October 2009

World in the Satin Bag

Science Fiction is Not Immortal

Having spoken of the non-death of science fiction, it occurs to me that I should also talk about the would-be-death of the genre. Because, unlike general fiction (or “literary” fiction, if you want to call it that, though that would be unfair), science fiction does have a limited lifespan. To be fair to SF, that lifespan is a long one, since the inevitable death of SF cannot occur until one of two things becomes true (and I have mentioned these before): a) we are incapable of imagining the future any longer; or b) the future ceases to exist. I don’t know how either of these possibilities will ever worm their way into existence short of the apocalypse descending upon us, since, after all, the physical end of human history as we know it would constitute a complete absence of the future. But then, SF wouldn’t exist because there would be nobody there to think about it. So that is not a possible solution to the problematic nature of SF’s mortality. Instead, and I think I have touched on this at some previous point, science fiction will cease to exist in the first instance when some measure of hope (or the utopian ideal of such a thing) no longer occupies us as a bulk entity of fleshy masses, when we literally cease concerning ourselves with the present’s pursuit of the future. How? Perhaps through the creation of a utopian state, as much as one can exist, in which the needs of each man and woman are attended to, in some fashion or another. It’s hard to say what could produce the incapability of imagining the future, but when that occurs, SF dies. In the second instance, however, the future must cease to exist because the limitations of the future itself are as mortal as science fiction. The future is not indefinite, but is replaceable, recycling itself over and over, in a cycle that is finite. It is not a perpetual motion machine, but a machine with a long, slow, drawn out cease-ment-of-living. The future, thus, ends for mankind when there is nowhere else to go. Perhaps that is at the end of life as we know it, or at the end of the universe (the collapsing of the energy that created us all, which would then restart the cycle, restart time like a battery). More than likely, it is at the point in humanity’s inevitably long existence in which we simply have nowhere else to go. Imagine that, if you will: after all those centuries, we come to a point where technology cannot progress, where what is around the corner is little more than the same thing that we saw yesterday, and nothing we do changes anything in a significant manner whatsoever (on a global or galactic scale). That is where science fiction dies. But, a simpler approach, one that is less “philosophical,” if you will, is to try to think about the place we will eventually be in, where science fiction cannot possibly offer us anything else. If we already have space ships and aliens and AI and robots and all of those imaginative constructs, then, really, where else is there to go? Science fiction simply cannot exist in that sort of environment. It will cease to be speculative and forever become the present, the every-day. We’ll stop calling it “science fiction” and, instead, shove it in with all those mainstream and “literary” novels. That is, of course, if literature can survive the distant future. And that’s all I have to say on that. What do you think?

World in the Satin Bag

Barnes and Noble’s Nook: A New Wave in eReaders?

B&N isn’t the only one announcing new eReaders. Apple is rumored to have one coming up and Amazon has released the international version of the Kindle 2. But I think this is the first time I have found myself excited about the prospect of an eReader. B&N’s Nook is a sleek looking device with a heck of a lot of functionality, including the self-declared ability to read multiple formats adequately. While the Nook uses AT&T’s 3G network, which is not covered in all areas, it does allow you to use your USB port on your computer, which makes folks like me, who download loads of essays in PDF form quite frequently, happy because it allows for the possibility of making those reading experiences more enjoyable. So, my initial impression is that of excitement. I admit that I am not a big B&N fan (I prefer Borders only because their club card thing is free), but this might make me a regular B&N user over Amazon. But enough about what I think, what about you? Do you think it looks good? Are you reserving judgment? Or do you hate it? Let me know and tell me why!

World in the Satin Bag

Sci-fi Film Festival (Saturday, Oct. 24th)!

It figures that the year I move away from California all the cool things I had always wanted to happen there began to occur: all my favorite writers paid a visit and now a sci-fi film festival! But, if you’re in California, and particularly the L.A. area, you should check this festival out: Who: Trade&Row – a Los Angeles based 501c3 nonprofit organization established to develop and support community-oriented programs that engage current issues through the visual, performing and literary arts. For more information about Trade&Row, please visit: www.tradeandrow.org What: Trade&Row, a nonprofit community organization, is happy to present its second annual Saturday Fantasy Film Festival Fundraiser. Independent short films from around the world and discussions will address the role of science fiction, fantasy and horror in examining social issues. Amazing donated items such as a one night stay at the Standard Hotel (Downtown) as well as items from feature films will be raffled off throughout the day. All proceeds will be used to develop and support local community-oriented programs that engage current issues through the visual, performing and literary arts. Film screenings will be hosted by producers/writers Grant Rosenberg & Garner Simmons. The festival will also feature presentations, including a discussion moderated by Dr. Joan Wines, Professor of Literature at California Lutheran University and member of the Aldous Huxley Society, with panelists:* Sheila Finch, science fiction author* Joshua Dysart, comic book author/graphic novelist* Joshua Hale Fialkov, comic book author/graphic novelist* Marc Zicree, science fiction television and film producer* Dan Goods, Visual Strategist for NASA’s Jet Propulsion Laboratory at the California Institute of Technology, will also give a presentation on the link between science and art. When: Saturday, October 24, 2009 from 12:00 p.m. to 5:00 p.m. Where:Rec Center Studio1161 Logan StLos Angeles, CA 90026 Tickets: Tickets are available online at www.saturdayfantasy.com as well as at the door. Admission is $10. For more information about the festival please visit: http://www.saturdayfantasy.com ——————————————- If you go to the festival, please pop buy and let me know how it went!

