World in the Satin Bag

World in the Satin Bag

Why I’m Not Going to Talk About RaceFail09 (even though I’m talking about it now)

I know this is a big deal in the blogosphere (or at least it was) and I suspect there are some folks wondering why I haven’t chimed in. I have some valid reasons and some not-so-valid ones. First, I came into the discussion late. It’s impossible to keep up with RaceFail. Even though the arguments seem to have died down or shifted to more obscure locales, there is too much to read to get a good idea what has already happened. For a while I had no idea what RaceFail even was because nobody that I saw had put together a logical time line that put into perspective what exactly had occurred. Second, I’m not interested in being flamed and bashed to death by people who are either understandably passionate about this subject, or illogically consumed by any subject of race. That’s partly why I avoid discussing race on this blog, except where it is relevant to something I am interested in (such as the “Other,” a subject of academic interest for me). That might seem to be contradictory, but so be it. I suppose what I mean is that I’ll discuss the “Other,” but I will generally avoid involving myself in those discussions which purposefully try to exclude other people simply because they’re not part of a certain group. That’s what RaceFail seems to have done, and I think most sides of the argument are at fault. Third, I think the entire discussion that sprang up in which some people said that other people couldn’t write the “Other” properly and yadda yadda is a stupid one. I don’t care which side you are on. Why? Because there is no proper way to write the “Other.” Period. You can argue against this all you want, but nobody technically writes the “Other” properly, because there is no single unique “Other” experience. Even people who are part of groups identified as the “Other” can only write from their perspective, but not from the perspective of all “Others.” A black woman’s experience will be different from a black man’s1; a Chinese family’s experience will be different from a Native American family’s. That’s just reality. This is like saying that I know what it’s like being white because I happen to be white. I know the white experience from my perspective and only that perspective. I am relatively unique in this group of “white people” because I am not part of every different subgroup of white. I do not know what it’s like to be Jewish, or a fundamentalist Christian, or even a white man from Iowa. Whatever universal “white” experiences I may have are not really “white” experiences anyway, because much of what I experience is simply part of being human. So, to reiterate: nobody writes the proper “Other,” because no such thing exists. There may be writers who do particularly poorly by inserting stereotypes and claiming to be socially conscious writers, but mostly nobody gets it right. Having said all this, I think it’s clear that I am saying something about RaceFail, which wasn’t really my intention. I don’t see myself becoming part of the discussion beyond this, though, primarily because I don’t think RaceFail has done much good. It got people talking, but from the little I know, it also got people saying things that probably shouldn’t have been said. Some folks have been alienated (so much so that they don’t feel comfortable in the SF/F genre anymore), and I think that is the most important thing to remember. And that’s pretty much all I’ve got to say. ——————————————- 1. This difference is something not generally taught in school, but history paints a very disturbing picture of gender and its relationship to race. For example, black women were, for a long time, at the lowest rung of society in America. Since black men were technically subhuman, that made black women practically non-human, and thus relegated to the same status as that of animals. They were slaves on an entirely different level, because they could not legally defend themselves against rape and other horrid acts. For more, I suggest reading Evelyn Higginbotham’s essay on race as metalanguage.

World in the Satin Bag

E-Book Prices: Calling B.S. on the Publishing Industry

HarperStudio (of HarperCollins) recently had a post about why they price eBooks as high as they do. There has been a big stink in the e-publishing world lately about the price of eBooks, so hearing a publisher try to explain why things are the way they are is interesting and useful…except when it’s a load of B.S. Let’s put things in perspective. HarperStudio is arguing that the same production costs should apply to eBooks because they say so. Not because it makes sense or because it sounds right, but because they say so. Most, if not all, of the books being put into eBook form by major publishers are already being printed in dead-tree form as well (or already have been printed that way some time ago). This intentionally ignores all the money they are saving/making by selling eBooks: no (or lesser) distribution costs, no loss for unsold books, access to a new market, etc. The list really can go on. Essentially, the publisher is saving a lot of money by printing eBooks, and yet those who buy them are still being shafted. Why? I don’t know. Maybe because publishers want to make a quick buck off of a new technology? Or maybe because there’s something else they’re not telling us. It should be noted that eBook enthusiasts aren’t asking that eBooks be priced for pennies on the dollar; far from it. In fact, all eBook readers are asking is for a price tag that makes some sort of sense, and paying dead-tree prices for a book that essentially has none of the following is stupid: No tangibility No sell back potential (i.e. you can’t sell it used) DRMed (usually) *insert other viable reason here* Whether this cost is $6.00 or $7.00, eBook readers are asking for a price tag that makes buying eReaders and eBooks worth it. Right now, what’s really the value in paying for an eReader only to pay practically the same price for an eBook as you would pay for a dead-tree version? Almost none, unless you buy a heck of a lot of books. Saving $2.00, as HarperStudio mentions, means you’d have to buy roughly 200 eBooks in order to recuperate the high cost of the various eReaders. That’s a lot of books, and we can suspect that folks using eReaders are in this for the long haul. We’ve even seen sales go up. So what’s the big deal? And before anyone comments that I just don’t understand how it all works: I understand that there are editors and what not, each with a specific job and each that has to get paid for a service. But I don’t find that as a valid excuse for overcharging for eBooks. That seems like a cop out to me, as if to say, “Well, we paid for the dead-tree version, let’s punish the electronic folks.” What does everyone else think about this? Am I just flat out wrong? Why? Is there more to this that publishers aren’t telling us? Are eBook prices going to go down, or do you think they’ll remain high until the market dies? Leave a comment with your thoughts!

