Addendum: Strong Male Characters (or, That Rogue One Review is Full of Crap)
Two days ago, I wrote a post about “strong male characters” that took to task some comments made in a review by Todd McCarthy. At the time, I had not seen Rogue One, so my argument essentially rested on the idea that we don’t need “strong male characters” in every movie. Now that I have seen the movie, I feel it necessary to come back to McCarthy’s review to address the substance of the claims. Expect some spoilers ahead! As a reminder, here is the relevant quote from McCarthy’s review: What the film really lacks is a strong and vigorous male lead (such as Han Solo or John Boyega’s Finn in The Force Awakens) to balance more equally with Jyn and supply a sparring partner. None of the men here has real physical or vocal stature, nor any scenes in which they can decisively emerge from the pack in a way that engages audience enthusiasm. Both Luna and Ahmed have proved themselves repeatedly in big-screen and television performances, but their characters never pop here, to the film’s detriment. And given that Jyn is rather less gung-ho and imposing than was Ridley’s Rey, there’s an overall feel of less physical capacity on the part of the main characters. None of this is remotely accurate. Actually, I’d hazard to call it complete and utter bullshit.
Strong Male Leads (Or, Why You Don’t Need Them in Every Goddamn Movie)
The Bourne Identity, 007: Specter, The Fast and Furious, The Dark Knight, Indiana Jones, and Rocky. What do these films have in common? Well, aside from being action films and most of them featuring the name of the main character in the title, all of these films have male leads and, at best, female supporting characters. Is this a problem for these franchises? Not really. A series about Rocky should probably feature Rocky, after all, and it makes sense that the same be true for most of the films I just listed. For the most part, men dominate action franchises, with some notable exceptions That’s been the way of things for decades, and only until recently has that power been properly challenged, with more and more female-led action franchises hitting our screens. It’s a good thing. Some of those new franchises are fan-friggin-tastic. And those other franchises are fantastic, too. We can have both! Which brings me to the latest “men aren’t getting their fair share” argument in film… By now, some of you have seen Todd McCarthy’s review of Rogue One at The Hollywood Reporter. As far as reviews go, it’s a fairly standard piece; read it if you like, but be warned there are some spoilers. Part of the reason McCarthy’s review has garnered a lot of attention, particularly on Twitter, is the following quote:
On Brad Torgersen’s Straw Man Left
If I could have a nickel for every time a Sad/Rabid Puppy used a straw man version of the left to defend unethical behavior, I’d probably be a lot less broke than I already am. Alas, straw man arguments don’t come with free nickels. Instead, they come with a headache.
On Academic Brain and Compartmentalizing
As an academic, it is often very difficult to shut off the faculties I’ve spent the last fourteen years building. Since I spend almost every day of the week analyzing literature, reading or thinking about theoretical/philosophical texts, I generally use my brain in a very particular way. Turning that off is a chore, but a necessary one. In fact, it is often so difficult to turn off that even some of my colleagues have expressed dismay at the inability or unwillingness of other academics to turn those faculties off just long enough to have a “regular conversation.” It’s a problem I’ve seen, too, and it sometimes results in a distancing effect between those who can’t turn it off and those that can. Since I’m so often engaged in everyday sf/f fandom, the exercise of flipping that little academic switch is, in my opinion, crucial. One such exercise occurred last Sunday when I went with a friend to see Ant-Man, the last entry in Marvel Studio’s Phase 2. I thoroughly enjoyed it, and if I can muster the words to say something intelligent about the film, I’ll write a review for Totally Pretentious. Discussing the film on Twitter eventually prompted a brief discussion with David Annandale and John Stevens about the impact of “academic brain” on one’s ability to enjoy a creative product.
On Unofficial Blacklists: Why I Keep a Mental List of Authors I Won’t Read
In April of this year, I posted a list of five reasons I won’t read someone’s work. Whether it’s because you don’t write what I read or you’re a giant turd nozzle on the Internet, there are a variety of reasons for why I skip on someone’s work. By implication, that means I keep a constantly changing list of authors I won’t read — a list I have begun calling my Do Not Read list.
On the SF/F Novel: What Happened to Short Novels?
Later tonight, I’m recording an episode of The Incomparable with Jason Snell, Scott McNulty, Paul Weimer, and Fred Kiesche. We’ll be discussing the Nebula Awards novel finalists, and among the topics I intend to bring up is the fact that I have been bouncing off of novels hard lately.