Graphic Novel Review: Library Wars Vol. 1 by Kiiro Yumi and Hiro Arikawa

Reading Time

Every time I attend a convention, I come back with a little something extra in my collections. For anime conventions, this usually means I leave with a lot of manga and candy. Such is the story of how I came into the possession of the first volume of Kiiro Yumi’s Library Wars (thanks MegaCon!).  Unfortunately, the journey did not end with the desired result.  While the premise of Library Wars is an amusing one, the narrative and world lack any sense of continuity, leaving a story that feels both strained and nonsensical.  Library Wars is a prime example of what manga looks like when it goes horribly wrong.

Iku Kasahara is a soldier in training for the Library Forces who has always dreamed of becoming a member of the elite Library Defense Force.  In a world where the government actively seeks to
censor anything it deems “threatening” to the body politic, the Library Forces defend libraries, books, and bookstores from the government and its minions.  Kasahara desperately wants to be more than a librarian, and when she gets recruited into the Library Defense Forces, to the surprise of her classmates, she sets out to fulfill her lifelong goal.  But the Library Defense Forces are harder than she ever expected, including the fact that she must work with a classmate who has no respect for her and a superior who may very well be the man who changed her life in a bookstore when she was little.  She’ll have to work hard to fit in, or risk flunking out for good.

The premise of Library Wars is silly enough to be interesting.  Who wouldn’t love to live in a world where libraries are able to mobilized against the forces of censorship to make sure everyone can get access to new and exciting books?  What starts as an amusing concept, however, quickly falls apart as the holes in the narrative’s logic are exposed.

For example, much of the first volume relies on the audience believing that the libraries actually have a reason for training people to be military-grade fighters who use high-powered rifles.  But there isn’t a single instance in the book that justifies this level of militarization.  In fact, the use of weapons is utterly pointless.  When books are pulled from shelves in bookstores by censorship police, the Library Forces are legally able to acquire the books for the library without any fuss from the police.  Likewise, no battles ever take place, whether fist or gun fights.  It’s never made clear that there is anything for the Library Forces to fear.  Yet the narrative constantly reminds us that there is a war on, despite no evidence in the imagery or the plot to prove this true.

These logical inconsistencies are further pronounced by the main character, who is one of the most incompetent people ever granted access to military-grade weaponry.  Kasahara doesn’t pay attention in her classes, she is barely physically qualified to meet the standards of the Library Defense Forces, she is willfully ignorant, an incessant complainer, and unwilling respecting military authority.  She constantly bickers with her superiors, who treat her, rightly so, like a child, and only demonstrates her competence when subjected to embarrassing situations (ones which demonstrate to everyone that she’s completely useless).

To make matters worse, her fellow recruit, Tezuka, is treated like a pariah, even though he is intelligent, physically capable, and otherwise a perfect candidate for the job.  Superiors tell him to lighten up or chastise him for looking down on Kasahara when she fails miserably (failures that demonstrate not that she is human, but that she is, again, incompetent).  Despite this, the Library Defense Forces expect to be taken seriously.  Why?  Because they’re the Library Defense Forces and Yumi has told us over and over again that they are the elite super soldiers of the Library Forces.  What is actually being demonstrated, however, is a complete lack of narrative cohesion.  We’re supposed to care about Kasahara, but I felt consistently put off by her character, let alone her presence in the Library Defense Forces.  Nothing about Kasahara made me want to root for her.  She is annoying, willfully incompetent (i.e., she has no personal, financial, or psychological circumstances which might put her at a disadvantage), and wholly uninteresting.  Her very presence, as such, unravels the logic of the world.

As much as I wanted to like Library Wars, I ended up finding it repulsive.  I’m willing to accept silly premises, because that’s a staple of a lot of manga, but those premises have to at least be internally consistent.  Library Wars, however, makes no effort whatsoever to represent characters who are realistic, nor does it try to represent a world that makes sense.  Instead, Library Wars is a monumental failure.

If you’re interested in checking out Library Wars for yourself, you can find it on Amazon or anywhere books are sold.

Email
Facebook
Twitter
LinkedIn
Digg
Reddit
LinkedIn

2 Responses

Leave a Reply to S.M.D.Cancel reply

Follow Me

Newsletter

Support Me

Recent Posts

A Reading List of Dystopian Fiction and Relevant Texts (Apropos of Nothing in Particular)

Why would someone make a list of important and interesting works of dystopian fiction? Or a suggested reading list of works that are relevant to those dystopian works? There is absolutely no reason other than raw interest. There’s nothing going on to compel this. There is nothing in particular one making such a list would hope you’d learn. The lists below are not an exhaustive list. There are bound to be texts I have forgotten or texts you think folks should read that are not listed. Feel free to make your own list and tell me about it OR leave a comment. I’ll add things I’ve missed! Anywhoodles. Here goes:

Read More »

Duke’s Best EDM Tracks of 2024

And so it came to pass that I finished up my annual Best of EDM [Insert Year Here] lists. I used to do these on Spotify before switching to Tidal, and I continued doing them on Tidal because I listen to an absurd amount of EDM and like keeping track of the tunes I love the most. Below, you will find a Tidal playlist that should be public. You can listen to the first 50 tracks right here, but the full playlist is available on Tidal proper (which has a free version just like Spotify does). For whatever reason, the embedded playlist breaks the page, and so I’ve opted to link to it here and at the bottom of this post. Embeds are weird. Or you can pull songs into your preferred listening app. It’s up to you. Some caveats before we begin:

Read More »

2025: The Year of Something

We’re nine days into 2025, and it’s already full of exhausting levels of controversy before we’ve even had a turnover in power in my home country of the United States. We’ve seen resignations of world leaders, wars continuing and getting worse and worse (you know where), the owner of Twitter continuing his tirade of lunacy and demonstrating why the billionaire class is not to be revered, California ablaze with a horrendous and large wildfire, right wing thinktanks developing plans to out and attack Wikipedia editors as any fascist-friendly organization would do, Meta rolling out and rolling back GenAI profiles on its platforms, and, just yesterday, the same Meta announcing sweeping changes to its moderation policies that, in a charitable reading, encourage hate-based harassment and abuse of vulnerable populations, promotion and support for disinformation, and other problems, all of which are so profound that people are talking about a mass exodus from the platform to…somewhere. It’s that last thing that brings me back to the blog today. Since the takeover at Twitter, social networks have been in a state of chaos. Platforms have risen and fallen — or only risen so much — and nothing I would call stability has formed. Years ago, I (and many others far more popular than me) remarked that we’ve ceded the territory of self-owned or small-scale third party spaces for massive third party platforms where we have minimal to no control or say and which can be stripped away in a tech-scale heartbeat. By putting all our ducks into a bin of unstable chaos, we’re also expending our time and energy on something that won’t last, requiring us to expend more time and energy finding alternatives, rebuilding communities, and then repeating the process again. In the present environment, that’s impossible to ignore.1 This is all rather reductive, but this post is not the place to talk about all the ways that social networks have impacted control over our own spaces and narratives. Another time, perhaps. I similarly don’t have space to talk about the fact that some of the platforms we currently have, however functional they may be, have placed many of us in a moral quagmire, as in the case of Meta’s recent moderation changes. Another time… ↩

Read More »