World in the Satin Bag

Book Reviews, World in the Satin Bag

Reviews and Decisions

Well, it seems that I’ve come to a different conclusion over the possible creation of an overall map for the world of Traea–of course including Angtholand, the Farthland, and the other two major countries and their prospective landmasses. I was looking around quite a bit online, mostly at other maps from series I’ve either read, heard about, or simply have yet to read, and concluded that while a map may come in handy for readers, it’s also a terrible issue for me as a writer. The story is not finished, so I don’t honestly know where all the landmasses are–only the ones I’ve written about or intend to write about–and to draw up a map of things that have yet been placed in the story itself–whether in my mind or in the plot–would put a terrible restriction on my ability to change things. I can’t draw up a map for all my readers to see, and then simply change it within the story or the map itself and expect readers to remain. So, what I have decided to do is wait. Whatever part of Traea James and his friends happen to wander will be noted and put into a map whenever I happen to finish this book–which may put a conclusion to the entirety of the story, or may just place me into a position to continue writing more on these characters. After I’ve finished the book I can at least draw up a map of the ‘known’ locations and landmasses according to what has been written. That way there is no concern over changing things, since they have already been sealed in stone within the writing. And on to other things… I just finished reading Eldest by Christopher Paolini and have to say that I very much enjoyed it. I’d already become a fan of the first book, Eragon, and this being the second in the trilogy I was pleasantly surprised by it. My biggest complaint is that much of the book could have been edited out for sake of space, or for the sake of adding more riveting elements to the other storylines. However, this is a great work, I must say, and must give the young lad a bit of credit for his excellent grasp of language and emotion.The book is, as most fantasy stories are, very much ‘derivative’, but then, so is most everything you will ever read within this genre. This is something that many complain about in reference to his writing, and I find that to be rather deplorable. First off, there are few, if any, great works of fantasy that do not acquire their elements from things previously written or discussed, or that have previously happened in the past. That’s impossible. I’m sorry if you think that everything within the fantasy genre is capable of being purely original, because nothing is original anymore. You might have a few elements nobody has ever done before, but you are following a heroic archetype that has been used by thousands if not millions of people before you. So, right from the start you are already sitting in that derivative bin. Even my own work can be called derivative, something of which I don’t much like. If you look at it, I’ve drawn up elements from all sorts of stories already told, taken some things from English mythology and folklore, and of course fallen into some already used heroic archetypes, which cannot be helped mind you. Tolkien’s work is derivative, drawing many elements from heroic poems and mythologies that he had read throughout his school experience and after. So for anyone to say that something is derivative should probably take a step back and realize that everything is derivative. Even regular fiction…or literature.Now, as for Eldest. There’s much to be said about this. First, Paolini has put Eragon into some terrible positions within this book and by the end of it you start to think about whether or not Eragon and those that follow him have much of a chance against the Empire. That is an incredible thing to do when you’ve gone throughout the book thinking he might stand a chance to realizing he hasn’t the ability as of yet to do much of anything against Galbatorix or his minions. I was drawn very closely into Roran’s story and found that to be one of the most riveting parts of this second installment since much of the work with Eragon is rather dull. You start to actually want to learn more about what Roran is doing–and Paolini does a great job doing that for you.So I have to say that if you liked the first book, give this one a go. It is more than worth the time and effort!

