SF/F Commentary

SF/F Commentary

“Best Of” Lists: A Game of Gap-ology?

If you head on over to The OF Blog, you’ll find this post containing links to over a dozen “Best of 2012” lists.  Larry wants us to look at them and take note of the commonalities and the differences.  Some of those lists are varied, unique, and fascinating; I found a lot of new reads through them.  Others?  Let’s just say that Larry is right to identify a lot of similarities. What many of these lists show is a serious lack of depth in reading interest.  Whether that is an intentional choice — i.e., that someone does not want to read outside of their comfort zone — or otherwise is impossible to say.  But when you look over the lists, you’ll find the same novels repeating over and over.  I don’t doubt that these works are good (some of them are my favorites this year); the problem seems to be that they are themselves repetitions.  Epic fantasy, urban fantasy, epic fantasy, urban fantasy, big name science fiction novel, and so on.  Many of them are painfully safe, too.  Where is the variety?  Where are the challenging works? Maybe I’ve simply become a pretentious genre reader, but I really thought there would be more variety in terms of content among these lists.  It makes me wonder whether I’ve simply been blind to all of this over the years, or if something has changed with the way I view literature.  Am I more willing to challenge myself as a reader?  Or do I find books in different ways from others? What do you think?

SF/F Commentary

New Year’s Resolutions

Well, it’s that time of year again.  You know, when we look back at all the resolutions we made last year and slap ourselves for failing so miserably?  Yeah.  Not that I can remember what my 2012 resolutions were… But since it’s officially 2013, and I feel like setting some goals for myself, I am going to make a few resolutions.  Here goes: Writing and Reading –Write (finish) a novel OR 25 short stories.  My output during 2012 was pretty pathetic, in part because of a lack of motivation, but mostly because I worked insanely hard to create a financial buffer for 2013.  This year is going to be a writing year. –Read at least 100 books (or the equivalent in some other written medium).  This should be easy enough, since there are 40 books on my PhD. reading list and 24 interview slots for The Skiffy and Fanty Show.  That leaves about 36 books I have to squeeze into the gaps. –Write more reviews. Health –Lose 30 lbs.  Period. –Eat healthier and consume more vegetarian meals.  Woo! Financial –Spend less money and save more for summer. –Pay my taxes as early as possible and like it. I think that’s a good enough list, no?

SF/F Commentary

Teaching American Dystopia: The Reading List

I’m teaching a course called “Dystopia and American Anxiety” this spring.  The idea came to me while brainstorming with friends on Facebook.  Because dystopia is a genre the frequently plays upon our fears and anxieties, it seemed fitting to put together a course specific to the American side of the skill.  The following is the reading list for the course: Novels The Iron Heel by Jack London The Gold Coast by Kim Stanley Robinson Make Room! Make Room! by Harry Harrison The Female Man by Joanna Russ Do Androids Dream of Electric Sheep? by Philip K. Dick Short Stories “A Sojourn in the City of Amalgamation” by Oliver Bolokitten “The Lottery” by Shirley Jackson “The Machine Stops” by E. M. Forster “The Ones Who Walk Away from Omelas” by Ursula K. Le Guin “The Calorie Man” by Paolo Bacigalupi “I Have No Mouth and I Must Scream” by Harlan Ellison “Bloodchild” by Octavia Butler Non-Fiction (critical texts, newspaper articles, and excerpts from various books) “Theses on Dystopia 2001” by Darko Suvin “Evidence against the views of the abolitionists:  consisting of physical and moral proofs, of the natural inferiority of the Negroes” by Richard H. Colfax “Introduction:  Dystopia and Histories” from Dark Horizons by Raffaella Baccolini and Tom Moylan “New Maps of Hell” from Scraps of the the Untainted Sky by Tom Moylan “The Dystopian Turn” from Scraps of the Untainted Sky by Tom Moylan “Overpopulation Threatens World” by Ralph Segman “Overpopulation Called Deadlier Killer Than A-Bomb” by Unknown “Monsanto’s Harvest of Fear” by Donald L. Barlett and James B. Steele “Farewell Address” by President Dwight D. Eisenhower “Interview w/ Noam Chomsky” by David Barsamian “Profits of War:  The Fruits of the Permanent Military-Industrial Complex” by William Hartung “The Delicate Balance of Terror” by Albert Wohlstetter “Soviets to Renew Testing A-Weapons; Kennedy Sees Nuclear Holocaust” by Chalmers M. Roberts “Smart Machines, and Why We Fear Them” by Astro Teller Gender Trouble by Judith Butler Thanks to everyone who helped with suggestions!

