10 Caribbean Books You Should Read At Least Once
As a fan of Caribbean literature who has spent quite a lot of his life reading and thinking about it, it seemed appropriate to finally do one of those “hey, these are the books you should read” lists. And so, I sat down to think about the works I think everyone should read (at least once) from the Caribbean, both in fiction and non-fiction. The list below reflects a combination of my personal interests in Caribbean literature and my academic research in postcolonialism, the Caribbean, and transnational American literature (though not my other academic interests beyond science fiction). This list will, by the limitations of numbers, be incomplete. It will reflect the reading experience of one person. There are hundreds and hundreds of other works of Caribbean literature and criticism and numerous islands not represented here (a list of 10 cannot possibly get them all). Heck, that’s why I included “alternatives” here because there were people left off a list of 10 and it made me sad. Treat this list as a fun starting point of important works. If you’re not familiar with the literature of the reason, this list might help get you started. If you are, maybe it will fill some gaps! And for those who have read all of these, consider leaving a comment letting me know about other works you think folks should read at least once! Here goes:
The A-Z Book Survey: Or, Now You’ll Know My Secrets
The blog adventure continues. Today, I’m taking on the A-Z Book Survey, which I found on The Perpetual Page-Turner blog (run by Jamie!). It’s an oldie, but since it appears on the Blog Challenge Project masterlist, I figured fun should override currency. Below, you shall find some vaguely amusing insights into my reading interests and habits. You may use this information for nefarious purposes if you so choose. Here goes:
Five Faves: Space Opera Books — #MonthofJoy
It’s Five Faves time! Throughout the month of June, I’ll be diverting attention away from the things I’m supposed to be doing in order to spend a little time babbling about the things that I love. This feature will do exactly what it says: list five of my favorite things in a category. Most of the lists will be “on topic,” which is to say “related to SF/F in some way,” but some lists will be on my other ancillary interests, such as reptiles, books of theory, pies, and…wait…pie? Oh my god, I love pie! Anywho…today’s post, as the title suggests, will list 5 of my favorite space operas. I will use the following criteria for this list: Books will be taken to mean “narrative fiction at novel length” rather than the broader definition we use today. Comics and graphic novels deserve their own list anyway. That means no movies either. I’m using my personal definition of space opera. I’m happy to talk about that definition at another time, but for now, I just want to share some things I love! Here we go:
5 Lesser Known SF/F Cold War Films
It seems Ian Sales and I are playing a list challenge game, and this list is sure to disappoint him this round. Why? Because I’m pretty sure two of the options on my list don’t actually qualify except in my head. But we do what we can, no? This time around, I was challenged to come up with a list of 5 lesser known Cold War films that fit roughly in the sf/f genre. The rules were as follows: The film must be sf/f-ish (duh) The film must be set in the historical period called the Cold War OR The film must directly engage with the Cold War via alternate or future history (metaphors and obscure allegories do not count) The film must be “lesser known” based on my interpretation of that phrase Now for the list:
My Top 12 Books Read in 2014
I said on Twitter that I would make this list because I had such a hard time picking a winner for the 2013/2014 WISB Awards. Basically, this list is my guilt getting the better of me, because I love so many things and hate having to pick. So, in no particular order (because I cannot rank these books without feeling as though I have committed a great atrocity against these authors), here are my top 12 books read in 2014: Breach Zone by Myke Cole (Ace Books) The Violent Century by Lavie Tidhar (Hodder and Stoughton) Hurricane Fever by Tobias Buckell (Tor Books) Memory of Water by Emmi Itäranta (Harper Voyager) City of Stairs by Robert Jackson Bennett (Broadway Books) Zero Sum Game by SL Huang (Self-Published) The Three by Sarah Lotz (Little, Brown, and Company) Gemsigns by Stephanie Saulter (Jo Fletcher Books) Ancillary Sword by Ann Leckie (Orbit Books) A Stranger in Olondria by Sofia Samatar (Small Beer Press) Into the Grey by Celine Kiernan (Candlewick Press) The Mirror Empire by Kameron Hurley (Angry Robot Books) Now this is the part where everyone piles on in the comments and tells me how wrong I am. How could I have missed X book? How could I have loved Y so much? Bring on your questions and accusations. I dare you! —————————————— Honorable Mention: I Am Spock by Leonard Nemoy (Hyperion)
The 10 Best Science Fiction Movies Since 2000
