World in the Satin Bag

World in the Satin Bag

Funny Things About Grandfathers

I’ve never talked about some of my grandfather’s exploits on this blog, but one of the things you learn as a writer (or a wannabe writer, for that matter) is that your family, friends, and random acquaintances can act as fantastic inspiration. My grandfather has acted as quite the little inspiration bee in the last few years, and will continue to do so for many reasons. But there are some stories about my grandfather that I don’t think I can ever replicate in a fiction story. You know the saying, “Life is stranger than fiction”? That’s absolutely true of my grandfather at times. Here are just a few of those stories: Cub Scout CampingBack when I lived in Washington, my grandfather took my brother, sister, and I on a camping trip to all sorts of pretty places. The problem? Washington is wet almost year round. It’s either raining or the apocalypse has arrived and everything is burning to a crisp. Our trip happened to coincide with non-Biblical events, which makes for interesting camping. During a particularly wet trip we decided to stop and find a nice place to camp. Having set up all our tents, my grandfather set to making a fire. Matches, unfortunately, do little for turning soaked wood into toasty fire, so he decided to hunt down some kerosene. A little while later, he returned with a half-full container and poured all of it over the wood. The result was probably the first real-life mini-demonstration of a nuclear explosion my siblings and I will ever see. A big flame, a little mushroom cloud, and no standing fire. We gave up at that point and decided to settle in for the night. That’s when it started to pour. My grandfather, being the cub scout that he was, had put his tent, which he was sharing with my brother, at the bottom of an incline. Why? I don’t know. He just did. And at some point in the middle of the night we all heard the revving of our car’s engine. Apparently the rain had created a lovely puddle in the middle of the tent and my brother had secured all of the dry space, leaving my grandfather a freezing pond to sleep in. Eventually he had to get up and warm himself in the car. We didn’t camp outdoors after that. Stubborn DriverMany years ago my grandfather had some problems with his heart and had his driver’s license taken away for safety reasons. Anyone who knew my grandfather also knew that he was one of the most stubborn individuals ever. He gave up his license, alright, but he sure as heck didn’t give up his right to drive. He and I used to climb into this old hatchback (a Colt or something) and tear down the dirt road where he and my grandmother lived. We wouldn’t drive all the way into town, though. No. That would be too obvious. Instead, my grandfather would hide the car (very poorly, I might add) behind a small wall of blackberry bushes along the road, and then we’d walk the rest of the way. It was clear that he didn’t want to walk up and down the blasted hill. Some time later I learned that pretty much everyone knew what he was up to (Placerville is a small town). Looking back, it seems somewhat ridiculous that he was so secretive about the whole thing. Everyone knew, including my grandmother, and nobody did anything about it. Of course, I was a little young and didn’t know any better at the time. I kept the secret for a while, though, because I’m like that. Secretive and stuff. Hanging GrandsonsThere were other events following my grandfather’s early heart problems, but none put my life on the line like his desire to have me help re-paint the house. You see, my grandfather was kind of a “do it yourself” guy, but since he couldn’t reach certain parts of the house with his ladder he needed a way to finish the job. That’s where I come in. My grandfather’s brilliant post-stroke plan was to climb to the roof through a ceiling window and dangle me over the side of the house by a rope, without a mask for the paint sprayer and held only by a post-stroke grandpa. Yup. I’m not sure how I weaseled my way out of it, but he was quite adamant about putting me over the side of the house. Thankfully it didn’t happen. The MonkeyWhen my grandfather and grandmother got married, they went on the kind of honeymoon that most people only dream of these days, visiting places like Egypt and others. At some point in the trip they arrived in a place where the locals had a special delicacy that most Americans (and my grandfather was the old rancher-type) would find…let’s just say strange. But my grandfather, as I’ve said before, was a stubborn mule. Wanting, I presume, to respect local culture, he almost demanded to be served the delicacy, all while my grandmother tried to explain to him that it was not a good idea, at all. Eventually, however, my grandfather won out, as he usually did, and the locals brought before him a remarkable gift: a monkey head with monkey brain soup inside. I’m told that my grandfather turned a shade of white that doesn’t currently exist in the human makeup. And no, he didn’t learn his lesson, as the last story will illustrate. The CurseNever cross my grandmother. Ever. If you do, you’ll pay the consequences. Trust me. My grandfather never learned that, but he did help to make a funny story about the power of grandmother’s to use subtle magic. At some point in the past my grandfather had a little sailboat. It wasn’t anything special, but it brought him some joy, I assume. One day he discovered a jar of money my grandma had been saving to buy a dress or nice drapes or something (I