World in the Satin Bag

The Haul of Books: Volume Seven

I think this time around it would be nice to show you all books that weren’t given to me by someone who didn’t write them or publish them (or weren’t giving them away as part of a promotion). So this edition will be all review books and contest snags! Here goes:These four I won in some recent contests.  They are:  Blood Colony by Tananarive Due, The Kingmaker by Helen Hollick, Where There’s Smoke by Terra Little, and The Terror by Dan Simmons.I’m amazed I actually won this set of Kitty Norville books!  All six of them, if you can believe it.  Not much else to say other than that!…Last of these are a whole bunch of fantasy books I’m glad to add to my collection:  Ranger’s Apprentice:  The Siege of Macindaw by John Flanagan, The Book of Names by D. Barkley Briggs, The Red Wolf Conspiracy by Robert V. S. Redick, The Warded Man by Peter V. Brett, Warbreaker by Brandon Sanderson, and Enchanters by David Bryan Russell… Well, any of these you find particularly interesting? Let me know in the comments! And of course check them out at your local bookstore or Amazon or wherever!

World in the Satin Bag

MEME: 25 Influential Writers

I found this interesting meme and thought I would give it a shot. The object is to list twenty-five writers who have influenced you in some way. Everyone who wants to do this is tagged (and feel free to leave me a link in the comments, as I’d like to see your choices). Here goes (in no particular order):1. Philip K. DickHe may be the one writer who has had the most influence on me. His novels, short stories, and non-fiction have influenced not only my writing, but also my academic interests. PKD is, to put it simply, the man. I owe him a lot as far as my future career is concerned. If it wasn’t for him and Tananarive Due I don’t think I would be interested in the human in science fiction. 2. Tobias S. BuckellMr. Buckell has brought back that adventurous side in my writing interests, which is a good thing. Nothing wrong with a bit of adventure and badassery. 3. Salman RushdieI’m not actually a fan of Rushdie’s writing, or him as a person (I think he’s a tad too pretentious for my tastes). Still, his writing has had a tremendous influence on my style and he has opened a few doors academically, particularly into issues of history within literature (historical continuity, the consumption of history, and the fragmentation of history). So, while I may not read any more of his work unless I have to, I can at least say he has had discernible influence on me as a writer and as a student and future scholar. 4-5. George Orwell and Yevgeny ZamyatinI would say that Orwell single-handedly got me into science fiction. He was sort of the beginning for me. I love dystopian fiction as a result. Much like George Orwell, Zamyatin has strengthened by interest in dystopian fiction. He was an early influence to Orwell, so it’s understandable that I like him as well. 6. Richard A. KnaakOne of the first adult fantasy writers I ever read. He was one of the folks that first got me into writing, particularly fantasy, and, well, not much more can be said about that. I still like his books to this day and still remember how his works started getting me interested in reading for fun. 7. William HorwoodOne of the reasons I still love reading is because of Horwood. His Duncton Wood books were fascinating and stunning fantasy stories unlike any other. You should read his book too; his work is probably as original as you can get in the fantasy genre, considering that none of his characters are human. 8. Poul AndersonOne of the few folks who made me a lover of science fiction. “Call Me Joe” is probably the first science fiction story that I fell in love with. I’ve since resolved myself to collect all his books, because I want an entire Poul Anderson library! 9. J. R. R. TolkienI don’t think this one needs any explanation, to be honest. 10. Robert J. SawyerWhile not an influence because of his fiction writing, Sawyer has, through his discussions of science fiction and his relative popularity, offered a lot of hope in the field of science fiction. I’ve been inspired by a lot of what he has said about the genre and hope he will continue to be as popular as he is today. 11-14. Maurice G. Dantec, Richard Calder, Thomas Pynchon, and Brian Francis SlatteryThese folks are all relatively recent influences on me. Calder has primarily had influence on my writing style and content. I’ve become a bit more daring in both, taking up more “controversial” subject matter in some of my stories and altering my prose to be more, well, “literary” (in a good way, I hope). Dantec has had a similar influence.As for Pynchon, well I’m not an enormous Pynchon fan, but I have to admit that his writing style, along with several others mentioned here, has made me rethink how I write. The same can be said for Mr. Slattery, who wrote a fantastic novel called Spaceman Blues. 15-17. Isaac Asimov, William Gibson, and Orson Scott CardAs one of those big idea science fiction writers, Asimov has helped secure my interests in science fiction. Foundation was an incredible book.Gibson is, well, the unintentional creator of cyberpunk, which should be enough for anyone who has read more of my recent science fiction.Card has been instrumental in fostering my desire to be a professional writer. Not only have I enjoyed many of his books, but his book on writing was, for a long time, my Bible. I’m not sure if I would still be writing today if not for OSC. 18-20. Elizabeth Bear, Nalo Hopkinson, and Tananarive DueAll three of these authors have had an impact on my academic interests through their portrayals of the Other in their work. I’ve even written a few papers of one of Due’s short stories and I hope to do the same for Bear and Hopkinson in the future. 21-25. Karen Miller, James Clemens, Diane Duane, and Obert SkyeThese are some of the best fantasy writers I’ve read. Miller and Clemens have both inspired me as a writer and lover of fantasy, reminding me what good epic fantasy can be (The Innocent/Awakened Mage and Shadowfall are still some of my favorites today). Duane and Skye have kept me fascinated with YA fantasy and have inspired me to write my own series (well, two of them actually, one called The World in the Satin Bag and the other called The Mysterious House of Mr. Whim and the House of (Un)Desirables). 25. Dipesh Chakrabarty, Darko Suvin, Samuel R. Delany, Istvan Csicsery-Ronay, Jr., and Evelyn Brooks Higginbotham (and a lot of others)I’m putting these all in one primarily because they all have written on similar subjects (or at least subjects I am interested in) and have influenced me academically. Without these writers I don’t think I would have developed much in my academic career and I certainly wouldn’t

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