May 2011

SF/F Commentary

USPS Fail Hard (Again); My Game of Thrones Experience Ruined

If you follow me on Twitter, then you might already know about the recent disaster to land on my steps.  If you don’t, then you’re in for a treat. Recently I became obsessed with A Game of Thrones by George R. R. Martin, much like many other people did ten years ago (or in the last few years, as is the case with Carraka, who graced these pages earlier today in my bizarre rant about characters from the book).  I managed to get my mother into the series long before I could stomach it (I’ll explain this some other time), and when I got myself hooked on the first book, I started looking for the next three in the series.  This search led me to call my mother, who has a great bookshop near her, and the end result was that my mother would gift me the next three (my own copies, rather than hers) and a whole bunch of homemade foods (jam, apple butter, applesauce, apple pie filling, and so forth).  I like to pretend this was a loving gesture. As such, I’ve been anticipating the day that the box would arrive, because I desperately want to read Martin’s work in hard copy.  I love my Nook, but nothing beats a mass marking paperback in my hands when I’m walking.  MMPs feel…right. A week-ish went by, and finally the box arrived (today), marked a number of times with the term “fragile” (fra-gee-lay as they say in A Christmas Story).  Instead of a well-kept package, I found this (after the fold): We’ll get to the brown discoloration in the corner in a moment.  This box was not handled “with care” at all.  It’s quite obvious that the box was treated as any other box might be treated if it were sent to a recycling company.  Not only has it been brutally smashed from the start, but USPS made no effort to correct what was clearly a terrible mistake by giving the box better treatment. But the worst part isn’t the condition of the box.  A beat up box can be lived with.  If the package only contained books, I could, perhaps, forgive a little beating provided the books were in good condition.  Sadly, USPS treated my package so poorly that some of the non-book-contents of the box were smashed into tiny pieces of glassy goop.  That brown discoloration I mentioned earlier?  That’s jam.  And not just any jam.  Festering jam.  The box has been sitting in southern heat for days (two weekends worth) and the stink from within the box is unidentifiable.  I have no idea what kind of jam it is because the identifying bits were crushed away too.  All I have is a goop inside the box.  There’s jam everywhere.  Worst of all, on my brand new copies of the next three books in Martin’s A Song of Ice and Fire.  One of the books might be salvageable (I doubt it, though, since it stinks), but the other two are lost, soaked practically to the binding with rancid jam.  See for yourself: And before anyone thinks my mother did not protect the jars well enough, let me show you my trashcan, which is full of all the bubble wrap I took out before taking the picture above: USPS didn’t bang the box up a “little bit.”  They crushed it under something heavy or tossed it around.  When you look at the image from the inside of the box, you can see all the stress marks from the pressure put on it from above.  The level of beating this box took far surpasses anything resembling “normal shipping wear.” Oh, but it gets better.  When I called USPS to complain, they asked if I had insurance on the box and told me I was out of luck if I didn’t.  That’s right.  I have to pay them extra money in order to be assured the box won’t get crushed or mangled on its trip.  That’s like paying a restaurant for the assurance that someone won’t piss or spit in your soup.  You expect that there won’t be piss or spit in your soup.  That’s a minimum requirement of restaurant food.  When I send something through the post office, I expect that my box won’t be crushed if I clearly mark it as “fragile” with my own pen (as my mother did) and the post office red mark (which they also did a number of times on this particular package).  You buy insurance when you are worried about losing the box or that routine wear, even for fragile packages, might break the item.  You don’t buy insurance in order to remind USPS that they need to do their job. In the end, I’m furious.  I haven’t been this mad in almost a decade.  I’ve been looking forward to reading those books for weeks.  Now I have the pleasure of telling my mother that her lovely gift got shat on by USPS and that I’ll have to find replacements for the books she spent her day getting for me and the jam she slaved over her stove to make. Screw you, USPS.  I’d say I hope the government cuts your funding, but that would be mean… P.S.:  I’m writing this post at a time when I’ve cooled off enough not to curse a dozen times in a row.  I was so mad earlier that when I called my mother to figure out if she had insurance on the package, I actually cursed on her answering machine, which will not amuse her in the slightest… P.S.S.: Thanks to Yona for reminding me of this hilarious scene from Spaceballs:

