World in the Satin Bag

World in the Satin Bag

Movie Review: Harry Potter and the Order of the Pheonix

Initial Thoughts: I was enthralled and disappointed in the film. On the one hand I think they did a good job bringing together many of the important aspects of the book. They managed to capture Umbridge very well. Staunton is absolutely perfect as Umbridge. In fact, I can’t imagine anyone else playing her. She made me hate her as much as I hated the character in the book (that’s a good thing mind you). She captured the twisted evil that is the Ministry of Magic. As a movie I can see this as being a fantastic film. The pace is very tuned and once again there is a fantastic cast. While the direction is surely not perfect, as a film it is rather good. As an adaptation, however, it is terrible. That’s to be expected though, and if you are fooling yourself into thinking that Hollywood might one day do a really great book-to-film adaptation you should probably seek help. Hollywood has yet to accurately portray a book on the big screen, so it’s no surprise at all that this would turn out to leave behind extremely important aspects from the book. Now for what I usually do in regards to films–grading. This is done as follows. There is potential for 5 points in each category: direction, cast, score, adaptation, writing, and visuals (CG, etc.). Here goes. Direction 3/5As I mentioned, the direction is not perfect. This is very evident in various scenes where a good use of direction could have made things more convincing. One scene is where Fudge proclaims “he’s back”. To the audience that’s like a big “well duh…” moment. This is partly a writing flaw, for writing that line in the first place, and a directional flaw. The director should have seriously looked at that scene. Fudge should just have looked surprised, maybe collapsed. There is plenty of liberty that could have been taken with that scene.Generally speaking things seem fairly smooth in direction. It’s not nearly as good as Columbus–back in the good times for the series–but it will suffice for the next film. Hopefully for book seven they bring back Columbus and Williams though. While good, it’s far from what it could be. Being smooth isn’t enough–the wow factor gets that 4th star, and the super wow factor gets the 5 (thanks Peter Jackson for making me realize this). Cast 5/5There is no doubt in my mind that the producers of this series were right in their choices for the different cast members. We all know full well the ability of the actors that were picked to play the main characters, and they are well noted for their rolls. Stuanton, who plays Umbridge, is the perfect person for the position, as I mentioned. While I am upset by the change in Dumbledore’s due to Harris’ death, I can say that at least this new Dumbledore stays consistent. Actors for Lupin, Mad-eye, Tonks, and many many more continue to prove that they are perfect for the roll. This is solid, folks, perfectly solid. There is little room for failure in the casting. They did a great job and it continues to show. Score 1/5 This is where I think the film takes a huge fall into no-man’s land. Yes, there was yet another change in film composers, and this time it is so glaringly noticeable in the score that I almost wanted to scream out loud. John Williams, the guy we’ve all heard of, started this all off by creating truly original and memorable music for the first three films, and he left behind that legacy for Patrick Doyle in the fourth film. Now, with this new composer (Nicholas Hooper) who has taken the foundations left to him and completely destroyed them. We get minor glimpses of Williams’ foundations, but I am mostly disturbed by the almost complete absence of the main theme! How can you possibly leave behind the power and useability of that memorable theme? And how does giving us a little moment of it in the beginning of the film enough of a tribute? It’s not. The score is dismal, not because it isn’t original and interesting, but because it has almost nothing to do with the feel of Harry Potter. It sounds, ironically enough seeing how Hooper is British, like a score written for a Nicholas Cage action movie–like National Treasure. It’s so American sounding that it made me cringe in the theaters (both times mind you). Electric guitar does not belong in Harry Potter, not by any stretch.To add to that, there is this complete lack of understanding of space and silence. Several moments in the score when things seem dire or quiet, or for some reason some sort of low emotion needs to be presented, there is almost nothing interesting going on in the music, just low, inaudible tones without substance. This is unacceptable.I hope they bring back Williams soon. The soundtracks are degrading at an alarming rate now. Adaptation 2/5 Now, I mentioned it already that one should not expect greatness from a Hollywood adaptation. This is still the case here. While the story is still strong, it’s not the full story. So much is left behind so there can be this bare bones plot to cling to. A simple half hour of additional footage could have added depth to the world–further depth really. I’m not going to go into this part much more simply because those that are loyal to the books know exactly what has been left out here. It’s usual to leave stuff out and all of us should understand this, but when half of the story is gone that’s a whole different issue. Writing 3/5 Now, generally speaking the writing wasn’t all that bad. The lines were good enough, but every so often there would be moments where you really just thought it was corny or annoying. One of the scenes I thought hurt the story was the one where Dumbledore explains himself

