What Are Editors Good For?
I’ll tell you. Editors are gatekeepers. The whole purpose of an editor in the publishing business is to weed out the bad and leave only the good. This is especially true in magazine publishing (online or in print). If you think that every story written is good, then you are sadly mistaken. Just because you have written something doesn’t mean that it needs to be seen. Bad stories exist. That said, it should be acknowledged that editors don’t always get it right; but that’s the nature of the human condition. Editors spruce up prose. They don’t do it quite as much as the other kind of editor that you hire, but they do make good writing better. In book publishing, an editor does a hell of a lot of work, and most of the time the work they do is good work. I’ve seen manuscripts from before publication and after and can honestly say that the final product is almost always better than the original thing. Editors make you into a better writer. Emphasis on better. They don’t make you into the greatest writer ever, but they certainly teach you a few things. Ask anyone published by a major publisher or even a small press. Ask them if their editor taught them anything. They did, didn’t they? I thought so. Editors are dedicated to good books. They are not evil, but benevolent creatures with only one goal in mind: find and publish good books that consumers will like. They don’t always get it right (but, hell, let’s face it, writers don’t either), but they put a hell of a lot of work and TLC into every book they edit. They want to put out good books. In fact, they have to. A string of horrible books that don’t sell very well could spell certain doom for an editor; it’s in their best interest to provide consumers with good products. And if you don’t believe that, then ask an author published by a traditional press. Ask someone at Tor or Penguin whether or not their editors did a lot of work to produce a quality product. Did you ask? And? I thought so. The thing is, some people are jaded against traditional publishing. Sometimes it’s for good reason, and a lot of the time it’s not. Editors are not useless entities. They serve a vital purpose in publishing, and writers need them (even good writers). Self-published writers need them too. Every sentence you write isn’t gold. Sometimes a sentence is utter drivel. The problem is that writers don’t always know that, and it can take a good editor to make them see it. If I missed anything here, let me know. I’m learning a lot of the editing trade, so if there are things editors do that I’ve forgotten, leave a comment! (This post is a preface to another post I have coming up. I’m trying to wrap my head around a string of paragraphs written elsewhere that I can’t help staring at–not because they are interesting, but because what is being said is so ignorant and stupid that I can’t help gawking at the words. Expect that soon.)
Ten Things No Writer Should Ever Do
There are a lot of things writers shouldn’t do, but there are some things that a writer really shouldn’t do. Here is a list of ten things no writer should ever do: Send a long-winded biography not limited to your writing career.Not only do we (editors) not give a crap, but your query letter or cover letter should be short and sweet, telling us only the things we need to know to assess your manuscript. Most editors don’t even need a cover letter, but a good story is a good story, regardless of where someone was published or not published before. Sometimes a quirky fact about yourself is cute, but beyond that, we just don’t care about your life story! Send files in formats not specified.If the guidelines say send your submission in .doc or .rtf form, then send it in .doc or .rtf form. More than likely, the editors can’t open other file types, or have no clue what those others are. I’ve received everything from .docx to .odt to .pages, the latter two of which are for programs I don’t even have on my computer. If it can’t be opened, it can’t be read! Demand to be paid in a form that isn’t specified in the guidelines.Generally speaking, if the guidelines say “paypal only,” that means “paypal only.” But sure, demand to be paid by Western Union (or whatever it’s called now). Coincidentally, the person who demanded this also told us she was a forty plus year old woman, and our guidelines specifically stated that twenty-five was the cap. What can you do? Argue about a decision.If we don’t want your submission, arguing with us about it isn’t going to change our minds. In fact, it might make us turn to disliking you. Take a rejection like a man…or a woman. It’s part of the writing life. Forget to attach your submission.Okay, so this one isn’t as bad as the others, but it’s a silly mistake that you really shouldn’t do, for obvious reasons. Usually we laugh about it, but after a while it gets tiresome to send the same email out over and over. Send an insulting email.Something about someone emailing you to tell you that you’re a scumbag for rejecting their submission and that you should burn in hell forever is truly uplifting. People still do this, and it puzzles me why. I thought the object of submitting was to get published. How does one expect to do that if he or she insults everyone who rejects them? Stalk someone and post hateful comments on their email.Remember that Cole A. Adams incident? Don’t do that. Seriously. It’s bad news for you and anyone around you. It’s also a good example of career suicide, and if you can’t help yourself, then seek psychiatric help. They have pills for that kind of thing. Send dead animals to a publisher or editor.According to