SF/F Commentary

How George R. R. Martin’s “A Game of Thrones” Changed My Life

In a private message conversation on Young Writers Online, I descended into madness as the ending of A Game of Thrones sunk in.  What follows is the very insane conversation that I had with a friend.  The message was titled “Dlajdq24y89qu98yq2389yuadslajsblas bkn3kjgnkjajdsfalsdjflkasdjlkajlkaglasdlkgjalksgj.” I have inserted a space so it can fit… Warning:  lots of foul language.  (Do not read beyond this point if you do not want spoilers; I pretty much ruin the ending of the book in my rants). The message begins (after the fold): Shaun:  They killed him. They fucking killed him. Chopped his head off and that stupid Sansa made it happen. That fucking stupid awful Sansa.  But he’s dead. They killed him, and I’m losing my fucking mind right now. They killed HIM. Eddard Stark. He’s an amazing man, and they lopped his head off. An honest, honorable man…and he’s dead. And Jaime Lannister better be next. Better be more than next. Dead next. And all the other Lannisters to. Joffrey especially. I hope Arya guts him through his groin.  WHY? WHY???????????????????????????????? Why Eddard? Why not Sansa? Or, I dunno, the whole fucking lot of the Lannisters…WHY?  Carraka: Yeah, I was waiting for this. Imagine my amused smile every time you told me Ned was your favorite character. No, actually, don’t, because I wasn’t smiling. I mean, every time I take those character quizzes, they tell me I’m most similar to Ned. And so I start comparing myself to him, and I look at all the decisions he made that, while honorable, were not necessarily that smart, and suddenly I wonder exactly how much I’m screwing myself over by making important decisions such as choosing not to use SparkNotes. -croons- It’s okay … there are reasons to continue reading, though I cannot say what they are … it’s okay … -sniffle- -hugs Sansa- Poor girl, her father is dead.  Shaun:  Fuck Sansa. I hope she dies…  Carraka:   You are so cruel! Maybe it’s because I was once Sansa’s age. And Sansa’s gender. I really do not understand Sansa-hate.  Shaun:   Because she’s a naive moron who got her father killed. That’s why I hate her. She’s so blind by her silly childish romantic bullshit that she gets people around her killed. If she were my sister, I wouldn’t even bother trying to save her. I’d let her get beheaded while storming King’s Landing and Casterly Rock with an army of White Walkers and slay the whole of the Lannisters. Every last one of them. And I’d decorate the Red Keep with the hair of every Lannister in the lot, with the exception of Lancel, who I would immediately take under my wing and treat with great respect.  Death to Sansa and the Lannisters! DEATH!  Carraka: Wait, what? I know Lancel is cute and all, but why is he getting an exception? While we’re at it, I’ll name Lancel’s father, Kevan, as a Lannister who should also be spared. And Myrcella and Tommen  Shaun:   Because Lancel gets beat on by everyone and treated like garbage, and he’s so young and innocent. That’s why. I don’t trust any of Cersei’s children, though. All of them are rotten to the core. Infested with Lannister pride and wickedness. They should be tossed into the see to drown along with their mother and the Kingslayer and all of fair hair who bear the Lannister strain in their blood. Except Lancel.  Carraka:   Gods, Shaun. You’re like Robert with the Targaryens.  Shaun:   Aye, but I’m not drunk and I’m not fool enough to surround myself with scheming Lannisters with their gold and their lion helms and their smug smiles. And I’m not fool enough to run a Kingdom without honor. But like Robert, I would avenge the greatest of men with the greatest of violence in order to purify the Kingdom of its golden infestation and bring righteousness to the Seven Kingdoms, with Robb Stark and his mother, Catelyn, commanding the North, and the Iron Hand of the new King smashing those in the South who oppose the honorable new order.  Long live King Shaun! Long live King Shaun!  Carraka:   Yeah, you’re reminding me that now that my summer is about to begin, I should be writing the next SBS round (in which people deal with your death). Also, like Ned, I would remind you that Myrcella and Tommen are only children, and it would be dishonorable to kill them. In fact, it would be … Lannister-like! You will become what you hate!  Shaun:   Then I will wait until they are adults and slay them each in their turn. If it must come to that to retain my honor, then so be it. But they will pay for what they did to Eddard of the House Stark, Lord of Winterfell and Warden of the North…  THEY WILL PAY! You see what George R. R. Martin has done to me? Please don’t have me committed… In all seriousness, though, I think this say something about how much I enjoyed A Game of Thrones.  For me to get that upset about a character’s death and the characters responsible suggests that GRRM is doing something right.  Then again, maybe I’m just trying to convince myself that I’m not a genocidal maniac…

SF/F Commentary

The Skiffy and Fanty Show #3.9 is Live! (Torture Cinema Meets Batman & Robin)

I’m going to steal the introduction to the episode in question to explain what this is all about, because it’s full of hatred and love: We’re back and pissed off. Why? Because our listeners chose Batman and Robin in our Torture Cinema poll and forced us to watch it. Thanks a lot, jerks! The good news is I’ve “hidden” Arnold Schwarzenegger in the episode, which should bring you all some joy while we die of asphyxiation. The other good news is that next week is all about our special edition episode of the show! It won’t be live, unfortunately. Technology seems to hate us. But it will be filled with our friends: Jason Sanford, John Ottinger, Adam, and your lovely host regulars! There you have it.  We’ll have a new Torture Cinema poll later in the week, and we’ll probably still hate our listeners after that too (jokingly, of course). If you’d like to check out the episode, you can stream it or download it here.