Book Reviews, World in the Satin Bag

Book Review: Harry Potter and the Deathly Hallows by J. K. Rowling

I’m not one of those folks that waited in line at night for the last 5 books to come out. I’m also not one of those that started out in the beginning, or latched on to the popularity as the movies came flying onto the big screen. Ironically enough, it wasn’t the story that drove me to Harry Potter originally, nor anything to do with Pottermania or the first film. It all started at Barnes & Noble, many years ago now. The first Harry Potter movie was coming out in theaters and my sister was a fanatic. I wasn’t much into the books, and didn’t really care. In fact, I think I was rather adamant about how ‘stupid and ridiculous’ they were. Then I saw something in B&N: the soundtrack to HP composed by none other than John Williams. I about took a dive at the counter because, well, I love John Williams. He is, by far, one of the greatest modern composers of our day, and possibly of all time. So I bought the soundtrack, on impulse, knowing full well that it was going to be completely amazing, as all his work is. And, it was, as I had hoped. In fact, it was better than completely amazing. His compositions were spawning a new foundation of greatness for Williams. I thought to myself, I have to see this stuff in action. I went with my Sister, Aunt, and Grandpa–who had actually been reading the books before Pottermania even started. And I was stunned! It was an amazing film and story!Then started my ascent into greatness. I picked up the book soon after and I was hooked. I read the first three one after another and waited anxiously for my sister to finish off the fourth. I read that and then the fifth and sixth as they came out. I saw all the movies too and became one of those that said, “They’re alright, but not as good as the book”, which is entirely true. Then I pre-ordered the seventh, anticipating desperately to read it, praying and hoping that it would be a great end to a great series.And, it is!To say that J. K. Rowling has managed to captivate the minds of children almost everywhere would be like saying the Bible has influenced people. She has managed to pull together this fantastic final volume to the HP sequence with flare and amazing tenacity.The story takes off some short time after book six, towards the end of the summer before what would be Harry’s seventh year at Hogwarts. But he, Ron, and Hermoine are not going back, as we already know. However, things are heating up. Voldemort and asserting his power, using the Imperius Curse and various other manipulations to control people within the Ministry. His army of Death Eaters is growing by the day and Harry must get to safety before the Fidelius Charm on his house fails and Voldemort can attack him.Then, it’s to the plan: hunting down the remaining Horcruxes, wherever they may be.I’m not willing to spoil this novel for those that have not read it, because that would be rude and mean. But that’s the basic plan. Voldemort is taking over; Harry has a mission.The story starts off quick, diving right into the action, giving you a perfect view of things going on. We meet again with familiar faces, and then there is death.Rowling is really pulling your heartstrings here. Granted, it’s not like Dumbledore being killed, which literally tore my heart in two and nearly left me in sobbing fits, but she is doing her best to show you just how dark and horrible Harry’s world is becoming. Of course, we all know how evil Voldemort is, having read the earlier books. Right? If you haven’t read them, do so, or else I might be forced to use the Cruciatus Curse on you. CRUCIO!Now, this novel is huge, clocking in at just a mere 759 pages. And there is plenty of fantastic stuff going around. You get a true sense of just how dire Harry’s situation is becoming, and how close he is to not only losing everything, and just how far away and hard it will be to succeed on his mission.This is a tantalizing end to the series. While I have to admit I was left with so many questions, I find that many of them don’t really matter, because the most important questions have been answered: Is Snape really bad? Is Dumbledore really dead? How will Harry beat Voldemort, and can he? I was curious to know what happened to the Dursley’s or Hermoine’s parents, but not enough to ignore just has gripping the story was. This is Rowling pulling together a decades worth of writing and you get the impression that there could be more. I hope there is more. I really do. She leaves it in a position where she could very well write more novels, perhaps not from the perspective of Harry, but perhaps another character.If you are weary of this last volume, don’t be. It will really pull some twists on you. You’ll be surprised by many things, I assure you.And, so, as things come to a close, I find myself suddenly saddened. The novel was fantastic, amazing on so many levels, but I find that now I have nothing to look forward to. Will there ever be a series that could capture the worlds’ attention in such a manner as this? Will there be a novel that people line up at bookstores for hours before release? I don’t know. I pray there will be. This is the end to one of the greatest literary achievements of all time. May the literary world take this moment to shine.