a rather epic story, Harlan Ellison did something like this. But Harlan Ellison got away with it because he was/is Harlan Ellison. Nowadays, I don’t think even J. K. Rowling could get away with that. This applies to any sort of shipment of illegal or unorthodox items to a publisher or editor, including, but not limited to, razor blades, pipe bombs, letter bombs, bricks, cocaine, marijuana, poison food items, anthrax, and rotten fruit. Tell someone about your criminal convictions or crimes you’ve committed and have yet to get caught for.I suppose this one would fit on a list of stupid things people do in general, but there’s really nothing stupider than admitting to someone who might be inclined to publish your story for kids that you are a convicted pedophile. Honestly. It’s also not a good idea to tell an editor that you killed a man once and never served any time. That’s not information editors want to be burdened with. If you must confess, do so with a police officer. I’m sure they’d be more than happy to help relieve your burden. Plagiarize.This is the big no-no, and no matter how many times people say don’t do it, there is always someone willing to take the risk. Sometimes they can get away with it, and others times not, but when you consider what happens to you if you don’t get away with it, why would you ever take the risk? I don’t know about you, but I’m not particularly fond of hefty fees or jail time. I like eating and my apartment is cozy… What about you? What do you think are some things that writers shouldn’t do? Let me know in the comments!
Curse Them All: Should You Use Them?
I have been reading an action-packed, violent book called Kell’s Legend by Andy Remic recently and the author’s style has brought me to this post. Those who are familiar with Remic are probably used to his unflinching desire to inject curse words liberally into his prose; they are also probably used to his rather detailed levels of violence, too. None of these things are necessarily bad, but they do make one think about the problem of cursing in fiction–or anything, for that matter. The problem with saying “you should only do this when” is that such a phrase is inherently arbitrary. The reality is that people have varying degrees of tolerance for foul language, including myself. For example: I typically have no issue with the f-word, s-word, b-word, crap, ass, and g-damn; however, I do have a problem with the n-word and the c-word, and more so with the latter than the former. Let me clarify before someone jumps down my throat. I can see when using the n-word might be necessary, particularly if you are trying to tell a certain kind of story about, perhaps, the civil rights movement in the United States or the Apartheid era of South Africa; it makes perfect sense that the n-word would show up in such instances. Outside of that, however, I see no use for it. The c-word, though, is, for me, pretty much intolerable; I can’t stand the word for too many reasons to count, and there have been times when its use has forced me to stop reading. That’s my personal opinion. Mine is not the only one, and no one answer is any more correct than another. To illustrate this point, I asked folks on my Twitter account to respond to the question: Do you tolerate cursing in the books you read? Where are your limits, if any? Here are some of their responses (with some minor editing): Dhympna: Yeah, I like cursing. I sometimes get annoyed by writers who use too many colloquial expressions. I get more annoyed by authors using particular vernacular and slang too much than actual cursing. In all fairness, I do tend to curse like a sailor, which is why it does not bother me. Kaolin Fire: No limits so long as the story’s interesting and it’s relevant. Whatever. GothixHalo: As long as the writing is good and the character development isn’t horrible, cursing isn’t a flaw. Using it as a replacement for good writing skills is a crime, though. Having to use curse words instead of competent words is pitiful. mspuma: I only respect cursing if it seems realistic. Overuse of cursing in writing is just an old shock value trick. Cussing in and of itself doesn’t offend me. They’re just words. But like any emphasized phraze/cliche, it loses its punch with repetition. Keeping all of these views in mind, it is important to note that there is no true answer to the question of cursing. What matters most is your personal taste. The market is not so black and white to make the claim for any particular level of restraint appropriate or right. In fact, because the market is so varied, it is only logical to assume that using curse words should be based on personal taste rather than anything else. Andy Remic, for example, has no qualms about using curses, and he has a market of readers who enjoy that. Other writers avoid curses entirely; they have a market two (and likely some overlap). Some people can’t stand Remic, I’m sure, and others love him; Remic, I imagine, loves himself quite a lot. Remic’s personal taste is clear: he likes to use curse words in his fiction. And he got published doing it. That is not to say that you shouldn’t demonstrate some restraint. Writing dialogue is not easy to do and having dialogue that is essentially a whole stream of f-words, s-words, and b-words will seem trite or perhaps unnecessarily vulgar. It all really depends on your audience. I often look at cursing as a combination of style and necessity; if the cursing is there only to be shocking or impedes the flow of the prose, then I’m out. What about you? Where are your limits on the matter of cursing in fiction, as writers or readers?
