World in the Satin Bag

World in the Satin Bag

Chapter Twenty Five: Of Waking Memories

(Note:  This is not official version and may be removed in the near future.  This do not reflect what is read in the podcast version, nor any other version you may encounter.  I have preserved the rough form for posterity — or something like that.  This novel has since been rewritten.) James awoke into a world of light so bright that he had to squint just to be able to see anything at all. All around him was a vast nothingness that led nowhere. There were no walls, no ground, and no sky. He wondered for a moment if he were in heaven and if he had died. The pain that he had been expecting wasn’t there and when he brought his hands to his face he could clearly see that no gashes or scars were there. It was as if he were completely untouched, further adding to his fear that he had in fact died and gone to heaven. Then someone appeared as a faded shade of gray. The figure walked leisurely, only fully becoming visible when the two of them were mere feet apart. The face of the man before him smiled warmly beneath a sandy blonde beard that hung at his neckline. Two faded green eyes looked down, further adding to the warmth of the smile. Then a hand extended. James took it and stood. No sensations came to him. No lightheadedness; no pain or weakness. When he looked into the eyes of the man before him, though, sensation came in short waves, exposing warmth and cold, chills and shivers. The man only grinned wider and then spoke softly. “This is a rather bizarre occasion.” James recognized the voice immediately. “Dulien?” Dulien nodded. “You’re not dead by the way. And I can still hear your thoughts, though they are more muffled when they are thoughts within thoughts.” “Thoughts within thoughts?” “Seeing how you are not dead, but you aren’t exactly dreaming either, you are capable of thinking even though your mind is thinking this right now.” “That doesn’t make much sense.” Dulien shook his head. “No, it doesn’t. But not a whole lot about you makes sense.” There was a long pause. Then Dulien continued, “When you return to the real world you’ll be in quite a lot of pain I imagine.” “What happened?” “You lost control.” “But, how did I lose control. Where did all of that energy come from?” “It came from you. Sometimes,” Dulien came forward and knelt down to look at him eye to eye, “magic comes at such speeds and in such quantities that the user cannot comprehend it. It simply tears its way through, just as it happened to you. I suspect that it came from your world. As you said, it is a world without magic, yet magic exists everywhere. With magic forgotten in your world it is no small wonder that it would try to use you as a vessel to escape its confines. Magic is alive in some ways.” “Alive?” “It doesn’t think if that is what you are implying. But it certainly has desires that it must fulfill. Being cooped up is no way for magic to live.” “So, it just tore itself out of me.” James shifted his position. “Yes, unfortunately. This is, to say the least, new and disturbing for me. You should be dead. Magic like that would kill most anyone. I’ve faced powerful magic before…this is something entirely new. Your soul should have been destroyed.” He nodded, remembering how Dulien and defied Luthien so long ago, too long ago. “I’m well known for that, yes, but unfortunately I think people have forgotten that it was I who invented the Fearl. Some more ambitious fellow capitalized on the idea.” It came as a shock to James, and at the same time there was a sense of wonder and fascination. He couldn’t help being slightly overjoyed at knowing that the Fearl he owned was the same one with the imprint of its original inventor. Something about that made him feel lucky, though ‘special’ likely would have been the term used by everyone else. Dulien put a firm hand on his shoulder. “I don’t understand how the magic of your world works, nor do I understand how this magic can simply cross worlds so easily, as if there were no barrier. Magic can’t really do that.” “But it is doing that.” “Yes. Listen, many have tried and many have wasted away their lives trying to find ways to access other magic. The only ones that ever succeeded were those that managed to connect our worlds, but even then they were limited to what the magic of this world was capable of. They could never touch the magic of Earth. You are the only one that I have known to do such a thing. And…” “Let me guess,” he interrupted with a hint of sarcasm, “that makes me special.” Dulien curled his lip in a soft smile. “Exactly.” The light suddenly faded. There was something strange about it all, like it was all a magnificently elaborate and very lucid dream. As the light dissipated, he had the sensation of falling nowhere, and then sleep. James woke up into a world of agonizing pain. He couldn’t pinpoint it to any one place because every single part of his body ached, even where he thought it shouldn’t. He couldn’t open his eyes. Instead, he grunted and groaned and protested to whoever would hear him. Flashes of light flickered in his eyelids, mostly white, but some like little red pixels from an old video game. New bursts of pain ran through him as someone touched his legs. He cried out, but he couldn’t move his mouth much at all, so the sound came as a muffle even to his ears. Then a pair of fingers pried his left eye open and more pain stabbed him. His vision was blurred and he desperately tried to focus in on the face