SF/F Commentary

What Science Fiction or Fantasy Are You Enjoying/Looking Forward To?

We’re running a new question on The Skiffy and Fanty Show blog about a few of the new SF/F shows coming to the small screen (along with a handful that just started a month or so ago).  Pop on over and let us know which SF/F shows you’re looking forward to or currently enjoying.  We’d love your input!  Heck, you can even tell us why you won’t be watching some of the new shows.  There are a few we’re not going to watch either… Anywho!

SF/F Commentary

Top Five Female Authors of Science Fiction and Fantasy

A while back, Larry over at OF Blog of the Fallen posted this list of fives. I’ve decided to turn each into its own post on my blog, with one modification:  all of them will be specific to science fiction and fantasy.  Hopefully nobody will have a problem with this change. First up, as the title suggests: Top Five Female Authors of Science Fiction and Fantasy Kage Baker I was saddened when Baker passed away last year.  She was not only a gracious author who indulged this silly fan by answering questions for an interview, but she was also a writer of amazing works of fiction across multiple genres.  The House of the Stag is still one of my favorite novels of all time and is sure to stay in my top ten for the foreseeable future.  I loved the book so much that I am hesitant to read The Anvil of the World because I know it will be the last time I get to read something fresh and new from the world that sucked me in and never let go.  One day I’ll read it, but when I’m done, I won’t be happy with myself.  Then again, maybe I will be… (Reviews:  The House of the Stag and The Empress of Mars) Elizabeth Bear One of the things that I love about Elizabeth Bear is her willingness to challenge the conventions of the genre.  Her stories deal with issues of sexuality and gender in unique and intriguing ways, particularly Dust and Carnival, two of my favorite works by her (I like Dust best).  I love traditional stories as much as the next guy, but I also love to see different kinds of characters put on the center stage, whether they’re gay, transgender, or somehow “non-normative” (for lack of a better term).  I also appreciate that Bear does not write stereotypical takes on such characters.  Not every novel with gay people in it is erotica, folks!  Seriously! (Reviews:  Dust and Carnival) Octavia Butler I read Butler’s “Speech Sounds” and Parable of the Sowers in an African American science fiction class at UC Santa Cruz (where I got my B.A.).  We might have also read another of her short stories, but I can’t remember.  In any case, that class changed everything for me.  It showed me that I could pursue my interest in Science Fiction Studies without fearing that I might get shunned by the academic community and it exposed me to Octavia Butler, who still influences me as a writer and academic today.  If you haven’t read Butler’s work, you must do so immediately.  She is one of the greatest science fiction writers to walk the face of the Earth! Nalo Hopkinson Hopkinson is, like Butler, one of the most important writers of the 21st century, and certainly one of the most important female writers of SF/F.  Her Caribbean-infused novels (such as Brown Girl in the Ring and Midnight Robber) are prime examples of the breadth of the speculative fiction genre.  Not only can SF/F be about grand adventures in space or fantasy lands, but it can also about intense forays into culture, colonialism and its lingering effects, and the postmodern human condition.  It’s little surprise that she is one of the two authors I focused on for my M.A. thesis (the other was Tobias S. Buckell, but he’s a boy, so he’s not a part of this list)(P.S.:  the degree should arrive on my doorstep sooner or later).  All I hope is that she keeps writing and influencing the genre, showing the world that SF/F does not have to deal with traditional western curiosities, but can stretch outward to talk about the world at large. Susan Beth Pfeffer Pfeffer may be somewhat new to the genre world, but her YA post-apocalypse novels are some of the best YA fiction out there.  They’re emotional character journeys told in epistolary format where children have to cope with situations that force them to grow up fast, because the childlike world they once took for granted no longer exists.  I’ve loved every single one, and word is that there might be a fourth in the series, which should tie up some loose ends and explain what happens to the two families (maybe). As an indicator of how much I love Pfeffer’s work, I’ve reviewed all three of her science fiction novels (Life As We Knew It, The Dead and the Gone, and This World We Live In) and interviewed her three times (here, here, and here — notice how I get better at that whole interviewing thing each time). There you have it.  They’re mostly new names, I’m afraid.  This has to do with the fact that I am not well read in female authors pre-1990 and most of the authors from the New Wave and the Golden Age period are simply not my favorites (Le Guin is good, but I’ve only really enjoyed one of her books — The Dispossessed).  Feel free to check out my marked up SF/F Mistressworks list to see how poorly read I am; I am embarrassed… Runners up:  Lauren Beukes (review:  Zoo City; interview here), Karen Miller (reviews:  The Innocent Mage and The Awakened Mage; interview here) and Jo Walton (reviews:  Farthing and Ha’Penny).  I love the work of all three of these authors, but I have to pick five.  It’s hard to make these three Runners Up, but it has to be done. Who are your favorite female authors of science fiction and fantasy?  Let me know in the comments!  I’m always hungry for more writers to read!