World in the Satin Bag

Chapter Eight: Swords and Things

(Note:  This is not official version and may be removed in the near future.  This do not reflect what is read in the podcast version, nor any other version you may encounter.  I have preserved the rough form for posterity — or something like that.  This novel has since been rewritten.) As soon as he had finished his meal James slipped out of the keep and searched for Darl. He found the old man swinging a battered wood sword near the eastern wall. A soldier, who should have been walking the walls on lookout, seemed fixed on the activity. James found the situation laughable, after all Darl looked no more fit to swing a sword in battle than he. In a wide circle where Darl stood were a series of evenly spaced torches laid out specifically for the lesson. When he approached, Darl tossed another wooden sword up at him. He grabbed at it out of instinct, managed to knock the hilt clumsily with the back of his hand, and groaned as the flat end of the blade smacked him on the crown of his head. His Fearl quivered, but to his dismay did nothing more. A feeling appeared deep in his mind and he tried to decipher it. I’m on my own here, he thought. “Expect more where that came from boy,” Darl said. He glared and picked up the blade. It was long with enough room on the handle for two hands, and when he lifted it he found it to be far heavier than expected. “First things first. Stances. There are five basic stances. Do as I do.” First Darl raised his sword so it ran parallel with the ground—left arm at the end of the hilt and right arm at the front, right foot straight back and body facing towards the blade. This he called the ox and James mimicked it as best he could. Then Darl showed him the plow—the hilt near the waste and the blade pointing at an angle upwards—the fool—the blade pointed towards the ground from the waste—and then the roof—the blade pointing back at an angle away from the shoulder. The final position Darl called the near guard, holding the hilt to the side so that the blade ran back behind him towards the ground. He attempted to mimic them all. “Pathetic, but good.” “How could it be pathetic and good at the same time?” “It’s pathetic because you have no concept of what you are doing, and it’s good because you’re at least attempting to do something you are completely incapable of doing properly. Now, again.” James repeated the five stances and again Darl insulted him. As frustration built up inside of him he pushed himself harder and harder to get the stances correct. The motions seemed to get easier, only after a while the muscles in his arms began to protest. At first he ignored it. Then the pain forced him to groan and he dropped his arms from the ox stance. “A few minutes of hard work and you fall apart. That’s wonderful.” “Get off my back Darl!” he snapped. Darl grinned wide. “You think that Luthien’s men will just get off of your back when you cannot defend yourself? Do you think his assassins will give you time to rest before killing you? No, my boy, there are no breaks in the real world. And to think you intend to use magic. Magic will suck you out from the inside. Imagine that. Now you feel physical pain, but what if your insides felt like they were boiling? Perhaps you enjoy the sensation of your brain cracking down the middle?” Darl jammed his blade into the earth and let it stand. “I get it.” James lifted the sword and started again. He tried to let his mind wander, to avoid thinking about the aches in his muscles as he continued to push them beyond their limits. He hadn’t thought about what magic could do to him. Every time he had used it, there had been side effects. Mostly blurriness in his vision, but that had been on relatively simple spells. What if I have to kill someone? What pains would I feel then? Would I even survive? He came to realize the limitations of magic, above and beyond what he had learned in the book. Magic could kill me. After what seemed like hours, Darl stopped him and let him rest. He dropped like a rock to the ground and panted heavily. His arms burned like fire and he dared not touch them for fear of making it worse. A soft sigh of relief escaped his lips. How long must I stay here before I can save Laura? How much can I possibly learn in that time? It had occurred to him that he might be in the Farthland for many months. It would take twenty days to reach Teirlin’pur, assuming he could acquire a horse and ride from dawn to dusk, and even if he could reach that far unseen, his chances of ever reaching Laura were slim at best. He had no friends in Angtholand, and the Farthland had no allies there. He would be utterly alone. Darl came to him with a large clay bowl filled with water. He thanked Darl and drank quickly, feeling the cold liquid pour through his body as if it were rejuvenating his tired muscles. The aches remained, but he sighed deeply nonetheless. Then Darl snatched up one of his arms. He protested angrily, trying with what little energy he had to get his arm back. But Darl refused to let go, instead producing a small, round wood box. Inside was an off-white cream, which Darl dug his fingers into and began to rub over the sore muscles of James’ arms. Immediate relief came to James and he resisted no more. The salve, whatever it was, had a pungent odor, yet he ignored it as the soft sensation of