Book Reviews, World in the Satin Bag

Book Review: Life As We Knew It by Susan Beth Pfeffer

After reading this book I know exactly why it was nominated for an award, however I start to wonder why it didn’t win the award it was nominated for. I haven’t read everything from my list yet, but this novel is fantastic. It is as gripping as it is emotional, as enthralling as it is thoughtful.The story takes place in a tomorrow that very well could exist. It’s a world exactly like our own. Miranda is a sixteen year old High School student and the world is suddenly buzzing with activity because scientists have found out that an asteroid is going to strike the moon. It’s excitement for the research and the amazing opportunities this might present, not fear. But something goes terribly wrong. The asteroid pushed the moon into a closer orbit, throwing of the tides causing mass floods across the world, destroying entire cities. The sudden change of gravity ignites active volcanoes like never before, reignites dormant volcanoes, and opens up entirely new ones. Earthquakes and storms strike the Earth everywhere. Miranda and her family–her Mother and two brothers Jon and Matt–must fight to survive and hang on to what little hope they have of living through the worst catastrophe in human history.The novel is told in diary entries, as if Miranda were a real person, and this were a real event. It adds delicate reality to the already realistic world Pfeffer has created. Miranda narrates the events as they take place–the cold, the snow, the ash, and the deaths and chaos. Despair seems to creep in everywhere. You get a clear picture immediately of just how terrifying this experience must be and then an idea of just how strong a family relationship must be to allow them to survive.It’s a rich tale, very rich, and one that I am so happy to have read. It’s not even really SF. It very well could be a reality. Tomorrow this could happen to our world. Who knows. There isn’t some grand scale of technology here. It’s reality in a fictional sense. This is a must read novel of suspense, danger, and the power of hope. Pick it up. You won’t be disappointed!

World in the Satin Bag

Writing Factoid #3

Nobody asked me a question this time, though I wish people would since I know someone is reading this blog, but I figure I could put something entirely random here that won’t have any influence on the story. How To Count in the Ancient Language of TraeaThis is very similar to how Spanish is put together. So you have the first 10 numbers here.Na – OneTwa – TwoTre – ThreeFirth – FourFith – FiveFesh – SixEsen – SevenEct – EightNoc – NineNas – Ten Now, after Nas, it goes Nas’na, Nas’twa, Nas’tre, Nas’fir, Nas’fi, Nas’fe, Nas’en, Nas’ec, Nas’oc, and then Twas (for Twenty). It repeats the same after the ‘ for each ten. From then it goes to Tres (Thirty), Firs (Forty), Fis (Fifty), Fes (Sixty), Ese (like ‘essay’ for Seventy), Ectes (Eighty), Nos (Ninety), and finally Nan (One Hundred).From One Hundred on it is a different story, but now you can all count in the ancient language. Congrats. For those that actually look at the map you might notice some new things now.