I recently challenged Ian Sales* to name 10 films since 2000 that were better than Interstellar (2014). OK, that’s not entirely true. I challenged him to create a top 10 list of the best SF flicks since 2000; for Ian, they’re basically the same thing. He’s already released his list here. It contains some interesting choices, to say the least. While I disagree quite strongly with some of his selections, I do have to give him credit for not creating another boring “usual suspects” top 10 list; sadly, I’m probably going to disappoint people on that front. My list will only contain feature length productions, as short films should probably be discussed on their own. I’ve made no other distinctions with regards to format (live action, animated, adaptation, etc.) or delivery method (theater or straight-to-DVD). Alright, here goes: Inception (2010)This film continues to haunt me. Though its concept may not be original (Duck Tales, FTW), its clever use of the heist format to tell a dream-laden scifi action thriller with an ambiguous ending left me clamouring for more. Inception forced me to rethink about the soundtrack’s engagement with the narrative, too; the collaboration of Hans Zimmer and Christopher Nolan has produced some of the most experimental scores in blockbuster cinema (listen to the film next time you watch it; really listen). Through and through, this is my favorite movie from this period. Children of Men (2006)A beautiful, yet grungy examination of an infertile human culture struggling to survive. Much like the other films on this list, Children of Men examines humanity’s variant responses to catastrophe. Alfonso Cuarón’s direction, however, gives this one an edge over other dystopias. The single-shot chase scene is easily one of the most impressive moments in SF film since 2000. The Place Promised in Our Early Days (Kumo no Mukō, Yakusoku no Basho)(2004)Makoto Shinkai’s alternate history allegory for the Cold War remains one of my favorite animated films of all time. Crafted with a certain minimalist style in terms of its characters, PPOED’s teenage protagonists are nuanced sides to a coin resting on its side. Even the science fiction premise — an experimental tower which has the ability to re-map our Earth with the landscape of an alternate, barren one — gives the film a beautiful symbolic resonance that I cannot stop thinking about (which may explain why I published a paper on this flick). Interstellar (2014)I contemplated placing this higher on the list, but the more I thought about it, the less sure I was that Interstellar fit the #1 SF film since 2000 rubric. Regardless, the epic character drama and visual spectacle that is Nolan’s almost-magnum-opus will continue to resonate with me for years. McConaughey’s performance alone is enough to break your soul, and the concentration of themes, though heavy-handed at times, left me physically affected. Cloud Atlas (2012)Easily the most ambitious film on this list, Cloud Atlas is as much a theme-movie as Interstellar. The Wachowski brothers managed to take a complicated, almost unfilmable novel and translate it into a multi-layered, multi-themed dramatic epic. Though the film may have taken a misstep in its racial presentation, the overall product is a thing of beauty that will probably be forgotten — a great tragedy of our time. Her (2013)Of the films on this list, Her is probably the most character-oriented of them all. This nuanced examination of near future Millenials interacting with their AIs takes pains to give us an honest look at what that might mean. How would our relationships progress? Could you love an AI? Could an AI love you? The film’s ending provides an almost somber answer, demonstrating the real violence inherent in artificial intelligence: that they might abandon us entirely. The Dark Knight (2008)Heath Ledger’s performance deserved its Oscar; here, Nolan strips Batman completely from his comic book roots (something I think Batman Begins failed to do) and injects the gritty reality of larger-than-life crime into a franchise that had for so long been about visual spectacle (of the Gothic variety). From the Joker’s social experiments to Bruce Wayne’s questionable actions, The Dark Knight offers a landscape within which we should think about the interaction of morality and law. Sunshine (2007)The first Danny Boyle film on this list, Sunshine is one of those films which gets a lot of flack for its “twist ending.” I, however, love the ending if only because it resonates with the film’s opening shots of Cliff Curtis “communing” with the Sun. Personally, I am a fan of films which can bring a little philosophical depth to an otherwise standard “save the world” narrative. Boyle delivers with a diverse cast and a whole lot of gorgeous shots of space. Pacific Rim (2013)The only CGI festival blockbuster on this list, Pacific Rim is the kind of film that you love unless you’re someone with bad taste or a desire to be punched (I kid). Guillermo Del Toro’s mecha vs. giant monsters spectacle gave me everything I had hoped for in a film of that type, but then layered on a decent character-oriented plot to give the film a little bit of soul. Unlike other giant robot movies which shall not be named, this one seemed to care about the main cast and their trials rather than giving all of the attention to overblown action sequences with no purpose other than to make our eyes bleed. I’ve seen this film multiple times now, and I’d see it again in a heartbeat. 28 Days Later (2002)A novel engagement with an otherwise tired horror concept. The opening scenes of Cillian Murphy wandering the dilapidated streets of London are chilling, but it is the terrible cost of humanity which makes 28 Days Later my favorite zombie-themed film of all time. There is a certain beauty in Boyle’s direction, which may explain why he appears twice on this list. Honestly, the ranking is meaningless. I don’t think I’d put things in the same slots if you asked me to look at this list