World in the Satin Bag

World in the Satin Bag

Self-Publishing: A Clarification (for those who don’t know)

Apparently I’ve raised a tiny bit of a stink over self-publishing based on what I said here, particularly with folks who apparently are not familiar with my full position on self-publishing, which had no purpose being reiterated in that post. So, to make things more clear on my position, I give you this list of points: Self-publishing is not the same as traditional publishing. Self-publishing does not deserve unearned respect. Why? Because anybody can self-publish, and for free these days. You wouldn’t give unnecessary respect to someone who ate a carrot, would you? That’s essentially what is being asked of folks like me, that we should respect the process unconditionally, when there is no difficulty in said process. Self-published authors must earn the respect, and that often means through persistence and hard work; even then, there’s no guarantee. Most self-published novels are crap. That’s reality, not just a talking point. You can cite a dozen novels that are exceptions, but that still does not change the fact that the vast majority of self-published novels are not worth the paper they are printed on. When I say that they are crap, I am specifically talking about the quality of the writing: typos, grammar, style, etc. One could argue endlessly about the merits of plot or character, but when it comes to the quality of the writing itself, there are few, if any, arguments. Crappy writing is crappy writing. Self-publishing is not legitimate. If it were, then you would be able to cite authors who have been successful doing it. But there are basically none. No, Paolini, Scalzi, and the handful of others you could cite do not count primarily because they didn’t become successful, bestselling authors due to self-publishing, but due to being picked up by legitimate presses, which put them in bookstores. There are no bestselling self-published authors, only bestselling former self-published authors. If the form were legitimate, said folks would still be doing it, because why would you bother working with a traditional publisher if you could be just as successful by yourself? Self-publishing will not be legitimate until such time as a filtering system can be put in to weed out the overwhelming majority of garbage. To expect the consumer to figure this out on their own is not only rude, but unacceptable. The consumer expects a certain level of quality in a published work and self-publishing, unfortunately, has not met that demand and won’t until someone can figure out how to make it clear which self-published books are worth spending money on. Telling the consumer to read excerpts to figure out if a self-published book is worth buying is essentially asking the consumer to go out of their way for you. The consumer is not your bitch. Their time is equivalent to money, except that they cannot earn it back. This is another reason why self-publishing is not a successful endeavor for the vast majority of would-be authors: because the consumer has no desire to take gambles or waste their time reading excerpts to figure out if a book is worth their hard-earned dollars when they can just hop on over to Borders and find a book printed by a legitimate press that they know will at least be of a certain written quality. The following are the only reasonable demands to make on a consumer: To look at the price. To look at the cover. To read the dust jacket or the back of the book. To glance inside to see if the writing is in a tense that the consumer likes to read. Self-publishing is not an escape from an evil corporate publishing scheme, because traditional publishing is not an evil corporate publishing scheme. These sorts of untruths are the kinds of things spoken by bitter writers who couldn’t hack it, for various reasons. Vanity presses are evil corporate schemes, and any press that asks you, the author, to pay for the honor of being printed is an evil corporate scheme, even if you’re paying for something as simple as distribution or an ISBN. The reality is, if traditional publishing were such an evil thing, some of the most successful authors in history would not be published through them. After all, writers like Stephen King should just as easily be able to make a living publishing their own work rather than dealing with a traditional press, right? The problem is that people who are against traditional publishing are either delusional or sucked into a self-publishing trap and perpetuate the lies shoved onto the traditional platform. These people do a disservice to self-publishing as a whole by misrepresenting what it actually entails and by ignoring and even lying about what traditional publishing offers. There are some excellent self-published novels. But one great self-published novel does not make up for an overwhelming supply of filth and wasted paper. With tens of thousands of self-published books being thrust on the public, most of them horrendous, you cannot possibly expect the consumer or anyone to wade through to find the good stuff. When I say good, I don’t mean excellent or superb, just good, as in entertaining (gets the job done). This is really the only reasonable expectation by the consumer. I do not begrudge anyone who self-publishes. I wish them all the success in the world, but that does not mean that I am not going to point out a harsh reality. You should know what you are getting yourself into when you self-publish. I will begrudge those who lie and are deceptive about self-publishing. In particular I am thinking about people who create “presses” in order to publish their own work. This gives the consumer the impression that a work is legitimate, but what it actually does is confirm everything I’ve said here: that self-publishing is not legitimate, that it has a stigma attached to it that is not unreasonable, and that said author is much more willing to manipulate and deceive the consumer rather than

World in the Satin Bag

SF/F LInks: Book Giveaways Galore!