World in the Satin Bag

Top 7 Movies That Were Better Than the Books

I have a feeling I’m going to get some serious disagreement on a few of these, and that’s fine with me. The reality is that sometimes movies are better than the books they are based on. The following seven are my choices: The Silence of the Lambs (The Silence of the Lambs by Thomas Harris)I could never get into Harris’ writing. I tried and found myself completely uninterested. The movie, however, is amazing for reasons that have nothing to do with the book. Anthony Hopkins is so creepy in this it’s hard not to think of him as Hannibal whenever you see him elsewhere. The movie does so much for the horror/thriller than many other films have failed so miserably at for decades. The book, I’m afraid, never created the same feeling for me. The Muppet Christmas Carol (A Christmas Carol by Charles Dickens)I have nothing against Dickens, but if you’re going to try to recreate the old Brit’s fantastic Christmas story in a musical, puppet-laden, goody for the kids, then you have to use Muppets. This movie has always had a special place in my heart, and the book can never do that for me. Singing Muppets and a very scroogey Michael Caine make this one simply a classic. And yes, I know it’s ridiculous and corny. I don’t care. The 13th Warrior (Eaters of the Dead by Michael Crichton)There’s something about that book that is both fascinating and boring as hell. The audiobook didn’t help alleviate this either. But, Antonio Banderas and some adequate looking northmen make for an action-packed fantasy yarn. The book? It’s kind of like trying to read Lord of the Rings now that the movies have been made to glorious effect. Which brings us to… The Lord of the Rings (The Lord of the Rings by J. R. R. Tolkien)Look, Tolkien was a genius. I’m not denying that and nobody should. He did something that nobody has ever successfully replicated and he deserves all the credit for it. But the man could not write an engaging paragraph to save his life. His prose is so utterly stilted and almost purple that trying to read Tolkien is like trying to have a calm conversation with someone while being melted in a vat of molten metal: it’s just damned painful. The movies? Gorgeous and brilliant in ways that defy logic. The films should have failed. Peter Jackson and the rest of his crew were taking on something that almost everyone agreed could not be filmed. And they did it. Not only adequately, but bloody well. They created a trilogy of classic films that took all the ugly fat out of Tolkien’s novels and thickened up forgotten plots to create an astonishing visual masterpiece. The movies are just so good. Like really good cake. The Minority Report (The Minority Report by Philip K. Dick)I’m a huge PKD fan. I love his novels, but his shorts, often, lack something. I think much of PKD’s brilliance is found in his longer works, so when filmmakers took The Minority Report and expanded it into a feature film, I was pleasantly surprised. The original story isn’t bad, but the movie is a fine example of excellent science fiction and Spielberg-ian flare. The Hitchhiker’s Guide to the Galaxy (The Hitchhiker’s Guide to the Galaxy by Douglas Adams)I’m probably going to catch hell for this one, but the recent adaptation of Douglas’ series is, in my opinion, far better than the books. I like Douglas, and he is quite funny, but the man had no concept of comedic timing. His jokes tend to run into each other endlessly until you forget what the hell he was talking about at the start. The movie, however, took all of that, and cut away until the visuals matched the words and most of the good jokes were still present. It was not a perfect movie, and I certainly have reservations about some of the cast, but, come on, at least the damned movie didn’t get lost in endless jokes without anything happening for ten pages! Jurassic Park (Jurassic Park by Michael Crichton)Poor Michael Crichton. He’s not a bad writer, but sometimes the movie versions are simply better. In the case of Jurassic Park, the movie managed to trim the fat in much the same way as the adaptation of Douglas’ series did. The book isn’t bad at all, but the movie manages to keep a tighter pace and create a kind of terror that the books never could for me (the movie scared the hell out of me when I was a kid, by the way). And there you have it! Send your hate mail to arconna[at]yahoo[dot]com. Or, just leave a very nasty comment on this page! Suggestions and opinions are welcome too. What movies did you see that were better than the book, and why?

World in the Satin Bag

Book Magnet Entry #2: The Future Fire (SF Magazine)

The second entry for my Book Magnet Project is in! There are two magnets, both of which are in the middle. What are they for? The online magazine The Future Fire.What is The Future Fire?It is an online magazine that publishes “dark science fiction and art with a social conscience, a political sensibility, and of the highest quality.” It contains fiction and non-fiction, reviews, and more. Issues come in html and pdf formats, so you can read online, or take it with you in your e-reader.They are also, I am told, currently seeking submissions for a special Feminist Science Fiction themed issue, which will also include queer-focused SF under the heading. The FemSF issue will appear in January, 2010, and I’ve been told that while this is a special issue, the editing team of TFF is not limiting their interest to such themes in non-themed issue to come. If you’ve got something FemSF or queer-SF, check out their submission guidelines and send it in! You should also read their Manifesto, which contains some insight into the impetus for TFF’s creation. So, check them out if you’re interested in dark SF with a social or political leaning. ———————————————————- There you have it. If you have a promotional magnet for your sf/f (or related) book and want to take part in this project, send an email to arconna[at]yahoo[dot]com with the subject “Book Magnet Project.” Help me cover my fridge!