World in the Satin Bag

Chapter Twenty Three: Of Shadowy Lands

(Note:  This is not official version and may be removed in the near future.  This do not reflect what is read in the podcast version, nor any other version you may encounter.  I have preserved the rough form for posterity — or something like that.  This novel has since been rewritten.) When James woke he knew immediately that he was not truly awake, but in a dream. He was in a large room, surrounded on all sides by a circular wall of stone bricks. There was no door and the ceiling flickered in and out of transparency, exposing a night sky peppered with blazing red stars. He wasn’t alone in the room, for Luthien sat on a stool on the opposite end, legs propped up on a shiny oak table. A long, wicked grin was across his face and his milky white left eye stared off into nowhere while his right eye remained fixed on James. James shivered, took a step back and found himself against the wall. He had no way of knowing if the dream was simply just a dream, or something more. He wondered, in that brief moment, if he could possibly have some sort of connection with Luthien, allowing this dream to occur. Luthien stood. He was gargantuan, or so James thought for a moment as the black iron clad man’s shadow crossed the room. Tiny wind, like little hands, flew into the room, blew around, and left. Luthien was fully upright. Black gauntlets covered his arms, a pitch dark cape drifted behind him, pushed along by the new gusts of wind, and his shoulders were broad and dressed in sheets of metal. The armor range as it shifted. It seemed light on Luthien, despite its heavy appearance. Then Luthien stepped forward, his metallic boots making a loud, echoing clang on the stone floor. His armor rustled as he walked, creating a clattering sound across the room like a dull wind chime, eerie and altogether vagarious. Luthien held his hand out and James recoiled against the wall again. Voices came at James now, from all directions. Some of them were vaguely familiar, like the voices that seemed to have attacked him when he tried to slip away into paralysis at the wrong time. They whispered sharply at him and amongst themselves. Luthien came closer and at each step he pushed back against the wall. Fear took over every motion. He saw the dark hand of Luthien coming, the twisted milky eye staring into him and away from him at the same time. It was a horrid thing to look into. The pupil seemed to float in the white bubble that was the eye and ripples seemed to pass over the surface. Then something struck James. It wasn’t Luthien, but whatever it was he became suddenly aware of the nothingness above becoming light. Another strike… James bolted awake. He looked up into the early morning light, however dim in the shadow. The stern face of Darl looked down at him. He refocused his vision, looking Darl clean in the face. “What did you dream?” Darl said angrily. “Wha…” was the only thing he could manage to get out. He was still in limbo between the sleeping and waking worlds. His speech slurred. Darl repeated with more strength and a jerk. “What did you dream?” “Luthien,” he said, “again.” “It’s your connection to the Eye. He’s searching your future.” “Searching my future?” “Yes. That’s where the nightmares are coming from.” Then Darl stood up. Pea appeared a moment later, holding a pouch of water up reassuringly. James took it, drank, and handed it back. “They’re not nearly as bad as they could be. Luthien is, well, rather well trained. The use of his Eye could do a lot more harm to your mind.” James blinked as Pea tapped him gently on the forehead. “In any case, try to block him out. Remember, it’s a dream.” He nodded a slow, agreeing nod. “How accurate can he be with the predictions?” Pea sighed. “They say that he is never wrong. But what they say may not be reality.” “They being people?” A nod. “Luthien wouldn’t want to let anyone know if he had weaknesses.” “Right, so logically he wouldn’t let on that his ability to predict the future is flawed in any way. I don’t think he can see everything. That’s far too much power for any one man to take without going absolutely crazy. Then again, Luthien isn’t exactly sane.” “No, he’s not.” He took in a deep breath and brush away the last bits of sleep. “Where did he get this power?” “If I knew that I think this war would have been avoided.” James thought about that. It made sense. If someone else could get the ability to see the future too it could very well negate anything that Luthien was doing; the two powers would cancel each other out. But nobody else had that ability, as far as he knew and as far as anyone else knew in Traea. Luthien would continue controlling lands that once belonged to others—the kingdoms assimilated into Angtholand and forgotten and those still standing and being taken—so long as he could predict and adapt to what the future told. “He can see the future for anyone?” James cocked his head sheepishly. “Well, that’s entirely based on the minds of a collective mass of peoples of various ethnic and racial backgrounds. Needless to say, such information is just as fallible as the theory that pixies aren’t intelligent enough to be considered people.” “But that’s…” “Absurd. I know. I’ve met enough pixies in my travels to know that they can think just like the rest of us. They just put off an air of inferiority to trap unsuspecting idiots into their traps.” “And you’ve never been caught?” “Well, sort of, actually, not exactly…” He giggled and put his hand over his mouth. He had meant to say something entirely different than ‘absurd’,