Reader Question: Should Writers Have English Degrees?
(For some reason I did not write down the name of the person who asked this question, nor did I write down where it came from. So, if you asked this, please leave me a comment here letting me know so I can give you credit!) I think at one point people thought that they had to have a creative writing degree or something related in order to be a good writer. Perhaps a lot of people still think this. The reality is that there’s no reason that you have to get a degree to be a writer or to even be a successful one. While creative writing programs can be wonderful, they can also be terrible depending on what you write. Most of what you learn about writing comes not from taking a class, but from reading and doing. You can take every college course imaginable and there still will be no guarantee of you learning how to be a better writer, or that you will get published as a result. This isn’t to say that creative writing programs, or English programs, aren’t beneficial. You certainly can and probably will learn things from a creative writing class and professors of creative writing can help you develop your craft based on their experiences–the hope is, of course, that these professors have a significant publishing career behind them to add credibility to their advice. But the brutal truth is that having a B.A. in creative writing means diddly squat to most editors, and having one doesn’t automatically mean that you’re better than all those also trying to get published who don’t have such a degree. Creative writing programs tend to be a mixed bag. Some are fantastic, some not so much, but none of them can promise to churn out excellent writers–Iowa Writer’s Workshop does have an excellent track record, though, and that might be worth acknowledging if you’re interested in a degree. And then there is the fact that quite a lot of writers who are successful have no degrees whatsoever. Some have degrees not even related to the writing field at all–look at all the scientists who become science fiction writers, etc. Ultimately, it really doesn’t matter if you have a degree or not: you can be a writer either way. If you want a degree, however, get it because you want to have a career that isn’t necessarily based on something so obviously without guarantee. Creative writing degrees are good, but I’ve always seen them as being largely pointless unless you pursue them at the M.A. or PhD. levels. A B.A. in creative writing is essentially even more useless than a B.A. in literature or English–and let’s face it, a B.A. in almost anything is worth less than the cost of printing the certificate; this is the sad state of affairs in the education world. I’d recommend that those who want to eventually have writing careers should have a fallback plan. There is literally no guarantee that you will ever have a writing career, no matter how much work you put into it, no matter how you do it, whether it be traditionally publishing novels or short stories, or doing it on your own. Being conscious of that when pursuing advanced education will help you make an educated decision about your future. What are you willing to do for a career while you try to develop your fiction skills and get the publishing credits you need to reach that point where you can quit your day job? Thinking about that can certainly help ground your career goals. But let’s not leave it up to me. What do all my readers think about this? Leave a comment. ——————– If you have a question about science fiction, fantasy, writing, or anything related you’d like answered here, whether silly or serious, feel free to send it via email to arconna[at]yahoo[dot]com, tweet it via Twitter to @shaunduke, or leave it in the comments here. Questions are always welcome! If you liked this post, consider stumbling, digging, or linking to it!