World in the Satin Bag

The Green Literature Proposal

I think I mentioned this on my Twitter a few times, but if you don’t follow me there, then this may be new to you. I recently sent out an abstract for a paper to a conference about green literature (specifically in science fiction). I haven’t heard back yet, but regardless, I wanted everyone to see what I was thinking about doing. So, here goes: The notion of the environment as an inanimate, and particularly harsh “other” brings to the forefront a particularly challenging question following what will likely be an inevitable requirement for humans to move into non-traditional living spaces: how must we survive at home or elsewhere when the potential range of environments leans heavily to what we currently accept as uninhabitable? Science fiction posits that this move will entail a variety of responses, and of particular interest are subaltern responses to cultural othering. Sly Mongoose by Tobias S. Buckell, Marseguro by Edward Willett, and The Silver Ship and the Sea by Brenda Cooper all imagine the future of subaltern figures as merging with an otherwise inhospitable environmental space. This symbiosis with the environment develops as a result of a desperation to seek shelter from a dominant human culture that seeks to purge the subaltern class from society. In this paper, I intend to analyze two things: 1) the symbiotic relationship between the subaltern and the environment and the fragility of such a relationship, even in far-future human vision; and 2) the implications/affects of such a symbiotic relationship on the nature of identity, both to the self and to the environment. So, thoughts? P.S.: It should be noted that I was partially inspired by Matt Staggs and his greenpunk manifesto.

World in the Satin Bag

The Future Spells Doom?

I know this has been discussed before, but I find it curious how prevalent the pessimistic has become in science fiction. I don’t think this is a bad thing, mind you, but it is something to acknowledge. But why? As curious as this whole thing is, the reasons why seem more intriguing. What draws science fiction writers to the more dark aspects of the human condition? To me, it seems that we focus on the bad because the good isn’t always so interesting, or perhaps because the good is already covered by an entire community of individuals with the future of the world in mind (we call them folks “scientists”). Maybe the bad is just that much more entertaining to write. For me, this is definitely true. It has something to do with beating up on my characters; I find something entertaining in torturing them. Maybe there is something similar going on with more well-established authors than myself. I don’t know. What do you think are the reasons why there is such a strong focus on the pessimistic in science fiction? Why is the optimistic not as appreciated? I’d like to know what you all think.

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Science Fiction and Aliens: Human Relationships to the Other “Other”

I’ve been reading a book called Alien Chic by Neil Badmington and the first chapter got me thinking about how science fiction imagines us relating to aliens. This very concept is part of what I will be writing about for my postmodern animal seminar, although in a more limited and theoretically complicated manner, since my final paper will be trying to tackle Jacques Derrida in relation to the alien. But that’s getting away from what this post is about. I don’t think I have ever sat down and thought about all the different kinds of relationships humans have with aliens, but doing so today brought up an incredible multitude of relationships, which spells out something remarkable to me: the alien is the ultimate “other.” It can be exchanged with almost every kind of “other” we have created as a species; aliens figure as animals or as humanoid figures with intelligence, and the human response in science fiction varies greatly. They are a way for us to discuss human/”other” relations without ever breaking down into the discourses of racism, without resorting to constantly thinking only of the limited past or present. They open a gateway into a new way of imagining what might be, and how we might deal with ourselves and alien others when the tables truly turn. It would be impossible to list all of the different ways humans relate to aliens, so I’ve tried to put together a list of fairly broad relations. A long, though not exhaustive list of human/alien relations follows: Alien as invader (vice versa) Alien as accidental positive/negative discovery (vice versa) Alien as animal (possibly vice versa) Alien as lesser-intelligent beings that pose a minor (and natural), but immediate thread (think Galaxy Quest) Humans as superior to aliens (in sub-intelligent or early-intelligent form) (vice versa) Aliens as seeders of Earth (as divine) Aliens as supreme and seeders of other subjects, such as motivation (think 2001) Aliens as general antagonists Aliens as neither friend nor foe Aliens as antagonists to other aliens, with humans attempting to be mediators Aliens as clear friends Alien as necessary other Alien as human/other amalgam (Alien Nation) This list can really go on and on and on and on, with the broader categories being broken down into smaller ones. We’d need an encyclopedia for this stuff, to be honest. But, if I missed any big ones, let me know.

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