Book Reviews, World in the Satin Bag

Review Information

This is officially going to be the post that sits at the bottom of everything that describes information about me as a reviewer (what I will read, what I won’t read, how to get in touch if you want to send me something to review, etc.). Note: I am currently closed to new submissions of books for review. Those who have a previous review relationship with me are free to send work, but I cannot take on any other authors or publishers at this point. I’m swimming in books. This should hopefully change soon. What I will read: Science Fiction (any form) Fantasy (any form) Young Adult (only science fiction or fantasy, or related styles–no general fiction please) Romance (only stories that are speculative in nature–books by Luna would be an example) Magical Realism (provided it leans more to the speculative/fantasy end rather than just being something a little odd–think The Steam Magnate by Dana Copithorne or works by Zoran Zivkovic) Cross-genre (provided it is speculative in some way) Horror (only supernatural, near-fantasy/sf type stuff and not slasher things like the movie Scream) Urban Fantasy (just to clarify in case someone makes a distinction between standard fantasy and urban) Nonfiction (science, history, guides, etc. provided it has some use to writers or readers of genre–science books work really well in this category as well as fun little guides and such) Advanced copies, printed manuscripts provided they are being published by a publisher, or any other form of unfinished work that has yet to be released to the market. (please ask before you send anything electronically) Small Presses (I would prefer these simply because they don’t get enough exposure as it is) Large Presses (I have nothing against them and I will read from them just as I will anything else) Graphic Novels or artistic books related to genre. (I will make an exception here for graphic novels that are not genre, especially for manga) Children’s literature (not Dr. Seuss, but older stuff such as chapter books and the like) Works in English (I only speak one language, so the work has to be in English) Translated Works (as long as it follows everything else) If you don’t see something listed here or in the list below feel free to email me anyway if you think I might be interested in your work. What I won’t read: Self-published books. This is a new development. I apologize to anyone who has a self-published book that happens to be good, but I’ve grown tired of having to wade through some particularly wretched works in the last year or two. There’s a certain quality that I’m guaranteed with legitimately published novels, and self-publishing cannot promise that, nor can its authors. Books published by a press you invented to publish yourself. This is the same thing as self-publishing and I do not support the deception of the consumer in order to make yourself look better. You either embrace self-publishing or you don’t. Anything outside of my typical reading (i.e.: works that are not speculative in nature, although you can query me if you think I might be interested anyway as I break this rule sometimes). Erotica (I will make an exception if your work has a particularly strong SF or F plotline that coincides with the dirtier stuff) Hentai comics (sorry, this just isn’t of interest to me and my audience really isn’t for you anyway) Books that revolve around gore and explicit violence (I just don’t have time to assess this sort of work since gore and violence should be tasteful) Non-English Works (as I said above, I only speak one language) Want to send me something?Great! Use my email: arconna@(no spam)yahoo.com (remove the no spam) and tell me what you’d like to send to me. I’ll give you my address and all will be set. I don’t want my address on here for obvious reasons (I get enough junk mail), but I would be happy to read your work.Publishers, authors, editors, etc. may send me books. Just email me and I’d be happy to work with you.Note: Publishers who already have a relationship with me do not have to query or send me an email to send me new work. You probably already know what I like, so send things as you see fit.

World in the Satin Bag

Issues w/ Blogger

I’ve noticed some problems with my posts of chapters on here. Originally it wouldn’t show the paragraph tabs at all, which I could never figure out how to fix without going by individual paragraph within blogger itself, and quite frankly that could take hours of time that I don’t have. Another problem now, is that it is taking out the spaces between sentences (which is pissing me off because it looks horrible), giving some paragraphs tabs, and others not, putting extra blank lines between paragraphs which it never did before, and all in all is ruining the look of each chapter. I’ve no idea how to fix this, and for that I’m sorry. If you have any info on that I would appreciate it!Anyway, Chapter Eight goes up on sunday, and don’t forget to read Chapter Seven!