Inspiration Station: 5 Places to Get Inspiration For Your Writing
Inspiration can be difficult to find at times. We get bogged own in our daily lives or succumb to the myth of writer’s block. But these five places might help you open up and get writing again (or expand your creative juices if they’re already flowing): FriendsWho better to get ideas from than your friends? Whether for blogging or creative writing, friends are a great way to discover new stories, ideas, and much more. I get a lot of my blog ideas from one of my Interwebs buddies, Mulluane, who points me to all sorts of articles that I might otherwise never have found. Some have sparked stories, and others have inspired me to write rants. Public TransportationSome of the best characters I have ever written were a direct result of experiences I have had riding the bus to college. You’d be amazed the kinds of bizarre, fascinating characters that ride the bus. True, sometimes the people you meet on the bus, or the train, or wherever, are a bit odd, and sometimes downright disgusting, but I can’t think of a better way to develop unique characters than taking public transportation. If you have the opportunity to do so, ride a single bus route for a few weeks; you’d be surprised the kinds of people that ride the bus, and your writing will be better for it! The NewsWhether science or politics, the news is a huge inspiration machine when it comes to finding unique situations or coming up with ideas for science fiction stories. I doesn’t even matter if you watch or read a biased source, because in the end, news is news and any of it is fair game for creative writing. Read a newspaper or watch CNN and you might find yourself inspired to write something. Other WritersThis one is probably pretty obvious. Reading the work of other writers is not only great for learning how to effectively plagiarize without getting caught, but also for learning about your craft. Published writers have already made it, and you can take a lot from their metaphysical writing book to help you along the way. Natural talent is always important, but seeing others who have worked hard to get where they are can truly help you sharpen your craft and, if you’re in the right mindset, other writers can inspire you to keep at it so that one day you can make it too. The InternetWhether through StumbleUpon or Google, the Internet is a veritable goldmine of information that can spark ideas in your creative head. The Internet connects you with the news, other writers, friends, and everything else. Sharing ideas has become common practice as a result of the the net becoming the monster that it is today. Stir up Firefox and start surfing; you might find yourself inspired! And there you have it. What about you? What places do you go to to get inspiration for your writing? Let me know in the comments!
Top Five Tools For Writers (in today’s writing environment)
Every writer has tools. Back in the old days they had a dictionary and/or a thesaurus—typewriters too, of course. When computers came around, it changed things, making it easier for folks to type up manuscripts and print them. Now that we’re easily over two decades past the invention of the personal computer (and I’m guessing because I’m writing this from England and currently have no access to the Internet, which was something I took note in this post) it’s interesting to think about all the various tools that have become staples in a writer’s life—or at least in mine (since not all writers use all these tools and some even stick to older writer’s tools).So, I started to think about what might be considered the top five tools for writers in today’s world, based exclusively on my personal opinion and on what I know are used by a majority of writers out there. I’ve intentionally left out things that I think are obvious: computers, laptops, word processors (of any description), and other things that have been around in some significant capacity.Here goes (in order): Web or Software-based Dictionaries/ThesauriPossibly the best tool for any writer who makes use of the computer primarily for writing, these handy tools (such as WordWeb or Dictionary.com) put at your disposal an arsenal of definitions. I particularly like WordWeb, which makes getting definitions or spelling corrections as simple as a click on an icon in your taskbar, but pretty much any tool that makes it easier to find words while writing, without dragging out the process like the old dead-tree forms did, deserves to be on this list. Duotrope, Ralan, and Other Online Market DatabasesIt used to be that not too long ago you had to either already know about the places you were going to submit to or you had to buy one of those Writer’s Digest Market Guides in order to figure out where to send your work. Now we have all sorts of market databases, some of them specific to certain genres (Ralan) and some pretty much wide open (Duotrope). These have made it not only easier for writers, but also easier for small publishers (particularly magazines) to make themselves known to all sorts of writers out there. Critique Services, Forums, and Social NetworkingI don’t know how writers managed to get along without places like Critique Circle or the various forums dedicated to improving one’s writing (such as Young Writers Online—shameless plug). Such places have truly revolutionized how we do writing groups and critiques. Add into that the incredible tool that is Social Networking, in all its various forms (Facebook, Myspace, or even writing specific sites), and you have a collection of endlessly useful things for any writer in today’s highly tech-based world. Database and Note-Taking SoftwareEvernote, StickIt, Freemind, and even Microsoft’s various versions of those programs have all contributed, in my opinion, to making the writing world what it is today. Such programs offer a wide range of ways of keeping track of your writing, and even ways of organizing information about one’s SF/F worlds. Wasn’t too long ago that a writer had to waste reams of paper and countless hours in order to develop and organize all the necessary world building bits. Now all you have to do is have the right program and typing skills (handy knowledge of quick keys doesn’t hurt either). The InternetThis is number one only because I am intentionally ignoring the drawbacks. As a tool, the Internet puts at any writer’s disposal everything from marketing to research. There are encyclopedias, forums, blogs, music sites, databases, etc. (the list is literally endless). No matter what kind of writer you are (whether you write genre fiction or literary fiction), the Internet offers just about everything you could possibly need as far as improving your writing is concerned (or improving the realism of your prose). Now, if only you could cut out all the drawbacks (the Internet is a time sink, after all), then it’d be the perfect tool. What tools do you use for writing? Leave a comment and let me know. I might discover something new and interesting!