Book Reviews, World in the Satin Bag

Book Review: Living Next Door to the God of Love by Justina Robson

Note: From this point on in the book reviews I’m going to be reading short stories between books from various anthologies that I have. So, occasionally a post will pop up with a short story review on it, and then that same post will reappear with a new story added, until I finish that particular anthology and do a overall review for it. Now to the review of this particular book.This was one of the hardest books for me to get into. The opening is so utterly bizarre that I hadn’t a clue what was really going on until around page 200–about halfway into the book. The story is basically as follows:Francine is a young teenager who has run away from her world to another world. She’s running away from her life where love has failed her, hoping that she might find love elsewhere. It’s there in Sankhara that she meets Jalaeka who turns out to be a splinter of the god-like entity called the Unity. But Unity wants Jalaeka back and is willing to do just about anything, even destroying entire sidebars (alternate worlds), to get what it wants. I really did like the concept for this. The sidebars/worlds are all these fantastic places where fantasies and dreams are realities. Some places are like breeding grounds for super heroes and villians; others have elves and other mystical creatures. All these worlds completely unique to each other.The problem with the novel isn’t this concept, but with the way that Robson presents everything. The beginning is a blob of information and world building that doesn’t make hardly any sense at all. I got lost so many times trying to figure out who the heck is who and why the hell these characters that are supposedly human are acting so, well, inhuman. I’m still baffled by that myself. Is there something about Jalaeka that makes people suddenly in love with him? I’m sort of lost there. Part of the issue is the overwhelming amount of character viewpoints. At first I was used to the simple three–Jalaeka, Francine, and Greg–but then Robson adds in Valkyrie, Theo, and Rita too, later on in the novel. This is all just too much. I can’t keep concentrated on the concepts that are very deep and already difficult to grasp when I’m forced to jump around character to character.In all honesty the novel only started getting interesting to me by around page 200, and it had me somewhat hooked for about 100 pages, but Robson managed to kill it again for me by going off on random almost useless tangents about past lives or some such that actually have so little to do with the story at hand. Unity is freaking out trying to get Jalaeka, trying to destroy his friends to get to him, etc. and then Jalaeka is trying to fix his friends because Unity has translated Greg (meaning assimilated basically) and the only thing that can fix it is the Engine. Then fooling with the Engine screws everything up and the entire world of Sankhara starts going down the tubes, and right in the middle of all this we are graced with a flashback session. Why? There is no reason for it. I don’t care about Jalaeka’s past at this point, some 300+ pages into the novel, because quite frankly there are far bigger things going on–namely the destruction of an entire world!In the end the novel leaves so many questions unanswered and the sense of persistent confusion at what exactly happened and why. While her writing style is rather poetic in nature, it doesn’t do anything to soften the blow that is this novel. It’s a tough read. There’s nothing exactly easy about this. I found myself wanting it to end already so I could move on. Several times I wanted to put it down and stop reading. I wish this had been written far differently with more believable characters and a plot that centered around the central theme rather than running off in random directions. As such, this isn’t exactly the great novel it’s being toted as by NY Times and the Guardian.

World in the Satin Bag

Chapter Twenty Four: Of Night and Dark Dealings

(Note:  This is not official version and may be removed in the near future.  This do not reflect what is read in the podcast version, nor any other version you may encounter.  I have preserved the rough form for posterity — or something like that.  This novel has since been rewritten.) James heard the sounds before he looked. They were close and he imagined that he could actually feel the breath of wicked monsters along the nape of his neck. Powerful howls forced him to close off his ear canals. He’d heard them in the distance moments before, but now they were immediately behind. There were screeches unlike the Nu’thri, like children screaming at that unnaturally high pitch, inhuman. Then there was the sound of the Nu’thri, screeching in protest somewhere farther behind. Then he looked, chancing that brief moment when the trek ahead seemed without obstacles. His heart leapt into his throat, his stomach too, and he gulped frantically to push them down. The beats of his heart became wild with fear and terror. His skin crawled with goose bumps and every hair on his body, except the ones on his head that were far too heavy to move, stood up at attention, while his pupils became narrow like lifeless circles embedded in his skull. The creatures that followed were far removed from being human, yet at the same time they bore disturbingly human characteristics. The three beasts in the lead of the pack were wolves, but not ordinary wolves. They were larger than any man James had ever seen with obvious muscles flexing and rippling down their flanks. They ran on all fours, but hobbled on their two front legs as if they could run on both two and four legs. Long snouts, enshrouded with thick, oily, silver fur met with jaws filled with sharp yellow teeth, monstrous in every way. Spittle dribbled from their lips and their eyes were unnaturally blue as if they were dead. The fur ran all the way down their flanks to stretched, bushy tails; claws dug deep into the earth with each movement and their snarls filtered through the air of other sounds. James knew immediately that these were werewolves. The landscape rushed by as he rode, the soft ashen earth bursting alive at each hoof beat. Iliad led him one way, and then another, winding around small fires that thrust new ash and black smoke into the air, flames lost in the dark and only noticeable by the sounds and the continuing motion of new burned material. The air became suddenly warmer as Iliad led on. When James took in his surroundings again he saw massive fires burning everywhere—a hot spot. The flames were visible and rose up into the sky like hungry fingers. The sounds were deafening, so much so that he could hardly hear the sound of his own steed plowing along. Howls came again from the rear. He peered once more, saw the beasts, and turned back. Fear engulfed him. They were going to catch up, there was no doubt in his mind. The steeds were fast, but not fast enough. Mirdur’eth turned sharp right, following Iliad, and then sharp left, and back again. They wound around a huge flame, the heat causing a sudden tinge of pain on James’ face. He leaned away and then they were away from it. Then all stopped. On both sides of them were flames and molten ash festering in tiny pools. Ahead the flat ground abruptly gave way to a tall cliff face too steep and high for anyone to climb. The cliff was obsidian all the way up, dark and shimmering with the light from the fires. James turned Mirdur’eth, catching Iliad’s eye and seeing the panic in the man’s face. He saw Pea and Darl too—sweat trickling down to their chins—and Triska with her soft, motherly complexion turned into a dirty and stern parody of her former self. He knew instantly that they were trapped, even as he turned and beckoned Mirdur’eth to gallop in the opposite direction. The werewolves were there first, waltzing out of the shadows and black plumes with wicked grins upon their faces, if such a thing were possible. Heads low, mouths frothing with anticipation, they ambled forward and covered the only escape route, spreading out across the small expanse of open space. Their eyes gleamed with the flickers of orange flame, turning their unnaturally blue eyes into sinister moons reddened by the path of the sun. Each were entirely the same, no distinguishing marks whatsoever. Yet it was the one in the middle that seemed to lead as it took a few steps and let out a mighty howl, leaning its head back as it did so. A moment later and the other two followed suit. “Dismount,” Darl said. “Why?” Iliad clung to the reigns as if they were his only hope of survival. “Werewolves have no regard for other living things. They’ll kill the horses and Blaersteeds without thinking twice. A meal is a meal to them.” Iliad seemed to concede, moving his gaze from Darl to James, and then to the three werewolves, now pacing back and forth as if contemplating the best action to take next. “At least we have magic on our side,” James said with a fake grin, then hopped off of Mirdur’eth. “Not really,” Pea said, dismounting. “Werewolves are resistant.” “And cunning.” Darl drew James’ sword for him, handing the hilt over. “A scratch can be healed, but if any of you are bitten after this is over I will not hesitate to kill you.” Pea grimaced. “I thought you would say something of that nature. The feeling is all too mutual my grumpy friend.” James lifted his blade, feeling the weight. It felt no different in his hands than it had days ago, yet doubt in his abilities appeared in his mind and stuck. The corrupted Masters were easy, he thought. They had no physical weapons,