World in the Satin Bag

Chapter Seven: The Council in Darkness

(Note:  This is not official version and may be removed in the near future.  This do not reflect what is read in the podcast version, nor any other version you may encounter.  I have preserved the rough form for posterity — or something like that.  This novel has since been rewritten.) “What’s going on Pea?” James said. A few lanterns had been lit and Pea had cast a spell on a nearby vase that made it shine brightly in the room. Screams still rained in from the streets as people argued amongst themselves as to the nature of the sudden darkness and the earthquake. “I’m not entirely sure James.” Pea’s eyes didn’t meet his. “Is this to do with me?” Then Pea looked up at him and said, “Oh, no, I don’t think so.” He didn’t believe it. There had been too much of a hesitation in Pea’s voice. No, he knew that, whether directly or indirectly, the recent events involved him. Then the confused expression on Gammon’s face reminded him that the man only knew the lies that Pea had told at the gate. “I’m not who you think I am.” Gammon looked at him, brow curled questioningly. “Go on.” “I come from, well, another world.” Gammon breathed in deep as if ready to laugh, but stopped stiff when Pea gave him a stern look. “Pea, if this is some sort of joke…” “It’s not. Triska checked him. She’s up with the High Council.” Then Gammon turned to James. James looked away for a moment, and then returned the gaze. This is going to take some getting used to, he thought. Having seen Pea and Triska give him that same look, he had come to realize that it would be a common sight. “I don’t believe it…I mean, how?” “Some sort of old magic,” Pea said. Then James interrupted. “I came here looking for my friend. She was pulled in the same way. Only she may be in the hands of Luthien.” “Are you marked?” “Yes.” Then Gammon spoke to Pea hurriedly, “He can’t stay here! He will bring Luthien down on us all.” “Luthien would have to cross the Firing Rim and travel quite some distance to get here.” “Arlin City would hear about it long before they reached edge of the valley,” James said. “Right. Not to mention, unless he plans to conquer the Farthland and use its resources, his army would starve or break apart bit by bit. We’d likely stop him before he reached Arlin, or at least stall his army long enough to move James to a safer place, and, well, without proper planning he hasn’t much chance at the moment of getting here. Not for six months or more and not with a sizeable army.” “That doesn’t stop his assassins, spies, and the like from reaching this far into the Farthland.” Gammon’s concern began to spread through to James. He hadn’t considered the other methods Luthien might have to reach him. “He won’t kill me. For whatever reason he wants me alive.” The three of them stayed silent. James thought hard, feeling the Fearl pushing at his mind in a gentle throb. It seemed to calm him just enough to clear his head. With all that had been happening, his mind had become cluttered. Everything from what he had learned from the book Pea had given him, to the previous and current events seemed to build up in a tremendous mental tower blocking his thoughts. Home slowly slid away as he became more and more aware of what he would have to do to save Laura—if he could save her. That doubt came and went within him, yet he continued to push it back, unwilling to accept that he might not bring her home. He wondered what his parents were doing in his absence, imagined them frantically trying to figure out how to get him home. Then he remembered the man he, no, his Fearl had thrown into the trees in order to protect him. He couldn’t be sure if the man had lived or not. The man’s death would have made things horrible for his parents. A knock at the door broke the silence. Pea stood and went to the door. A few moments of arguing—in which Pea seemed to give in—Pea returned to the curtained room with Darl in tow. James sighed deeply and rolled his eyes ever so slightly so that Darl would have had to concentrate to see the motion. This he did not because of Darl, but rather that the man’s presence might mean he would have to explain himself and endure another long stare of bewilderment and awe. But Darl caught him and said, “I see rudeness never fails.” “I think in this instance,” Pea started, “James has deeper intentions than rudeness.” Darl’s eyes brightened. “And what might those be?” “I’m getting tired of this,” he said. “Every one of you has given me the same look. That piercing look. It digs into me like a tick.” Then Pea showed Darl to a seat, and in one long winded sentence managed to tell a brief version of James’ story. And, as James had anticipated, Darl’s face frowned and the look centered square into him. “Surprising, isn’t it?” Gammon said. “To think that this would happen now, here.” “To think I only came to speak with Triska, and instead receive the shock of a lifetime. Darkness and people from other worlds. What next? Lyphons?” Three was a long, steady silence. James spotted Pea’s face as it turned pale as the moon had once been. Then he said, “Pea mentioned that very word earlier…” The group all eyed Pea, who seemed to fold under the pressure instantaneously, but just as the little man opened his mouth to speak the door burst wide open with a thunderous boom. Four armor clad soldiers—the same armor as Gammon, only one had a red streak of metal running on both sides of

World in the Satin Bag

My Apologetic Nature & America’s Continued Destruction of Everything That is Good About Literature

