The Bookening: New Reads in the Pyramid of Plenty
Alternate subtitle: A Bear Sits in My Woods! For those that don’t know, I’m a pretty big fan of Elizabeth Bear’s writing. So, too, apparently, my cat, who has spent a goodly portion of the time I’ve spent writing this post sniffing all the books. If my cat approves, then the books must be good, right! Needless to say, I bought a bunch of her books (in some cases, again). So here’s the list:
The Space Opera Project Continues!
Some of you may recall that I began a database project last year containing space opera novels by women. To date, the list includes nearly 700 novels in the space opera genre. This has come through a combination of my own knowledge and the knowledge of the science fiction community, who have suggested numerous works for inclusion via this form. The goal for this project is two-fold:
On Space Opera: The Heart of Genre, Forgotten by Scholars
A few years ago, I taught an upper division literature course on American space opera. There were a couple reasons I chose that angle over many other possible science fiction topics I could have taught: It gave me an excuse to teach Ann Leckie, Tobias S. Buckell, and Star Wars. The course was marked as “American literature,” so I had to stick with U.S.-American writers. I snuck some other stuff in, though. It was a subject that I particularly loved (but, as I discovered, which scholars had largely ignored up to that point). It’s that last piece I will talk about here.
On Space Opera and Domesticity
Domesticity and space opera? Do they go together? Obviously, yes. But what happens when they do? Earlier this year, Tor.com hosted a massive space opera extravaganza. Liz Bourke contributed a post on the politics of domesticity in space opera, with particular attention on what she somewhat half-heartedly called “domestic space opera.” One of the important points Bourke makes is that the personal and the political are not necessarily separate entities. Bourke defends this claim by looking at several examples of space operas which place heavy focus on domestic spaces and by suggesting that perhaps it is the emotional dynamics of those spaces that make up the bulk of the operatic (or melodramatic) focus present in so much of space opera. It’s an interesting post, and I suggest you read it.
Five Faves: Space Opera Books — #MonthofJoy
It’s Five Faves time! Throughout the month of June, I’ll be diverting attention away from the things I’m supposed to be doing in order to spend a little time babbling about the things that I love. This feature will do exactly what it says: list five of my favorite things in a category. Most of the lists will be “on topic,” which is to say “related to SF/F in some way,” but some lists will be on my other ancillary interests, such as reptiles, books of theory, pies, and…wait…pie? Oh my god, I love pie! Anywho…today’s post, as the title suggests, will list 5 of my favorite space operas. I will use the following criteria for this list: Books will be taken to mean “narrative fiction at novel length” rather than the broader definition we use today. Comics and graphic novels deserve their own list anyway. That means no movies either. I’m using my personal definition of space opera. I’m happy to talk about that definition at another time, but for now, I just want to share some things I love! Here we go:
Space Opera Course Update
A few months ago, I asked for input from folks interested in the online space opera course I planned to teach/run at some point during the summer. Many of you gave me some excellent feedback about the form the course should take, the readings, cost, and so on, and so I set out to try to put something together in time for summer 2017. Well, it’s officially summer, and as should be obvious right now, things aren’t exactly put together. And there’s good reason for that.