Yup, there are more of them out there, constantly. Too many books to list, to be honest. So here are a few to wet your appetite: Sweeps4Bloggers is giving away a copy of The Alchemyst and The Magician. Literary Escapism has a copy of Worst Nightmares up for grabs. J. Kaye is tossing out an ARC copy of Wings by Aprilynne Pike. BSC Review has a copy of Objects of Worship up for grabs. The Koolaid Mom offers up Goblins! by Royce Buckingham. And that’s it for today. Enjoy!

World in the Satin Bag

Reader Question: To Self-publish or Not to Self-publish, That is the Question

Blondishnet recently asked: What are your thoughts on ‘self-publishing?’ Would you recommend it? And if so, for whom? This is a good question, the answer to which will not be remotely surprising. No, I do not recommend self-publishing except in the following instances: You are writing a family memoir that you only intend family to read. You are making a photo book of some sort and have no intention of selling it. Unless you’re creating something that will only be appealing to people close to you, such as friends and family, avoid self-publishing like the plague. The reason? Because it can damage a potential writing career, there are too many companies that intentionally and unintentionally prey on people who don’t know any better, and almost nobody fully understands what they are getting themselves into when they do self-publish. But I will elaborate here just a bit. When you decide to self-publish you need to face the stark reality that you will not only get absolutely zero respect in the publishing community, because you likely don’t deserve it, and that most likely your writing will be atrocious–and people will notice. Most people who self-publish do not pay for editing services, and those that do rarely pay for decent editing service, settling for line-by-line work, rather than having someone actually tear apart the manuscript. If you’ve been rejected by legitimate publishers, you should probably start asking yourself why. Is it possible that you suck? Or maybe your manuscript isn’t good enough or still needs a lot of work? This isn’t like the short story market where there can often be a flood of good stories that get rejected simply because there isn’t space. Legitimate publishers reject novels for very good reasons and very (and I do mean very) rarely do they reject perfectly good manuscripts–yes, it happens, but when that happens you’ll likely know about it, which should be an encouragement. If your novel was rejected, you should ask yourself why rather than throwing up your hands and self-publishing. And here’s the thing: self-published authors feel like they should get respect by default, as if being published by a firm like Lulu or Booksurge or whatever is the same as being picked up by Tor or Randomhouse or some other legitimate press. You are not the same as Stephen King, because you have opted to cheat the system, a system which works and which pays authors for their writing. In cheating, you’ve put out a manuscript that will most likely be seriously flawed, and now you expect folks to take their hard-earned dollars and give them to you because you say your book is good, even though it was not professionally edited, has a crappy cover, and was essentially paid for by you to be put into print by a company that doesn’t give a flying fig whether your novel is any good. And that’s just it: self-publishing firms DO NOT care if your book is good or utter filth. They want to make a quick buck, and I won’t begrudge them that, except where they lie and misrepresent who they are. And consumers generally know this. How they have managed to become smarter than a lot of writers is beyond me, but consumers are not likely to buy your self-published book when they can get one from a professional publisher for the same price, or cheaper, and have some guarantee of quality. And you can damage your career by self-publishing. You might get lucky and still get published by a real press, but the chances of that are slim to none. Most likely you’ll get so entrenched in the self-publishing world, and even bitter about it, that you’ll never leave it. In the process you’ll lose out on any chance to not only improve your craft, but to also develop a career. Self-publishing is also manipulative. Yes, there are decent companies out there that do a fine job of not misrepresenting what they do (such as Lulu), but there are also a lot of companies out there that will do everything they can to snatch up your book and make you pay to have it printed. They prey on the unsuspecting author and are the only ones who profit from it. Be smart about your writing. If you honestly think it is good, don’t give up after a few rejections. Keep trying. Just because you’re having it rough now doesn’t mean you won’t get a break later. You won’t get anywhere by giving up, and there are a lot of benefits to persisting in the writing world. Self-publishing should only be the answer if you have a certain kind of product, but if you do decide to self-publish your fiction, be fully aware of what you’re getting yourself into. Don’t expect respect and come to grips with the reality that you will be looked down upon as an inferior author for legitimate reasons. You’ll have to work even harder to get anywhere as a self-published author, and if you’re willing to put that kind of effort there, why wouldn’t you do it in the more legitimate market? Self-publishing certainly has some benefits (you have greater control of your intellectual property), but again, is it worth it? I say not. ————————— If you have a question you’d like answered, whether silly or serious, feel free to send an email to arconna[at]yahoo[dot]com, send a twitter message to @shaunduke, or leave a comment here or anywhere. If you like this post, please stumble it, leave a comment, or tell your friends! Thanks!

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