World in the Satin Bag

Chapter Twenty Two: Of Reason Lost, War Rising

(Note:  This is not official version and may be removed in the near future.  This do not reflect what is read in the podcast version, nor any other version you may encounter.  I have preserved the rough form for posterity — or something like that.  This novel has since been rewritten.) They rode for hours before coming to the bridge crossing over the Nor’kal River. The deep blue of clean water rushed by at surprising speeds, allowing little place for rocks or anything else to settle. Only a few enormous rocks that acted as supports for the bridge made homes in the speedy waters. The wooden planks were purposefully woven in such a fashion to provide strong support for anything and everything that might want to cross. The bridge could support wagons, if needed, and James gathered from the markings in the wood that it was a well used path at one time. They crossed easily, the wood only creaking a few times in protest as the horse and Blaersteed hooves crossed, clanking and clinking along. Soon they were beyond the bridge riding through patches of forest, bushes, and tall grasses. A road quickly presented itself. It showed signs of lack of use—branches and bushes hanging over the sides and a lack of fresh tracks from people, animals, or vehicles—and it was here that James saw the distant Fire Rim. It was a wall of smoke and ash, gray as the thick fog of the coast in the morning, gray as the night underneath thick rain clouds. There were great plumes of fire and black smoke that dotted the landscape there, ancient fires that had burned for centuries and would continue to burn for as long as the magical barrier held the flames at bay. He wondered just how it was possible that the fire could rage on for so long. Eventually the fires would lose their fuel as everything burned to bits. But, somehow the fires continued on as if fed by magic or something worse. It suddenly occurred to him that he knew next to nothing about the Fire Rim, only the nature of its existence. It was a dangerous place, but he had no idea what dangers they would face. Will there be terrible monsters there, he thought. As much as he hoped otherwise, he knew that something dark and mysterious had to live there. It was a frightening place that would make a wonderful home for the frightening beasts he had already seen in his travels. And, underneath all these thoughts and concerns were further thoughts, deep and untouchable. He feared for Laura. It would take them close to a month to get to Teirlin’pur. The distance was too great for even the Blaersteeds to ride continuously. They would have to stop and rest as soon as they reached the edge of the Fire Rim. He was weary of the journey ahead. With so much ground to cover and with Luthien nipping at their heels it seemed inconceivable. He wondered if more assassins would be sent their way, or if they would encounter them on the trail. They had been lucky at the Summering Rocks. Too lucky. He dreaded facing more assassins who could wield the Shadow Horses. Iliad had caught them completely off guard, and even James had surprised them with the fist of water, but James knew that they wouldn’t have that luck again. Word would have traveled, somehow. Luthien would know that he wasn’t a simple boy anymore, that he could use magic with force. Luthien would know that he couldn’t be taken without a fight. They crossed the bushy terrain easily; the horses and Blaersteeds made no sound along the way. North were the beginning formations of the Nor Marshlands—dark terrain, pools, swamps, and a faint smell of decay. The wind traveled southward strong enough to bring the scent with it. James didn’t pinch his nose or cringe; the smell didn’t bother him enough, but he got an idea of the type of terrain there. There was a swamp in Woodton. The town called it Burly’s Bog, but he had always known it as the Collective of Useless Waste because people used it like a dump. The water had come there due to some sort of irrigation disaster, something to do with an accidental divergence of the Stillwater River that let some of the water flow elsewhere. The excess water flowed into a slight dip in the earth where it created Burly’s Bog, much to the chagrin of one Alfred Burly who, at the tender age of eighty, demanded that the city pay for the damages to his backyard. The city asked him to move at their expense and he strictly refused, deciding rather to remain in his ramshackle home to torment anybody who happened to come by to have a look at the new ecosystem. Ironically enough that same ecosystem was made into a germ factory in a matter of days. No frogs made homes there and the mosquitoes were too afraid, or smart—James guessed the former. The journey dragged on. Occasional conversations broke out. Discussions of random things like who would cook on the first night or who would tie the horses when they stopped. There was a general silence about anything of vast importance in the group. James could feel it and it made him glad. He didn’t feel like addressing anything that might prove difficult. He had enough on his mind as it was. They were leaving familiarity and entering a land full of people that had no apparent distaste for what Luthien was doing; they were traveling through a dead zone and they were doing it all under the radar of Luthien and his men. After a time, as the light faded beyond the horizon and the landscape became thickly dark, Iliad halted the group and dismounted. He set quickly to putting up a fire and the rest dismounted and began to unpack for the night.