SF/F Commentary

Guest Post: Why Fantasy? by Bruno Stella

But why fantasy? Is it enough to say that people the world over (including myself) have been fascinated with elves and dragons since Tolkien published his master-work and so we can simply continue in his footsteps? Haven’t many authors have done exactly that? Surely, fantasy is an easy field to write – and do well in? After all, the scientific understanding for writing, say, hard sci-fi is not necessary. And, because fantasy isn’t exactly high-brow, knowledge of fancy literary theories isn’t necessary, either – in fact it may even be a hindrance. I’d argue that fantasy is hard to do decently precisely because of the reasons above. So many people have done it to death, that the reader is jaded by the recycled materials. There is no powerful central scientific concept to bedazzle the reader, nor is there the fig-leaf of fancy techniques to cover up the fact that a book sucks. An entire house of leaves might not be enough, in fact*. There is only story, and the writer’s skill in creating a believable world wherein the reader can suspend disbelief in a fantastic reality. My aim when writing is precisely that: to weave a world around the reader, starting with the mundane, and slowly stirring in the spice of magic. I’m a fan of the (slightly) slow start. Tolkien did it with the hobbits of Hobbiton, and Donaldson did it with the gritty reality that Thomas Covenant faced as a leper … before pulling out the big guns in the form of the Ringwraiths and Lord Foul, amongst others. It is all about the suspension of disbelief and achieving it before moving on with the story. The story should have wonder built into it. It’s the writer’s responsibility to reveal enough of the plot to the reader so that she doesn’t feel lost, so that she feels that there is a sense of where the story is going … but not so much that the reader closes the book in disgust because it is so predictable. There needs to be, especially in fantasy writing, a sense of mystery, of something otherworldly just beneath the fabric of the mundane – if only we know the right mystical words to speak, or symbols to draw. Oddly enough, many of the best writers of horror get this right. A particularly powerful scene that still stays with me was from Stephen King’s The Shining. One of his characters was busy clipping a hedge, and the hedge animals come to life, stalking him. King crafts the scene wonderfully, animating the creatures in tiny stages, drawing the reader along from where the character thinks the altered hedge-animal is a trick of his mind to where the hedge – lion actually sticks its paw out of its tended patch and the reader experiences a little climax of horror together with the character. In my opinion, the worst sort of fantasy is the sort that pulls a new over-powered hero or villain out of a hat every chapter, and each absurd twist in the plot features the writer wracking her brain for some way to top the previously unbeatable new character. What is the point of that? The reader can practically see the gears moving behind the crudely cut-out stage props as they lurch across the page in the guise of characters that we are supposed to care about. Now, I don’t mind a good zombie story, but I prefer my characters a little more rounded. In The Man from the Tower, there is really only one (two at the outside) character that is ‘overpowered’ – and this is only in the context of the book, since there are other fantasy universes that he’d be a wimp in – and that’s the primary antagonist. Part of the fun of writing it was to take a pretty ordinary hero, stick him in way over his head, and watch as he tries to flounder in deep waters without a deus ex machina courtesy of the author, to save him. If you’d like to see whether I managed to get it right or not, post a comment on this blog. I’d like to give a copy of The Man from the Tower in .pdf form to the first five posters that have something to say. Thanks for reading. * Although, writers like Atwood have shown themselves adept at both utilizing literary techniques AND weaving a good story. I do not pretend to belong to that stratosphere. ——————————————- About the Book: “What if there were no boundary between Life and Death? What if the boundary was all there was? What if the mightiest sorcerer alive was a sadistic being of relentless evil, able to exploit such a grey half-world to the fullest?” That is the question that Tergin, a simple herder in a desolate land, is confronted with. He is the person that unwittingly released the evil being, and he is the one who bears the consequence for his action. Driven by thirst for vengeance and by dreams of his lost love, he takes on the impossible task of righting his mistake, and of curing the deadly curse that he becomes afflicted with. In a long journey beset with dangers, he is forced to make alliances with questionable friends; his endurance and wits are tested to the limit as he faces enemies he never imagined even existed. About the Author: My name is Bruno Stella. I’m 37 years old, South African, and have written short stories and longer fiction since I was 13, mostly for my own amusement. I’ve forayed into the realm of fantasy with a book that I have just published on Amazon, called The Man from The Tower.  It can be found here.