World in the Satin Bag

Out of Body Experiences…With Characters?

I had the most bizarre experience the other day. While doing homework I found myself suddenly speaking as one of the characters in a new project I’ve been working on. I started walking around the house, talking as though I was telling the story, albeit rather quietly. Then, it stopped. There must have been five minutes of this, and when I tried to write it all down, I found that I couldn’t, as if that part of me had simply been shut off. I’ve never had that happen to me. I don’t know if I’m insane or simply so fascinated by this character than talking as though I am that character is simply the way of the game. So, to determine whether my sanity has been compromised, I’d like to ask all of you whether you’ve ever had this kind of experience. Let me know in the comments! You can also tell me I’m nuts and should seek medical attention, if you so desire.

World in the Satin Bag

Science Fiction’s Not Dead, Fantasy is in the Golden Age

People are talking about the death of science fiction again. It’s not actually dead, far from it, but as soon as someone says “it’s dead” someone else goes crazy (either because they believe SF has long been dead or because they’re tired of hearing the argument). Apparently the genre has a few dozen lives and manages to die and be resurrected ten or so times a year. The End of the Universe said science fiction has nine lives, but I think that’s too conservative of an estimate. It’s died at least that many times in this year alone… The problem with science fiction isn’t that it’s dead. To be fair to the genre, it’s never actually died, but it has been overshadowed to varying degrees in history. Even in its supposed “Golden Age” science fiction was not exactly as popular people seem to remember. Yes, it was popular, but science fiction never had the popularity of mainstream pop-fiction. That’s not to say it was irrelevant or that no science fiction books sold well enough to make it to the bestseller’s list; quite a few actually did, but in comparison to traditionally larger genres (romance and quasi-mysteries), it really didn’t make the crossover into market dominance at any point in its multi-century lifespan. Fantasy, on the other hand, has, and not because the genre is necessarily better (and neither is it worse). Fantasy is doing well because it got lucky. Now, to be fair to fantasy, it has always done rather well ever since Tolkien became a persistent model for other fantasy writers. As a genre, fantasy had a lot of uphill battles to fight to get to a point where it had a secure market, but once it got there it never let it go. Now, however, fantasy has exploded. Some have said that fantasy is experiencing a “Golden Age” of its own–and I would have to agree. Why? Well, as unpredictable as the market often is in regards to what will be the hot item of the year, I would say that fantasy simply got lucky. The publishers had no way of knowing that urban fantasy would plow through the roof like it did, or that other forms of fantasy (more traditional forms, if you will, and even the exceedingly non-traditional–literary, ultra-weird, etc.) would grow moderately over the last couple decades. It just happened. Now, if I were to argue for a reason, I would say that the last eight years have had a lot to do with the rise of fantasy. Publisher Weekly almost acknowledged as much in the last year when the recession hit and sales of escapist titles (science fiction and fantasy) actually rose (it was temporary in the sense that, while people were going to SF/F for a presumed escape from the present, the downturn of the economy eventually led to an almost universal drop in sales in almost all markets, some of which have yet to fully recover). The reality seems to be that when the proverbial crap hits the fan, readers flock to literature that is less likely to make matters worse. They want heroes and adventures, of a sort. I don’t know if this is true for everyone, but sales seem to reflect that. I am unsure how urban fantasy fits into this assessment–UF tends to be somewhat dark in nature. Either we have to accept that people are somewhat darker at heart than we ever anticipated, or urban fantasy offers a bit of harmless, well, fantasy. I don’t know how long fantasy’s “Golden Age” will last. As with all booms in literature, there are limits, and I suspect that urban fantasy, which seems to be the genre largely pulling fantasy up out of the pool, will eventually wear out its welcome–fantasy, as a whole, will not. For now, we can sleep soundly knowing that science fiction isn’t dead and fantasy is doing quite well. That’s good news.

World in the Satin Bag

Comment Policy Change

I have made some changes to how comments will work on this site. All comments will now be sent for approval by me. Why? Because I have been getting an inordinate amount of spam posts and I’m tired of deleting them. To those that might be concerned that I’ll prevent your comment from showing up because you disagree with me or some such, you have nothing to worry about. I’m only stopping comments that are clearly peddling something or leaving pointless words in order to post a link to some scam site. I’m just tired of it… Thanks for understanding.

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