Book Reviews, World in the Satin Bag

Book Review: Carnival by Elizabeth Bear

This was a rather interesting novel that dealt with some very engaging issues that are present in the world of today. It is a tale of lovers, a tale of colonized worlds, and a tale of betrayal and prejudice. For that, it is gripping and able to hold my attention throughout.The story takes place some time into the future after mankind has colonized other worlds in the galaxy, most of which are controlled by people known as the Governors, who seem to be a supreme logic over the common governments of the colony worlds. Michaelangelo and Vincent are two members of the Coalition military, and they are gay lovers. But in the Coalition this is shunned and forbidden. The Coalition is your typical domineering male society where anything out of the ordinary is considered taboo. But due to an inability to negotiate with the colony world New Amazonia–a place where women have become the dominant class and men are essentially slaves treated much like animals–the Coalition reunites these two men simply because they are ‘gentle’ and not like their women oppressing government. What takes place are twists and turns, people deceiving one another for the sake of political ideologies, and a slow push towards revolution.The story is fascinating, I’ll give it that. It is not nearly as powerful as some novels I have read, but it managed to keep me interested, and that’s the most important part. It’s not entirely perfect, but well worth the read. I thought the characters acted rather well, especially under different circumstances, and the overall theme around homosexuality was an interesting one. Not only are women oppressed in one society, and men oppressed in another, but homosexuals seem to have completely similar values to the Coalition and New Amazonia. The Coalition shuns them, but at the same time turns to them when they are in need some those who might be able to think more objectively; New Amazonia shuns them less directly, instead offering ‘gentle’ males the opportunity to become ambassadors, rather than slaves.Worth picking up for sure!

World in the Satin Bag

Sad Notice :(

I feel really crappy right now, but I just realized I won’t have computer access for practically all of next week. That means that the chapter for WISB I have been working on won’t be up until the following week.But, never fear. Why? Because I’ll make all of you expecting the chapter a promise: I will give you one hell of a double feature the following week. Thanks for the support everyone!

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