World in the Satin Bag

Why “I” Would Sell Out Like Paolini

Apparently the community of Eragon haters is increasing throughout various avenues of the literary world. I’m sure many of you have already noticed this, and many have jumped on the wagon. Some of you are like me where you just don’t care what the rest of the world thinks because you take it as a personal attack on your integrity when people question your ability to like or dislike a book. There are still others that truly battle to the end with people who have apparently spent the ridiculous amount of time to analyze a book that they apparently hate with a passion–a group of folks that continue to baffle me. I’m not a fan of the LOTR books, but I certainly have not taken it upon myself to analyze the living crap out of the novels just to simply get my point across that I don’t like the books. It’s a personal opinion, nothing more. Generally speaking I consider myself a critic, and like all critics, I have a select cast of people who like books like me. I offer an avenue to perhaps find new books that fit into the mold for such people to peruse, since most of us are not magically connected to the hip of big SF/F publishers and don’t have the option of getting advanced reading copies of all the latest releases.Having rambled sufficiently enough now, I’ll get to my point. This all came up on TeenageWriters during a very similar Eragon bash fest as I have seen in various other avenues all over the Internet. Granted, it is not nearly as thorough or hateful as the anti-Eragon websites where people that apparently have nothing better to do with their lives sit down and read the book cover to cover, over and over again, and then resort to actually digging up statistics from ancient times to apply them scientifically to a universe that can’t exist in the real world in the first place. If you can’t see that as insanely absurd, then you probably shouldn’t read further.Now, one of the things that came up was a discussion of Paolini’s success and the overall impression I get is that he basically sold out to the market or some such. It involved plenty of hate for the cliches and such.I’m here to say that I would gladly sell out in much the same manner if it means that I’m going to be read and admired by fans across the world. If selling out means I get a best selling novel, or two, or three, or hell twenty, and have a following of devoted fans who, while very much as absurd as the haters, spend their lives analyzing and learning every little niche of my world, then by all means I would gladly sell out. If selling out means I get to sell 8 million books and get a magnificent opportunity to see my work put on the big screen, then you better believe I would jump on that opportunity. My dream is to be a published writer and someone who can make a living as a writer. But if selling out means I get to write something I enjoy, that others enjoy, and makes me successful, then I am more than willing to do that.And for the record, this is not directed at any individual, but something that has been swimming around in my head ever since I saw that anti-eragon site on the net. I’ve been thinking of writing this rant for some time now, and the TW thread pretty much gave me the spark to do it. A further note, I doubt any of the members on TW actually did the extensive reading as the anti-eragon sites have, but likely took much of their information from such avenues. I don’t believe anyone at TW would waste that kind of time because I get the impression that most of them have adequate lives and can leave a book they dislike well enough alone in the end.Okay, now that is all.

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