SF/F Commentary

Guest Post: How to Characterize Christ in a Novel by Cotton E. Davis

When I presumed to make Yeshua bar Yosef (Christ) a character in my recently released time-travel novel TimeWarp, Inc., I had to make numerous decisions regarding how to portray him. The physical part wasn’t as difficult as one might imagine.  Though the New Testament leaves us with no physical description of the man, Isaiah 53:2 described the coming Messiah as rather ordinary looking.  No Max von Sydows or Jeffrey Hunters here.  I set aside the classical image of a blond-haired, blue-eyed European-looking gent for a swarthier dark-brown or black-haired fellow more in keeping with the Jews who inhabited Lower Galilee at the time.  Short-cropped hair and beards were the style among Jewish men then, so goodby to the luxuriant locks seen in so many paintings and movies.  One more fact: most skulls unearthed from the first-century holy land were rounder than the traditional long-faced image.  Decidedly so. I also made my character well-formed.  Physically powerful, even.  This was not the namby- pamby weakling depicted in Renaissance art.  Jesus was in the building trade.  That’s hard work, especially back then.  Mathew 13:55 describes Jesus as the son of a tekton, while the Gospel Mark 6:3 calls Christ himself a tekton, the classical Greek term meaning, among other things, a builder or artisan.  That’s a skilled jack-of-all-trades, rather than the translated “carpenter” we’re accustomed to reading and hearing about.  In short, a tekton worked with wood, stone, even metals.  And, since the Romanized capital of Galilee, Sepphoris, lay only a few miles from Jesus’ village of Nazareth, he and his father Joseph must have traveled there for the kind of gainful employment a village of four hundred people could not provide.  Greco-Roman cities were constructed largely of stone–black basalt from Capernaum in this case.  By necessity, Jeshua bar Yosef undoubtedly possessed masonry skills.  Strength too.  Ever try to lift a stone block? Maybe I should say something about TimeWarp, Inc.  It is basically the story of an agnostic ex-soldier from the 21st century who travels back in time, where he meets and becomes Christ’s best friend during the latter part of the “lost years” between Jesus’ birth and ministry.  The Jeshua bar Yosef the reader meets is a year or so from going out into the world to proselytize.  He is a young man, not yet thirty.  Reading between the lines of the Gospels, it’s easy to picture a Jesus who not only had his share of friends but also possessed a keen mind and sense of humor…which is exactly how I portrayed him. What else do we know about Christ?  Here again, we must look between the scriptural lines.  We’ve read about his knowledge of the Torah in Luke, but what else can we be sure of?  (One) He spoke both Aramaic and Hebrew, as was common among Jews in Roman-occupied Palestine.  (Two) He probably also spoke Latin and possibly Greek.  Plying his trade in Sepphoris, Jesus would almost certainly have had to converse in the Roman tongue, and don’t forget Greek was the trade language of the region, plus Alexander the Great conquered the area about 200 years before Jesus was born.  Also, most educated Romans were bilingual, speaking Greek fluently.  Moreover the Gospels were originally written in Greek.  (3) Christ had a keen understanding of human nature.  If the Gospels tell us anything, they tell us that.  (4) Jesus was almost Lincolnesque in his ability to tell stories or, in this case, parables: simple, easy-to-remember, image-filled allegories.  But, unlike our 16th President’s tales, which were usually communicated for the sake of humor, Jesus’ stories were meant to convey a subtle message central to the man’s teachings.  If you want a good laugh, check out the practice parable the pre-ministry Jesus comes up with in Chapter Fifty-One. That leaves one glaring question about my character.  Was he divine?  That is left pretty much up to the reader.  TimeWarp, Inc. is not a biblical supplement.  It is a story, a novel about time travel, after all.  Jesus, though painstakingly researched, is one of many characters, some from the 21st century, others from the time of Herod Antipas.  I will say, however, that the question of Jesus’ divinity is a running argument among the time travelers–particularly my agnostic hero and his Christian girlfriend–throughout the book. ————————————————————— About the Book When historian Gwen Hoffman first meets time traveler Mike Garvin, an ex-Special Forces weapons sergeant back from ancient Gaul where he was embedded as a centurion in Julius Caesar’s elite 10th Legion, she is more than a little put off. Scarred and dangerous-looking, the man appears more thug than time traveler. Yet he is the person TimeWarp, Inc. is sending back in time to protect Jeshua bar Yosef (Christ) from twenty-first century assassins; the man Gwen was assigned to prepare for life in first-century Galilee. Gwen, of course, has no idea she and Garvin will become lovers. Nor does she realize she herself will end up in Roman Palestine, where she will not only meet Jesus but face danger alongside Mike in the adventure of a lifetime… You can find out more about the author and the book here.

Scroll to Top