First things first, I must deeply apologize to anyone that reads my novel and is expecting a new chapter this week. This week and the one following it is, for anyone in college, the ultimate hell–Finals Week. Now, I know that is an excuse for me to not be prepared, and for that I must apologize as well. This weekend has turned out to be rather hectic. I had finals last week, and as such had to do my fair share of studying, and I have one more final this Monday, which I have been preparing for as well. On top of that was my companies’ Christmas party last night, my selfish desire to see Eragon on opening weekend, and of course my need to make sure my brother does not chop of his head in an attempt to prevent himself from going insane. This does not go without saying that I have at least written much of the chapter, but it is no more fair to my readers for me to quickly finish it, edit it, and of course post it. That would imply a lack of love for the craft and my inability to give my readers the best.So, for this I am sorry. However, I am going to do something to pay for this. The following week I will post this chapter, and the week right after that I will post the next! This way my schedule is not off, and you the reader are given a Christmas surprise! I also have many intentions over this holiday break, and in the following semester which will be rather light for me, some of which may involve a beginning map of the Farthland, since now James would have some knowledge of it and that visual might help many understand where he is in the world.Alright, now that I have that out of the way, I have to do a review of Eragon. Here goes. Overview–2.2/5If you haven’t read the book you’ll probably recognize this film as fitting in with such terrible Hollywood blunders as Dungeons & Dragons. It’s campy at best, poorly paced, and poorly done altogether. If you have read the book, you’ll see this as the biggest book-to-movie bastardization in the history of book-to-movie interpretations. There’s very little the directors, writers, and producers did right by the book in this pathetic piece of cinematic trash. This comes as an enormous blow for those of us who have been waiting since the day it was announced that Eragon was being optioned.Casting–2/5This is by far one of the weakest points to the film. There’s tremendous inconsistency throughout. Some have British accents (in different forms), and some don’t. This all from one town where you’d think many people would speak the same. First, the good.Ed Speleers: Surprisingly he didn’t do too terribly as the hero of this tale. He didn’t come off forced, and did seem to settle into his role very well. His acting, I think for someone who has no prior film experience, is rather good. The problem with him was more in the dialogue and direction given him rather than his performance.Jeremy Irons: If not for the fact that the writers had bastardized who his character was he has probably the strongest presence on screen for a secondary character. He came off very much like the Brom I expected–strong, raggedy, and torn by a horrible past.Robert Carlyle: At first I was very unsure about his role (as Durza the Shade) in this. There were some terribly written lines for him, terrible direction, and most of his scenes with Galbatorix are pretty much put into the crap bin not because of him, but because of the other person in the room with him. However, by the end of the film his character really began to pull through and he became this incredibly creepy, evil character that I had hoped he would become.Garret Hedlund: As Murtagh I have to say I was very much please, if not for the fact that his character conveniently shared no accent with half the cast, which is retarded. His dialogue was strong and he acted very well at the part from start to finish. And, of course the horribly bad.Sienna Guillory: Whoever it was that thought she would play well as Arya should probably consider working at Burger King instead. Her dialogue, while generally already very stiff considering she is an elf (something we’ll discuss later), was so much like watching someone standing and reading from a queue card without attempting to put any passion into the words. She was so terribly wrong for her part and practically destroyed Speleers’ presence on screen.Djimon Hounsou: Now, I have to say this first. I like Hounsou. He is one of my favorite actors in the scene right now simply because of his accent and excellent presence on screen. He was fantastic in The Island and in Four Feathers. But, he was not good for this film. All his lines were stiff and it seems like they had just given them to him on set and he was repeating them. He was stiff and it looked like this was his first film. In this instance the casting director and the director himself should be shot in the face with some sort of large explosive object.John Malcovich: Galbatorix…what more can you say about this? I had high hopes really for him, I really did. He’s been in a lot of films I loved, but no, there’s just no way this would work out the way I wanted. Thanks to his performance we now have an evil dictator who is barely a baby in armor.Rachel Weisz: As the voice of the dragon…boy oh boy. She is far too soft for this role. A dragon is this mean, fierce and powerful creature that could tear you to shreds. Yes, as a female it should have a feminine voice, but something deeper and more homely would have fit much

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