Book Reviews

Book Review: Serial Killers Inc. by Andy Remic

Callaghan is a scallywag, divvying up his time between bedding married women, exploiting the vulnerable and dead to make a living at a tabloid magazine, and consuming enough alcohol and hardcore drugs to send him to an early grave.  And things are going well for him on this destructive path. But Callaghan has an admirer, someone who has taken a keen interest in his lifestyle and transgressions.  Soon Callaghan discovers that his admirer may have a hand in a string of murders in the area, and that he is somehow connected to them.  Worst of all, this new killer has an idea to make Callaghan a part of the games.  When the walls start to crumble around him and people start to die, Callaghan has to make a decision:  continue with his careless lifestyle or finally take responsibility for his actions.  But doing so might mean making allies with disreputable characters who have their own twisted sense of morality… Serial Killers Inc. is a disturbingly violent book which demonstrates once more why Remic is both a terrifying human being and a literary dynamo.  When I reviewed Kell’s Legend, I said he was “the Tarantino of fantasy,” but having read Serial Killers Inc. I think it’s fair to say that he’s in a league all on his own, touched not by Tarantino’s cult sensibilities, but by the wicked recesses of the human mind.  Serial Killers Inc. is a book that questions the morality of immoral people, challenging their limitations in what could be called an exaggerated allegory of “normal” human existence.  It’s precisely Remic’s treatment of morality in Serial Killers Inc that makes the book more than a romp into vulgarity.  Dragging Callaghan into a game of serial killers and monstrous people means finding a challenge fit for the character, but it also offers challenges to the reader, who might consider how the moral games played in the book reflect upon our world of grays. Remic’s work, however, is not for the faint of heart.  It’s violent, crude, and sometimes even vulgar, pushing buttons even I find difficult to stomach.  But such things don’t exist in Remic’s work without reason.  Serial Killers Inc. is about characters who live in a world where vulgarity and perversion are regularities, and Remic has to find clever ways to make us care about these characters.  After all, we would not normally identify with someone who is sleeping with a woman married to a murderer, nor someone who thinks of women as sex objects.  And, in fact, it’s because Callaghan is these things that we begin to understand why Remic has chosen to torture him in this novel.  Callaghan must be saved, not just from the evils of the world, but also from the evil in himself.  This doesn’t mean that Callaghan will come out of the novel’s events a saint; rather, it means he has to acknowledge that his life of disconnection from consequence is unsustainable.  Serial Killers Inc. may be a difficult book for some readers to swallow because of its language and themes, but if one can move past these to the heart of the tale (which seems to masquerade as a gory cult horror story, but is, in fact, much more), there’s a compelling story to be had. Serial Killers Inc. does have one major flaw.  Most of the plot is straightforward and develops effectively, but where Remic falters is in the introduction of subplots.  One of the major subplots is actually a whodunnit mystery narrative with a near-mystical resolution.  I thought the way the story turned out was fantastic, but it came too suddenly and with too little foreshadowing to have the impact it needed.  Remic does insert clues, but they are often too vague or too short, sometimes even difficult to disentangle from the insanity of the characters who present them (perhaps this is his intention).  The novel might have benefited from a linear development of Callaghan’s investigations into the mysteries surrounding the murders of which he has unwittingly become a part.  Remic’s novel clearly deals with detective tropes alongside its deconstructions of contemporary morality and cult horror elements.  I simply would have liked to see the detective bits expanded as well as the others. As a novel in a new genre for Remic (he traditionally writes science fiction and fantasy), Serial Killers Inc. is a brilliant addition to the man’s oeuvre, encapsulating the rushed, heavy-voiced writing style and cult horror tropes we’ve come to expect of him.  This is a novel to entice genre fans with its horror sensibilities, but also one to challenge readers beyond the genre with its no-holds-barred hyperrealism.  Though heavy handed, Serial Killers Inc. is a title well worth reading if you can handle Remic’s unrelenting and unrepentant exploitation of the worst aspects of the human condition.  Call it a man fantasy or violence porn or whatever you like; if Remic keeps doing what he’s doing, I’ll keep coming back for more. If you’d like to learn more about the book, check out the publisher’s page or the author’s website.  Serial Killers Inc. is available on Amazon and anywhere else books are sold.

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