of fantasy want is stuff similar to what they’ve already read.  But let’s not pretend that fantasy is ONLY stuff that looks like Tolkien and Martin.  Let’s not pretend that nobody reads anything that is different, or that people don’t read things that are similar.  That’s absurd.  Derivative fantasy exists.  It sells.  Different fantasy exists too.  It sells too. This isn’t rocket science…

First, I’d like to request that nobody shoot me for this list.  I know I left some stuff out.  I know I missed things.  Some of that is my fault, but I also blame it on a ridiculous work schedule (teaching five classes is insane).  So, you know, don’t shoot me — do leave a comment, if you are so inclined. And on that note, here’s the finalized list: Best Novel In the Lion’s Mouth by Michael Flynn Lost Everything by Brian Francis Slattery Arctic Rising by Tobias S. Buckell And Blue Skies From Pain by Stina Leicht Ink by Sabrina Vourvoulias Best Novella Nothing (I just didn’t read enough stuff to justify nominating anything in this category) Best Novelette Nothing (same as above) Best Short Story “The Magic of Dark and Hollow Places” by Adam Callaway “Scattered Along the River of Heaven” by Aliette de Bodard “Immersion” by Aliette de Bodard “The Bookmaking Habits of Selected Species” by Ken Liu “The Performance Artist” by Lettie Prell Best Related Work StarTalk Radio w/ Neil deGrasse Tyson LabLit.com Steampunk 3 edited by Ann and Jeff VanderMeer (correction:  Ann VanderMeer edited this on her own; my apologies for the mistake) Best Graphic Story Worm World Saga by Daniel Lieske Best Dramatic Presentation, Long Form Cloud Atlas The Avengers Chronicle Cabin in the Woods Skyfall Best Dramatic Presentation, Short Form “Blackwater” from Game of Thrones “The Ghost of Harrenhal” from Game of Thrones “Valar Morghulis” from Game of Thrones Best Editor, Short Form Andy Cox Sean Wallace Scott Andrews Best Editor, Long Form Liz Gorinsky Lee Harris Simon Spanton Best Professional Artist Stephan Martiniere Kekai Kotaki Daniel Dociu Min Yum Jonas Dero Best Fan Artist Pavel (artbypavel.com) Best Semi-Prozine Interzone Beneath Ceaseless Skies Shimmer Cross Genres Clarkesworld Best Fanzine The World SF Blog The Weird Fiction Review Best Fancast The Coode Street Podcast The Agony Column Best Fan Writer Liz Bourke Abigail Nussbaum N.K. Jemisin John H. Stevens Paul Weimer John W. Campbell Stina Leicht Myke Cole